READY OR NOT (2019) – MOVIE REVIEW
Directed by: Matt Bettinelli-Olpin & Tyler Gillett
Produced by: Tripp Vinson, James Vanderbilt, Willem Sherak, Bradley J. Fischer
Written by: Guy Busick, R. Christopher Murphy
Cast: Samara Weaving, Adam Brody, Mark O’Brien, Henry Czerny, Andie Macdowell etc.
Music by: Brian Tyler
Cinematography: Brett Jutkiewicz
******* MAY CONTAIN SPOILERS ********
I hadn’t heard too much buzz about this reasonably low-budget fun cat-and-mouse-horror B-movie, but the poster really grabbed me. Thus, as I have an Odeon Limitless Card, I thought why not take a chance. I’m glad I did too because Ready or Not (2019) is a highly efficient, violent, funny and pacy horror film.
After a quick flashback, which foregrounds the gore to come, we are introduced to soon-to-be-wed Alex (Mark O’Brien) and Grace (Samara Weaving). They are to be married amidst the opulent surroundings of the Le Domas family home. The huge commanding property and the gigantic grounds establish we are in the playground of the wealthy and these rich kids play rough.
After an uneventful wedding ceremony the fun really begins. Well, I say fun, because essentially it’s a game of “Hide and Seek” meets Hard Target (1993) meets Saw (2004) meets Get Out (2017). The similarity to Jordan Peele’s classic horror is loose, however, there is an element of social satire with the millionaire family hunting down a person of perceived lower social standing.
But the Le Domas family, headed by Henry Czerny and Andie MacDowell, are about to meet their match in Grace. Raised in foster homes she is a fighter and imbued with terrific energy by star-in-the-making Samara Weaving. Moreover, Grace, like Ellen Ripley and Sarah Connor, raises her game and battles back. As the body count rises and the blood spills across the screen, Grace’s wedding dress becomes a symbol of carnage, as opposed to love.
Ready or Not (2019) is an unpretentious ninety-minute movie gem. It’s not the most original work I will watch all year, but it had me very entertained with some great tension and blood-curdling deaths. The theme of the rich sacrificing the underclasses for continued existence could have been developed further, but why let it get in the way of a bloody good game of hide and seek.