Tag Archives: Best Films of 2022

THE CINEMA FIX PRESENTS: 10 FAVOURITE FILMS OF 2022!

THE CINEMA FIX PRESENTS: 10 FAVOURITE FILMS OF 2022!

Happy New Year and welcome to 2023!

I am slightly tardy on the list of my favourite films of 2022 as I had a couple of latter 2022 reviews to catch up on, plus the day job has been quite hectic.

Well, I thought it was a great year for cinema releases. It started slowly but improved steadily throughout with some tremendous films released in the latter half of 2022.

I say cinema releases, but we are now in an era of the streaming platforms threatening the multiplexes with their existence. I treat them all the same now and my list contains choices watched both at home and in the cinema. As long as they are new releases and I saw them in 2022, they qualify.

Obviously, I have not seen every new release from 2022, so if there are any glaring omissions from my list please recommend away!

As an aperitif I include my ten favourite films of 2021. Good luck and bon voyage in 2023!


TEN FAVOURITE FILMS OF 2021

ANOTHER ROUND (2020)
THE GREEN KNIGHT (2021)
LAST NIGHT IN SOHO (2021)
MA RAINEY’S BLACK BOTTOM (2020)
MINARI (2020)
PIECES OF A WOMAN (2020)
THE POWER OF THE DOG (2021)
THE RENTAL (2020)
SOUND OF METAL (2019)
WEST SIDE STORY (2021)



TEN FAVOURITE FILMS OF 2022!

In alphabetical order for your consideration. . .

THE BANSHEES OF INISHERIN (2022)

“I loved everything about The Banshees of Inisherin (2022). The look, the performances, the pacing, the locations, the script, the themes, the humour, the tragedy and Carter Burwell’s phenomenal score are all absolutely first class. . .”


BONES AND ALL (2022)

Bones and All (2022) is directed with glacial majesty by Luca Guadagnino. He expertly blends the genres of horror, period drama, rites-of-passage, romance and road movie with a well-balanced approach to tone. Extracting attractive performances from Chalamet and Russell, their onscreen chemistry is potent and touching.


CODA (2021)

“Unashamedly manipulative and occasionally cloying, Coda (2021), is a big-hearted familial comedy-drama with many powerful messages. Following your dream, respecting those around you and loving your family are integral to this feelgood film. . .”


DECISION TO LEAVE (2022)

“. . . did the exquisitely directed and intelligently scripted, Decision to Leave (2022), need to be so evasively complex and full of radiant ambiguity? The ending especially is both poetically exquisite and frustratingly cryptic. With a Park Chan-wook film, would I have it any way?


DOCTOR STRANGE AND THE MULTIVERSE OF MADNESS (2022)

Doctor Strange 2 (2022) is a big, dumb, fast-paced, scary, fantastic, mystical, surprising and funny chunk of visually stunning fantasy cinema. Benedict Cumberbatch is on superb hand-waving, cape-throwing, shape-shifting, death-defying, hair-flicking, multiverse-jumping, father-figuring form magically anchoring Sam Raimi’s directorial box of tricks!



ELVIS (2022)

“I cannot praise Elvis (2022) enough as a cinematic biopic and musical spectacle. While the choppy editing style is jarring at the start, once the film settles down into a groove, Butler’s stunning incarnation shines through amidst the gospel, rhythm and blues, rap, rock, pop, ballad and protest songs throughout the scintillating soundtrack.”


EVERYTHING, EVERYWHERE, ALL AT ONCE (2022)

“. . . Kwan and Scheinert succeed with Everything, Everywhere, All at Once (2022) because as well as a machine-gun splattering of hilarious ideas and gags combined with some pretty lofty themes, this film ultimately has a hell of a heart.”


THE MENU (2022)

The Menu (2022) is a fantastically twisted and funny genre film. Fiennes, Taylor-Joy, Hoult and Hong Chau are on terrific acting form. Further, the production design and cinematography make the visuals succulent and palatable. Ultimately, for those who love food, fear and vengeance, this film is certainly best served hot!”


RRR (2022)

“. . . the scale and ambition of the film is to be totally admired, as is the vibrant direction by S. S. Rajamouli. N. T. Rama Rao Jr. and Ram Charan, as the lead revolutionaries, are bona fide film stars. Their energy, physicality and charisma on screen really grabbed me, but amidst the kinetics there is also a big emotional heart within RRR (2022)!”


TRIANGLE OF SADNESS (2022)

“. . . while the characters may not be the most likeable, that is never Ostlund’s aim. His desire is to critique capitalist hegemony through both high and low brow humour, style and form. He succeeds, making Triangle of Sadness (2022) one of the most thought-provoking and exhilarating cinema experiences of the year.”