Tag Archives: Shabier Kirchner

BBC FILM REVIEWS: SMALL AXE ANTHOLOGY (2020)

BBC FILM REVIEWS: ‘SMALL AXE’ ANTHOLOGY (2020)

Director by: Steve McQueen

Producers by: Anita Overland, Michael Elliot

Writers: Steve McQueen, Courtia Newland, Alastair Siddons

Composer: Mica Levi

Cinematographers: Shabier Kirchner

Original Network: BBC and available on Amazon Prime.

*** CONTAINS HISTORICAL SPOILERS ***



Small Axe could also be described in the vein of ‘Small Acts’. Dramatized and rich slices-of-life that reflect significant historical figures and events from black culture in the 1960s, 1970s and 1980s.  MANGROVE (2020) was the first in a set of five films devised, written and directed by Steve McQueen. It premiered at the London Film Festival in 2020, before being released on the BBC television network. I reviewed the film MANGROVE (2020) here. Such was its power, the searing drama would make my list of favourite films of 2020.

Ultra-talented McQueen was not satisfied with one amazing work. He, his incredible cast and production team also delivered four more high quality dramas called LOVERS ROCK (2020), RED WHITE & BLUE (2020), ALEX WHEATLE (2020) and EDUCATION (2020). I had the privilege of viewing these films via the BBC over the New Year period and provide short reviews here.


LOVERS ROCK (2020)

Main Cast: Micheal Ward, Amarah-Jae St. Aubyn, Kedar Williams-Stirling, Shaniqua Okwok, Ellis George, etc.

As well as alluding to the main love story within the narrative, Lovers Rock also makes specific reference to a style of reggae music with a romantic sound and content. Set over one night during a London-based birthday party, the film opens with the setting up of a sound system, making of food and preparation of the large house. While mostly an ensemble piece, the story narrows its focus on prospective lovers, Franklyn and Martha, who fall for each other amidst the thumping bass and hearty vocals of the music. Surely, Lovers Rock is a testament to the power of harmony and community and love. There are brief moments of drama to spike the party mood, but ultimately this is about the joy of being alive and drunk on song and romance. Lastly, it’s arguably as close to feelgood as McQueen’s intense filmmaking style gets in this amazing anthology.

Mark: 9.5 out of 11


LOVERS ROCK (2020)

RED, WHITE AND BLUE (2020)

Main Cast: John Boyega, Steve Toussaint, Neil Maskell, Joy Richardson, etc.

As well as evoking the socio-political landscape of the era so well, the costumes, hair, make-up and location work feel so authentic in all of the Small Axe films. Such authenticity serves the stories well, as does the virtually perfect casting too. Fresh from his energetic portrayals of Finn in the Star Wars trilogy, John Boyega’s performance as Leroy Logan in Red, White and Blue (2020), brings his character into conflict with a whole different kind of dark side. Logan was one of the first prominent black police officers in the Metropolitan police. He subsequently founded the Black Police Association and attempt to reform the police from within. No two ways around it, based on the early part of his police career, Logan is represented as a trailblazing hero. He is intelligent and tough and ready to face up to the barbaric language and violence from both white police officers and members of the black community who saw him as a traitor. Boyega is spellbinding as Logan, navigating his way up the ranks facing rancour and rejection from within the police and his own father too, who was understandably unhappy at Leroy’s controversial choice of career.

Mark: 9.5 out of 11


RED, WHITE & BLUE (2020)

ALEX WHEATLE (2020)

Main Cast: Sheyi Cole, Robbie Gee, Johann Myers, Johnathan Jules, etc.

What Steve McQueen deserves praise for with Small Axe, among many other things, is bringing to the fore individuals one may not have heard of, or reminding us of important events from within recent British history. In Alex Wheatle (2020), McQueen weaves the early years of now famous author, Alex Wheatle, with circumstances relating to the Brixton riots and the New Cross fire tragedy of 1981. The latter took the lives of fourteen young black people and fuelled much anger at the time in regard to racist attacks on the black community. Alex himself was brought up in care and grows up an angry young man. He finds solace in music and expressing lyrics in a political and combative style. We first meet him in a prison cell sharing with Rastafarian, Simeon (Robbie Gee). The fractious scenes between the two, with both Gee and Sheyi Cole giving fine performances, are full of anger and humour. Far from being a comedy, there remains both witty banter and pathos fizzing around this profile of Wheatle’s formative years. This fine profile finds a young rebel discovering his voice and identity amidst the urban decay, racism and police brutality of the mean streets of London.

Mark: 10 out of 11


ALEX WHEATLE (2020)

EDUCATION (2020)

Main Cast: Kenyah Shandy, Sharlene White, Josette Simon, Tamara Lawrence, Daniel Francis, etc.

Having addressed social and cultural issues relating to civil liberties, law, music, work and identity, Steve McQueen focussed specifically on educational themes within the black community in the aptly named, Education (2020). The highest praise I can give Education (2020) and all the films in the Small Axe anthology is that I felt genuine emotion for all of the characters and the situations they were in. They may not have been perfect and had their flaws, but ultimately all five of these narratives made me feel and care about the characters. Because they were up against an unfair system which demanded to be challenged and changed to stop the systematic prejudice of the time. Education (2020) feels extremely personal to Steve McQueen as one senses the lead character, twelve-year-old Kingsley Smith (Kenyah Sandy) experiences much of the grief he may have when younger. Considered disruptive at the local Comprehensive, Kingsley is dumped into a “Special School” where he becomes lost and ill-educated. One absurd scene simply shows a teacher playing House of the Rising Sun as part of a lesson. Kingsley’s formidable mother, with help from political forces within the black community, strive to right these educational wrongs in a powerful and moving final chapter to the Small Axe anthology.

Mark: 9.5 out of 11