Psychology For Screenwriters: Building Conflict In Your Script (2nd Edition) by William Indick
Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls. Ingmar Bergman
William Indick’s excellent book takes us from the dream like world of the cinema to the pages of great psychoanalytical theorists, combining Freud with screenwriting in a most intelligent and approachable way. But his is not a how-to manual for writers, instead an immersive experience mixing theoretical, practical, and thoughtful processes in regard to writing your next film.
If psychology and screenwriting are two sides of the same coin then this book is most definitely for screenwriters and filmmakers with an interest in psychoanalytic theory that enables them to explore archetypes, plot development, structure, and character building from the inside out. Moreover, the author provides an excellent framework with which to weave psychoanalytic theories into one’s writing. But not in a cookie-cutter style. This book is smarter than that.
While many of the theories are complex, the author writes with clarity and expertise. The useful bullet-pointed summaries at the end of each chapter crystallize the concepts with aplomb. Further, the various chapters also delivers ideas from a whole host of great minds of psychoanalytic and structuralist theory such as Carl Jung, Erik Erikson, and Joseph Campbell. There were also theorists I was not too familiar with such as Alfred Adler, Rollo May, and Maureen Murdock. By utilising his expansive knowledge and examples from many classic Hollywood films the author places you into the heart of the character’s mind and motivations.
What I found most fascinating was the book provides an invaluable framework to build your characters with. I certainly could see myself applying various ideas from Freud and Jung within my writing. Indeed, I was certainly drawn to Rollo May’s theories about existential anxiety driving and increasing the complexity of my characters. One could argue though, the author overuses references to Hollywood cinema. I would really have found it intriguing how certain psychoanalytical theories may relate to cinema from, e.g. Japan, Spain, and France. Furthermore, psychological analysis of a particular director’s work such as Ingmar Bergman could also have proved so interesting.
In conclusion, to many an experienced writer the screenwriting theories, terms and structures covered are instantly recognisable, yet William Indick freshens up the study field with psychoanalytical language, breathing life into the saturated library of scriptwriting releases. Finally, each chapter succinctly bullet-points how a writer may utilise the theories within their work as the book concludes with three brilliant essays relating said theories to the Western, Fantasy and Sci-fi genres. One could even say this book is a dream to work with.
Psychology For Screenwriters: Building Conflict In Your Script (2nd Edition) is available here.
Publication date is January 2023 from https://mwp.com/
Michael Wiese Productions (MWP) was launched in San Francisco in 1976 primarily to produce films. Today, the company is known worldwide having published some 200 books. Some of the bestsellers have been translated into 18 languages, are used in over 700 film courses, in the Hollywood studios and by emerging filmmakers.
3 thoughts on “[Book Review] Psychology For Screenwriters: Building Conflict In Your Script (2nd Edition) – William Indick”
I was always told writers should read Freud for great 3 dimensional characters, and it sounds like this book expands on that. Not sure if I’ll pick it up though, some of that psychology stuff goes over my head.
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Yes, Freud’s theories can be quite complex to comprehend. However, this book makes them far more accessible. Plus, there are some other fascinating psychologists too to discover.
This sounds like an excellent resource.
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