CINEMA REVIEW: A QUIET PLACE PART II (2021)

CINEMA REVIEW: A QUIET PLACE PART II (2021)

Directed by: John Krasinski

Produced by: Michael Bay, Andrew Form, Brad Fuller, John Krasinski

Written by: John Krasinski

Based on characters created by Bryan Woods and Scott Beck

Cast: Emily Blunt, Cillian Murphy, Millicent Simmonds, Noah Jupe, Djimon Hounsou and John Krasinski

Music by: Marco Beltrami

Cinematography: Polly Morgan

*** MAY CONTAIN SPOILERS ***



Ah, the difficult second album. Well, how do you follow up a genuine classic horror thriller such as A Quiet Place (2018)? I mean, it had everything, including a simple but devastating premise and an imaginative set of rules for the monstrous dangers facing the Abbott family. With hardly any fanfare or major marketing campaign the original film really got audiences flexing their “word-of-mouth” muscles. Throughout  A Quiet Place (2018) my heart was literally living in my mouth, as my fingers and knuckles clenched and whitened during the whole tense escapade. Plus, Emily Blunt and John Krasinski’s “every-couple” and their three children brought a believable humanity to the characters, with Blunt especially on phenomenal form in her reaction and character work.

The sequel opens with a prequel sequence which illuminates how the world descended into chaos. Sadly, and not surprisingly, we only get a short time with John Krasinski’s action-dad, Lee Abbott, before he dives back behind the camera to direct this rattlingly good and highly tense horror/sci-fi mash-up. Thus, the weight of part two is left with Emily Blunt, Millicent Simmonds and the less effective, Noah Jupe character. Once again, the trio, plus baby, rely on dead silence in an attempt to remain uneaten by the blind-but-deadly alien creatures hellbent on making Earth’s inhabitants lunch. Along the way they bump into an apparent loner, Emmett, portrayed by Cillian Murphy. His jaded, shell of a man, hides a tragic secret and the last thing he wants is other people around to attract more devourers.



The story develops as the relationship between the Abbott’s and Emmett, while initially distrusting, becomes less hostile. However, he still wants them gone, much to Emily Blunt’s frustration. After all, any good mother wants to protect her children, as evacuating the factory setting could mean certain death. I have to admit I felt Emily Blunt’s major acting talents were not as well utilised as the first film. Indeed, it was Simmonds’ character, Regan, who had more development and heroic moments. It is Regan who is determined to discover a way out from the dark recesses of the filthy basement and clanking pipes. She may be foolhardy to some, but Regan has guts and makes important life-changing decisions for her family. Simmonds is compelling as she gives another mature performance in the role.

Overall, A Quiet Place – Part 2 (2021) is not as much as a surprise as the original film. How could it be?! I mean we now know what defeats the monsters, yet that doesn’t stop them being fierce predators and foes. Moreover, the use of sound design that was so brilliant in the first film is presented equally superbly in the sequel. While the film lacks for a decent plotline, as anyone who has their fill of zombie apocalypse films could testify, there remains some incredibly exciting chases and well directed set-pieces. Krasinski clearly had the Spielberg playbook to hand and that is certainly not a criticism, because I think he is definitely a talent to keeps tabs on. Thus, as my first film back at the cinema after yet another lockdown, I can definitely recommend A Quiet Place – Part 2 (2021), to take one’s mind off the horrors of real life for ninety-odd pulsating minutes.

Mark 8.5 out of 11


AMAZON FILM REVIEW: THE MAURITANIAN (2021)

AMAZON FILM REVIEW: THE MAURITANIAN (2021)

Directed by: Kevin Macdonald

Produced by: Adam Ackland, Michael Bronner, Benedict Cumberbatch, Leah Clarke, Christine Holder, Mark Holder, Beatriz Levin, Lloyd Levin, Branwen Prestwood-Smith, etc.

Screenplay by: M.B. Traven, Rory Haines, Sohrab Noshirvani

Based on: Guantanamo Diary by Mohamedou Ould Slahi

Cast: Jodie Foster, Tahar Rahim, Shailene Woodley, Benedict Cumberbatch, Zachary Levi etc.

Music by: Tom Hodge

Cinematograph: Alwin H. Kuchler

***CONTAINS MASSIVE SPOILERS***



“…a writ requiring a person under arrest to be brought before a judge or into court, especially to secure the person’s release unless lawful grounds are shown for their detention.” — Basic definition of Habeus Corpus


Mohamedou Ould Slahi is a Mauritanian man who was held for fourteen years from 2002 to 2016 without charge in the Guantanamo Bay detention camp. FOURTEEN YEARS without a trial. Let that sink in.

If ever there was a living embodiment of a Kafkaesque experience then this is that. Surely, whatever crime you have or haven’t committed you should be presented to a court of law and evidence be brought to try you for the alleged crimes. Clearly, the United States have, in this singular case against Mohamedou Ould Slahi, by denying him a trial — plus torturing him for years too — committed a heinous war crime. Yes, the 9/11 atrocities were abominable acts of violence, but that does not give anyone the right to wreak revenge against other human beings without concrete evidence to justify such acts. It’s a basic tenet of existence that separates us from the beasts in the jungle, every person deserves a fair trial! To be honest the U.S. administration who were responsible for this and and many other crimes are worse than animals.

The Mauritanian (2021) is an adaptation of Mohamedou Ould Slahi’s best selling memoir, Guantanamo Diary. It opens with Ould Slahi (Tahar Rahim) attending a wedding in his place of birth. He is then picked up by local Mauritanian police and after that is imprisoned indefinitely, unknown to him, by the American military. The structure of the film compellingly builds his experiences in jail and the brutal torture he endures as the Americans attempt to gather intelligence to prove that he is a key member of the terrorist cells who organised the 9/11 attacks. As the story reveals his horrendous ordeal, lawyers represented by Nancy Hollander (Jodie Foster) and Teri Duncan (Shailene Woodley) take up his case to, at the very least, enable Ould Slahi to get a fair trial.



As well as highlighting the horrors of how Ould Slahi was treated this film is a damning indictment of American foreign policy, notably under the George Bush administration. The fact that Ould Slahi and his lawyers were successful in achieving a win against his imprisonment was not the end of his entrapment. You honestly won’t believe what occurred even after he won his case. But what about the film you may be asking? Well, I am just staggered this and many other sitautions occur in the world so this is more of an emotional review than a cinematic appraisal.

Overall, The Mauritanian (2021) is an exceptional drama which is directed effectively by seasoned filmmaker, Kevin Macdonald. As Ould Slahi, Tahar Rahim is absolutely exceptional. He brings a humanity and humour to the character’s struggle. What I absorbed most from his portrayal, and this is reflected in a moving credits sequence excerpt, is how Ould Slahi retained his humour even in the most trying times. Furthermore, while their character’s smack of white saviour personalities, the legal team — based on the real people — are expertly represented by Jodie Foster and Shailene Woodley. Foster especially shows her usual sterling gravitas in the role. Benedict Cumberbatch, arguably miscast as the military lawyer suffering a crisis of conscience, gives his usual excellent performance.

Lastly, The Mauritanian (2021), because of a slightly choppy screenplay, I felt the book deserved a longer telling via a television series. Yet, the film remains an important narrative about how bloodlust, greed and desire for revenge means humans commit horrific acts in the name of war. Mohamedou Ould Slahi was denied his freedom and human rights for crimes never proved. How he survived is an incredible feat of human endurance. Thus, whether he was innocent or guilty his freedom was earned and then some.

Mark: 9 out of 11