Tag Archives: Incendies (2010)

Cinema, My Cinematic Romance

MY CINEMATIC ROMANCE #24 – DENIS VILLENEUVE

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MY CINEMATIC ROMANCE #24 – DENIS VILLENEUVE

With the release of Dune: Part Two (2023) on the horizon for November 2023, I thought it may be worth appraising some of Canadian filmmaker, Denis Villeneuve’s amazing directorial work in this occasional strand, My Cinematic Romance. Note, I discipline my choices to only five films.

If you’re interested, I really wanted to like Dune (2021) more. One won’t see a more attractive and technically perfect rendition of a sci-fi world in the cinema in years. But, I could not connect with the narrative or lead protagonist. Seeing the big worms which made me want to watch Tremors (1990); a far superior and shorter version of a hero’s journey.

Nonetheless, award-winning Villeneuve is one of cinema’s surest hands when it comes to intelligent and compelling genre cinema. He has the touch of a film artist and takes certain risks, but not without resorting to indulgences which alienate the audience (take note Ari Aster!) Thus, I consider and list five of his great works, which I recommend wholly if you have not seen them.

*** MAY CONTAIN SPOILERS ***

POLYTECHNIQUE (2009)

This is a harsh watch. Any film about mass shootings is never going to be an easy experience to stomach. Still, it’s nothing compared to the sadness of those whose lives were struck from existence. The 1989 École Polytechnique massacre (also known as the “Montreal Massacre”) is re-enacted here in stark black and white film stock. The wintry setting and the cold-blooded murder of the events combine to create a heightened vision of anxiety cinema. Villeneuve objectively documents the massacre with a distance that paradoxically raises the emotions as opposed to lessening them. A film which you makes us confront the horror of humanity.

NEXT FLOOR (2010) – short film

Created by producer Phoebe Greenberg and directed by Villeneuve during a break from making feature film Polytechnique (2009), this devastating short film with its commentary on the horror of greed, is most likely an influence on grisly Spanish prison film The Platform (2019). One wishes Villeneuve would make a horror feature. I’d prefer to see how that might turn out than Dune.

INCENDIES (2010)

Incendies (2010) is the probably the best film you haven’t seen. If you have seen it then tell more people to see it. Spread the word on this incredible film. Villeneuve directs in an intelligent way, retaining empathy and emotion for both protagonists and antagonists devoured by war. Nawal Marwan’s story is especially heart-breaking and she is given a moving portrayal by Lubna Azabal. Nawal’s story is one of astounding power as the character experiences the hell of loss, war, torture and death. One which will shake you to the core for days and weeks and maybe even years!

PRISONERS (2013)

A superlative crime script written by Aaron Guzilowski has one of the best ensemble casts seen on screen in years, notably: Hugh Jackman, Jake Gyllenhaal, Viola Davis, Maria Bello, Terrence Howard, Melissa Leo, and Paul Dano. The story is absolutely compelling with a plot so tightly wound, you’re almost throttled throughout by the mystery and suspense. Jackman is especially truthful, playing a flawed everyman who obsessively, quite understandably, searches for his missing child. Dano plays another convincing outsider as the main suspect, while Gyllenhaal is, as always, brilliant as dogged cop, Detective Loki. Villeneuve proves once again he is one of the best directors of actors working today. Prisoners (2013) is a masterpiece of crime genre cinema.

ARRIVAL (2016)

The intriguing premise, brilliant script, ambient score, stylish effects, subtle cinematography and purposeful direction make this one of the best science fiction films of recent years. It is an intelligent and emotional science-fiction drama with a beautifully constructed narrative which constantly surprised and moved me.  It also asks big questions on the nature of time, existence and love; informing us that not all extra-terrestrial life in movies has to be monstrous and deadly. Above all else Villeneuve, Amy Adams and screenwriter Eric Heisserer gain sheer kudos for creating a beautiful and moving love story.

Cinema, Classic Film Reviews, Films That Got Away, Reviews

FILMS THAT GOT AWAY #13 – INCENDIES (2010)

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FILMS THAT GOT AWAY #13 – INCENDIES (2010)

Directed by: Denis Villeneuve

Produced by: Luc Déry, Kim McCraw

Screenplay by: Denis Villeneuve, Valérie Beaugrand-Champagne

Based on: Incendies by Wajdi Mouawad

Cast: Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Rémy Girard, Abdelghafour Elaaziz, etc.

Music by: Grégoire Hetzel

Cinematography: André Turpin

*** MAY CONTAIN SPOILERS ***

INCENDIES (2010) is the probably the best film you haven’t seen. If you have seen it then tell more people to see it. Spread the word on this incredible film. I watched Incendies (2010) for the first time a few years ago and it has stayed with me ever since. Given the lack of recent cinema releases, I felt compelled to watch it again and once more was blown away by the power of the characters and their stories. Not quite old enough to review as a classic movie, and as it stands as at No. 111 on the IMDB 250, it doesn’t qualify as an under-rated classic, I have therefore filed this contemporary classic under films that got away.

Based on a play by Wajdi Mouawad, Incendies (2010) was developed by Denis Villeneuve, who took five years developing and writing the screenplay. Villeneuve was attracted to the play because it was a modern story with Greek tragedy at its heart. It is set in both Canada and in an unnamed Middle Eastern country, with events in the narrative traversing between the these countries and different time periods. While the country where most of the action takes place is unnamed, given Mouawad is Lebanese, it is safe to say that this complex tale unfolds during the Lebanese Civil War. However, it is a masterstroke not to be specific about setting, as this ensures it is not place and politics one focusses on, but the thought-provoking human drama. And what drama it is!

Incendies tells the brutal but riveting story of Nawal (Lubna Azabal), a woman who lived through her country’s civil war.

After starting with a haunting scene from the past showing bedraggled children herded into an orphanage, the story quickly moves to the present. Twins, (Jeanne Mélissa Désormeaux-Poulin) and Simon Marwan (Maxim Gaudette) meet Jean (Remy Girard), a notary handling their deceased mother’s will. Their mother, Nawal Marwan (Lubna Azabal), has left two letters – one for the twin’s brother, and another for their father. If they can locate them and give them the letters, Nawal will allow her children to bury her with a casket and headstone. Jeanne, the calmer of the two siblings, agrees to the request. However, Simon is angry that secrets were kept and is against taking it any further.

Incendies (2010) then becomes two powerful narratives intertwined to structural perfection by Villeneuve and Valérie Beaugrand-Champagne’s exceptional screenplay. Firstly, we follow Jeanne as she travels to Daresh, in the Middle East, attempting to follow in Nawal’s footsteps. Here the film becomes a compelling detective story as Jeanne (and later in the film, Simon) slowly discovers her mother’s tragic life history before she moved to Canada. Running parallel to this the narrative flashes back to show Nawal’s life as she escapes village life to go to University, only for religious civil war to tear the fabric of the country apart. Villeneuve, who has subsequently directed many visually stunning big budget films, makes the most of the sun-scorched and battle-scarred landscapes. Moreover, he also delivers a stunning and suspenseful sequence when Nawal finds herself trapped on a bus surrounded by soldiers.

I genuinely do not want to say anymore about the plot of Incendies (2010), for fear of spoiling what is such a complex and well designed story. It drives me mad when I watch films or television shows and they gratuitously use flashbacks or fractured temporal structures to create mystery. Because what many ultimately do is confuse the audience and create emotional distance from the characters. Villeneuve directs in an intelligent way, retaining empathy and emotion for both protagonists and antagonists devoured by war. Nawal Marwan’s story is especially heart-breaking and she is given a moving portrayal by Lubna Azabal. Nawal’s story is one of astounding power as the character experiences the hell of loss, war, torture and death. Her final attempt at redemption from beyond the grave gives us a searing human drama. One which will shake you to the core for days and weeks and maybe even years!

Mark: 10 out of 11