Tag Archives: John Leguizamo

Articles

CINEMA REVIEW: THE MENU (2022)

6 Comments

CINEMA REVIEW: THE MENU (2022)

Directed by Mark Mylod

Written by: Seth Reiss, Will Tracy

Produced by: Adam McKay, Betsy Koch, Will Ferrell

Cast: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Reed Birney, Judith Light, John Leguizamo, etc.

Cinematography Peter Deming

*** MAY CONTAIN SPOILERS ***

I love cinema and films like The Menu (2022), as much as I love food and drink. Wow, some of the food shown on screen looked absolutely delicious, while some of it was that weird cuisine so gorged on by the pompous moneyed folk of this world. I must admit that I have had an unhealthy relationship with food. I have been an overeater and also overweight. I am a food addict, notably sugar and alcohol. I have attempted to control it with various dietary ventures. Low calorie, low carbohydrate, low sugar, running, gym, fasting, temperance and other (un)successful attempts at moderation have ensued. Presently, I am pretty fit from a cardio perspective, and twenty kilos lighter than I was ten years ago. But I could do much better.

I’ve always strived to eat healthily, but fine dining was never really for me. It was only when I met my wife eight years ago that I was introduced to gourmet dining and the dreaded tasting menu. Aside from the over-priced food, I just find those posh restaurants too pretentious for a working-class boy from Battersea. Yet, I would go out with my wife for a treat and eat at some wonderful restaurants in Edinburgh, Copenhagen, Cornwall, London and many more. Some were amazing and some I found were not really value for money. The personality cult of the celebrity chef continues to thrive also. Aside from enjoying Ramsay’s Kitchen Nightmares they’ve never really interested me. Yet, I was onboard while imbibing the skewered satire of The Menu (2022). Because it’s a sharply scripted horror film which comes to the boil slowly before delivering a killer set of courses throughout.

It’s best to experience The Menu (2022) without knowing too much. The surprises in the inventive script are a constant joy. The setting is an exclusive and expensive restaurant on a remote island called Hawthorne. The host, menu architect and epicurean is celebrity chef, Julian Slowik. Chef is portrayed with intense control and focus by Ralph Fiennes. Slowik finds himself worshipped by his kitchen acolytes, who adhere to his every demand. He is brilliant and to be feared, like many a charismatic cult leader before him. Eat your heart out, Gordon Ramsay.

Arriving by boat to the blighted isle are twelve restaurant-goers such as a team of rich finance guys, a once famous Hollywood actor (John Leguizamo) and his PA, a wealthy middle-aged couple, a food critic (Janet McTeer) and her yes-man assistant, plus the mis-matched couple, Margot (Anya Taylor-Joy) and Tyler (Nicholas Hoult). Tyler is a sycophantic fanboy of Slowik’s food and career, something that later comes to horrifying catharsis. Indeed, as well as the mysterious menu, many of the guests are harbouring a secret that this hell’s kitchen is more than prepared to burn.

Structured, unsurprisingly, around the courses of a tasting menu with titles separating each dish, the food delivered is both imaginative and beautifully presented. Margot’s character pushes back on what she considers to be both ostentatious and insubstantial food, much to Tyler’s annoyance. Their conflict intersperses the rising suspense that derives from Julian’s menu, which raises the stakes gradually, before events truly reach boiling point. In Slowik’s restaurant the customer is definitely NEVER right. Similar to Ready or Not (2019), The Menu (2022) is a fantastically twisted and funny genre film. Fiennes, Taylor-Joy, Hoult and Hong Chau are on terrific acting form. Further, the production design and cinematography make the visuals succulent and palatable. Ultimately, for those who love food, fear and vengeance, this film is certainly best served hot!

Mark: 8.5 out of 11

Netflix, Reviews, Television

NETFLIX ORIGINAL DRAMA REVIEWS: UNBELIEVABLE (2019) & WHEN THEY SEE US (2019)

Leave a comment

NETFLIX ORIGINAL DRAMA REVIEWS

Netflix produce a lot of original content, with the quality of the films sometimes a bit questionable. However, their limited series are usually really good. This is especially proved by two recent drama releases, both based on true events and questionable law enforcement procedures. In terms of production values, drama and power, they are of the highest quality. So, here are my reviews of Unbelievable (2019) and When They See Us (2019).

**MAY CONTAIN SPOILERS**

UNBELIEVABLE (2019)

Created & written by: Susannah Grant, Ayelet Waldman, Michael Chabon etc.

Directors: Lisa Cholodenko, Michael Dinner, Susannah Grant etc.

Main Cast: Toni Collette, Merritt Weaver, Kaitlyn Dever, Eric Lange, Elizabeth Marvel, Danielle Macdonald, Dale Dickey etc.

Based on a Pulitzer prize winning news article, “An Unbelievable Story of Rape”, this superb police procedural drama charts events which occurred in Washington and Colorado between 2008 and 2011. A brutal rapist is attacking women in their homes and leaving absolutely no trace of evidence. Police in Washington are so stumped they are not even sure one of their victims, Marie Adler (Kaitlyn Dever), is telling the truth.

The series is carefully structured between Marie’s ordeals in 2008 and the subsequent 2011 police investigation led by Detective Grace Rasmussen (Toni Collette) and Detective Karen Duvall (Merritt Weaver). Marie is so appallingly treated by the Washington police that you cannot help but sympathise with her. Her character is one of neglect and tragedy.

The Colorado investigation occurring in 2011 is the total opposite of the Washington one. Rasmussen and Duvall may be different in personality, yet they are both determined and fierce in their pursuit of this heinous perpetrator. Collette and Weaver make a formidable team on screen and there is much sensitivity toward the victims of these crimes within an excellent script.

Ultimately, this is a thoughtful, suspenseful and, at times, heartfelt drama. It both highlights the shocking nature of sexual crimes against women and the very different ways different police departments handle such situations. I myself was continually moved emotionally by the events and feel there is no place in this world for people who commit such wicked crimes.

Mark: 9 out of 11

WHEN THEY SEE US (2019)

Directed by: Ava Duvernay

Written by: Ava Duvernay, Julian Breece, Robin Swicord, Attica Locke, Michael Starrbury

Cast: Asante Blackk, Caleel Harris, Ethan Herisse, Jharrel Jerome, Marquis Rodriguez, Jovan Adepo, Chris Chalk, Justin Cunningham, Freddy Miyares, Vera Farmiga, John Leguizamo, Michael K. Williams

If Unbelievable (2019) illustrates both the positive and negative results of police investigations, When They See Us (2019), paints an even more incredulous series of events with regard to the law. The drama series concerns a vicious sexual attack in 1989 on Trisha Meili, a jogger in Central Park. The police acted swiftly to arrest the alleged perpetrators. Satisfied that the five black male suspects they had in custody committed the crimes, the police, urged on by New York prosecutor, Linda Fairstein use unscrupulous tactics to gain their “confessions.”

The way these characters — Kevin Richardson, Anton McCray, Yusef Salaam, Korey Wise and Raymond Santana — are treated by the New York Police Department is only the beginning of the cruel injustice they face. From the initial crime, to the arrests, to the court case and subsequent aftermath, the drama puts you at the heart of one of the biggest travesties ever committed. The series expertly shows how the legal system fails these individuals, their families and the victim too.

Beautifully written, acted and directed, this is an incredible work of television. It combines both a fascinating style and a brutal vision of the struggle of these characters experience. The performances from the younger and older actors is excellent, although special mention must go to Jharrel Jerome as Korey Wise. In ‘Part Four’, which shows his incarceration, Jerome’s portrayal oozes tragedy and solitary pathos. Indeed, the acting is so good Jerome would deservedly win an Emmy award.

Ava DuVernay, having taken a break from hard-hitting drama by directing fantasy film A Wrinkle in Time (2018), has produced another powerful and socially relevant work. These events may have occurred in 1989, but their impact echoes across the decades. The treatment by the New York Police of these black youths is also a microcosm of how minorities are treated in general by the U.S. justice system. By highlighting the tragedy of this case, DuVernay and her production team have created a landmark work of TV drama. One which is both incredibly vital and emotionally unforgettable. Be warned: there will be tears.

Mark: 10 out of 11