Tag Archives: Rose Leslie

CINEMA REVIEW: DEATH ON THE NILE (2022)

CINEMA REVIEW: DEATH ON THE NILE (2022)

Directed by: Kenneth Branagh

Screenplay by: Michael Green

Based on: Death on the Nile by Agatha Christie

Produced by: Ridley Scott, Kenneth Branagh, Judy Hofflund, Kevin J. Walsh

Cast: Tom Bateman, Annette Bening, Kenneth Branagh, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders, Letitia Wright etc.

Cinematography: Haris Zambarloukos

*** MAY CONTAIN SPOILERS ***



Following the box office success of MURDER ON THE ORIENT EXPRESS (2017), it comes as no surprise there is a sequel to the classy Hercule Poirot train-set murder mystery. Once again Kenneth Branagh directs and stars as the Belgian detective and he has also assembled a wonderful cast of A-listers and solid character actors within the ensemble. I was especially pleased to see Annette Bening lend some gravitas to the glamour and whether the ultra-talented Rose Leslie could break out into bigger film roles. Gal Gadot and Letitia Wright also leave behind recent comic book films for an altogether more period setting. Lastly, who doesn’t want to see French and Saunders reunited on screen.

I have always loved Agatha Christie’s work be it in literary, radio, television or film mediums. DEATH ON THE NILE (1978), while a bit of a guilty romp, is a favourite of mine, especially as it was the first Christie adaptation I saw at the cinema. I must have seen that particular film about twenty times over the years. So much so I know the plot backwards. I guess the nostalgia for watching a film as a child and familiarity with the story create a kind of comfort film. Thus, another positive reason why I was looking forward to the new adaptation.


Kenneth Branagh as Hercule Poirot in 20th Century Studios’ DEATH ON THE NILE. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

Agatha Christie truly knows how to create a masterful detective plot. In fact, she was a genius. What we now consider to be a cliched genre, the “whodunnit”, was practically invented and reinvented by Christie and this story has a devious plot and surprising ending. While the genre is familiar, I enjoy watching all the players in one location conflicting with each other. Of course, Poirot is an eccentric and brilliant detective, so even though I know he will solve the crime and how, paradoxically I still love the journey of it all. But what of this latest iteration? Well, all throughout I kept channelling the fury of Annie Wilkes! If it’s not broken, why are they howdy-doody trying to fix it!

If you have never read Death of the Nile, it truly is a wonderful detective story, tightly plotted and full of biting wit and observations from Christie. There is subtle critique of English types abroad and the negative impact money, lust and envy have on the human condition. But having said that there is an exotic location, crafty humour, witty dialogue and bright sunshine illuminating the bloody murder in the novel. This is where Branagh and his screenwriter get Death of the Nile utterly wrong for me. From very off they gloom the mood and tone, lose much of the fun and introduce too many different subplots which do nothing to enhance Christie’s original work. Her novel did not need changing!

Perhaps I was just too familiar with the material or Branagh’s confident/arrogance got the better of him. Aside from some highly suspect CGI with Bouc (Tom Bateman) on the pyramids, Death of the Nile (2022), looked fantastic. But it felt hollow and drained of joy. I mean, does it matter why Poirot grew a moustache and moreover why has he suddenly become so existential and sad? Gal Gadot felt too modern as the rich victim of the story and Armie Hammer is handsome yet bland. I enjoyed Sophie Okonedo’s performance, but her character was enjoyable comic relief in the 1978 version. Otterbourne is now given unnecessary depth and musical filler as a sultry blues singer. Lastly, Emma Mackey has some fine moments as the vengeful Jackie, but I thought overall the script served the actors badly. My advice is to watch the David Suchet or 1978 version instead of this sinking cinematic vessel.

Mark: 5.5 out of 11


FIVE REASONS THIS COULD BE GOOD – DEATH ON THE NILE (2020)

FIVE REASONS THIS COULD BE GOOD – DEATH ON THE NILE (2020)

Directed by: Kenneth Branagh

Produced by: Kenneth Branagh, Judy Hofflund, Simon Kinberg, Ridley Scott, Mark Gordon, Kevin J. Walsh

Screenplay by: Michael Green

Based on: Death on the Nile by Agatha Christie

Cast: Tom Bateman, Annette Bening, Kenneth Branagh, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders, Letitia Wright

UK Release Date: 23/10/2020



The cinemas are now open again and while the reason for their closure was understandable, it’s great to look forward to seeing some of the more grand and expensive films on the giant screen. I have very much made the most of watching loads of films and television programmes at home via streaming and digital channels, yet it was a pleasure to be back at the cinema this weekend watching TENET (2020). Kenneth Branagh features heavily in Christopher Nolan’s latest high concept brain-twister. Moreover, he also has an updated version of DEATH ON THE NILE (2020) being released soon. Thus, as I’m such a sucker for these old-fashioned murder mysteries I thought I’d give five reasons why it could be good.


CAST

Following the box office success of MURDER ON THE ORIENT EXPRESS (2017), it comes as no surprise there is a sequel to the classy Hercule Poirot train-set murder mystery. Once again Kenneth Branagh directs and stars as the Belgian detective and he has also assembled a wonderful cast of A-listers and solid character actors within the ensemble. I’m especially pleased to see Annette Bening lend some gravitas to the glamour and whether GAME OF THRONES’ Rose Leslie can break out into bigger film roles. Gal Gadot and Letitia Wright leave behind recent comic book films for an altogether more period setting. Lastly, who doesn’t want to see French and Saunders reunited on screen.


NOSTALGIA & FAMILIARITY

I have always loved Agatha Christie’s work be it in literary, radio, television or film mediums. DEATH ON THE NILE (2020) is a favourite of mine, especially as the 1978 version was the first Christie adaptation I saw at the cinema. I must have seen that particular film about twenty times over the years. So much so I know the plot backwards. I guess the nostalgia for watching a film as a child and familiarity with the story create a kind of comfort film. Thus, another positive reason why I am looking forward to the new adaptation is how they recreate a familiar classic.


LOCATIONS

As I established in a recent film review, I for one have a massive fear of flying. Thus, watching films set in exotic locations can be a way for me to experience vicariously places I would not normally visit. Seeing as the film is set on a boat travelling up the Nile, there is no doubt there will be some incredible sights to see while Poirot tries to solve a devilishly complex crime.


MYSTERY

Agatha Christie truly knows how to create a masterful detective plot. In fact, she was a genius. What we now consider to be a cliched genre, the “whodunnit”, was practically invented and reinvented by Christie and this story has a particularly brilliant plot and ending. While the genre is familiar, I enjoy watching all the players in one location conflicting with each other. Of course, Poirot is an eccentric and brilliant detective, so even though I know he will solve the crime and how, paradoxically I still love the mystery of it all.


TRAILER

I have now watched the trailer a few times and it shone on the big screen at the weekend. It also does a great job of establishing the cast, characters and setting without giving away any of the plot. The Depeche Mode track really resonates with the grand voiceover, building to a crescendo where we get to meet Kenneth Branagh as the inimitable Poirot. Anyway, here it is!


SIX OF THE BEST #7 – GAME OF THRONES: SCENE STEALERS!

SIX OF THE BEST #7 – GAME OF THRONES: SCENE STEALERS!

Game of Thrones is one of the biggest literary and TV phenomena of recent years. It has entered Western cultures’ psyche offering a glut of: plotting, death, sex, class-divide, war, fantastical beasts and devilish sorcery!  I think the main strength lies though in the wonderful writing that stems first from George R.R. Martin’s behemoth tomes and the incredible production values of the show. Plus, the casting, acting and directing is more often than not better than most cinema offerings.

With Season Seven almost upon us I have been re-watching the show on Sky Atlantic and decided to run a few blog items over the next few weeks dedicated to Game of Thrones.  Today, I choose six characters that for me have excelled in essentially supporting roles and usually end up stealing scenes from the main characters. One could argue that some of these are now main characters, however, in an ensemble cast I consider Tyrion, Daenerys, Cersei, Jamie, Arya, Sansa, Bran, Jon Snow, Varys and – due to his heavy plot machinations – Petyr Baelish etc. to arguably be the main characters. Well, of the ones who are still alive that is!

**CONTAINS SPOILERS**


BRONN – JEROME FLYNN

“Give me ten good men and some climbing spikes. I’ll impregnate the bitch.”

Bronn initially appeared in the first season and championed for Tyrion Lannister when he faced certain death in the Eyrie. Subsequently his Northern working class “charm”, philandering and brilliant fighting skills have provided many scene-stealing moments as Jerome Flynn presents a likeable and honest sword-for-hire-killer to a tee.

bronn

JAQEN H’GHAR/THE FACELESS MAN – TOM WLASCHIBA  

“Help was not promised. Only death. Give a name, any name.”

Another assassin but this time one that is more mysterious and fantastical. Jaqen first appeared as a “tutor” of death and magical helper to Arya as he aided her escape from a Harrenhal bolthole. Subsequently, we saw nothing of him until seasons 5 and 6 when he takes Arya into his Braavos school for assassins and teaches her to become a “Faceless Man”, well women, or person of non-face and non-gendered persuasion.

jaqen

SANDOR “THE HOUND” CLEGANE – RORY McCANN

“Any man dies with a clean sword, I’ll rape his fucking corpse!”

He may have a burnt face and rotten murderous soul but I love the Hound. First seen as part of the Lannister’s sworn swords he bailed at the battle of Blackwater due to the wildfire burning bodies, ships and the horizon. After which he became a Ronin, walking the land and attempting some kind of symbolic redemption. Left for dead by Brienne of Tarth (who should be on this list) we thought we’d never see him again. But in the last season he was back; swearing, murderising and spitting out brutal one-liners with disgusting joy!


WALDER FREY
– DAVID BRADLEY

“Stark, Tully, Lannister, Baratheon. Give me one good reason why I should waste a single thought on any of you?”

The brilliant character actor David Bradley plays the nastiest, grim, old, sexist, racist, murderous bastard perfectly. You are both squirming in shock and then grimacing in horror at the words which leave his gnarled mouth. Of course, Robb Stark and his mother will never forget Walder Frey as he was the host at the infamous Red Wedding; which has a reception no one will ever forget.

YARA GREYJOY – GEMMA WHELAN

“Anything with a cock is easy to fool.”

Sister of the tragic Theon Greyjoy, Yara is the one with the proper balls in the family. Her character is first seen in Season 2, when from the start she tricks her brother with an incestuous practical joke. Yara impresses with her no nonsense attitude, intelligence and fearless confidence throughout as Gemma Whelan instils her character with a playful, yet fierce and probably psychotic depth and determination.

Game-of-Thrones-Season-4-Episode-6-Yara

YGRITTE – ROSE LESLIE

“I’ll cut your pretty cock right off and wear it round me neck.”

Ygritte was a feisty, fiery but sharp player who belied her Wildling roots to develop a passion and love for Jon Snow amidst the cold landscape beyond the wall.  Initially taken prisoner by Jon she turns the tables and eventually the two become entwined. Even watching today the chemistry between the two actors on-screen is very powerful as Rose Leslie brings real passion to the role. Moreover, their relationship also propels Jon’s softening in attitude toward the Wildling people; ultimately forging a powerful alliance.

Ygritte_Promotional