Tag Archives: This is England

ALL 4 TV REVIEW – THIS IS ENGLAND ’90 (2015)

ALL 4 TV REVIEW – THIS IS ENGLAND ’90 (2015)

Created by: Shane Meadows

Director: Shane Meadows

Writers: Shane Meadows, Jack Thorne

Series Producers: Mark Herbert, Derrin Schlesinger, Rebekah Wray-Rogers

Cast: Thomas Turgoose, Vicky McClure, Joseph Gilgun, Stephen Graham, Andrew Shim, Stephen Graham, Andrew Ellis, Rosamund Hanson, Danielle James, Kriss Dosanjh, Chanel Cresswell, Johnny Harris, Michael Socha, George Newton, Jo Hartley, Katherine Dow Blyton, Stacey Sampson, Perry Fitzpatrick, Joe Dempsie etc.

Cinematography: Danny Cohen

Music by: Ludovico Einaudi

**CONTAINS SPOILERS FROM – THIS IS ENGLAND ’83, ’86 & ’88**

So, just to reiterate if you have NOT seen the previous film or TV series of This is England, I would advise you start with the film and watch them in order of release. Safe to say that this review also contains MASSIVE SPOILERS from the previous productions too.

As the title says we are now in the year 1990, some two years after the trauma of Lol’s (Vicky McClure) suicide attempt. Her and Woody are now thankfully back together and he, the gang and Milky have reconciled. Structured into a seasonal order of Spring, Summer, Autumn and Winter the show shifts focus to a more ensemble narrative presentation. Here more secondary characters such as Lol’s sister Kelly (Chanel Creswell) and Milky (Andrew Shim) are given meatier storylines over the four episodes.

As it’s the 1990’s we get some of my favourite music of all time presented. Indie, pop and rave tracks by the likes of The Stone Roses, Happy Mondays, The Pixies, The La’s, James, Beats International and many more dominate the soundtrack. Thus, the Spring and Summer months begin in an upbeat mood for the characters on the main. Gadget, Harvey, Trev, Shaun and Kelly are into the rave and Madchester scene, popping pills with heady abandon. This is where Kelly’s story veers into dark drama as her grief for the loss of her father spills into drug addiction and self-destructive behaviour.

This reaches a head in the Summer episode. Beginning as a humorous drive to a field in the England becomes, for Harvey, Gadget, Trev and Shaun a narcotic escape out of Midlands mundanity. However, for Kelly it leads to a dark, drug-induced and sexualised nightmare. For the first time in the series though I felt the drama was slightly gratuitous and felt uncomfortable with Kelly’s ordeal. However, Chanel Cresswell gave a haunting performance of a character lost in a fog of addiction and despair.

With Kelly’s character adrift in the Autumn and Winter months, the narrative also brings back Combo (Stephen Graham) into the mix. As the racist thug in the original film, his character had ventured into some twisted redemption when taking the blame for Lol and Kelly’s Dad’s death. With Combo about to be released from prison the series examines whether people can change and most importantly be forgiven for prior crimes. It is hard hitting stuff and Stephen Graham is a superb actor who lives and breathes the mistakes of his characters’ past. His Winter scenes with Milky are particularly painful and ultimately shocking.

Indeed, during the Autumn and Winter episodes we get some of the most painful and dramatic scenes in the whole series. The scene around the dinner table when Lol decides to confess to her mum, Kelly and Milky the actual events regarding her Dad’s death are so compelling. Meadows directs this scene with simple and devastating effect. He allows the amazing performances from the cast to create emotion via long and tense takes. News of Combo being released impacts them all and the aftermath leads to a vengeful decision by Milky which haunts both him and the audience.

Meadows, co-writer Jack Thorne, the cast and the production team of This Is England ’90 deliver another nostalgic, humorous and hard-hitting drama series. It ends with the characters moving toward the light but with darkness not too far behind. Lol and Woody finally get married in as close to a feel-good ending you get with Shane Meadows. Overall, as slices of life go, these films and TV programmes are genuine British classics and a must watch if you are drawn to gritty, realistic dramas which chuck everything at you — including the kitchen sink.

Mark: 9 out of 11

ALL 4 TV REVIEW: THIS IS ENGLAND ’88 (2011)

ALL 4 TV REVIEW – THIS IS ENGLAND ’88 (2011)

Created by: Shane Meadows

Directors: Shane Meadows

Writers: Shane Meadows, Jack Thorne

Series Producers: Mark Herbert, Derrin Schlesinger, Rebekah Wray-Rogers

Cast: Thomas Turgoose, Vicky McClure, Joseph Gilgun, Stephen Graham, Andrew Shim, Stephen Graham, Andrew Ellis, Rosamund Hanson, Danielle James, Kriss Dosanjh, Chanel Cresswell, Johnny Harris, Michael Socha, George Newton, Jo Hartley, Katherine Dow Blyton, Stacey Sampson etc.

Cinematography: Danny Cohen

Music by: Ludovico Einaudi

**CONTAINS SPOILERS**

Shane Meadows’ Midlands-based drama classic continued two-and-a-half years after the tragic events of its predecessor, This is England ’86 (2010). While obviously harking back to the late 1980’s and infused with nostalgia, it is arguably even darker and keenly focused than the previous series. Dealing mainly with the aftermath of Lol (Vicky McClure) and Woody’s (Joe Gilgun) relationship breakdown, it also explores Shaun’s (Thomas Turgoose) misadventures attending drama school.

While there is a lot of humorous situations in these three episodes, Meadows and co-writer Jack Thorne essentially structure around Lol’s heart of darkness descent into depression. They present a devastating character study as she struggles with single parenthood following her self-destructive affair with Milky (Andrew Shim) and subsequent split from Woody. Lol is crushed with guilt over this and her father’s death; an act she committed in self-defence and Combo (Stephen Graham) took the blame for.

Vicky McClure as Lol gives a devastating performance. She wears her grief as a second skin, with the weight of her world pushing her deeper and deeper into the mire. Moreover, as Lol confronts her difficult life choices head on, she is literally haunted by the ghost of her father. Meadows and McClure deserve such praise for presenting depression and the disintegration of a characters’ mind so convincingly and sensitively. Lol is a lost soul and her story felt so real to me when watching.

Woody, on the other hand, is living with a new girlfriend, Jennifer, at his parents. Things are going well for him on the surface but you feel he’s lost without Lol. Indeed, Lol and Woody are one of television’s iconic couples. It’s strange not seeing them together. Joe Gilgun’s performance as Woody is excellent too. It’s clear he’s putting on a brave face and using humour to direct his pain. However, heartache is never too far away from his crooked smile.

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Meanwhile, Shaun’s excursion into six-form acting provides some light relief but also personal trauma. It’s very funny when the gang, high on speed, almost ruin his opening night with constant laughter. To be honest the play is pretty awful so I don’t blame them. Furthermore, Shaun’s hormones are bouncing round like a squash ball, as he finds himself attracted to one of girls in the class. The scene where he’s caught with his trousers down by girlfriend Smell is both funny and sad. Quirky actress Rosamund Hanson, in her role as Smell/Michelle, impresses with a mix of punk and hysterical rage here.

Yet, the main theme of the narrative is one of overcoming loss through community and togetherness. While Woody eventually confronts the gang and more specifically Milky over perceived treachery, Lol sinks deeper into a downward spiral. Here Shane Meadows is able to present isolation and loneliness very powerfully. Indeed, the series captures raw and human emotions in a very convincing way. Through these characters we experience trauma and tragedy but through love and unity we also find hope.

Mark: 9.5 out of 11

ALL 4 TV REVIEW – THIS IS ENGLAND ’86 (2010)

ALL 4 TV REVIEW – THIS IS ENGLAND ’86 (2010)

Created by: Shane Meadows

Directors: Tom Harper, Shane Meadows

Series Producers: Mark Herbert, Derrin Schlesinger, Rebekah Wray-Rogers

Cast: Thomas Turgoose, Vicky McClure, Joseph Gilgun, Stephen Graham, Andrew Shim, Stephen Graham, Andrew Ellis, Rosamund Hanson, Danielle James, Kriss Dosanjh, Chanel Cresswell, Johnny Harris, Michael Socha, George Newton, Jo Hartley etc.

Cinematography: Danny Cohen

Music by: Ludovico Einaudi

**CONTAINS SPOILERS**

Having watched Shane Meadows classic British film, This is England (2006), again of late – review can be found here – I thought it would be fascinating to catch up with the subsequent television series via ALL 4. Thus, Meadows and co-writer, Jack Thorne re-introduce the gritty lives of beloved and some not-so-beloved working-class characters, within the satanic Midland mills of England.

I would strongly advise, if interested in watching this drama, you begin with the film first. That way you can familiarise and experience the events and characters of the show in the correct order. Indeed, this classic series works best when you watch the film and subsequent series, This is England ’88 (2011) and This is England ’90 (2014) as a continuous whole. That way you get the full power of Shane Meadow’s vision for the characters and the period it is set.

The series for me is an engrossing mix of nostalgia, comedy, drama and socio-political exploration. Opening some three years after the original film, we re-join the “gang” going about their lives attempting to breach the difficult gap between youth and adulthood. After the tragic events of 1983, Shaun (Thomas Turgoose) has lost contact with the group but over the course of the four episodes he integrates back in. The others are either unemployed or in Woody’s (Joe Gilgun) case employed and attempting some form of upward mobility. Moreover, Lol/Lorraine (Vicky McClure) and Woody are planning to get married. However, the return of Lol’s father (Johnny Harris) brings back painful memories for her and his presence gives the series the villain of the piece.

The structure of the series echoes that of the film. We start with mostly lighter episodes containing a comedic flavour. The seeds of drama, such as Woody backing out of the wedding at the altar, are planted early on. Nonetheless, the early episodes contain some really funny scenes. These include Shaun’s run-in with the local bullies and a party which gets completely out of hand too. There’s much in the way of bawdy and sexual humour, especially when Gadget is used as a sex toy by local divorcee, Trudy. These scenes make us feel safe and warm, yet we know that trouble isn’t far away for the characters.

Once again, the soundtrack is a fantastic mix of eras with a classic collection of 1960s, 1970s and 1980s rock, ska, punk and pop music. Similarly, the fashion of the characters is a postmodern melange of punk, mod and new wave looks. Politics and sport are also thrown into the mix with the 1986 “Hand of God” World Cup dominating the backdrop of the series.

As the characters and era are established and some laughs have been mined, the drama really kicks in. Lol and Woody’s relationship breakdown causes her to make some poor decisions, as she capitulates in the stress of her father’s return. Vicky McClure is fantastic as Lol. You can feel the trauma in her whole being during the scenes with Johnny Harris’ evil patriarch. The culmination of their conflict is one of the most harrowing scenes I have ever witnessed on a television screen.

Overall, This is England ’86 is full of complex emotions, humour and drama. There’s a real honesty to the characters who are just trying to live their lives in the Midlands, despite all the disadvantages it brings. Ultimately, they are striving to be decent but find their loyalties tested by friends, family and their lack of opportunities. Amidst the humour and camaraderie of the series we get some brutal and unforgettable moments of drama which remain long after the credits have rolled. The politicians of Westminster may not care and want to forget about such lives, but Shane Meadows won’t let us forget, delivering a powerful character chorus of laughter, tears and togetherness.

Mark: 9.5 out of 11

CLASSIC FILM REVIEW: THIS IS ENGLAND (2006)

CLASSIC FILM REVIEW: THIS IS ENGLAND (2006)

Written and directed by: Shane Meadows

Produced by: Mark Herbert

Cast: Thomas Turgoose, Vicky McClure, Joseph Gilgun, Stephen Graham, Andrew Shim, Stephen Graham, Andrew Ellis, Jack O’Connell, Rosamund Hanson, Danielle James, Kriss Dosanjh, Chanel Cresswell etc.

Cinematography: Danny Cohen

Music by: Ludovico Einaudi

**CONTAINS SPOILERS**

I remember the early 1980’s for: Thatcher, miners’ strikes, racism, teacher strikes, Shergar, penny sweets, Wham, bicycle tyres round lamp posts, white dog-shit, the IRA, hating school, riots, racism, heatwaves, Spitting Image, Duran Duran, caravan holidays in Canvey Island, Sergio Tacchini tracksuits, Bjorn Borg, bombs, the Falklands War, Raiders of the Lost Ark (1981), sherbet, cap-guns, Spurs winning the FA Cup, Fred Perry, glue-sniffing, school bullies and much, much more.

The early 1980’s were the primary years of awakening for me. I was ten when they started and grew into my teens as they drifted along. I was at a school I hated and was just becoming fully aware of what life and the world around me was about. It seemed to me, for various reasons, a place full of wonder but also injustice, fear and negativity. I grew up on a concrete Battersea council estate full of ruffians, stray dogs, sunshine, cold winters and family dysfunction.

Tapping into such emotions and memories is Shane Meadows’ gritty slice-of-life drama, This is England (2006). Set in the Midlands, it centres on twelve-year-old Shaun, portrayed by newcomer, Thomas Turgoose. Shaun and his mum are grieving the loss of his father; a soldier killed during the Falklands War. Shaun is angry, confused and an outsider at school. But he finds community when he meets Woody, Lol, Milky, Michelle, Gadget and other members of a group of skinheads. They are non-violent and into the music, fashion and generally fending off boredom together.

The first forty minutes of the show are politically infused but relatively light compared to the last hour. When Stephen Graham’s dominant alpha-male, Combo, is released from jail, the narrative dynamic changes and goes very dark. Combo is a bitter racist and angry at the world, blaming, like many ignorant people the influx of people from outside England of diluting the heritage of the nation. Meadows, through the character of Shaun, shows both sides of the impact of skinhead culture. Similar to the film, Platoon (1986), a younger, naive character becomes torn between two surrogate fathers. In this case the violent Combo and the passive, happy-go-lucky, Woody (Joseph Gilgun).

The film has no easy answers and what starts as a reasonably pleasant nostalgia trip backed by a superb soundtrack of punk, ska and reggae music, ends violently and in despair. The socio-political reflections of society through Shaun’s character arc finds a young boy even more lost in this forgotten Midland town by the end. The damning image of this lad chucking an English flag into the sea haunted me.

Shane Meadows, on a relatively low budget, has created a British film masterpiece worthy of the likes of Alan Clarke, Ken Loach and Mike Leigh. He captures the look, feel, sounds and even smell of the era so evocatively. As a rites of passage film it works as an antithesis to the shiny Hollywood films with tightly wrapped happy endings. It’s a brutal exploration of identity, politics and racism which lingers long in the heart and mind. In Turgoose’ debut acting performance we get echoes of Englands’ innocence lost forever.

Lastly, the cast are incredible. This film has some familiar faces, all who would become pretty famous. They include: Stephen Graham, Vicky McClure, Joe Gilgun, Jo Hartley and a very young Jack O’Connell. Such actors would go on to bigger things but, collectively, they are never better than in this amazing film. It’s a true and proper drama which spawned an equally memorable and dramatically impressive television series. But, more about that in the future.