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FIVE REASONS THIS COULD BE GOOD – DEATH ON THE NILE (2020)

FIVE REASONS THIS COULD BE GOOD – DEATH ON THE NILE (2020)

Directed by: Kenneth Branagh

Produced by: Kenneth Branagh, Judy Hofflund, Simon Kinberg, Ridley Scott, Mark Gordon, Kevin J. Walsh

Screenplay by: Michael Green

Based on: Death on the Nile by Agatha Christie

Cast: Tom Bateman, Annette Bening, Kenneth Branagh, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders, Letitia Wright

UK Release Date: 23/10/2020



The cinemas are now open again and while the reason for their closure was understandable, it’s great to look forward to seeing some of the more grand and expensive films on the giant screen. I have very much made the most of watching loads of films and television programmes at home via streaming and digital channels, yet it was a pleasure to be back at the cinema this weekend watching TENET (2020). Kenneth Branagh features heavily in Christopher Nolan’s latest high concept brain-twister. Moreover, he also has an updated version of DEATH ON THE NILE (2020) being released soon. Thus, as I’m such a sucker for these old-fashioned murder mysteries I thought I’d give five reasons why it could be good.


CAST

Following the box office success of MURDER ON THE ORIENT EXPRESS (2017), it comes as no surprise there is a sequel to the classy Hercule Poirot train-set murder mystery. Once again Kenneth Branagh directs and stars as the Belgian detective and he has also assembled a wonderful cast of A-listers and solid character actors within the ensemble. I’m especially pleased to see Annette Bening lend some gravitas to the glamour and whether GAME OF THRONES’ Rose Leslie can break out into bigger film roles. Gal Gadot and Letitia Wright leave behind recent comic book films for an altogether more period setting. Lastly, who doesn’t want to see French and Saunders reunited on screen.


NOSTALGIA & FAMILIARITY

I have always loved Agatha Christie’s work be it in literary, radio, television or film mediums. DEATH ON THE NILE (2020) is a favourite of mine, especially as the 1978 version was the first Christie adaptation I saw at the cinema. I must have seen that particular film about twenty times over the years. So much so I know the plot backwards. I guess the nostalgia for watching a film as a child and familiarity with the story create a kind of comfort film. Thus, another positive reason why I am looking forward to the new adaptation is how they recreate a familiar classic.


LOCATIONS

As I established in a recent film review, I for one have a massive fear of flying. Thus, watching films set in exotic locations can be a way for me to experience vicariously places I would not normally visit. Seeing as the film is set on a boat travelling up the Nile, there is no doubt there will be some incredible sights to see while Poirot tries to solve a devilishly complex crime.


MYSTERY

Agatha Christie truly knows how to create a masterful detective plot. In fact, she was a genius. What we now consider to be a cliched genre, the “whodunnit”, was practically invented and reinvented by Christie and this story has a particularly brilliant plot and ending. While the genre is familiar, I enjoy watching all the players in one location conflicting with each other. Of course, Poirot is an eccentric and brilliant detective, so even though I know he will solve the crime and how, paradoxically I still love the mystery of it all.


TRAILER

I have now watched the trailer a few times and it shone on the big screen at the weekend. It also does a great job of establishing the cast, characters and setting without giving away any of the plot. The Depeche Mode track really resonates with the grand voiceover, building to a crescendo where we get to meet Kenneth Branagh as the inimitable Poirot. Anyway, here it is!