Tag Archives: Alfie Allen

LFF REVIEW – JOJO RABBIT (2019) – SPOILER FREE

LFF REVIEW – JOJO RABBIT (2019)

Written and Directed by: Taika Waititi

Based on: Caging Skies by Christine Leunens

Produced by: Carthew Neal, Taika Waititi, Chelsea Winstanley

Cast: Roman Griffin Davis, Thomasin McKenzie, Taika Waititi, Sam Rockwell, Scarlett Johansson, Rebel Wilson, Alfie Allen etc.

***SPOILER FREE***



After watching the astounding Joker (2019) earlier in the day, and having my psyche shook by that descent into hell, I needed something lighter to watch afterwards. A comedy about the Nazis, World War II and Hitler himself, therefore, probably wasn’t the ideal choice. Nonetheless, I really enjoyed Taika Waititi’s furiously funny war satire.

Essentially, JoJo Rabbit (2019), is a rites-of-passage comedy with a heavy dose of pathos, tragedy and combat thrown in. The story concerns JoJo Betzler (Roman Griffin Davis), a young German boy who has a staunch commitment to the Hitler Youth and the Nazi Party. So much so he conjures up a vision of Hitler (Taika Waititi), to act as a kind of spirit guide through his everyday life. Safe to say, Hitler isn’t the best teacher, especially with Waititi’s mischievous and ridiculous representation.

JoJo Rabbit (2019) has a wonderful character arc for the lead protagonist, who benefits from an empathetic performance by sterling young actor, Roman Griffin Davis. JoJo, through his wartime experiences slowly learns the horrors of Nazi propaganda and the real truth about the Jewish people. It’s a heartwarming and touching story which advocates love over hate, even in the face of such dark terror.


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While Waititi’s comedic turn as Hitler threatens to plunge the film into tonal chaos, Scarlet Johansson and Thomasin McKenzie ground the film in emotional depth with moving acting portrayals. Sam Rockwell also contributes brilliantly as a German Captain, charged with training JoJo and other Hitler Youth members. Stephen Merchant is also ideally cast as a fastidious Gestapo Officer. The scene where he and his Nazi cohorts search JoJo’s house is one of many memorable scenes throughout the film.

Overall, Jojo Rabbit (2019), takes an incredible risk creating humour out of such tragic events as war and the Holocaust. But, by ridiculing Hitler and the Nazis, there is a sense that Waititi is taking back power through rapid humour. Conversely, the jokes come thick and fast. There are sight gags, physical humour, puns, cartoon violence, illustrations, slapstick and so many zinging one-liners in the irreverent screenplay.

At times it was like ‘Monty Python’s Flying Germans’, such was fast pace, sketchy and surreal nature of the jokes. One could argue that the jokes undermine the more tragic elements of the story. It’s a tough thing to do, to make you laugh AND cry; as the bombs fall and bullets fly. Nevertheless, by the end, Waititi manages to just about retain the balance between parody and pathos.

Mark: 9 out of 11


GAME OF THRONES – SEASON 8 – HBO TV REVIEW – AN EMOTIONAL FAREWELL FULL OF HIGHS AND LOWS!

GAME OF THRONES – SEASON 8 – HBO TV REVIEW

Lord of Light! Come to us in our darkness. We offer you these false gods. Take them and cast your light upon us. For the night is dark and full of terrors.“― Melisandre prays to R’hllor

Created by: George R.R. Martin, David Benioff, D.B. Weiss

Based on: A Song of Fire and Ice by George R.R. Martin

Executive Producers: George R.R. Martin, David Benioff, D.B. Weiss, Carolyn Strauss, Bernadette Caulfield, Bryan Cogman, Miguel Sapochnik, David Nutter

Producers: Mark Huffam, Frank Doelger, Chris Newman, Greg Spence, Lisa McAtackney, Bryan Cogman, Duncan Moggach

Writers – Season 8: David Benioff, D.B. Weiss, Dave Hill, Brian Cogman

Directors – Season 8: David Benioff, D.B. Weiss, Miguel Sapochnik, David Nutter

Main cast: Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, Kit Harington, Maisie Williams, Liam Cunningham, Nathalie Emmanuel, Alfie Allen, John Bradley, Isaac Hempstead Wright, Gwendoline Christie, Conleth Hill, Rory McCann, Jerome Flynn, Iain Glen, Carice Van Houten etc.

**SPOILER FREE REVIEW**

THE BELLS!

Those damned bells. The first chime sent a chill in the air. Everything stopped for what seemed like an eternity. The second chime clanged. The third and then the fourth and suddenly the fate of a television show went from glorious triumph to a just about earned pyrrhic victory by the final episode credits. Thus, in the space of a minute or so, and the carnage that followed, Game of Thrones virtually threw seven seasons and 5 episodes under a narrative bus.

I’m of course talking about a key character and plot wrench in Season 8, episode 5, called The Bells. While what followed after Queen Daenerys’ decision to carry out her actions, was as spectacular a television set-piece as you could ever see, unfortunately it led to a badly judged final episode called The Iron Throne. In this final episode the writers gave us a series of baffling creative decisions which flew in the face of character arcs and also many rules of the Westeros world. Don’t get me wrong, strong shocks and massive twists have always been part of the books and show. However, some of the decisions made were just mystifying.

“NOT TODAY!”

This is a spoiler-free and more emotional outburst so I won’t go into specifics. In my review of Season 7 — found here — I defended the writers, who I believe could be forgiven some sleight-of-hand contrivances and geographical inconsistencies, because the show was still one of the most entertaining programmes around. Conversely, the first seven seasons gave me some of the greatest televisual enjoyment I have ever experienced. Moreover, the novels are an incredible testament to the brilliant imagination, scope and mind of author George R.R. Martin.

In terms of character, plotting, dialogue, action, reversals, twists, shocks, romance, performance, political intrigue, editing, direction and jaw-dropping-heart-pounding-tension Game of Thrones is ONE OF THE GREATEST TV SHOWS EVER! Moreover, as aforementioned, George R. R. Martin’s books are just something else too. Indeed, the third book, A Storm of Swords, is one of the best works of fiction I have had the pleasure to read. But yet, Season 8 had some more amazing action and events too. It’s just THAT ending; THAT final episode.

Highlights of Season 8 were the build up to the attack by the dead. Winter had finally arrived i.e. death. It comes for us all and our heroes were witnessing a manifestation of death via the White Walkers and Others; all led by the ghoulish Night King. Then when battle commenced the third episode called The Long Night, was an incredible action feast, containing moments of high drama, horror and heroism from many characters we have come to love and even some we hate.

I didn’t even mind that the black night meant it was difficult to see some action. Moonlight, fire, the Red Women and dragons lit up the sky enough to see what was occurring. The blackness was in context and added to the doom facing our characters. My issue was that the fight with the Night King was an end-of-the-world event. Surely, this battle should have closed the show. But no, there was more to follow; the final battle for the Iron Throne itself. In my view, anything following The Last Night could be open to anti-climax. So, it proved.

HEROES AND VILLAINS

Let me reiterate: I still loved Season 8 and I DID NOT SIGN A PETITION for the writers to take the black! These so-called fans signing on-line petitions need to get a life and if they want to take a stand need to take a good LOOK AT THE REAL WORLD! But there was no smoke without fire for the online pitchfork hordes. I too did not agree with how rushed the final season was and many of the character choices that were made. During The Long Night and The Bells episodes I witnessed two of the finest television episodes ever seen from a production perspective. They were jaw-dropping. But from a structural stand-point they were as broken as Bran.

It would appear the showrunners were working from George RR Martin’s template as to how it may end. However, we definitely got a bullet-point conclusion; leaving it hitting certain emotional plot events without earning them. Basically, the complexity of characterisation was lost in favour of wrapping up the storylines too quickly. However, I still cannot praise the massive crew and cast who made this TV show. It genuinely made my life worth living from a cultural perspective.

WINTER HAS GONE!

The main reason for watching and loving the show was for the heroism in the face of death and darkness. Life can be shitty and tough and Game of Thrones was about escape for me. Personally, I felt characters such as Jon Snow, Daenerys and Jamie deserved more heroic endings, but instead got disappointing ones. Similarly, Cersei’s visceral flame just fizzled out. I know they aren’t real people but I wanted their conclusions to be more rousing. The likes of Arya, Sansa, Brienne of Tarth, Samwell Tarly; and even Sandor Clegane got somewhat satisfying endings. I guess you can’t have everything, though.

Don’t get me wrong, Game of Thrones has a propensity to surprise and shock and amaze and it definitely did that in Season 8; right up until THAT vanilla ending. Because as the troubadour once sung, “It’s better to burn out than fade away;” so it’s a shame the lord of light diminished somewhat at the end. Still, it’s all about the journey and the quest rather the final destination. Winter and come and winter has gone and it’s a one I will never forget!

Game of Thrones – Season 8 – Mark: 9 out of 11

Game of Thrones – Overall – Mark: 11 out of 11