Tag Archives: Chris Cooper

A BEAUTIFUL DAY IN THE NEIGHBORHOOD (2019) – CINEMA REVIEW

A BEAUTIFUL DAY IN THE NEIGHBORHOOD (2019) – CINEMA REVIEW

Directed by Marielle Heller

Produced by: Youree Henley, Peter Saraf, Marc Turtletaub, Leah Holzer

Written by: Micah Fitzman-Blue and Noah HarpsterBased on the article – “Can You Say Hero?” by Tom Junod

Cast: Matthew Rhys, Tom Hanks, Susan Kelechi-Watson, Chris Cooper, Christine Lahti

Cinematography: Jodee Lee Lipes

**CONTAINS MILD SPOILERS**


“Hello Neighbour!” – Fred Rogers


I watch a lot of horror, thriller and drama films that you could say are “feel-bad” in nature. They may eventually have some form of happy or morally satisfying ending, but such cinema seeks to create a sense of danger, anxiety and emotional distress as entertainment. Now I enjoy watching films on the edge of my seat and having my nerves shredded, however, sometimes it’s great to watch something that is quite the opposite. A Beautiful Day in the Neighborhood (2019) is one such “feel-good” film, profiling an American icon and arguably one of the nicest people who ever lived: Fred Rogers.

Rogers (Tom Hanks) was the creator and host of Mister Rogers’ Neighbourhood which ran for decades on U.S. cable channel PBS. The programme, while aimed at children, dealt with serious subjects like illness, divorce and death via puppetry, songs and Rogers’ wise and simple homespun philosophies. Over the years he became a household name and a staple of American family life. Yet, A Beautiful Day in the Neighbourhood (2019), is not a standard biopic exploring Fred Rogers life from birth to death. In fact, he’s more of a magical mentor type of character for the lead protagonist, journalist Lloyd Vogel, portrayed by Matthew Rhys.



Opening with a meticulously presented simulacrum of Mister Rogers’ Neighbourhood TV show with Tom Hanks in the hosting chair, the film immediately welcomes us into a positive and safe place. The audience are the children and we are about to be told a story about Lloyd. Because Lloyd is lost and troubled and needs help. Cleverly combining the TV show with flashbacks to Lloyd’s difficult family life is just one of the wonderful devices the film presents. Another is the use of models to emulate the locations within the film. Given the job of interviewing Fred Rogers for an Esquire piece, there’s a sense that Lloyd could well be looking to do a hatchet job on Rogers. However, he finds himself drawn to Rogers’ soft, magnetic and calming charm. The relationship between Rogers and Vogel’s character is superbly teased and developed by an excellent script.

While the drama is relatively low-key, the film is not without emotional impact throughout. There are several stand-out scenes where Lloyd’s negative and cynical worldview is airbrushed away by Rogers’ incredible goodness. As Vogel’s attitude to Rogers changes, so does his feelings toward his estranged father, his wife and child and the world in general. At the same time, Tom Hanks exceptional performance completely captured my heart. I’d never seen any of Fred Rogers TV shows before, but Hanks conveyed the inner peace and wisdom of this man perfectly. Moreover, my wife, who is American, was crying her eyes out with joy and nostalgia all the way through. Ultimately, this is another fine character and human drama from director, Marielle Heller. So, if you want a break from all the nasty unpleasantness in the world, you should definitely knock on Mr Rogers’ door. Everyone is welcome.

Mark: 8.5 out of 11


LITTLE WOMEN (2019) – CINEMA REVIEW

LITTLE WOMEN (2019) – CINEMA REVIEW

Screenplay and Direction by: Greta Gerwig

Based on: Little Women by Louisa May Alcott

Produced by: Amy Pascal, Denise Di Novi, Robin Swicord

Cast: Saoirse Ronan, Emma Watson, Florence Pugh, Laura Dern, Timothee Chalamet, Meryl Streep, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Chris Cooper etc.

Cinematography: Yorick Le Saux

**MAY CONTAIN SPOILERS**



It’s Boxing Day and you’re nursing a slight Christmas Day hangover, plus your brain is still trying to piece together the crazy jigsaw that was HBO’s Watchmen (2019). You now want a story that’s a bit more comforting; something that will make you warm and snug and feel safe. Step forward Greta Gerwig, Louisa May Alcott and an incredible cast of fine actors in the latest adaptation of the classic novel, Little Women (2019). It’s a perfect Christmas film full of romance, love, spirit, passion and just a little bit of pathos and heartache.

Set in Massachusetts at the time of the American Civil War, this splendid old chestnut of a story covers the lives of four teenage sisters — Meg (Emma Watson), Jo (Saoirse Ronan), Beth (Eliza Scanlan) and Amy March (Florence Pugh). They live with their Marmee (Laura Dern) and the story criss-crosses various years and narrative events as they search, find, lose and find again happiness, sadness and love. While the sisters prove to be very different personalities and clash often throughout the film, ultimately, it’s a film about solidarity, strength, sisterhood and family bonds.



It’s interesting Gerwig would choose something so safe for her next film project following the acclaim she correctly received for writing and directing Ladybird (2017). However, it’s not surprising either. While the title states these women are little, they are in fact anything but. Ronan as Jo and Pugh as Amy are especially energetic and larger than life. Both strive for artistic excellence and attempt to gain control over their personal and working lives in a traditionally patriarchal society. Jo’s desire to be a successful writer drives the story along impressively as Gerwig determines a meta-structure through her character. Indeed, Jo’s scenes with Tracy Letts’ publisher and editor are particularly amusing amdist some of the losses the March family suffer.

Amidst the familiarity of the text, Gerwig does attempt originality in her cutting between past and present events. While cross-cutting becomes slightly distracting from the emotions of the narrative, you can see how Gerwig wanted to stamp her own identity. The device also allows some wonderful juxtaposition of shots, emotions and camera movement. My one criticism would be that because the characters looked of a similar age in past and present, you did not always know what year you were in. Ultimately though, I really enjoyed this high-class film production. Greta Gerwig is an incredibly talented filmmaker and obtains exceptional performances from all the cast, especially Ronan and future stars, Florence Pugh and Timothee Chalamet. The film was so warm and safe, my Christmas Day hangover, like my heart, all but melted.

Mark: 8.5 out of 11