Category Archives: BBC

BBC TV REVIEW – INSIDE NO. 9 (2020) – SEASON 5 – more hare-raising twists from geniuses Pemberton and Shearsmith!

BBC TV REVIEW – INSIDE NO. 9 (2020) – SEASON 5

Created and written by: Steve Pemberton & Reece Shearsmith

Directors (Season5): Matt Lipsey, Guillem Morales, Steve Pemberton

Original Network: BBC (available on BBC Iplayer and Netflix)

No. of Episodes: 6

***CONTAINS PROPER SPOILERS***



Inside No. 9 is written by and stars Steve Pemberton and Reece Shearsmith. Both are brilliant comedic and dramatic actors, having appeared in many TV shows and films down the years. They are arguably most famous for beginning their careers in amazing comedic troupe The League of Gentlemen; however, their work on Inside No. 9 surpasses the ‘League’ in my view.

If you have never seen Inside No. 9 before, I urge you to do so. It is an exceptional anthology series with six standalone episodes per season. Individual episodes feature a whole host of different characters and actors each time. As per the prior seasons, the latest one is absolutely brilliant. It privileges tightly woven thirty-minute short narratives, which more often than not, feature a twist in the tale. Moroever the events usually unfold in one location with never more than a handful of characters. This makes the narratives feel more focussed, intense and intimate.

Inside No. 9 is also a surprising delight because you never know what kind of genre you will get. One week you could get comedy, horror, drama, crime, romance or musical; and sometimes a combination of all of them. They also take chances with their use of form and structure, with many episodes either paying homage or parodying different genre styles. So, here are some short reviews of each episode from Season 5. Usually, I mark my reviews out of eleven (in homage to This is Spinal Tap (1984)), however, for obvious reasons, I will be marking these reviews out of NINE.


EPISODE 1 – THE REFEREE’S A W**NKER

Cast: David Morrissey, Ralph Little, Steve Pemberton, Reece Shearsmith

The number 9 of this episode occurs in a football referees’ changing room before, during and after a critical final game of the season. Tensions rise between players, mascots and officials in what is the referee’s last game before retirement. David Morrissey is brilliant as the ultra-professional ref attempting to keep control amidst the chaos. Ralf Little also excels as the vain referee’s assistant, with Shearsmith and Pemberton offering fine comedic support. On the main this plays out as a comedy, but there are also serious moments. Indeed, The Referee’s a Wanker explores themes of corruption, gay footballers, and the obsessive win-at-all-costs nature of football fanatics. Fast-paced, funny and containing a great twist, this episode kicked off the season very positively.

Mark: 8 out of 9



EPISODE 2 – DEATH BE NOT PROUD

Cast: Jenna Coleman, Kadiff Kirwan, Steve Pemberton, Reece Shearsmith, Sarah Solemani

This episode was a joy on many levels. Firstly, it was a fantastic mixture of dark comedy and bloody horror. Most significantly, it contained a wonderful series of meta-cultural call backs to Shearsmith’s and Pemberton’s prior work called Psychoville. A grotesque and demented sitcom, Psychoville contained a gallery of crazed characters with many portrayed by Pemberton and Shearsmith. In Death Be Not Proud the opening is quite conventional. Young couple (Jenna Coleman and Kadiff Kirwan) get what they think is a property bargain. However, the flat was host to a grisly murder and something from beyond the grave is tormenting the new tenants. When the previous owner, David Sowerbutts returns things get even weirder. Only then do we learn about the horrific history of this murder home, to sick and hilarious effect.

Mark: 8.5 out of 9



EPISODE 3 – LOVE’S GREAT ADVENTURE

Cast: Steve Pemberton, Debbie Rush, Gaby French, Bobby Schofield, Reece Shearsmith.

Once again displaying fine writing and actorly versatility, Love’s Great Adventure plays out as a straight family drama. It’s of such high quality and hits such emotional and dramatic peaks, TV writers like Paul Abbott, Jimmy McGovern and Jed Mercurio would have been proud to have written it. Cleverly structured around an advent calendar, the Christmas setting adds texture to the financial struggles of one working class family. Trevor (Pemberton) and Julia (Debbie Rush) are devoted to each other, their teenage daughter and grandson who lives with them. They are even prepared to forgive their self-destructive addict son. Set mainly in the kitchen on various days leading up to Christmas day, the events unfold in a subtle, but powerfully realistic manner. These are ordinary, but compelling characters, who prove there is nothing stronger than family love.

Mark: 8.5 out of 9



EPISODE 4 – MISDIRECTION

Cast: Reece Shearsmith, Steve Pemberton, Jill Halfpenny, Fionn Whitehead

One of my favourite ever TV shows is Tales Of The Unexpected and Inside No. 9 certainly owes a debt to that series of twisted genre narratives. Misdirection is a case in point. It is up there with the best Pemberton and Shearsmith plots, as a young student journalist, Fionn Whitehead, interviews Reece Shearsmith’s famous magician. Safe to say that as this is about magic there is much in the way of tricksy turns, bluffs and diversionary tactics. Shearsmith is on brilliant form as the arrogant traditionalist with a dark secret. He criticizes the inelegance of street magicians while a battle of wits ensues with Whitehead’s seemingly naive novice. Echoing the structural and stylish dexterity of Peter Schaffer’s brilliant Sleuth (1972), Misdirection holds all the cards when it comes to being a deviously clever and totally unexpected tale.

Mark: 9 out of 9



EPISODE 5 – THINKING OUT LOUD

Cast: Maxine Peake, Phil Davis, Ionna Kimbrook, Sandra Gayer, Sara Kestelman, Reece Shearsmith, Steve Pemberton

Before reviewing this season, I watched every episode twice. I’m glad I did because Inside No. 9 can be complex and pack a lot in thirty minutes. So, it proves in Thinking Out Loud, as we get seven seemingly disparate characters all unconnected. Or so we are led to believe. The episode uses the video diary format, which was something of a popular phenomenon in the 1990s, plus it echoes the “talking heads” style of Alan Bennett. Thus, we get a character in therapy, her therapist, a criminal on death row, a singer, a man suffering from cancer, a man looking for love and an Instagram influencer. All directly address the camera and as we cut between them, their connection slowly filters through until the incredible reveal. Owing much to films like Identity (2003) and Split (2017), this psychological thriller is very crafty with many chilling moments that bear up to multiple viewings.

Mark: 8 out of 9



EPISODE 6 – THE STAKEOUT

Cast: Steve Pemberton and Reece Shearsmith

This virtual two-hander concentrates all of the action within the confines of a police car. Steve Pemberton portrays the jaded and experienced police officer obsessed with finding out who killed his partner. Joining him in the vehicle is new partner, played by Shearsmith. The latter’s character is a Special Constable who seeks to follow the book causing tension on a stakeout during a literal graveyard shift. The two clash over diet, riddles, word-games and police procedure, but over three nights they eventually find mutual respect. The bulk of the episode’s enjoyment comes from Pemberton and Shearsmith’s sparring and their performances are exemplary. The writing is also impressive as it plays with the tropes of the police procedural genre. Finally, it also sets up a suspenseful opening only to confound us by the bloody fiendish denouement.

Mark: 8.5 out of 9



BBC TV REVIEW – DRACULA (2020)

BBC TV REVIEW – DRACULA (2020)

Created and Written by: Mark Gatiss, Steven Moffat

Based on: Dracula by Bram Stoker

Producer: Sue Vertue

Directors: Jonny Campbell, Paul McGuigan, Damon Thomas

Cast: Claes Bang, Dolly Wells, John Heffernan, Morfydd Clark, Joanna Scanlan, Lujza Richter, Jonathan Aris, Sacha Dhawan, Nathan Stewart-Jarrett, Clive Russell, Mark Gatiss, Catherine Schell etc.

**MAY CONTAIN SPOILERS**



Mark Gatiss and Steven Moffat are uber-television scriptwriters of vast experience and expertise. Solo and together they have been involved with fine TV programmes including: Sherlock, Doctor Who, Coupling, The League of Gentlemen, Press Gang, Jekyll and many other films, comedies and dramas. Their latest BBC project found them combining forces again and breathing new life into Bram Stoker’s classic vampire novel. Screened over three dark nights on BBC1 from January 1st, 2020 onwards, this horror adaptation mixed Stoker’s traditional vampiric tropes with fresh and bloody ingredients infused by Moffat and Gatiss’ typically iconoclastic approach to genre.

The structure of the first episode, Rules of the Beast, finds a gravely ill Jonathan Harker (John Heffernan), recounting his misadventures having travelled to Count Dracula’s (Claes Bang) castle in Transylvania. A haunted shell of a man, his stories of doomed employment, entrapment and the “children of the night” are delivered to Sister Agatha (Dolly Wells). Somewhat incisive, intelligent and irreverent for a nun, Sister Agatha becomes both our hero and main foe to Dracula’s nefarious uber-villain. Having said that, the fantastically witty script and Claes Bang’s charismatic representation of Dracula almost succeed in making him the hero. Indeed, other than being a life-sucking, murderous, blood-addicted, shape-shifting, immortal and homicidal maniac he’s actually quite charming and likeable.


Image result for dracula and sister agatha

The first episode, apart from certain structural alterations and differences in characterisation, stays kind of faithful to the spirit of Stoker’s gothic vision. The second episode especially is one of the best examples of horror television I have seen in a long time. Cleverly called Blood Vessel, the action merges suspense and terror with an Agatha Christie style of plot. Here the crew and passengers of the ship Demeter find they are at the mercy of a vicious killer. It doesn’t take a genius to work out who is picking them off one-by-one. The episode also contains an ingenious reference to the BBC anthology series Inside No. 9. Thus, overall, this was my favourite episode of the series.

By the third episode though, Gatiss and Moffatt couldn’t stop themselves taking a bold leap away from the original text. The Dark Compass contains some fantastic twists and ideas, but arguably the writers strive too much for reinvention and originality. So much so, it lost some of the narrative impetus of the first two in the mini-series. Nonetheless, I would love to see more of Claes Bang’s Dracula in the future. His performance and chemistry with Dolly Well’s Sister Agatha were a bloody joy. Likewise, the script was brilliant; full of fangtastic one-liners, poetic turns of phrase and fascinating plot developments. Lastly, I was grateful they did not spare us the horror too. There were many memorably gory deaths throughout, as Dracula and his wolves wreaked devilish havoc across land, time and the television screen.

Mark: 8.5 out of 11