Tag Archives: South Park

“TIME TO GET CEREAL!” – SOUTH PARK (2018) – SEASON 22 REVIEW

SOUTH PARK (2018) – SEASON 22 REVIEW

Directed by: Trey Parker
Produced by: South Park Studios
Written by: Trey Parker
No. of episodes: 10
Release Date: September 22 2018 – December 12 201
UK Release: Comedy Central

Trey Parker’s scandalous and scatological satire South Park shows no sign of slowing down in its mission of targeting the various sacred cows, media, celebrities, politicians and fads of society. The shenanigans of the small Colorado town reach their 22nd season, as the likes of: Cartman, Sharon, Randy, Kyle, Mr Mackey, PC Principal, Stan, Mr Hankey, Butters, Mrs Cartman etc. continue to be used as Parker’s conduits for comedy and social commentary.

Season 22 started slowly but ultimately proved a hit for me. Nonetheless the show is arguably a victim of its own formula and success. There are few surprises left as the show bases most episodes on satirising current events and the cultural zeitgeist. Plus, the characters are so well formed that we are rarely shocked by what they do. However, the writing, gag-rate and thought-provoking narratives prove the show is as strong as ever.

Arguably not as memorable as the incredible Season 19 (review here); there is a lot to recommend in Season 22! Below, I will now look at each episode in turn and consider their various merits.

**CONTAINS SPOILERS**

EPISODE 1 – DEAD KIDS – Mark: 8 out of 11.

School shootings and the lack of reaction to them force Sharon Marsh to become apoplectic in her outrage. A solid episode which didn’t quite catch fire but had its moments; as Sharon’s PMT is ridiculed by Randy unfairly with Parker clearly stating gun crime something must be done about this horrendous stain on United States society.

EPISODE 2 – A BOY AND A PRIEST – Mark 8 out of 11.

Butters “befriends” Father Maxi as the Catholic Church once again try and cover up historical paedophilia. I was shocked but how unshocked I was by the episode yet it contains many great gags. Parker ensures we do not forget the horrific crimes committed by priests down the age; highlighting the hypocrisy that continues to be presented by the Catholic hierarchy.

EPISODE 3 – THE PROBLEM WITH A POO – Mark 8.5 out of 11.

Talking turd Mr Hankey was never my favourite character, but the show literally gets loads of “shit” jokes out of him. Here, Parker satirises celebrity Twitter scandals but more interestingly focusses on Vice Principal Strong Woman giving birth to five PC Babies! This precipitates a fantastic running joke throughout the series involving PC Babies crying persistently at mention of something that does not fit their progressive agenda.

EPISODE 4 – TEGRIDY FARM – Mark: 9 out of 11

The series really started hitting its stride as Parker snipes at the vaping craze and the legalisation of marijuana in Colorado. Typically, Randy Marsh driven episodes are almost often classics and here he becomes a hemp farmer. Similarly, Cartman has become a vape dealer and the two narrative strands combine to delightful effect.

EPISODE 5 – THE SCOOTS – Mark: 9 out of 11

This was another brilliant and funny episode. It combines elements of Hitchcock’s The Birds, with satirising of human beings’ obsession with smartphones and Halloween. I loved the way the episode built from Mr Mackey’s panic with the E-Scooters as they threaten to take over the town. As this is South Park it all soon descends into disaster and brilliant anarchic humour.

EPISODES 6 & 7 – TIME TO GET CEREAL / NO ONE GOT CEREAL – Mark: 9 out of 11

In this hilarious two-parter the kids’ old “friend” Al Gore comes out of retirement due to a monster killing citizens of South Park. It turns out it’s the analogous beast ‘ManBearPig’; a demonic animal part-pig-part-man-part-bear. If you didn’t know ‘ManBearPig’ is an absurd symbol for the Environment, and here Parker depicts Gore as not just a figure of fun but actually smugly correct in his global predictions. Meanwhile, the authorities – including the police – reject the existence of ‘ManBearPig’ and blame the kids for the murders. Satan makes an appearance too as the two-parter amusingly critiques: Climate Change deniers, inept policing and addiction to video-games such as Red Dead Redemption 2.

EPISODE 8 – BUDDHA BOX – Mark: 8 out of 11

Cartman’s anxiety leads him to wear a cardboard ‘Buddha Box’ over his head to isolate himself from society. Sending up further our obsession with mobile phones by eschewing meaningful human contact is always going to get laughs and Parker achieves that here. However, the PC Babies gags win the episode as taking the piss out of snowflake millennials continues to be hilarious.

EPISODES 9 & 10 – UNFULFILLED / BIKE PARADE – Mark: 10 out of 11

The highlight of the season was undoubtedly the episode called Unfulfilled. Here South Park pokes its parodic tentacles at Amazon, never losing its grasp. Amazon open a warehouse in South Park, and after an accident, the employees go on strike. This industrial action leads to Jeff Bezos himself coming to South Park; with Parker depicting him as a cold telekinetic alien. The episode and the follow-up Bike Parade show the various ways the people of South Park deal with the lack of fulfilment from the Amazon non-deliveries. Here Parker combines Marxist doctrine and consumer culture satire with absurd comedy and horror parody to amazing effect. These episodes once again show that South Park retains the balls and strength to make us laugh and think in equal measures.  

Overall mark: 8.5 out of 11.

“OH, JEEZ!” SOUTH PARK: SEASON 21 (2017) – TV REVIEW

SOUTH PARK: SEASON 21 (2017) – TV REVIEW

Directed by:                             Trey Parker

Produced by:                           South Park Studios

Written by:                               Trey Parker

No. of episodes:                     10

Release Date:                          September 13 – December 6, 2017

UK Release:                              Comedy Central

**CONTAINS MILD SPOILERS**

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In this stinking cesspool of a world run by greedy corporations, bringers-of-war and crazed megalomaniacs it’s important one finds some solace with which to hide from the slings and arrows of this venal society. Indeed, one has to keep an eye out from the barricades and parapets, holding out a shield to deflect, and mirror to reflect, the emotional barbs of every day existence. One such means of deflection is to laugh at the world and its leaders, gods, physicians, media outlets and political snake-oil salesmen, who twist and dance and continually sell us bullshit on a daily basis.

Television is a valuable tool with which to cocoon one’s heart and mind against the stream of negativity and injustice brought down up on us within the oppressive capitalist system. It gives us a chance to laugh and cry at the world through comedy and drama. One such longstanding shield against the tide of money and war is the always-relevant South Park. For twenty-one seasons it has now poked, prodded, electrified, boiled and defecated on the sacred cows of civilisation such as: religious figures, moronic yet dangerous politicians, gluttonous fats cats, media whores and narcissistic plastic celebrities.

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After the incredible satirical and narrative success of Season 19 (review here), where showrunner Trey Parker committed to a superlative serialization structure the bar was raised very high. Thus, Season 20 (review here), suffered in comparison as it over-egged the pudding somewhat with a convoluted multi-stranded plot dominated by internet cyber-trolling. Nonetheless, South Park, even firing at three-quarter’ capacity is funnier, on-point, and more scathing than any show out there.

As South Park is a phenomenal staple of my televisual calendar I was very happy when: Cartman, Stan, Randy, Cartman’s mum, Wendy, Butters, PC Principal, Kyle, President Garrison et al were back in Season 21 with satire of the highest order! Moreover, gone was the complex interlinking plots and in this run we experienced some wonderful stand-alone episodes which ran a zeitgeist hyper-link to many of the cultural, political and social events of 2017.

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The one thematic web which was woven through the ten shows was Cartman’s dysfunctional and destructive relationship with his girlfriend Heidi. This narrative found Heidi actually becoming a female Cartman much to the other kids’ horror. Here, the writing mined some familiar, almost soap-operatic, but mature story lines to much satisfaction overall; especially in episode 7, Doubling Down, and episode 8, Moss Piglets.

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Season 21 was, in keeping with the previous 20 seasons, crammed to the brim with references to media and socio-political culture, while also being fucking hilarious. The opening episode White People Renovating Houses poked humour at the latest Alexa culture and the hailstorm of “flipping” property shows. While Randy, the hare-brained addict, became obsessed with genetically re-correcting his heritage in the hilarious 3rd episode: Holiday Special.  

Of course the kids took centre stage in many of the shows, notably Franchise Prequel, where their superhero alter egos – scurrilously led by Cartman’s ‘Coon’ – attempt to get their own Netflix and movie franchise off the ground to rival Marvel and DC. Mark Zuckerberg makes an appearance as a goofy, geeky Scott Pilgrim-type-video-game-end-boss too. Here the seeming bottomless pit of money that is called Netflix is also amusingly slated; mainly due to apparently green-lighting any project irrespective of its’ quality.

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Trey Parker and his team took many swipes at the egregious political and, arguably hysterical social media “movements”. In episode 6, Sons of Witches the Harvey Weinstein “situation” was skewed, with all parties involved: men, women and social media keyboard warriors critiqued with much humour. Of course, based on the evidence presented in the media, Weinstein is a stain on humanity, a sexual animal exploiting his powerful position and money-balls! But Sons of Witches was keen to point out that while many men are dicks, they are not ALL bad witches so perhaps some calm and perspective is also required.

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While the final two episodes Super Hard PCness and Splatty Tomato ended with President Garrison gone into hiding due to the bombing of Canada, the episodes also had some fine gags on recent horror adaptations It (2017) and Stranger Things (2017). But my favourite episodes of the series were Put It Down, which put the boot into that moron in the White House and his inexplicably dumb twitter feed that spews out an inordinate amount of bile and idiocy. Finally, episode 5, Hummels & Heroin, brilliantly satirised prison movies by transplanting the genre tropes to an old people’s home; advocating ire for pharmaceutical companies pushing drugs on old people and damning poor medical practices.

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What makes South Park great and still valid is it does not takes sides. The liberal left and fascistic right are all shown to be, in certain circumstances, controlling and hysterical. Trey Parker and his team do not respect authority or celebrity or media fads or political correctness or social bandwagons; so long may their intelligent, crass, scurrilous, scatological, offensive, all-singing, all dancing satire continue! With Trump  in the White House some may say satire is dead but we need the South Park team alive to protect us from this slew of never-ending societal insanity and above all else: MAKE US LAUGH!

(Mark: 9.5 out of 11)

 

2017 – MY FAVOURITE TWELVE TV SHOWS OF THE YEAR

2017 – MY FAVOURITE TWELVE TV SHOWS OF THE YEAR

Our TV watching experiences are very different now with the various platforms available, so the idea of viewing shows live and week-to-week is a thing of the past. Moreover, the quality bar and production values of television programmes are getting even higher; especially where HBO, Amazon, Showtime and Netflix are concerned.

I have my perennial favourites so my list this year may look very similar to last year (see below), yet I’ve not yet seen the latest seasons of Better Call Saul or Black Mirror yet. Neither did I see the much lauded shows: Twin Peaks: The Return, The Deuce or anything on Amazon but overall it was a great for new TV shows and some classic long-running programmes.

FAVOURITE TWELVE TV SHOWS OF 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2

BILLIONS (2016) – SEASON 1

DAREDEVIL (2016) – SEASON 2

FARGO (2015) – SEASON 2

GAME OF THRONES (2016) – SEASON 6

GOMORRAH (2016) – SEASON 2

IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11

MAKING A MURDERER (2015) – SEASON 1

PENNY DREADFUL (2016) – SEASON 3

SOUTH PARK (2016) – SEASON 20

STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4

WESTWORLD (2016) – SEASON 1

FAVOURITE TWELVE TV SHOWS OF 2017 (in alpha order)

BIG LITTLE LIES (2017) – HBO

“. . .  inter-weaving stories concerning an unknown murder victim; school bullying; warring parents; extra-marital affairs; and the abusive relationships, is expertly played out over seven compelling episodes.”

 BLL

CURB YOUR ENTHUSIASM – SEASON 9 (2017) – HBO

“. . . Curb Your Enthusiasm comes back as if has never been away as it revels further in the adventures of Larry David’s pedantry, un-PC behaviour, poor decisions, risky statements and strict adherence to the social etiquette and unwritten rules of life!”

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FARGO – SEASON 3 – FOX / CHANNEL 4

“. . . Slyly satirising the police procedural drama with off-centre plot twists and dark humour, David Thewlis’s scumbag businessman and Mary Elizabeth Winstead crafty femme fatale steal the show in Season 3 of Noah Hawley’s pitch perfect Coen Brothers’ pastiche.”

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GAME OF THRONES (2017) – SEASON 7 – HBO

“. . . containing great direction, acting, design and character twists throughout and while it felt rushed at times these seven episodes were still amazing from my perspective! And the dragons and zombies and battles and death! Winter is definitely here!”

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HANDMAID’S TALE (2017) – HULU

“. . . containing suggestions of hope, light, rebellion and solidarity in a grim, patriarchal world which crushes life and colour; this impressively directed, acted and shot series had me transfixed throughout. Elizabeth Moss is a revelation. . .”

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IT’S ALWAYS SUNNY IN PHILADELPHIA (2017) – SEASON 12

“. . . In the current superb 12th season one episode is presented from a supporting characters dream; while the most impressively detailed formal presentation has Dennis becoming a god-like TV director. This intelligence keeps the show fresh and funny.”

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LEAGUE OF GENTLEMEN – 20TH ANNIVERSARY (2017) – BBC

“. . . Reece Shearsmith, Steve Pemberton, Mark Gatiss and Jeremy Dyson are geniuses! In 1999 they brought an array of beautifully ugly comedic grotesques to the TV screen. After 3 seasons, stage tours and a movie the League of Gentlemen ceased. But they were back at Christmas with three episodes of brilliant black comedic sketches and set-pieces.”

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LEGION (2017) – FOX

“. . . as imaginative and original take on the mutant/X-Men genre you are going to find. It also very cleverly melds themes relating to: mutation, telekinesis, disassociation and schizophrenia expertly; while Aubrey Plaza and Dan Stevens are incredible in the show.”

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MINDHUNTER (2017) – NETFLIX

“. . . both dark and stylish, this David Fincher production, created by writer Joe Penhall, took elements from Zodiac (2007), Silence of the Lambs (1991) and standard FBI procedural dramas to brilliantly highlight the embryonic stages of the serial-killing profiling team.”

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SOUTH PARK – SEASON 21 – SOUTH PARK STUDIOS

“. . . The bar was raised SO high by Season 19 that Season 20 was bound to suffer, especially in the complex serialization approach. Yet, Parker and Stone are back in Season 21 with satire of the highest order! Some classic episodes such as: Sons of Witches, Put it Down and Hummels and Heroin and more, made this must-watch classic comedy.”

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STRANGER THINGS 2 (2017) – NETFLIX

“. . .Netflix’s first season sci-fi-80s-Spielberg-King-Carpenter-nostalgia-fest was arguably padded out and over-hyped; but Season 2, after a slow start, really hit the ground running as the small town kids battle inter-dimensional monsters with fantastic style and scares.”

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THE YOUNG POPE (2016) – HBO

“. . .  The Young Pope contains some wry and delicate humour too. I mean ten episodes of a Vatican-based comedy it isn’t, but Paulo Sorrentino’s skewed look shows the priests and nuns, not as higher beings but rather flawed humans like the rest of us.”

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TO CODA:

Of course, there’s probably loads of shows I’ve missed, yet I must make a special mention for the old BBC classic , Doctor Who, which while not on the above list, makes it in spirit. While the show is now older than time there were a few great episodes in Peter Capaldi’s final season as the eccentric and genius Time Lord! So, I bid you bon voyage and here’s to productive viewing in 2018.

 

 

THE FRACTURED BUT TROLL! – SOUTH PARK – SEASON 20 REVIEW by PAUL LAIGHT

THE FRACTURED BUT TROLL!  SOUTH PARK – SEASON 20 REVIEW by PAUL LAIGHT

The latest season of South Park ended mid-December time and so I’m a bit tardy with the review. This is mainly because I decided to watch all ten episodes back-to-back over the Christmas holidays, and in some ways, this was a mistake. I say this because I think sometimes as viewers we have to take some criticism too. In hindsight I definitely should NOT have binge-watched this season as it was so complex and plot-heavy with many themes and interlinking plot strands. In fact, similarly to the more satisfactory Season 19, this season transcended the usual mix of puerile and satirical comedy it’s known for, to become something much more.

**SCREW YOU GUYS – THERE ARE SPOILERS!”

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TAKING PRESIDENTS!

Over ten episodes South Park once again became a huge mirror that reflected many of the events occurring in the USA and the world in general.  The biggest event was of course, the Presidential elections which saw Mr Garrison and Caitlyn Jenner representing the Trump/Republican side and Hilary Clinton, of course, representing the Democrats. Amusingly they were referred to as Douche and Turd Sandwich respectively; calling back the classic episode where Stan is banished for refusing to vote.

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Garrison soon realises he’s made a terrible mistake in running as he has NO policies and tries to extricate himself from the race. Thus, much of the comedy deriving from this narrative strand was brilliant and made me laugh throughout the season; especially during the episode Oh Jeez when Garrison won and went into full Trump mode. By the end of the season he’s shown to be a complete buffoon open to manipulation by Mr Slave and Kyle Broflovski when it comes down to the bombing of Denmark. But, hey, that’s a whole different story!

A TROLL IN THE PARK

The second major narrative line in this season was Gerald Broflovski (Kyle’s Dad) being revealed as an uber-Troll online called Skankhunt42. He begins by trolling his son’s school before moving onto cultural icons and then the whole of Denmark itself. Gerald, who usually represents the liberal side of the show, is seen becoming a vicious sneak who enjoys bullying for the humour. However, being the intellectual hypocrite he distances himself from the nerdy-no-life-outcasts he ultimately gets lumped in with.

Gerald’s actions eventually spiral totally out of control by the end and, while South Park itself has been a massive critic of celebrities and government figures in the past, it is quite justified in lampooning the cowardice of online trolls. These sad individuals hide under the bridges of social media feeding their tethered egos and weak personalities for the benefit of either humour, revenge or to obtain some idea of power.

In the episode The Damned, Gerald is literally pissed on by his wife in order to extricate himself from being rumbled as an online troll. That online bullies are shown to be mainly shut-in losers as opposed to Jocks, demonstrate that bullying can be done by anyone and needs to be pissed on from a great height. Lastly, the monstrous rise of Garrison to power also highlights the fact that hair-brained Trump has become the biggest troll in the world.

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ANTI-SOCIAL MEDIA

The theme of hyperbolic social media behaviour was supported by the further strand of South Park Elementary School students committing “suicide” by leaving Twitter. A character named Heidi is even mourned by her class during the episode Skankhunt even though she is actually in the class!  Also, believing Cartman to be the troll ‘Skankhunt’ the kids gang up and ‘kill’ his electronic devices, burying them in an Evil-Dead-Cabin-in-the-Woods-horror-film-homage. The internet and social media is therefore cast as an extension of the playground; with kids and adults giving their social media live’s more importance than real life and move away from actual intimacy and human contact.

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Consequently, Cartman himself goes the other way and falls in love with Heidi and their relationship is quite touching over course of the season. It’s especially funny as it plays with the audience’s expectations and the other kids think it’s all part of some Cartman uber-plan. Indeed, Cartman’s arc in this season is interesting as it seems they tried to make him more sympathetic. At first his feminist leanings are part of some scheme to undermine the girls’ sit-down protests during the opening Member-Berries episode. But eventually it turns out he does find Amy Schumer’s “vagina” comedy actually funny.­ Alas, the storyline kind of runs out of steam by the episode 9, Not Funny.

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Gender politics and the boy-versus-girls dynamic further complicate the narrative when Butters leads a protest against the girls. Butters and the boys who have all been revenge-dumped by the girls because of ‘Skankhunt42’s vicious actions decide to protest too. So, they get their dicks out during the U.S. national anthem; which in itself satirized last year’s “sit-down” protests that occurred during U.S. college sporting events.  I myself was not as educated about these particular occurrences but as usual Parker and Stone went to ridiculous lengths to demonstrate that however noble the cause, once everyone jumps on the bandwagon the protests become diluted and lose their power. Moreover, such stands against authority can also be wiped by a simple rewrite of history or rebooting for the future.

‘MEMBER WHEN. . .

Rebooting the present or future was yet another thematic present within this packed season. The “Member-berries” introduced in the first episode are a super-food which while innocent at the start become evil-humanized-nostalgia-fruit hell-bent on ensuring humanity lives in the past and doesn’t move on with any new ideas. Indeed, in the final episode The End of Serialization the “Member-berries” even end up in the White House. While not always convinced by these turn of events I can see the satirical point being made that living in the past remembering: Star Wars, Chewbacca, Tie-Fighters, Luke Skywalker, Indiana Jones, Flash Gordon, Superman, Reagan, the 80s, sugar from your neighbour, feeling safe, Stormtroopers etc. can be culturally dangerous and lead to the excavation of archaic politics hence the rise of Trump and the perceived right-wing Brexit vote.

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Yet, nostalgia can also be a positive thing too and paradoxically I do at times hanker after the simpler, yet brilliantly effective South Park episodes which were perhaps more focussed and arguably funnier. But one cannot fault the programme makers for aiming higher than the usual shit you get on television. Plus, the “Member-berries” plot line did rightly put the boot into the ridiculous eulogizing of J.J. Abrams and The Force Awakens which definitely wasn’t as good as people made out. So, in that respect, the show made a very valid cultural point. But while going back can be a negative force it can also help us learn from our mistakes, however, given President-Trump’s about to enter the White House it seems humans just love making the same mistakes over and over again.

CONCLUSION. . .  FRACTURED BUT NEARLY WHOLE!

While Season 19 became arguably the most coherent, incisive, funny and complex narrative out of all Trey Parker’s and Matt Stone’s previous work, Season 20 had a lot to live up to. However although the riotous narrative strands represented a major strength I don’t feel, overall, this season had as many gags or classic episodes. I would say that it worked best as an accomplished serialized conceptual satire with a few piss and dick jokes as opposed to the fast-paced-gag-filled-stand-alone-episode format of the earlier seasons. Still, while it may not have had many stand-out classic episodes, Season 20 was still a blast of wonderful filthy satire and due to the complex density of the storylines will no doubt improve with further viewings.

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As I have attested on this blog many times, South Park is the greatest comedy of all time and shows no sign of losing its comedic and satirical power. The bar was raised SO high by Season 19 that perhaps ambition to beat that was always going to be tough. Still, I still respect Trey Parker and Matt Stone’s multi-skilled “authoritah” in using the inhabitants of South Park to rip into the world, media, politics, culture and religion with hilarious effect.

For your information you can also find the following on my blog:

Top 20 South Park TV/Film parodies can be found here:

https://paulraylaight.wordpress.com/2016/10/26/20-years-of-south-park-%C2%AD-twenty-great-tv-movie-based-parodies-by-paul-laight/

My review of Season 19 can be found here:

https://paulraylaight.wordpress.com/2015/12/29/check-your-privilege-south-park-season-19-review-by-paul-laight/

My favouritest ever episodes up to Season 17 can be found here:

https://paulraylaight.wordpress.com/2013/10/28/respect-my-authoritah-my-favourite-17-south-park-episodes-ever/

 

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016 – SCREENWASH SPECIAL BY PAUL LAIGHT

Well, here’s wishing you a prosperous New Year going forward!  I’ve read somewhere that apparently 2016 wasn’t a vintage year for movies but I went to the cinema a lot and saw a whole host of cracking entertainment.  Likewise, television budgets and production values continue to soar and there were some incredible shows produced too.

So, here are my TOP TWELVE films I saw at the cinema AND TOP TWELVE television shows watched/streamed.  Some of the films and TV programmes may have bled from 2015 into 2016 release-wise; moreover, I have also included a couple of yet-to-be-released films I saw at the London Film Festival.

Remember dudes these are not necessarily the best films or shows but the ones I enjoyed the most. So, overall, it’s just my opinion, man.

TOP TWELVE FILMS SEEN AT THE CINEMA IN 2016 (in alphabetical order)

ARRIVAL (2016)

“. . .an intelligent and emotional science-fiction drama with a beautifully constructed narrative.”

BONE TOMAHAWK (2015)

“A tremendous genre-blend of horror and Western, this debut feature from S. Craig Zahler is destined to be a cult classic.”

CAPTAIN AMERICA 3: CIVIL WAR (2016)

“. . . again the Russo Brothers direct with whip-cracking pace and humour, making this easily one of the blockbusters of the year.”

DOCTOR STRANGE (2016)

“. . .wonderful fun with hallucinogenic visuals, eye-popping fight scenes plus mystical marvels!”

THE HATEFUL EIGHT (2015)

“. . . QT remakes Reservoir Dogs (1992) via Agatha Christie, setting it in the snowy West of America circa 1870s.”

MANCHESTER-BY-THE-SEA (2016)

“. . . heart-racking drama which stretches the emotions while also providing flickers of light amidst the pain.”

MEN AND CHICKEN (2015)

“. . . lurches from hilarious physical violence to examinations of religion and science in a film I can only describe as being like the Three Stooges meet The Island of Dr Moreau.”

THE NICE GUYS (2016)

“. . . pings a shaggy-dog narrative along at a cracking pace with a script filled with so many hilarious punchlines and sight gags.”

RAW (2016)

“. . . great horror film which has one of the most disgusting scenes I have had the pleasure to see for some time.”

THE REVENANT (2015)

“. . . just superb, grueling, bloody, epic and beautiful filmmaking!”

ROGUE ONE: A STAR WARS STORY (2016)

“. . . a rip roaring mission-in-space-war movie set just before the original Star Wars movie!”

ROOM (2015)

“. . . a film not just about isolation, abandonment and the horror of humanity; but also the unbridled love a mother has for their child.”

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TOP TWELVE TV SHOWS SEEN IN 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2

“Are there any better character drama shows around than this show? The writing and acting in Season 2 was just brilliant.”

BILLIONS (2016) – SEASON 1

“. . . great acting, script and cat-and-mouse twists galore in a meaty twelve episodes.”

DAREDEVIL (2016) – SEASON 2

“This has it all including: amazing fight scenes, bloody violence, rip-roaring action and hellish derring-do!”

FARGO (2015) – SEASON 2

“. . . drama, humour and suspense are incredible as is the cast.”

GAME OF THRONES (2016) – SEASON 6

“. . . these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.”

GOMORRAH (2016) – SEASON 2

“. . . further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire.”

IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11

“. . . gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity.”

MAKING A MURDERER (2015) – SEASON 1

“. . . It is as thrilling and suspenseful as anything Hitchcock created as the trials of these men and their families are thrust before us.”

PENNY DREADFUL (2016) – SEASON 3

“. . .a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was gone.”

SOUTH PARK (2016) – SEASON 20

“. . . yet another fantastically gross, satirical and ballsy animated series from Parker and Stone.”

STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4

“. . . Lee is a human anti-depressant lifting my spirits while at the same time making me think about the very nature of the subjects he tackles.”

WESTWORLD (2016) – SEASON 1

“Brilliant and exquisite Sci-fi-western-mash-up from Michael Crichton, Jonathan Nolan and Lisa Joy.”

 

20 YEARS OF SOUTH PARK ­– TWENTY GREAT TV & MOVIE-BASED PARODIES! – BY PAUL LAIGHT

20 YEARS OF SOUTH PARK ­– TWENTY GREAT TV & MOVIE-BASED PARODIES! – BY PAUL LAIGHT

South Park, incredibly, has been going for 20 years now!  Yet, up until 2013 I had only watched a handful of episodes of the irreverent and scurrilous animated show. Since then, however, I have caught up and it has become one of my favourite ever TV programmes. As such any new season of Trey Parker and Matt Stone’s potty-mouthed satire is usually a highlight of my cultural year.

South Park is more than just a crude animated show now; it is a socio-political tour-de-force which spikes sacred cultural cows and pokes fun at the ridiculous nature of the world; the rich and famous; and the political and religious and social leaders who profess to run the place. It also features some wonderful, bizarre and astute characters who are utilised to reflect society and our modern and post-modern times.

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South Park featured on my blog a few times. My review of Season 19 can be found here:

https://paulraylaight.wordpress.com/2015/12/29/check-your-privilege-south-park-season-19-review-by-paul-laight/

Plus, my favourite episodes up to Season 17 can also be found here:

https://paulraylaight.wordpress.com/2013/10/28/respect-my-authoritah-my-favourite-17-south-park-episodes-ever/

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Furthermore, to celebrate this legendary show I have listed twenty TV and movie inspired parodies that have featured over the years.

**CONTAINS SPOILERS**

24The Snuke – Season 11

South Park rip into general racial intolerance and over-the-top attitudes to terrorism as Hillary Clinton is found to have a snuke in her snizz!

BUCK ROGERS IN THE 21st CENTURY Go God Go XII – Season 10

The ever-impatient Cartman somehow freezes himself and wakes up in 2546 as a war wages between two atheist factions including futuristic talking Otters.

DOG THE BOUNTY HUNTERMiss Teacher Bangs a Boy – Season 10

Cartman becomes a hall monitor and the authoritah goes to his head; meting out Dog-style justice with hilarious consequences!

GODZILLA Mecha-Streisand – Season 1 + Season 14

Evil Streisand gets roasted with SP turning the diva into a Mecha-Godzilla-like monster who tortures people with her singing and monstrous demands.

 

GAME OF THRONES Black Friday/Song of Ass & Fire/Titties & Dragons – Season 17

HBO’s classic show was brilliantly parodied over three wonderful episodes. Here they satirize Black Friday hysteria as Cartman plots to get ahead in the PS4/XBOX one console war.

INCEPTION Insheeption – Season 11

Christopher Nolan’s mind-bending heist thriller gets slammed for the pseudo-intellectual plot which involves: Stan’s hoarding problem and a dark event in Mr Mackey’s childhood.

 

JAMES CAMERON – Raising the Bar – Season 16

This episode won an Emmy as it brilliantly made fun of egomaniac filmmaker Cameron, and the trailer-trash child monstrosity Honey Boo-Boo!

JERSEY SHORE – It’s a Jersey Thing – Season 14

Narcissistic New Jersey reality show “contestants” get the South Park treatment which also reveals a darker side to Kyle’s background. “Snooki wants smoosh-smoosh!”

 

LORD OF THE RINGSThe Return of Lord of the Rings to the Two Towers – Season 6

The kids go on a quest to return a video but are pursued by dark factions when a porno gets given to them by mistake. Butters as Gollum is just one of the stand-out elements here!

MEL GIBSON/PASSION OF THE CHRISTThe Passion of the Jew – Season 8

Gibson gets roasted to hell in this episode with enough chutzpah to offend everyone. Cartman goes uber-Nazi as Kyle’s interest in Judaism is explored in a typically crazy way.

ROB SCHNEIDER – The Biggest Douche in the Universe – Season 6

Z-movie actor Rob Schneider gets ripped apart in this episode which also slams “psychic” douche John Edward.  “Rob Schneider is the carrot!”

RUSSELL CROWE – The New Terrance and Philip Trailer – Season 6

Antipodean acting heavyweight Russell Crowe is shown to be an aggressive and drunk rover travelling round the world drinking and fighting everyone.

SCARFACEMedicinal Fried Chicken – Season 14

Randy takes advantage of a cancer “loophole” to grow enormous balls so he can smoke marijuana; while Cartman gets high too – but on his own KFC supply.

THE SHINING – A Nightmare on Face Time – Season 16

Randy opens up a Blockbuster store without taking into account the new-fangled online streaming sites. It’s not long before he becomes a haunted man!

SUPERHERO FILMS/COMICS – The Coon Trilogy – Season 14

Cartman is the Coon as he and his “friends” Mysterion, Mint-Berry Crunch, Iron Maiden etc. battle crime, then each other in a parody of comic-book and super-hero films.

SUPERNANNY Tsst – Season 10

The plethora of reality shows involving kids and pets deservedly get a pasting as Cartman’s mum calls in all kinds of ‘experts’ to try and tame her out-of-control son.

THE TERMINATORTrapper Keeper – Season 4

Cartman’s Dawson’s Creek uber-school folder becomes sentient and turns him into a monstrous cybernetic organism that wreaks havoc on the town.

TOM CRUISE – Trapped in the Closet – Season 9

Tom Cruise and Scientology get the scathing boot stuck into them, in an episode which is rarely seen in the UK but can be found online somewhere in cyber-space.

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TRONYou Have 0 Friends – Season 14

Battling the banality of social media and techno-fears has rarely been so fun, as Stan, in Tron-style, is somehow dragged into Facebook when he tries to quit it.

WORLD OF WARCRAFT – Make Love, Not Warcraft – Season 10

In one of the best episodes ever the boys all fall foul of an online ‘Reaper’ on Warcraft and set about defeating him with the help of Bengay and “having NO life”!

 

 

 

 

SCREENWASH: JULY 2016 REVIEWS by PAUL LAIGHT

SCREENWASH – JULY 2016 – BY PAUL LAIGHT

My general viewing in July was an eclectic mix of splendid art cinema and excellent genre television shows.  So, here’s what I watched with marks out of eleven and MASSIVE SPOILERS:

 

ANT-MAN (2015) – SKY CINEMA

Saw this in the cinema last year and it was one of the most entertaining films of 2015!  It’s simplistic narrative-wise but what it does have is a fizzing script full of zingers and comedic moments as well as some great action set-pieces built around the well-orchestrated final act heist. It is just terrific seeing charismatic Paul Rudd in big-budget film plus fun supporting cast including: Michael Douglas, Evangeline Lilly, Michael Pena and scenery-chewing baddie Corey Stoll all add class to proceedings. This is great fun and proves that not ALL superhero films have to be HUGE as sometimes small is beautiful. (Mark: 8.5 out of 11)

DAREDEVIL (2016) – Season 2 – NETFLIX

I absolutely loved this noir superhero show. Season 1 was brilliant and, despite the faceless one-dimensional Ninja villains, this was as good, if not even better! We follow on from Daredevil’s capture of the “Kingpin” Wilson Fisk as he finds new friends and foes in Frank Castle, “The Chaste”, Elektra and “The Hand”. This has it all including: amazing fight scenes, bloody violence, rip-roaring action and hellish derring-do. I think John Bernthal’s “Punisher” takes the plaudits with a fine origins story and great Lee-Marvin-Charles-Bronson-tough-guy-bone-crunching-performance. Once again Charlie Cox as Matt Murdoch is brilliant combining subtlety and physical prowess during his turn as blind lawyer AND the Devil of Hell’s Kitchen. (Mark: 9.5 out of 11)

JONATHAN STRANGE & MR NORELL (2015) – DVD

This seven-part fantasy-period drama had everything: wonderful effects, dark villains, magical narratives and sterling performances from Bertie Carvel, Alice Englert, Eddie Marsan and Marc Warren.  However, at times I was perplexed and a bit bored because unfortunately, despite the stunning imagery, design and imagination on show the narrative stumbled from beginning to end failing to create empathy for the main characters and entertain me with cogent plot strands. Susanna Clarke’s original novel is apparently a literary classic thus perhaps it may have benefited from a connecting voiceover. Yet, it remains a prestige BBC product which  many will love; it just did not connect with me on an emotional level. (Mark: 6.5 out of 11)

MEN AND CHICKEN (2015) – CINEMA

This is one of the most hilarious, unsettling and philosophical comedies you will see in a long time. Similar in tone as last year’s terrific arthouse hit The Lobster (2015), Anders Thomas Jensen has written a cross-pollenated comedy-slapstick-art-horror film that centres on two adopted brothers and their search for their biological father. Mads Mikkelsen and David Dencik portray the siblings who find quite disturbing answers on the Island of Ork where all manner of genetic experimentation has been carried out by their father. This is a weird yet compelling story which lurches from hilarious physical violence to examinations of religion and science that I can only describe as being like the Three Stooges meet The Island of Dr Moreau.  One of the most original, odd and strangely moving films you will see all year.(Mark: 9 out of 11)

THE NEON DEMON (2016) – CINEMA

Being an admirer of Nicholas Winding Refn’s Pusher trilogy, Bleeder and Bronson films I am well aware his films do divide opinion. Drive (2011) with Ryan Gosling was a brilliant noir romance yet his last film Only God Forgives (2013) (with Gosling again) was nihilistic, brutal and virtually unwatchable. However, I think his latest The Neon Demon works really well as a surreal horror film that savagely satirizes the fashion industry. The film moves at a glacial pace with an anti-narrative style and strange acting more down to the director’s strategy than poor performance. Nevertheless, it is a magnetic watch with a succession of beautifully designed shots which are way more imaginative than the usual multiplex popcorn fodder. The sumptuous photography, score and grand gore throughout make it a welcome return to form for the always intriguing formal cinematic anarchist Winding Refn. (Mark: 8 out of 11)

ORANGE IS THE NEW BLACK (2013 –      ) – Season 1 – NETFLIX

Waspy-blonde-rich-spoilt-bitch-Private-Benjamin-type gets banged up the slammer for a historical crime and we’re meant to feel empathy for her?  That’s what the premise of this excellent drama asks the audience to do AND actually succeeds in doing through compelling writing and a marvellous ensemble cast. Taylor Schilling portrays the brattish Piper Chapman brilliantly and there’s fine “inside” support from Kate Mulgrew, Uzo Udoba, Taryn Manning and Danielle Brooks to name a few. The structure follows newbie Chapman as she fails to cope with prison life; plus variant flashbacks filling in details of her and inmates’ prior life events. It’s a gripping and funny show with lots of character twists and turns; and somehow it remains fresh despite the potential cliché pitfalls within the subgenre.  (Mark: 8 out of 11)

SPECTRE (2015) – SKY CINEMA

Overall, I was disappointed with this Bond outing from last year. I mean there was a lot to like, notably: Daniel Craig’s performance; the stunning cinematography; the brilliant opening ‘Day-of-the-Dead’ and fight-on-train set-pieces; plus the criminally underused Christophe Waltz. However, the story, from a usually reliable John Logan and his screenwriting cohorts was non-existent; relying mainly on callbacks from the previous Craig outings and Bond films of yesteryear. The action was decent but the anorexic plot and weak romance left much to be desired. For a proper moan see my review from last year below. (Mark: 6.5 out of 11)

https://paulraylaight.wordpress.com/2015/11/13/spect-acular-times-spectre-2015-a-film-review-by-paul-laight/



STAR TREK: BEYOND (2016) – CINEMA

I was bored by this. Even as a summer blockbuster the film fell short; and finally Star Trek has been turned into a soulless-plotless-video-game with set-pieces “stolen” from other better popcorn films such as Jurassic World (2015) and Guardians of the Galaxy (2014). The cast are decent but the formidable abilities of Idris Elba were masked under deep make-up for most of the film. Even if it was to be a latter second act reveal Elba’s presence was given away in the trailer so why not build his character up from the beginning. Plus, the “rogue” agent storyline was done much better in Into Darkness, which I enjoyed as a spectacle. Let’s hope the forthcoming Netflix series has more character and depth than Beyond. (Mark: 6 out of 11)

STAR TREK: NEMESIS (2002) – SKY CINEMA

The final of the Next Generation movies which ended the franchise prior to JJ Abrams’ hit-and-miss reboot, is a pretty decent science-fiction actioner with enough brains to keep you interested. A very young Tom Hardy plays the Reman rebel out to destroy Starfleet and Jean Luc Picard specifically.  The themes of cloning, doppelgangers and telepathy serve the action very well and the set-pieces are decent enough. However, as Picard and Data get much of screen time the rest of the crew seem to side-lined throughout. This is not as good as the other Next Gen films but it is still more involving and cerebral than the soporific Star Trek: Beyond.  (Mark: 7 out of 11)

STRANGER THINGS (2016) – NETFLIX

Oh, Netflix – I love you!  Not only do you present affordable boxsets, docs, TV and film product, but you also produce some damn fine original programming. Netflix’s latest sci-fi drama is an excellent nostalgia-fest which evokes the 1980s perfectly in design, sound and look. Indeed, it wears it’s Spielberg, Stephen King, John Carpenter and George Lucas influences not so much on its sleeve but as a whole outfit. Written and directed by the Duffer Brothers, it centres on the search for a missing child in (where else) Indiana, an ultra-dimensional netherworld and a telekinetic kid called Eleven who’s on the run from a secretive and nefarious US Government facility. Archetypal characters such as embittered drunken cop (David Harbour), distraught nutty mother (Winona Ryder), Gooniesque geeky teens all try and track their missing friend in a drama which has some wonderful stand-out and monstrous moments throughout. Arguably, the eight episodes were padded out in places and it could have been culled for pace but overall it was an excellent watch with a terrific score and soundtrack to boot. (Mark: 8 out of 11)

TALE OF TALES (2015) – CINEMA

Having directed the brutal and gritty kitchen-sink gangster film Gomorrah (2008), filmmaker Matteo Garrone, completely changed style with this ultra-imaginative set of grim fairytales based on the ye olde short stories of Giannbatista Basile.  Like a medieval Pulp Fiction the film weaves tall tales called: The Queen, The Flea and the Two Old Women in a superb fashion as flashes of horror, fantasy, amorality and comedy clash with bizarre beasts and bloody death. The cast including: Salma Hayek, Vincent Cassel, Toby Jones, and Shirley Henderson all get on board amidst the insane plot occurrences and overall I found it a fine anathema to the bland kids offering Hollywood churns out. While the original stories were taken from an anthology called Lo cunto de li cunti (Entertainment for Little Ones), this is definitely for adults and not the little monsters at home. (Mark: 8 out of 11)


WAKOLDA (2013) – DVD

I was gripped by this slow-moving drama set in 1960s Argentina. It follows a hotel-running family and their encounter with a mysterious Doctor.  Writer/director Lucia Pacenzo carves out a compelling story which finds the Doctor inveigling himself into the family’s world and carrying out seemingly innocent medical procedures which ultimately have a horrific impact. The film is a real eye-opener into the terrors of the time with many South American countries harbouring fleeing Nazi criminals and Àlex Brendemühl’s performance as the charismatic Doctor expertly glues this fascinating story together.  (Mark: 7.5 out of 11)

Z-NATION (2014) – NETFLIX

Fox’s The Walking Dead has quite rightly taken a lot of plaudits for its incredibly well-written, humanist take on the zombie-horror drama. It offers rich character development, political analogy and of course some fine gore.  Z-Nation on the other hand offers something far more fun and humour and downright silliness with zombie dogs, babies, rednecks and bears on the menu. Basically, a ragtag group attempt to transport a zombie-experiment-survivor to a medical facility while assisted by DJ Qualls isolated NSA computer geek.  The group fight off an endless supply of zombies, cannibals and religious cults in a tremendous show that counts as a fantastically gory and comedic guilty pleasure. (Mark: 8 out of 11)