MOVIE REVIEW: GET OUT (2017)
TITLE: GET OUT
DIRECTOR/WRITER: JORDAN PEELE
CAST: DANIEL KALUUYA, ALLISON WILLIAMS, CATHERINE KEENER, LIL REL HOWERY
**MAY CONTAIN SPOILERS**
Written and directed by the very talented Jordan Peele – known for his sketch comedy work on shows such as: Key and Peele and MADtv – Get Out is a humdinger of a horror-thriller-satire. It concerns Chris Washington and his girlfriend, Rose Armitage on a “meet-the-parents” getaway weekend. At first, Chris reads the family’s overly accommodating behaviour as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses we get the terrifying truth about the situation.
The narrative is a tremendous mash-up of horror and social satire following in the footsteps of films such as: The Stepford Wives (1972), Night of the Living Dead (1968) and They Live (1988) which used horror stories as a means of social commentary. Moreover, Peele’s screenplay brilliantly sets up some humorous and awkward scenes between the overly politically-correct white characters before twisting into darker territory. However, there are many laughs to be had also especially from Chris’ best friend portrayed by Lil Rel Howery as a dogged and profane Trans-Airport security employee.
The cast, notably Daniel Kaluuya, Catherine Keener and Allison Williams, are all excellent but most impressive was the writing. I watch so many TV and cinema presentations which over-write dialogue or include extraneous scenes, yet nothing in Peele’s script is wasted with an impressive set-up-punchline-call-back structure within a plethora of visual, verbal and performance set-pieces.
Recent films such as Twelve Years a Slave (2013) and Birth of the Nation (2016) took audiences to very serious places in regard to slavery, however, Peele’s contemporary vision of modern society and racial tensions brilliantly satirises middle-class America and entertainingly highlights the culture experiences with many genuine scares to boot.
(Mark: 9 out of 11).
2 thoughts on “MOVIE REVIEW: GET OUT (2017)”
I was mildly disappointed by this film. I thought it would be that flawless, perfect film which I would love, but it was so not. My biggest criticism was that the film was so predictable at times and why, on earth, it combined that subtle, satirical “The Stepford Wives”-hidden danger atmosphere with trashy slashing instances? They just ruined the movie.
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That’s fair enough. I guess I just enjoyed the simplicity of the set-up/punchline structure and saw it more comedically rather than deep drama. I do agree that the final act was too easily wrapped up but I was glad it kept it tight and found the twists, while telegraphed, very entertaining.
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