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HBO REVIEW – CURB YOUR ENTHUSIASM – SEASON 10 – another stream of comedic offence, farce and genius!

HBO REVIEW – CURB YOUR ENTHUSIASM – SEASON 10

Created by: Larry David

Executive producer(s): Larry David, Jeff Garlin, Robert B. Weide, Larry Charles, Erin O’Malley, Alec Berg etc.

Writers: Larry David, Jeff Schaffer, Justin Hurwitz, Steve Leff, Carol Leifer

Directors: Jeff Schaffer, Cheryl Hines, Erin O’Malley

Main Cast: Larry David, Jeff Garlin, Cheryl Hines, Susie Essman, J. B. Smoove, Ted Danson, Richard Lewis, Vince Vaughan, Kaitlin Olson etc.

Guests: Mila Kunis, Clive Owen, Laverne Cox, Chris Martin, Sean Penn, Jonah Hill, Jon Hamm, Philip Rosenthal and many more.

Distribution Platform: HBO (USA) – SKY (UK)

**CONTAINS MASSIVE SPOILERS**



“AH! INTERESTING. . . “

During a lengthy hiatus from 2011 to 2017, fans of Curb Your Enthusiasm were left bereft of their dose of Larry David’s inimitable and eccentric behaviour. The multi-millionaire writer of Seinfeld had carved out a wonderfully politically incorrect comedy series, full of misunderstanding, farce and hilariously embarrassing situations. Thankfully, he returned with season 9, and it was absolutely brilliant. Larry managed to get himself a death sentence, having written a musical called Fatwa, along with all manner of other comedic shenanigans. Season 10 has now followed and, once again, anti-heroic Larry delivers ten more fantastically offensive and funny episodes. More often than not we find his behaviour abhorrent as he goes about upsetting friends, family members, celebrities, and strangers on a daily basis. However, sometimes we are with Larry and his actions have merit and reason. Furthermore, due to the wonderful writing, improvising, cast and situations the humour is always more than pretty, pretty good!


NARRATIVE ARC (OF THE COVENANT)

Usually, Curb Your Enthusiasm episodes can stand alone due to the richness of the narrative strands Larry David and his writers create. But most seasons will have a very solid narrative arc running through it to provide looping rejoinders, a structural spine and a fitting conclusion. In season 10, there were echoes of storylines from prior seasons. Larry wanted to get back with Cheryl and they even committed divorced adultery, cuckolding Ted Danson in the process. However, the main arc revolved around the return of coffee store owner, Mocha Joe (Saverio Guerra). Larry pisses Mocha Joe off because he complains about “cold” coffee, wobbly tables and weak scones. Following Larry’s customary banishing he swears revenge on Mocha Joe. This takes the form of the wonderfully named ‘spite store’ he sets up next door. Thus, Latte Larry’s is born, and ten episodes of fast-paced, tit-for-tat, vengeful and hilarious scenes ensue.



“THE GOLDEN RULE” – STYLE AND THEMES

Curb Your Enthusiasm is not just funny because of the situations, dialogue, observations, guest stars and acting performances. It is also very sophisticated and stupid, combining a variety of comedy styles to fuel the humour. Earlier seasons could be argued to be more based in reality per se. The interactions between the characters felt more natural, in keeping with the pilot episode which was shot as a mockumentary about Larry returning to stand-up. Later seasons, especially seasons 9 and 10, upped the gag rate and one could even say felt slicker. Don’t get me wrong, the jokes have always come thick and fast in Curb Your Enthusiasm, but in the last two seasons there is not only a reliance on the usual comedy of embarrassment, observations and satire, but farce, slapstick and gross-out humour too have been added to the palette. Lastly, the show has always skated close to the edge in regard to non-PC humour and causing offence. Evidently, Larry David has now fully thrown himself over that edge and is happy to offend everyone in a two-fingered salute to so-called snowflakes or liberals out there.

In regard to thematics, Larry David clearly has his finger on the pulse relating to contemporary society, politics and human behaviour. Much of the humour and funny scenarios derive from what is acceptable behaviour and certain “rules” within everyday living. In season 10, Larry finds himself questioning, among other things: the behaviour of a pregnant woman; the merits of artificial fruit; what is and what isn’t’ sufficient praise; usage of disable parking badges; whether he should be in a restaurant’s ‘ugly section’; whether sex with Cheryl’s sister is post-relationship cheating; and the overall benefits of running a spite store. These elements, the running feuds with Ted Danson, Mocha Joe and Larry’s assistant, Alice, and themes relating to the Harvey Weinstein scandal and #MeToo movement; Larry and Leon’s continued chats about the nature of being black/white; Donald Trump’s presidency; fat shaming; suicide; Susie’s alleged plot to murder Jeff; nationalist ridicule; egotistic actor types; and transgender issues, all connectedly make this season a very rich product, full of ideas and challenging storylines.



“PRETTY GOOD. . . ” – EPISODE RATINGS

Episode 1 – Happy New Year – (8.5 out of 10)

Larry goes to war with Mocha Joe and reignites his romance with Cheryl. His relationship with his assistant also descends into accusations of sexual harassment.

Highlight: Larry wearing his Donald Trump, “Make America Great Again!” and ensuring no one wants to be seen with him.


Episode 2 – Side Sitting – (8.5 out of 10)

Larry’s relationship with his assistant, Alice, is possibly going to court unless he settles and makes amends. His attempts to get back with Cheryl are rebuked, so he dates his lawyer’s assistant.

Highlight: Larry gives Susie a portrait of herself as a birthday present. She loves it – but Jeff doesn’t.


Episode 3 – Artificial Fruit – (9 out of 10)

Larry’s donation to a charity fails to bring forward redemption when he refuses to hug Laverne Cox at an event, because she has a cold. Meanwhile, Richard and Larry argue over who is paying a lunch bill, leading to a very embarrassing escapade at a Spanish funeral.

Highlights: Larry is unsure if the Heimlich manoeuvre is appropriate when his assistant is choking. Plus, Larry’s doodle debate with Christine Lahti blows up into a serious disagreement.


Episode 4 – You’re not going to get me to say anything bad About! – (9 out of 10)

Larry, Donna (his new girlfriend), Cheryl, Jeff, Susie and Leon go to Cabo San Lucas for a friend’s wedding. Larry becomes fixated with Donna’s yo-yo dieting, but he and Leon do find some incredible coffee beans for Latte Larry’s.

Highlight: Larry’s determination to locate a toothbrush descends into a farcical conclusion. Later, at the wedding, Ted discovers Larry and Cheryl’s infidelity in a hilarious fashion.


Episode 5 – Insufficient Praise! – (9 out of 10)

Preparations for Latte Larry’s gather pace as Larry asks for a specific urinal type. Larry also gets a new housekeeper and is given a sex doll by Freddy Funkhouser. Meanwhile, Larry clashes with actor Clive Owen and Richard Lewis’ new girlfriend; a professional “crier”.

Highlights: Larry’s frantic battle with the sex doll resulting in his housekeeper and Cheryl catching him. Also, Clive Owen’s brilliantly pretentious send-up of narcissistic acting types.



Episode 6 – The Surprise Party! – (8.5 out of 10)

Larry meets a German inventor who has an anti-Semitic Alsatian called Adolf, and he gains joy from the use of a disabled parking badge. He also clashes with Susie over the surprise party she intends to throw for Jeff.

Highlight: Despite not having an appointment, Larry uses his cardiologist’s reception area to wait, because it’s a “waiting room”.


Episode 7 – The Ugly Section! – (9.5 out of 10)

Larry consistently keeps getting placed in the “ugly section” at the back of a restaurant. Simultaneously, he attempts to woo the widow of his friend who recently committed suicide.

Highlights: Larry asking Jane Krakowski’s character where she got the handles for her husband’s coffin. Later, Larry ruins a possible sexual liaison with her by arguing about the New York Jets. Lastly, Larry insults Susie as she should be in the restaurant “ugly section”.


Episode 8 – Elizabeth, Margaret and Larry! – (10 out of 10)

Actor, Jon Hamm, shadows Larry as he prepares to play a character like him in a film. Larry and Leon start a new business venture which initially proves profitable. Cheryl is angered when Larry spontaneously begins a relationship with her sister, Becky.

Highlights: Jon Hamm slowly turning into Larry throughout the episode, culminating in them both being ejected from a dinner party. Also, Kaitlin Olson returning as Becky and the surprising sex with Larry.


Episode 9 – Beep Panic! – (9 out of 10)

Larry strikes up a friendship with a waitress that dripped sweat into his soup. He also becomes obsessed with the liqorice at his car showroom. Meanwhile, Mocha Joe plots his own revenge using DVD film screeners.

Highlights: Leon and Larry succumb to the severe laxative effect of the liqorice in a silly bit of toilet humour.


Episode 10 – The Spite Store! – (10 out of 10)

Latte Larry’s is well and truly open, and it inspires other celebrities to open similar spite stores. Larry is irked by siren abusers and gives a job to Joey Funkhouser, but his big penis causes the store no end of issues.

Highlights: Sean Penn’s opening a spite-driven pet store. All Larry’s innovations at the coffee store ultimately lead to a very explosive downfall.


“NO GOOD?” – CONCLUSION

In preparing for this review I rewatched season 9 and watched season 10 twice. So, it’s obvious to say that I love, Curb Your Enthusiasm. Overall, I found the latest season to be a wonderful mix of old-fashioned slapstick and farce, combined with Larry David’s original and skewed vision of humanity. What was also impressive was the structural coherence of juggling so many comedy plots and situations. Plus, Larry behaves appallingly, and this is very appealing in an ever-increasingly politically correct world. Many times, throughout the season Larry is shown to be a provocative arsehole, but on occasions he very much has a valid point. Larry’s issues are very much first world problems, but because of the skilled writing and consistently high joke rate I related greatly to this season. Plus, Larry doesn’t win. His spiteful plotting and perpetual disagreements with those around him mostly fail. Indeed, ultimately, the joke is always on him.

Overall Mark: 9 out of 10


FIX FILMS SHOWREEL (2005 – 2020)

FIX FILMS SHOWREEL (2005 – 2020)

I’ve been busy trying to avoid the booze in the fridge most days, although I did fail miserably on Saturday. But I was kind of celebrating fifteen years of low budget short filmmaking. If you didn’t know my production company is called Fix Films Ltd. Here is my latest showreel video. It’s basically a look back at all the films we have made. Also, it’s a tribute to all of the talented people we have worked with.

SUBSCRIBE TO OUR YOUTUBE CHANNEL HERE:

https://www.youtube.com/c/FixFilmsLtd



CREDITS & LINKS

Fix Films are a filmmaking collective. Since 2005 they have been involved in the creation of many, many short films and promos. They self-produce, write, direct, edit and score their own films to a very high standard despite the low budgets. They are true independent filmmakers.

This showreel features images, clips and music from most of our major short films productions.

Fix Films Ltd are:

Paul Laight, Gary O’Brien and all the amazing people we have worked with.

Music by:

James Wedlock – www.jameswedlock.com
The FireProofSkratchDuck
Pete Mercer

Please also check out our other sites:

http://www.fixfilms.co.uk/
http://startrekshortfilm.com/
https://thecinemafix.com/
https://www.youtube.com/c/FixFilmsLtd https://www.youtube.com/user/FPSD

A FIX FILMS PRODUCTION © 2020



CLASSIC MOVIE SCENES #13 – BLADERUNNER (1982) – “TEARS IN THE RAIN.”

CLASSIC MOVIE SCENES #13 – BLADERUNNER (1982) – “TEARS IN THE RAIN.”

Directed by: Ridley Scott

Produced by: Michael Deeley

Screenplay by: Hampton Fancher and David Webb Peoples – based on the novel, Do Androids Dream of Electric Sheep by Philip K. Dick

Cast: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah, James Edward Olmos etc.

Cinematography: Jordan Cronenworth

Music: Vangelis

*** CONTAINS MASSIVE SPOILERS ***



Philip K. Dick’s dense, dystopic and futuristic novel, Do Androids Dream of Electric Sheep (1968), is an ugly, beautiful, depressing, obtuse, hypnotic skip-through-treacle read full of incredible concepts relating to: Artificial Intelligence; robot technology; android simulacra; animal husbandry; apocalyptic disease; virtual reality/empathy mood tech; extinguished humanity; and ultimately, of course, mortality and death. The fact that Hampton Fancher and David Webb Peoples were able to fashion a workable screenplay for Ridley Scott to direct is a creative miracle. Moreover, it is testament to the writing and Scott’s incredible production team that, Bladerunner (1982), is held in such high esteem among cinema fans now.

The original Bladerunnerdespite bombing at the box office and subsequently going through a number of cuts, re-cuts, final cuts and re-re-re-releases, has become a bona fide science fiction cinema classic. I watched the original theatrical version recently and despite the deadpan Harrison Ford voiceover and spurious, tacked on “happy” ending, it actually has a lot going for it. Obviously the ‘Unicorn Dream’ re-edits released under the guidance of Ridley Scott are the purer versions but the film holds up notably because of Ford’s gruff, depressive and world-weary performance as Rick Deckard; the imperious psychopathy of Rutger Hauer as android assassin Roy Batty; Scott’s glorious tech noir rendition of our desecrated future; as well as the evocation of Philip K Dick’s thematic existential power.

Such existential power is demonstrated in one of the final scenes where Batty has pushed Deckard to the edge of a building and death. The rain falls and the majestic soundtrack swells. A stripped down Batty, rather than let Deckard die, saves his life. It’s an ambiguous decision, but one of redemption for a replicant that is more used to delivering death. Perhaps, it proves that Batty does indeed have human qualities and Deckard will take up the cause. Delivering one final heartfound speech, Batty regales and laments the beautiful things he has seen. But they are gone – just like tears in the rain. It is a moving epitaph and amazing end to an incredible science-fiction classic. Batty closes down for good, but his demise and Hauer’s incredible performance will live long in the memory.


MEMORABLE FILM CHARACTERS – SARAH CONNOR – VIDEO ARTICLE

MEMORABLE FILM CHARACTERS – SARAH CONNOR – VIDEO ARTICLE

I have already written a text article regarding this subject and that can be read here. However, I am trying to promote my YouTube site too, and thus have been busy creating short online video content which may interest some cineastes. So here is a tribute to one of the most memorable film characters of all time – SARAH CONNOR.



CREDITS

This video article is a fun and educational piece highlighting our one of our favourite film characters – SARAH CONNOR.

Written by: Paul Laight

Narrated by: Melissa Zajk

Music: Sci Fi – Bensound | Royalty Free Music – No Copyright Music | Bensound Music

The copyright of the images and trailers are those of the film studios. I do not own any of the images or films.

Film/Trailer clips credits:

1) The Terminator (1984) – Orion Pictures
2) Terminator 2: Judgement Day (1991) – TriStar Pictures
3) Terminator: Dark Fate (2019) – Paramount Pictures / 20th Century Fox

Check out our sites here:

www.thecinemafix.com

www.fixfilms.co.uk

www.youtube.com/c/FixFilmsLtd

BBC TV REVIEW – INSIDE NO. 9 (2020) – SEASON 5 – more hare-raising twists from geniuses Pemberton and Shearsmith!

BBC TV REVIEW – INSIDE NO. 9 (2020) – SEASON 5

Created and written by: Steve Pemberton & Reece Shearsmith

Directors (Season5): Matt Lipsey, Guillem Morales, Steve Pemberton

Original Network: BBC (available on BBC Iplayer and Netflix)

No. of Episodes: 6

***CONTAINS PROPER SPOILERS***



Inside No. 9 is written by and stars Steve Pemberton and Reece Shearsmith. Both are brilliant comedic and dramatic actors, having appeared in many TV shows and films down the years. They are arguably most famous for beginning their careers in amazing comedic troupe The League of Gentlemen; however, their work on Inside No. 9 surpasses the ‘League’ in my view.

If you have never seen Inside No. 9 before, I urge you to do so. It is an exceptional anthology series with six standalone episodes per season. Individual episodes feature a whole host of different characters and actors each time. As per the prior seasons, the latest one is absolutely brilliant. It privileges tightly woven thirty-minute short narratives, which more often than not, feature a twist in the tale. Moroever the events usually unfold in one location with never more than a handful of characters. This makes the narratives feel more focussed, intense and intimate.

Inside No. 9 is also a surprising delight because you never know what kind of genre you will get. One week you could get comedy, horror, drama, crime, romance or musical; and sometimes a combination of all of them. They also take chances with their use of form and structure, with many episodes either paying homage or parodying different genre styles. So, here are some short reviews of each episode from Season 5. Usually, I mark my reviews out of eleven (in homage to This is Spinal Tap (1984)), however, for obvious reasons, I will be marking these reviews out of NINE.


EPISODE 1 – THE REFEREE’S A W**NKER

Cast: David Morrissey, Ralph Little, Steve Pemberton, Reece Shearsmith

The number 9 of this episode occurs in a football referees’ changing room before, during and after a critical final game of the season. Tensions rise between players, mascots and officials in what is the referee’s last game before retirement. David Morrissey is brilliant as the ultra-professional ref attempting to keep control amidst the chaos. Ralf Little also excels as the vain referee’s assistant, with Shearsmith and Pemberton offering fine comedic support. On the main this plays out as a comedy, but there are also serious moments. Indeed, The Referee’s a Wanker explores themes of corruption, gay footballers, and the obsessive win-at-all-costs nature of football fanatics. Fast-paced, funny and containing a great twist, this episode kicked off the season very positively.

Mark: 8 out of 9



EPISODE 2 – DEATH BE NOT PROUD

Cast: Jenna Coleman, Kadiff Kirwan, Steve Pemberton, Reece Shearsmith, Sarah Solemani

This episode was a joy on many levels. Firstly, it was a fantastic mixture of dark comedy and bloody horror. Most significantly, it contained a wonderful series of meta-cultural call backs to Shearsmith’s and Pemberton’s prior work called Psychoville. A grotesque and demented sitcom, Psychoville contained a gallery of crazed characters with many portrayed by Pemberton and Shearsmith. In Death Be Not Proud the opening is quite conventional. Young couple (Jenna Coleman and Kadiff Kirwan) get what they think is a property bargain. However, the flat was host to a grisly murder and something from beyond the grave is tormenting the new tenants. When the previous owner, David Sowerbutts returns things get even weirder. Only then do we learn about the horrific history of this murder home, to sick and hilarious effect.

Mark: 8.5 out of 9



EPISODE 3 – LOVE’S GREAT ADVENTURE

Cast: Steve Pemberton, Debbie Rush, Gaby French, Bobby Schofield, Reece Shearsmith.

Once again displaying fine writing and actorly versatility, Love’s Great Adventure plays out as a straight family drama. It’s of such high quality and hits such emotional and dramatic peaks, TV writers like Paul Abbott, Jimmy McGovern and Jed Mercurio would have been proud to have written it. Cleverly structured around an advent calendar, the Christmas setting adds texture to the financial struggles of one working class family. Trevor (Pemberton) and Julia (Debbie Rush) are devoted to each other, their teenage daughter and grandson who lives with them. They are even prepared to forgive their self-destructive addict son. Set mainly in the kitchen on various days leading up to Christmas day, the events unfold in a subtle, but powerfully realistic manner. These are ordinary, but compelling characters, who prove there is nothing stronger than family love.

Mark: 8.5 out of 9



EPISODE 4 – MISDIRECTION

Cast: Reece Shearsmith, Steve Pemberton, Jill Halfpenny, Fionn Whitehead

One of my favourite ever TV shows is Tales Of The Unexpected and Inside No. 9 certainly owes a debt to that series of twisted genre narratives. Misdirection is a case in point. It is up there with the best Pemberton and Shearsmith plots, as a young student journalist, Fionn Whitehead, interviews Reece Shearsmith’s famous magician. Safe to say that as this is about magic there is much in the way of tricksy turns, bluffs and diversionary tactics. Shearsmith is on brilliant form as the arrogant traditionalist with a dark secret. He criticizes the inelegance of street magicians while a battle of wits ensues with Whitehead’s seemingly naive novice. Echoing the structural and stylish dexterity of Peter Schaffer’s brilliant Sleuth (1972), Misdirection holds all the cards when it comes to being a deviously clever and totally unexpected tale.

Mark: 9 out of 9



EPISODE 5 – THINKING OUT LOUD

Cast: Maxine Peake, Phil Davis, Ionna Kimbrook, Sandra Gayer, Sara Kestelman, Reece Shearsmith, Steve Pemberton

Before reviewing this season, I watched every episode twice. I’m glad I did because Inside No. 9 can be complex and pack a lot in thirty minutes. So, it proves in Thinking Out Loud, as we get seven seemingly disparate characters all unconnected. Or so we are led to believe. The episode uses the video diary format, which was something of a popular phenomenon in the 1990s, plus it echoes the “talking heads” style of Alan Bennett. Thus, we get a character in therapy, her therapist, a criminal on death row, a singer, a man suffering from cancer, a man looking for love and an Instagram influencer. All directly address the camera and as we cut between them, their connection slowly filters through until the incredible reveal. Owing much to films like Identity (2003) and Split (2017), this psychological thriller is very crafty with many chilling moments that bear up to multiple viewings.

Mark: 8 out of 9



EPISODE 6 – THE STAKEOUT

Cast: Steve Pemberton and Reece Shearsmith

This virtual two-hander concentrates all of the action within the confines of a police car. Steve Pemberton portrays the jaded and experienced police officer obsessed with finding out who killed his partner. Joining him in the vehicle is new partner, played by Shearsmith. The latter’s character is a Special Constable who seeks to follow the book causing tension on a stakeout during a literal graveyard shift. The two clash over diet, riddles, word-games and police procedure, but over three nights they eventually find mutual respect. The bulk of the episode’s enjoyment comes from Pemberton and Shearsmith’s sparring and their performances are exemplary. The writing is also impressive as it plays with the tropes of the police procedural genre. Finally, it also sets up a suspenseful opening only to confound us by the bloody fiendish denouement.

Mark: 8.5 out of 9



APOCALYPSE CINEMA – VISIONS OF POSSIBLE FUTURES (IRREVERENT AND PANIC-FREE POST)

APOCALYPSE CINEMA – VISIONS OF POSSIBLE FUTURES

“It’s the end of the World as we know it – and I feel fine!” Michael Stipe


With the world gripped by the COVID-19 virus threat one’s mind can run amok and look to possible futures. Thus, I thought it interesting to explore some visions of the Apocalypse as seen on the film. I mean you have to hand it to humanity; it’s able to distract itself from the possible end of the world by creating stories and entertainment ABOUT the end of the world!   Here’s TEN of the best I could think of.

***CONTAINS MASSIVE SPOILERS***


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NIGHT OF THE LIVING DEAD (1968) – UNKNOWN CAUSE

George Romero’s seminal classic zombie film gave birth (and death) to a whole subgenre of horror films. The low budget is no barrier to an ingenious concept involving the dead rising up and attempting to wipe out the rest of humanity. Both powerful as a horror narrative and social commentary, it remains one of the most influential films of all time.


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PLANET OF THE APES (1969) – NUCLEAR WAR

Poor old Charlton Heston never had much luck with the future as his characters often ended up in dystopian visions of hell. Such films included: Soylent Green (1973)Omega Man (1971) and the classic Planet of the Apeswhere simian humanoids are running the planet and enslaving the savage natives. One of the great sci-fi epics with probably the greatest film ending of all time, the film remains a timeless vision of the future.


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MAD MAX: ROAD WARRIOR (1981) – NUCLEAR WAR

In between the road-raging original and this brilliant sequel there was some kind of global nuclear meltdown hitherto bringing about a dusty wasteland where fuel is God and humans will kill to get their hands on it!  Out of the dust rises a reluctant hero, Max Rockatansky (Mel Gibson), who strives to survive while battling hordes of petrolheads, psychos and punks! Definitely one of the best sequels of all time, George Miller spectacularly remade it with the equally pulsating Fury Road (2015).



THE TERMINATOR (1984) – ARTIFICIAL INTELLIGENCE

Bloody Internet, sorry Skynet!  We create these wonderful computers to help us with everyday life including our Missile Defence Systems and they turn on us!  Only a Mother and her child – who hasn’t been born yet – can save us from a life of death and slavery at the hands of the machines. Cameron’s seminal sci-fi action film delivers an unforgettable feast of story, concepts and emotion, containing in Sarah Connor’s, one of the best character arcs of all time.


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THE MATRIX (1999) – ALIEN MACHINES / ARTIFICIAL INTELLIGENCE

Damned alien machines enslaving humanity and feasting on our fluids and organs for energy in some sick, twisted vision of a futuristic Harvest festival. Then again, compared to some of the shitty office jobs I’ve had I think I’d choose the “Matrix” over those; just don’t tell me I’m in the Matrix! Neo (Keanu Reeves) chose the other pill and it’s a good job he, Morpheus and Trinity did, because we get some kick-ass slow-motion action out of it.



WATERWORLD (1995) – GLOBAL WARMING

In this future we will basically live in the water and grow gills. Also, pure dirt and water will be our most priceless commodity. Well, that’s what will occur according to this apocalyptic-polar-ice-caps-melting-earth-swimming-pool-with-pirates movie. At the time it was one of the most expensive film flops in history, but IT actually wasn’t THAT bad. Kevin Costner plays a softer and more soaked version of Mad Max, while Dennis Hopper chews up the scenery as the over-the-top Napoleonic baddie at sea.

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TWELVE MONKEYS (1995) – DEADLY VIRUS

Seeing someone close to you die in front of your eyes as a child is not a future you really need is it?  But what if THAT person is. . . Following the opening of this brilliant film, the plot centres around future prisoners being sent back in time to find the cause of the deadly viral apocalypse. The awesome mind of Terry Gilliam filtering Chris Marker’s classic short La Jetée (1962), makes this an intelligent and exciting end-of-the-world blockbuster. Bruce Willis and Brad Pitt are on particularly good form too amidst Gilliam’s frightening visuals.


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28 DAYS LATER (2002) – RAGE VIRUS

Alex Garland and Danny Boyle’s blistering British horror classic springboards a Day of The Triffids style opening as Cillian Murphy wakes up in a seemingly empty London. Alas, he is not alone as he finds, along with a ragtag bunch of survivors, the world has been populated with raging and rapid zombies hellbent on feeding. Boyle directs with a low budget, yet prodigious inventive flair in a modern-day monstrous classic.


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THE WORLD’S END (2013) – ALIEN INVASION

The third in the Edgar Wright, Simon Pegg and Nick Frost ‘Cornetto Trilogy’ is often seen as the weakest of the three. That’s because the first two are so strong, The World’s End suffers slightly in their shadow. However, a stellar British cast all combine brilliantly as a group of friends reuniting to enact the same town pub crawl they had done year’s before. It’s just a shame a bunch of aliens have decided to take over the town at the same bloody time!


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THIS IS THE END (2013) – BIBLICAL APOCAPLYPSE

The end of days has never been so hilarious and dumb as in this Seth Rogen and Evan Goldberg directed apocalyptic comedy. The stellar who’s-who cast of rising Hollywood actors including: Jonah Hill, Rogen, James Franco, Craig Robinson, Jay Baruchel, Danny McBride plus many more cameos turns, all find themselves battling monsters, fiery sinkholes and each other, in an irreverent and gleeful disaster movie.


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SIX OF THE BEST #24 – FILMS TO HELP YOU KEEP CALM AND FEEL BETTER!

SIX OF THE BEST #24 – FILMS TO HELP YOU KEEP CALM AND FEEL BETTER!

As everyone knows we’re all being impacted by the medical pandemic and COVID-19 virus in some way. Essentially, these are troubled times for everyone and my sympathies go out to anyone who has the virus, lost someone to it or knows someone who has it. Similarly, if you are vulnerable and isolated, I wish you all the best. If we can, as a species, all keep calm, work together and NOT panic, I think we can work through this. That is my hope, anyway.

The United Kingdom is slowly moving toward, like many other European countries, some kind of lockdown scenario. Indeed, cinemas have shut down, so that means we will be watching a lot of movies indoors. Obviously, there may be a clamouring to watch apocalyptic or dystopian visions of society. However, I would advise watching some feel good or feel better films too. So, here are Six of the Best Films to Help you Keep Calm and Feel Better! Please note that some of these films have darker themes and events, but the narratives represent hope and light, finding resilient and positive characters overcoming the odds.


BABE (1995)

“This is a tale about an unprejudiced heart, and how it changed our valley forever.”

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E. T. THE EXTRA TERRESTRIAL (1982)

“You could be happy here, I could take care of you. I wouldn’t let anybody hurt you. We could grow up together, E.T.”

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IT’S A WONDERFUL LIFE (1946)

What is it you want, Mary? What do you want? You want the moon? Just say the word and I’ll throw a lasso around it and pull it down. Hey. That’s a pretty good idea. I’ll give you the moon, Mary.


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SEABISCUIT (2003)

“I was crippled for the rest of my life. I got better. He made me better. Hell, you made me better.”

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THE SHAWSHANK REDEMPTION (1994)

“I guess it comes down to a simple choice, really. Get busy living, or get busy dying.”

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UP (2009)

“Hey, I know a joke! A squirrel walks up to a tree and says, “I forgot to store acorns for the winter and now I am dead.” Ha! It is funny because the squirrel gets dead.”

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MEMORABLE FILM CHARACTERS #3 – LOU BLOOM – NIGHTCRAWLER (2014)

MEMORABLE FILM CHARACTERS #3 – LOU BLOOM

Written and directed by Dan Gilroy

Produced by: Jennifer Fox, Tony Gilroy, Michel Litvak, Jake Gyllenhaal, David Lancaster

Cast: Jake Gyllenhaal, Riz Ahmed, Rene Russo, Bill Paxton

**** CONTAINS SPOILERS ****



Along with Toni Collette in Hereditary (2018) and Lupita N’yongo in Us (2019), Jake Gyllenhaal’s failure to be nominated for a Best Acting Oscar for his performance as Lou Bloom never fails to astonish me. His committed acting in the thrilling and violent social satire, Nightcrawler (2014), is one of the greatest of this century so far. He inhabits the skin within this sociopathic, self-starting capitalistic hustler with such energy it’s a film I can watch over and over again.

With so many films about superheroes, it’s rare to see one about an anti-hero that is done so brilliantly and without redemption. Lou Bloom’s conniving, planning and preparedness to go the extra mile and expand his media business via sabotage and eventually murder is expertly rendered in Dan Gilroy’s stupendously good screenplay.  Bloom is a drifting social outsider until he becomes a “stringer”; a “nightcrawler” filming bloody events to sell to news stations. Bloom then becomes a monster of ambition. A monster of obsession. A monster of humanity. He’s a symbol of a monstrous media and of a bloodthirsty public searching for the next violent clip to trend or share on Twitter or Facebook over their morning coffee. Bloom is an anti-anti-anti-hero of our times. A personification of capitalist evil.

Dan Gilroy’s cutting script makes no attempt to make Bloom likeable or even sympathetic. But you kind of admire his drive, linguistic charisma and thirst for success. That is until he goes way too far filming death and selling it for profit. Ultimately Lou Bloom is a vampire; a night creature creeping between the shadows. Through Bloom, the parasitic Media New Networks and public are also shown to both be vampires draining the life out of humanity. Gyllenhaal’s performance, as I say, is one of physical, verbal and mental brilliance. In some ways it foreshadows Joaquin Phoenix’s stunning acting work in Joker (2019). Phoenix was rightly rewarded by the Academy, with Gyllenhaal’s Bloom cruelly overlooked.



THE CINEMA FIX PRESENTS – TWELVE FAVOURITE TV SHOWS OF 2019!

THE CINEMA FIX PRESENTS – TWELVE FAVOURITE TV SHOWS OF 2019!

Bit late with this one, but following on from my twelve favourite films of 2019, here are the twelve favourite television shows I watched. I must admit I am still way behind on many AMAZON shows and don’t have APPLE TV+ or DISNEY +, so there’s probably loads of good TV stuff I have missed. For comparison I include last year’s favourites here:

FAVOURITE TWELVE TV SHOWS OF 2018

  • Atlanta (2018) – Season 2 – Fox
  • Billions (2018) – Season 4 – Showtime / Sky Atlantic
  • Black Mirror (2017) – Season 4 – Netflix
  • Bodyguard (2018) – BBC
  • The Deuce (2018) – Season 2 – HBO – Sky Atlantic
  • The Handmaid’s Tale (2018) – Season 2 – Hulu / Channel 4
  • Inside No. 9 (2018) – Season 4 – BBC
  • Killing Eve (2018) – Season 1 – BBC
  • Patrick Melrose (2018) – Showtime / Sky Atlantic
  • Vanity Fair (2018) – ITV
  • A Very English Scandal (2018) – BBC

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FAVOURITE TWELVE TV SHOWS OF 2019

Now, this was TOUGH! Television productions just got better and better! I cannot believe I had to leave the following off the list. Yet, here are the honourable mentions: Afterlife (Season 1), Billions (Season 4), Black Mirror (Season 5), Euphoria (2019), Ghosts (2019), The Handmaid’s Tale (Season 3), Line of Duty (Season 5), The Loudest Voice (2019), My Brilliant Friend (2018), Ozark (Season 2), Stranger Things (Season 3); and the baffling genius of Watchmen (2019). But I decided to limit myself to twelve favourite shows and here they are:


CHERNOBYL (2019) – HBO / SKY ATLANTIC

“… an incredible TV drama. This tragic event teaches us to never take anything for granted. We have built our own gallows.”


DARK (2019) – SEASON 2 – NETFLIX

“… confused in a good way and totally immersed in the Tenebrae. You will be lost — searching for the light — yet you will be astounded too .”


ESCAPE AT DANNEMORA (2018) – SHOWTIME / SKY ATLANTIC

“… These are not likeable characters, but the Showtime production delivers as compelling a character drama as you’re likely to see all year.” 


FLEABAG (2019) – SEASON 2 – BBC

“… Waller-Bridge takes familiar themes and situations and spins comedic and dramatic gold from them. Deserves all the praise and awards going.”


FOSSE / VERDON (2019) – FX / BBC

“… If you’re interested in the life and work of Fosse and Verdon then you will absolutely love this warts and all biopic. Rockwell and Williams are incredible.”


GAME OF THRONES (2019) – SEASON 8 – HBO / SKY ATLANTIC

“… despite the incredibly disappointing final episode, it was all about the journey rather the final destination. Winter has come and winter has gone and it’s one I will never forget!”


IT’S ALWAYS SUNNY IN PHILADELPHIA (2019) – SEASON 13 – FX / NETFLIX

“… The season takes joy in referencing the #MeToo and Time’s Up and Inception. The latter becoming a hilarious meta-textual delight. By the thirteenth episode, I had thoroughly enjoyed the scatter-gun chaos!”


MINDHUNTER (2019) – SEASON 2 – NETFLIX

“… with gripping narratives, great direction, memorable performances and the production team’s accurate eye for period detail in mind, I just did not want the latest season of to end.”


SUCCESSION (2019) – SEASON 2 – HBO / SKY ATLANTIC

“… Ultimately, this is Shakespearean television of the highest quality. Succession (2019), is what we would get if Billy Wilder did TV.”


UNBELIEVABLE (2019) – NETFLIX

“… thoughtful, suspenseful and, at times, heartfelt drama. It highlights the shocking nature of sexual crimes against women and the very different ways police departments handle such situations.”


THE VIRTUES (2019) – CHANNEL 4

“… a more individual focused, personal and painful character study. Stephen Graham is absolutely amazing as the character of Joseph.”


WHEN THEY SEE US (2019) – NETFLIX

“… Beautifully written, acted and directed, this is an incredible work of television. It combines both a fascinating style and a brutal vision of the struggle of these characters experience.” 


THE CINEMA FIX PRESENTS – TWELVE FAVOURITE FILMS OF 2019!

THE CINEMA FIX PRESENTS – TWELVE FAVOURITE FILMS OF 2019!

Hello 2020!

So, here are my TWELVE FAVOURITE FILMS I watched last year at the cinema, at film festivals and on streaming platforms such as Netflix, Curzon and Amazon etc.!

It was another very good year full of entertaining and thought-provoking cinema. If I have missed any films out it’s because I did not enjoy them as much as you — or have not seen them yet. If I have missed any must-see films then please point out any glaring omissions.


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For comparison here are my FAVOURITE FILMS OF 2018:

  • A Quiet Place (2018)
  • A Star is Born (2018)
  • BlacKKKlansman (2018)
  • The Favourite (2018)
  • First Reformed (2018)
  • First Man (2018)
  • Game Night (2018)
  • Peterloo (2018)
  • Phantom Thread (2017)
  • Sorry To Bother You (2018)
  • The Shape of Water (2017)
  • Upgrade (2018)

12 FAVOURITE FILMS OF 2019

So, here are the films I enjoyed watching most of all last year. Films I also really liked but narrowly miss out on this list are: Doctor Sleep (2019), Green Book (2018), Harriet (2019), Little Women (2019), Paddleton (2019), Ready or Not (2019), The Report (2019) and Vice (2018).


AD ASTRA (2019)

“James Gray’s existential space epic finds Brad Pitt journeying into the abyss of space with tremendous results.


AVENGERS: ENDGAME (2019)

“…the Marvel production team deserve so much credit for bringing this multi-stranded story home in such a thrilling fashion.”


CAPERNAUM (2018)

“…With incredible scenes of documentary realism the director Nadine Labaki has delivered a powerful piece of cinema.”


DOLEMITE IS MY NAME (2019)

“… it’s a testament to the ability, talent and infectiousness of Eddie Murphy. Comedian and B-movie star, Rudy Ray Moore, is a part he was born to play.”


THE FAREWELL (2019)

“… Awkwafina provides subtle brilliance in her role as Billi, yet, Zhao Shuzhen steals the show as the effervescent Nai-Nai in this funny and moving drama.”


THE IRISHMAN (2019)

“… Netflix have an absolute monster of a gangster film here, with Scorsese once again delivering a very special cinematic offering.”


JOJO RABBIT (2019)

“… Taika Waititi just manages to balance parody and pathos in this risky, but brilliant rites-of-passage comedy-war film.”

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JOKER (2019)

“… marrying Taxi Driver (1976) with a DC comic-book super-villain is a masterstroke; making it one of the most compelling films of 2019.”


KNIVES OUT (2019)

“… Rian Johnson is back on the form with this breathless murder mystery, which works brilliantly as fast-paced, witty and intricate film entertainment.”


MARRIAGE STORY (2019)

“… an emotional and funny relationship drama that’s full of standout scenes, with Adam Driver and Scarlett Johansson on top form.”


ONCE UPON A TIME IN HOLLYWOOD (2019)

“… a near three-hour arthouse classic, especially if you like films about film and TV making, driving, feet, cinema-going, Los Angeles, more feet; and hanging with the marvellous DiCaprio and Pitt.”


US (2019)

… Jordan Peele skilfully delivers another great horror film, thanks to clever writing, masterful film production and an incredible cast.”