Tag Archives: USA

HARRIET (2019) – CINEMA REVIEW

HARRIET (2019) – CINEMA REVIEW

Directed by: Kasi Lemmons

Produced by: Debra Martin Chase, Daniela Taplin Lundberg, Gregory Allen Howard

Screenplay: Kasi Lemmons, Gregory Allen Howard

Cast: Cynthia Erivo, Leslie Odom Jr., Joe Alwyn, Janelle Monae, Clarke Peters, Zackary Momoh, Vondie Curtis-Hall etc.

**CONTAINS HISTORICAL SPOILERS**



With $100 million being spent on the film Midway (2019), which I haven’t seen, and $160 million being spent on The Irishman (2019), which I have, it’s kind of shame that a way bigger story like that of Harriet Tubman is only afforded a mid-budget tribute adaptation. Because, even if this story is only 10% true, Harriet Tubman’s character deserves so much more. In fact, I am shocked that it has taken this long for her achievements to reach the cinema screen. Especially because we had to endure another rendition of Lincoln (2012), in Spielberg’s recent ponderous epic.

That isn’t to say that old Abraham isn’t deserving of praise. I’m just an ignorant Englander, but Harriet Tubman, as represented by Cynthia Erivo’s sterling performance and Kasi Lemmon’s and Gregory Allen Howard’s fizzing screenplay, is a tour-de-force encapsulation of empowerment. That isn’t to say that the film isn’t without flaws. Indeed, this is an amazing story which is professionally told. However, it seems to have been short-changed on budget and marketing possibilities here in the U.K. I mean Frozen 2 (2019) is on about a million screens, whereas I struggled to find one for this film.



Araminta “Minty” Ross was born in 1820 and into the slavery that blighted the “United” States. Eventually this humanitarian stain would lead to civil war in the U.S.A and the film charts Minty’s legacy from slavery to escape to freedom fighter, during the build up to this fierce conflict. Her character is one of guts, determination, fight and she also has the gift for second sight. Indeed, if the period setting wasn’t so well evoked, you could be mistaken for feeling like the film was using the beats of a superhero origins film.

But that is what Harriet Tubman becomes; a superhero and saviour to her family, friends, slaves and the abolitionist movement as a whole. A superhero needs a nemesis though and white slavers have now become the new Nazis. They are the bad guys and villains we boo and hiss and hate. Here they are represented by Joe Alwyn’s Gideon Brodess. While not as charismatically dastardly as Tarantino’s Calvin Candie (Leonardo DiCaprio), he remains a benign, matter-of-fact vision of evil. Perhaps, the brutality could have been heightened, but this is more of an inspirational and empowering tale, rather than one that wallows in the misery and genius of Steve McQueen’s 12 Years A Slave (2013).

Overall, the film is a fine tribute to an incredible human being. There are some issues in the telling of the story. It feels rushed like a “greatest hits” package. I mean I just wish they could have developed a longer television series for this character or given it the running time Harriet’s plaudits deserved. Plus, some of the direction is a little flat in places. Where suspense and fear could have been ratcheted up a bit, in certain scenes Lemmons rushes through them. Nevertheless, I was thoroughly absorbed by the subject matter, themes and character throughout. Special praise goes to star-in-the-making Cynthia Erivo too. Via Harriet Tubman’s incredible actions Erivo has broken out in more ways than one.

Mark: 8.5 out of 11



THE FAREWELL (2019) – CINEMA REVIEW

THE FAREWELL (2019) – CINEMA REVIEW

Written and directed by: Lulu Wang

Produced by: Daniele Melia, Peter Saraf, Marc Turtletaub, Andrew Miano, Chris Weitz, Jane Zheng, Lulu Wang, Anita Gou

Main Cast: Awkwafina, Tzi Ma, Tzi Ma, Diana Lin, Jiang Yongbo, Zhao Shuzhen, Lu Hong, Chen Han, Aoi Mizuhara etc.

Cinematography: Anna Franquesca Solano

Music: Alex Weston

**MAY CONTAIN SPOILERS**


High concept film pitches usually take a tremendously marketable idea that can hook you in seconds, but also cost tens of millions of dollars to make. Sometimes though you’ll get a lower budget, more art-house character film, which will have an equally alluring premise for a fraction of the price. Lulu Wang’s second directorial release, The Farewell (2019), is one such film.

Based on a true story or “actual lie” as the prologue text reveals, the narrative revolves around a Chinese family and their decision not to reveal to their paternal Grandmother, or Nai-Nai (Zhao Shuzhen), that she has terminal cancer. This leads to a bittersweet series of scenes, full of comedy and pathos, as the whole family must keep the secret while arranging a fake family wedding in China.



While it is an ensemble cast generally, the audience conduit is Awkwafina’s Billi Wang. As her character, along with her mother and father, have lived in America for several years she believes that the Grandmother she loves has a right to know about her illness. As the scenes unfold, she clashes with various family members creating a palpable suspense as to whether Billi will reveal the truth. Moreover, we get many scenes where the family debate the various cultural and philosophical reasons why Nai-Nai should or should not be told. These I found very thoughtful and engaged both my heart and mind in equal measure.



Overall, it’s a low-key character study but nonetheless gripping, funny and sad throughout. I was especially drawn in because I wondered what I would have done in that situation. Personally, I think it is best to tell the person they are ill, but as the film wore on, I could see the other side of the argument too. In other hands this could have been turned into a poorly conceived farcical comedy, but as this is based on the writer and director’s Lulu Wang’s real-life experiences, we ultimately get a very touching film about life, death, family, love, culture and truth.

Personally, I would have liked Billi’s character to have been a bit more fleshed out at the start. Mainly because I was unsure of her personality and she just seemed a bit depressed. I mean was she a writer or a pianist and what was her job? Having said that, Awkwafina provides subtle brilliance in her role as Billi, yet, Zhao Shuzhen steals the show as the effervescent Nai-Nai, whose character shows an unabated lust for life throughout this fine film.

Mark: 8.5 out of 11


US (2019) – CINEMA REVIEW

US (2019) – CINEMA REVIEW

Directed by: Jordan Peele

Produced by: Jason Blum, Ian Cooper, Sean McKittrick, Jordan Peele

Written by: Jordan Peele

Starring: Lupita Nyong’o, Winston Duke, Elisabeth Moss, Tim Heidecker, Shahadi Wright Joseph, Evan Alex etc.

Music: Michael Abels

Cinematography: Mike Gioulakis

**MAY CONTAIN SPOILERS**

Orson Welles is reportedly quoted as saying, “A movie in production is the greatest train set a boy could ever have.” Thus, Jordan Peele proves this point with an unstoppable cinematic train ride in Us (2019); that while threatening to career off the rails on occasions, proves to be a thrilling work of horror-meets-social-satire entertainment.

The film centres on an everyday normal family of four — the Wilsons: Adelaide (Lupita Nyong’o), Gabe (Winston Duke), and their two children — as they visit their summer home by the beach. Haunted by a scary incident in a hall of mirrors when a child, Adelaide is afraid to return to the beach where it occurred, until her husband’s goofy enthusiasm wins her over.

Events begin to turn and twist askew when their son, Jason, seems to go missing for a while. Even though he returns, paranoia and fear sneaks into Adelaide’s psyche. Things become even stranger when a mysterious family of four appear in the Wilsons’ drive in the dead of night. This is when the true face of horror surfaces and a pulsating home invasion and prolonged chase sequence ensues.

Peele has clearly seen a lot of horror films. As such the early scenes build tension perfectly with: stormy weather; a strange drifter with biblical sign haunting the boardwalk; creepy hall of mirrors; the choral soundtrack reminiscent of Rosemary’s Baby (1968); the son, Jason wearing a Jaws (1975) movie t-shirt; the flock of seagulls on the beach echoing Hitchcock’s The Birds (1963); and so it goes.

Such horror tropes build a huge wall of tension so effectively it’s almost a relief when released during the big doppelganger reveal. Subsequently, the blood-letting ensues in some meaty fights and exchanges involving weapons, such as: baseball bats, metal pokers, ornaments and golf clubs. The doppelgangers themselves are clearly a reflection of the self; twisted visions of humanity turning against the characters, as they literally become their own worst enemies.

The cast are expertly marshalled by Peele, as he gets doubly great performances from all the actors. The logistics of shooting doubles must have been tough, especially so many at a time. The featured cast are very good, notably Winston Duke as Gabe Wilson. He offers some light, comedic and physical humour amidst the gore. Meanwhile, Lupita Nyong’o steals the show in the dominant twin roles of Adelaide and the nefarious Red.

It’s Adelaide’s personal journey of double/split identity which provides the spine of the film. As she fights to save her family she must also literally battle the demon inside and outside herself. This thematic is the most powerful of the film for me, as Nyong’o’s acting is full of emotional resonance.

Perhaps, not as successful, when compared to Get Out, is the attempt to marry the personal conflict to the socio-political landscape. While Peele’s first film was an overt satire of slavery and white America oppression and exploitation, Us’ targets are intellectually more ambiguous and open to interpretation. I mean take your pick from: class, capitalism, consumerism, race, de-politicization, narcissism, over-population, split personalities, government conspiracies; and over-arching fear of ‘the other’.

These and many more themes are on Peele’s radar, as is his overall critique of the United States (U.S. = US – geddit!). That they don’t quite gel coherently is not a criticism but a positive indictment of his ambition. Conversely, while I felt the underlying power of Peele’s call-to-arms and desire for human unity in Us, one could argue the fire, smoke and mirrors of these ideas subtract from the power of the families’ personal struggle. Moreover, what is the solution to the government copying us or burying our doubles underground? Is it to kill the others and hold hands in unity? Who knows? What I can say is such naive idealism in horror has never been so entertaining.

After the success of the slavery-soul-swapping and genre bending thriller, Get Out, Jordan Peele has tasked himself with trying to top that fine movie. Well, if Get Out was the starter, Us is the main meal. In fact, one could argue the film is so full of ideas that it threatens to fail due to sensory overload. However, Peele is such a multi-talented storyteller he skilfully delivers, wholly thanks to great writing, masterful film production, an exceptional soundtrack and an incredible cast.

Mark: 9.5 out of 11

Something to offend everyone! CURB YOUR ENTHUSIASM – SEASON 9 – TV REVIEW

CURB YOUR ENTHUSIASM – SEASON 9 – TV REVIEW

Created by and story by: Larry David

Executive producer(s): Larry David, Jeff Garlin, Robert B. Weide, Larry Charles, Erin O’Malley, Alec Berg etc.

Production company(s): HBO Entertainment, Warner Bros.

Starring: Larry David, Jeff Garlin, Cheryl Hines, Susie Essman, J. B. Smoove etc.

**CONTAINS SPOILERS**

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There’s absolutely no reason why a situation comedy about an aging, wealthy, neurotic and narcissistic Hollywood writer should be one of the most consistently funny comedy shows of the last twenty years. There’s no real substance or depth in Curb Your Enthusiasm; in fact not much really happens of great value as it occurs in a “Larry David / Hollywood” bubble. Moreover, in anti-hero Larry David you more often than not find his behaviour abhorrent as he goes about upsetting friends, family members, celebrities, and strangers on a daily basis. However, due to the writing, cast and situations the humour is always pretty, pretty good!

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After a six-year hiatus Larry David is back and nothing really has changed. The formula remains the same inasmuch as he gets himself in ridiculous situations upsetting everyone around him, resulting in the most farcical of comedic pay-offs. However, while many of the narrative reveals can be seen a long way off it doesn’t make them any less enjoyable. Special highlights during Season 9 are JB Smoove’s scene-stealing turns as Larry’s “house-guest” Leon Black; who over the course of the last few seasons has inveigled his way into Larry’s life. The two have become an unlikely double act as uncool Jewish bald guy buddies up with his cooler, streetwise and “player” pal. With Leon and Larry you get a relationship which both reflects and satirizes racial stereotypes to funny effect.

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While most of the Season 9 episodes work as stand-alone stories the integral over-riding arc involves Larry David writing a new Broadway show. Inspired by events which occurred to novelist Salman Rushdie, Larry has written a musical called, incredibly, Fatwa!  At first everyone loves the idea and rushes to invest. However, when Larry mocks the Ayatollah on the Jimmy Kimmel show he himself is, you’ve guessed it, hit with a Fatwa!!  The running gags throughout created by this comedic narrative are very broad, un-PC, stereotypically offensive; but also bloody hilarious. I wondered why there wasn’t more controversy; however, Larry David himself is the butt of many of these jokes as he fails to lift the Fatwa.

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The season is crammed with celebrity appearances and particular standouts are: Salman Rushdie, Elizabeth Banks, F. Murray Abraham; and Hamilton creator Lin Manuel-Miranda. The latter hilariously clashes with Larry during the production of the Fatwa: The Musical. There are also some great gags relating to everyday observations including: Uber ratings; pickle jars; tipping; disturbances in kitchens; Asperger’s; plus many more. The episode, Running with the Bulls, with Bryan Cranston portraying Larry’s harangued therapist, was probably my favourite. It was also great to see The Mighty Boosh comedy nut-case Rich Fulcher make an appearance as an evasive Restaurant Manager. Overall, the season was pretty scatter-gun in it’s target humour but it certainly hit the mark throughout. I’m just amazed, in these liberal-PC-social-media-offence-driven times there wasn’t more controversy. Having said that Larry David probably wouldn’t care as in his own words, “I have reservations about everything I do.”

Mark: 9.5 out of 11

TEN THINGS I HATE ABOUT YOU #5 – POLITICS

TEN THINGS I HATE ABOUT YOU #5 – POLITICS

With a General Election coming up I thought I’d diversify my post and continue my Ten Things I Hate About You series which to date includes reasons why I hate: Zach Snyder, the Cinema, Found Footage films and Movie Hair!? So I thought why not write a slightly more serious one about politics.

I don’t propose to be an expert on these things so most of these thoughts are emotional and scattered blasts at the system. It’s just a rant more than anything so please don’t take it too seriously. What with another General Election coming up I feel saturated with all things political and the massive changes to come with the cluster-fuck of BREXIT!  So this is just me letting off steam.

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Politics divides!

In the U.K. we have two main political parties – Labour and the Conservatives – who fight and bitch each other and switch places every four years or so and end up undoing the work the previous party had done. I realise it is a bloody tough thing to run a country but just wonder whether this the best system we have?

I mean why can’t we join together and work as a collective rather than in constant conflict. Can we not put aside our differences to work toward a common goal? The current system pits us AGAINST each other – left versus right and up versus down and black versus white and green versus blue! Divide and rule seems to be the favoured system to maintain the status quo! Could this change or am I just dreaming!?

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Politicians are liars!

This isn’t a simple criticism – this is almost a necessity for survival. Imagine if you had to run the country you have to lie because if you told the truth then you’d probably create wholesale panic across the country. Politics seems to thrive on fear but not hysteria thus lies and manipulations are fed via the politicians and the media to arguably control the populace. What does drive me nuts though is the hypocrisy that ordinary people must live their lives to a certain standard while those in power lie and cheat and get away with it.

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I mean, how many crimes and lies have been committed by politicians and either covered up or, aside from the odd scapegoat, avoided legal incarceration. How many campaign lies have been told in order to gain power? Perhaps they aren’t lies in the first place but naïve beliefs they can change things for the better? Maybe politicians are just all honest and never fiddle their taxes or expenses? Oh, hang on a fleet of pigs just flew by my desk as I type this?

Politics as a necessary evil!

The biggest anxiety I have quite often is that we may have to accept that this is the best system we have!  I mean my life is very good. I have food, a roof over my head and my family are doing okay so I have little to complain about. However, political decisions the world over are doing severe damage to the environment, the poor and the society as a whole. However, there are many good things certain governments achieve such as in the UK. Over time we have achieved a general standard of living which, for the majority is good. Plus, while crime and corruption occur regularly we’re not in the Wild West or back in the Dark Ages. So, the scariest thing could be that politics and democracy do work to some extent. Even with the food banks, austerity, overseas conflicts and Brexit on the horizon maybe this is as good as it gets! Gulp!

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Politics is Big Business!

The system we have seems to favour big business over the working person.  But it’s always been like that I guess. This thing called capitalism is a survival-of-the-fittest-driven-by-greed ideology. Politics is fed by the banks and corporations and vice versa the banks and corporations feed the politicians at one massive trough! Moreover, politics itself is a big industry. Labour and Conservative Parties employ many people and elections create many employment opportunities. But they also receive hefty donations from corporations and Trade Unions. So, is it really an impartial and democratic system? Besides, even the most basic history books will show our society is grounded within a feudal system where peasants tend the land and keep of the Lords and Ladies in the high castles. Thus, politics essentially is global gangsterism and run by the big bosses.

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Power corrupts absolutely!

Well, where do you start!?  Okay, so mostly I think there are many politicians who try to do good but many do not go into it to represent the people. They go into it to represent their own best interests. Because, I believe, the edict that power corrupts and absolute power corrupts absolutely to be true!  Hitler is probably the most horrific example of this. So, while I am far from being a fan of politicians I also feel that the system itself is flawed. Of course the democratic system we have has been in place for centuries and even when you change it as the Russians did circa 1919 the idealism and hope the change ultimately gave way to Stalin’s dictatorial regime. So, perhaps it is humanity which is flawed and not simply politics; power is an addiction and as such must be handled very carefully.

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Politicians are Evil!

Whether they set out to be or became that way the likes of: Thatcher, Hitler, Stalin, Bush, Blair, Franco, Mao Zedong, Mugabe, Saddam Hussain, Mussolini, Gaddafi etc. have in their own way made decisions that have caused the death of many, many lives and communities over the years. How they have been able to live with themselves is beyond me as I feel bad if I accidentally step on a bug. My theory is that some politicians and leaders must have the psychopathic tendencies of serial killers, because how they sleep at night is beyond me.

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Politics = War!

How many wars does politics cause?  Well, along with religion, loads of them!  Be it fighting the rise of fascism; attempting to defeat communism; conflict over territory and resources; and the current war against terror are just a fraction of the kind of conflicts we have had in the last century or so. The worst excuse we’ve had lately is when the powers-that-be argue that the war is necessary for humanitarian reasons. We’re constantly fed a diet of misinformation by the puppet-masters and even rallying against it gets ignored; as seen when Blair’s Labour government disregarded over one million protestors to take us into another war in Iraq. What a liberty! Oh, no – it wasn’t liberty but more death and destruction!

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Media saturation!

Oh my God what with Brexit and now the General Election hovering like a giant eagle about to lay a big brown rotten egg over the nation I’ve kind of already had my fill of politicians asking for my vote. Elections are just a big pantomime of lies and big clowns telling us how they’re going to make things better when really we know running a country is all about damage limitation.  I guess we have to have the illusion of democracy as the alternative is anarchy and a possible ‘Mad Max’ future where everyone is fighting over oil and gasoline. Hold on that’s just like now!! Aaarrggghhh!! I just want the election to be over!

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Personality Politics

What really annoys me is when Politicians get defeated at elections or retire and then go on to become celebrities or reality TV stars!!  Because a plethora of insipid excuses for human beings have used their once political power to carve out careers on the television e.g. Ed Balls, Anne Widdicombe, Michael Portillo to name a few have now humanized themselves as reality stars or travelogue celebrities and it sickens me.  It actually worked the other way round with Donald Trump, the billionaire reality TV show businessman has, god help us, somehow become United States President. Stop the world I want to get off!

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Douche and Turd Politics!

South Park has it right all along – all we have when we vote is a choice between a Douche and Turd – so why vote?  Because I am stupid and human I am still optimistic on occasions and maybe I can actually make a difference?! So I will vote as people lost their lives for the vote and democratic change! But who will it be this year: the Giant Douche or the Turd Sandwich? What a choice?!  I guess overall we’re lucky we still have a choice.

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MOVIE REVIEW: GET OUT (2017)

MOVIE REVIEW: GET OUT (2017)

TITLE: GET OUT 

DIRECTOR/WRITER:  JORDAN PEELE 

CAST: DANIEL KALUUYA, ALLISON WILLIAMS, CATHERINE KEENER, LIL REL HOWERY

**MAY CONTAIN SPOILERS**

Written and directed by the very talented Jordan Peele – known for his sketch comedy work on shows such as: Key and Peele and MADtv – Get Out is a humdinger of a horror-thriller-satire. It concerns Chris Washington and his girlfriend, Rose Armitage on a “meet-the-parents” getaway weekend. At first, Chris reads the family’s overly accommodating behaviour as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses we get the terrifying truth about the situation.

The narrative is a tremendous mash-up of horror and social satire following in the footsteps of films such as: The Stepford Wives (1972), Night of the Living Dead (1968) and They Live (1988) which used horror stories as a means of social commentary. Moreover, Peele’s screenplay brilliantly sets up some humorous and awkward scenes between the overly politically-correct white characters before twisting into darker territory. However, there are many laughs to be had also especially from Chris’ best friend portrayed by Lil Rel Howery as a dogged and profane Trans-Airport security employee.

The cast, notably Daniel Kaluuya, Catherine Keener and Allison Williams, are all excellent but most impressive was the writing. I watch so many TV and cinema presentations which over-write dialogue or include extraneous scenes, yet nothing in Peele’s script is wasted with an impressive set-up-punchline-call-back structure within a plethora of visual, verbal and performance set-pieces.

Recent films such as Twelve Years a Slave (2013) and Birth of the Nation (2016) took audiences to very serious places in regard to slavery, however, Peele’s contemporary vision of modern society and racial tensions brilliantly satirises middle-class America and entertainingly highlights the culture experiences with many genuine scares to boot.

(Mark: 9 out of 11).