VICE (2018) – CINEMA REVIEW
Directed by: Adam McKay
Produced by: Brad Pitt, Dede Gardner, Jeremy Kleiner, Kevin J. Messick, Will Ferrell, Adam Mckay
Written by: Adam McKay
Starring: Christian Bale, Amy Adams, Steve Carell, Sam Rockwell, Tyler Perry, Alison Pill, Lily Rabe, Jesse Plemons
**CONTAINS HISTORICAL SPOILERS**
Unlike the previous Oscar Bingo attempts for A Star Is Born (2018) and First Man (2018), this review has full knowledge of the nomonations. So, rather than be guess work this review of Vice (2018) is intended to be based on more constructive critiques of the Oscar nominated films I have seen.
BEST FILM CHANCES – 8/10
For starters, Vice is certainly worthy of its award nominations. I have seen some criticisms that it is cartoonish and simplistic and while I actually agree with this, it is also a brilliant and scabrous work of satire. Yes, it’s preaching to the liberal and left-winged Hollywood choir, but it definitely presents a fascinating snapshot of Dick Cheney’s rise from alcoholic wastrel to powerful political figure.
While I believe Roma (2018) will win the Best Film, I enjoyed Vice more from a stylistic, educational and emotional perspective. I was drawn into the murky world of American politics by McKay and his fantastic ensemble cast, and was compelled by the machinations of Cheney’s manipulative puppet-master to Bush’s marionette President. McKay’s film, while certainly one-tracked, powers along picking apart and satirising one of the most shadowy political figures of recent years.
BEST DIRECTOR CHANCES – 8/10
In terms of tone and narrative, McKay’s The Big Short (2015) was arguably a more cohesive film. Indeed, Vice is presented more as a non-linear monatge and sketch style recreation of key events in Cheney’s life. But I loved the style and McKay should be praised for his editing choices. He throws the veritable formalistic kitchen sink at the film using: direct address, Shakepearean monologue, cross-cutting montage, fake credits, voiceover, freeze frames, fake footage, stock footage, flashbacks, flash forwards, inter-titles, third-party narrator and many more stylised tropes. In my view his directorial bag of tricks are utilised without losing emotional impact too. While Alfonso Cuaron will probably win McKay certainly deserves kudos for enlivening his subject matter with such storytelling choices.
ACTOR IN A LEADING ROLE CHANCES – 10/10
Christian Bale should win. I have not seen Rami Malek, Viggo Mortensen or Willem Dafoe’s acting in their respective roles but Christian Bale is astonishing. Fair enough, he has taken a real person and delivered an emulation performance, but he also brings to Cheney to life with formidable cinematic style. Of course, the physical transformation could take the headlines but in terms of emotion and mentality he really raises the perfomance bar. Cheney may be an enigmatic character but Bale brings quiet menace, whispers and manipulation to the role. There is also a sly humour there too which makes Bale’s Cheney another memorable acting monster he’s created.
ACTRESS IN A SUPPORTING ROLE CHANCES – 8/10
Amy Adams is one of my favourite actors. Not quite a Lady Macbeth character, her Lynn Cheney pushes Dick forward mercilessly to make a better man of himself. She is the foundation and rock of their relationship and glues his life together when he faces health issues and political setbacks. Adams nails the role, and while Rachel Weisz will probably win for The Favourite (2018), Adams may finally get the Oscar she deserves.
ACTOR IN A SUPPORTING ROLE CHANCES – 5/10
Sam Rockwell is excellent in emulating George W. Bush but he only has a few scenes. While Rockwell dumbs down with the best of them I would have nominated Steve Carell instead. His Donald Rumsfeld, was a creeping, neurotic and conniving joy and definitely deserved the nomination in this category.
ORIGINAL SCREENPLAY CHANCES – 7/10
The film benefits from a sparky screenplay which keeps a potentially dull subject spinning along in an entertaining fashion. It takes a complex set of characters and scenarios, and despite simplifying to fit a leftist agenda, still constructs intelligent analyses of Cheney and Washington at large. Ultimately, Cheney is shown to be an opportunist and dangerous person who manipulated information and policy to finagle the USA and allies into a war for profit. Even worse he did so from the position of Vice President – boo Cheney! Boo! While McKay deserves praise for his brave creative choices, I would go for Paul Schrader’s exceptional First Reformed (2018) in the original screenplay category; Schrader deserves it more.
I am a big fan of satirical works such as: Private Eye, Yes Minister, Spitting Image, The Thick Of It, Veep and South Park. They seek to undermine and take critical shots at our leaders, illustrating the danger, absurdity and stupidity of those in power. They also, in an entertaining way, carry a message that those serving their country are often serving themselves more. Conversely, a film like Vice, however cartoonish or broad, still has the power to highlight the corruption and horror of a man like Cheney. While the script and direction are tonally scatter-gun, Bale’s incredible rendition, and the marvellous supporting cast, anchor the film and ensure this satirical ship rarely hits the rocks.