RAINDANCE FILM FESTIVAL 2017 – BEST OF BRITISH SHORTS SCREENING
Just a quick heads up or shout out to the brilliant independent film festival that occurs in the UK every year called the Raindance Film Festival. Raindance are a terrific organisation who run film courses and support filmmakers from all backgrounds, as well as running their annual film festival – now in its 25th year!
If you are seriously interested in filmmaking and have no clue where to start you should definitely check out their website here. Filmmaking is bloody hard work and having made a number of short films myself — which can be viewed at my website here — I can safely say it is easier to review them than make a good one.
Anyway, given my love of cinema and short films I checked out the ‘Best of British’ short film programme at the Raindance Film Festival this weekend. There were eight original productions, all of which were very well produced, written and acted. The programme included: low, middle and upper budgeted productions ranging from purely independent filmmakers to films backed by the BBC, BFI, National Film and Television School and Film 4.
Short films are a fascinating format and can be very challenging to make. They can encompass traditional linear and genre narratives but can also present character pieces dependent on a mood or a theme. Short films can of course experiment with form and be represented as documentaries as well as narratives. They can also act as calling cards for filmmakers cutting their teeth before they move onto feature or TV productions.
Making films or, short or otherwise, is nowhere near as romantic as one would think. They are bloody hard work. So, I have much respect for anyone embarking on short film productions. Often, you will have NO money as funding is limited in the UK, but that should not stop you if you have an idea you are passionate about. Film on your phone if you have or if you need help get in touch with an organisation such as Raindance.
I watched eight films of varying length at the Vue Cinema on Saturday and they included: a brilliant comedy thriller about the threat of gentrification called CLA’AM directed by Nathaniel Martello-White. The hilarious horror short SMEAR had me chuckling, while the harsh drama 46.0, about a friendship that goes awry, unsettled me greatly. The short dramas CLEARED, WORK and SKIPPED presented fascinating short journeys from diverse perspectives.
Meanwhile, WILD HORSES presented an off-centre mix of live action and animation concerning a young girl suffering fatigue-inducing condition M.E. Finally, the film DIAGNOSIS arguably featured (along with Joel Fry in CLA’AM) the finest performance of the night from actress Charlotte Spencer. In the film she brilliant portrayed an actor working on medical role-play whose emotions are slowly coming apart from the inside.
Overall, it was a short film programme of the highest quality and I can certainly recommend taking a break from the Hollywood productions and supporting independent filmmaking. Many well-known writers and directors today cut their teeth making short films, using the terrific resources places like Raindance offer. So, if you get a chance do check out such nights as they are very much worth your while.