Tag Archives: Paul Laight

UNDER-RATED CLASSICS #6 – SEANCE ON A WET AFTERNOON (1964)

UNDER-RATED CLASSICS #6 – SEANCE ON A WET AFTERNOON (1964)

Directed by: Bryan Forbes

Produced by: Richard Attenborough, Bryan Forbes

Written by: Bryan Forbes (based on the novel by Mark McShane)

Cast: Kim Stanley, Richard Attenborough, Nanette Newman, Mark Eden, Judith Donner, Gerald Sim, Patrick Magee

Music by: John Barry

***MAY CONTAIN SPOILERS***



I started this series a while ago and posted a few times on the subject with multiple entries; however, I have now decided to make it a feature, like ‘Classic Movie Scenes’, concentrating on singular films. My rules are simple. An under-rated classic can be a film I love, plus satisfy the following criteria:

  1. Must not have won an Oscar.
  2. Must not have won a BAFTA.
  3. Must not appear in the AFI Top 100 list.
  4. Must not appear in the IMDB Top 250 list.
  5. Must not appear in the BFI 100 Great British films.
  6. Must not appear in the all-time highest grossing movies of list.

The latest film I have chosen did receive some critical acclaim when released, but it has since slid into mild obscurity. I only caught it on the cable channel Talking Pictures by chance. This channel, if you didn’t know, is like a British equivalent of TCM. However, it does have less well-known films and TV shows when compared to the American cable channel. Occasionally though, Talking Pictures will have a total gem and that is the case with Seance on a Wet Afternoon (1964).

Adapted and directed by experienced British writer and director, Bryan Forbes, Seance on a Wet Afternoon (1964), casts Kim Stanley and Richard Attenborough as a married couple called the Savages. Stanley portrays Myra Savage. She is a psychic medium who hosts seances for small groups of people, while her more timid husband, Billy (Richard Attenborough), assists. They seem to have a comfortable life and live in a nice house; however, their history is blighted by the tragedy of losing a child. This leaves Myra’s personality, while dominant over Billy, somewhat neurotic and nervy. Determined to elevate her career as a psychic, she plots the kidnapping of a millionaire businessman’s young daughter. With Billy reluctantly agreeing to carry out the physical part of the crime, Myra intends to then use her psychic “skills” to help the police and family locate the missing girl. This and the ransom money will secure their financial future.



While we are all familiar with hostage plots, Seance on a Wet Afternoon (1964), is more complex than a basic crime thriller. It explores themes relating to psychic ability, grief and mental illness. Rather creepily, Myra often uses the spirit of her dead son, Arthur, as a guide to her decisions. Moreover, it also contains a series of suspenseful scenes relating to the kidnapping of the girl and the handing over the ransom money. While these are staple tropes of the kidnap genre the film does break with convention. Indeed, while revealing the kidnappers from the very start, the narrative also concentrates many scenes on the gradual breakdown of their fraught marriage. The Savages are not your everyday career criminals and their risky plan is testament to that.

Overall, Seance on a Wet Afternoon (1964) is a brilliant film which should be held in much higher regard. It contains one of the greatest acting performances I have witnessed in a while. Kim Stanley as the psychic, Myra Savage, is a haunted individual full, not only of hidden grief, but also a controlling sociopathy. One feels equally appalled by her and sympathetic at the same time. Richard Attenborough gives a quieter and unselfish performance as husband Billy, his character attempting to keep his tragic wife from going over the edge. The Savages may be kidnappers, but the skill in the writing, while not condoning their actions, makes you understand their skewed motives. In the end, Kim Stanley would be deservedly nominated for an Oscar, but lose to Julie Andrews as Mary Poppins. As we are aware, there is no justice in the world, and it doesn’t take a psychic to know which film and performance is the more memorable.


THE PERSONAL HISTORY OF DAVID COPPERFIELD (2019) – CINEMA REVIEW

THE PERSONAL HISTORY OF DAVID COPPERFIELD (2019) – CINEMA REVIEW

Directed by: Armando Iannucci

Produced by: Armando Iannucci, Kevin Loader

Screenplay by: Simon Blackwell, Armando Iannucci

Based on: David Copperfield by Charles Dickens

Cast: Dev Patel, Aneurin Barnard, Peter Capaldi, Morfydd Clark, Daisy May Cooper, Rosalind Eleazar, Hugh Laurie, Ben Whishaw, Tilda Swinton, Benedict Wong, Anthony Welsh, Paul Whitehouse etc.

Music by: Christopher Willis

Cinematography: Zac Nicholson

**MAY CONTAIN SPOILERS**



Armando Iannucci is a bona fide genius if you ask me. For over thirty years I have been listening, watching and laughing at his various collaborative comedic works. These include notables such as: The Day Today, I’m Alan Partridge, The Thick of It, Time Trumpet, Veep, In the Loop (2009), and The Death of Stalin (2017). Now, one can include the wonderful delectation of an adaptation that is The Personal History of David Copperfield (2019). While I am embarrassed to say I am not as familiar with this Charles Dickens novel as I am his other books, Iannucci has taken his own inimitable style and married it perfectly to Dickens’ narratively opulent Victoriana vision. The result is an entertaining comedic and dramatic romp, tantamount to a quasi-greatest hits package of a Dickens masterwork.

Dev Patel stars as the eponymous hero in adulthood, while the young David is portrayed with energy and charm by Jairaj Varsani. As a child, his father passed, David is brought up by his mother, Clara and the ebullient housekeeper, Peggotty. Peggotty, portrayed brilliantly by Daisy May Cooper, encourages David’s word-smithery and youthful imagination. But this being Charles Dickens, David’s innocent and magical childhood soon gives way to tragedy and he soon finds himself at the mercy of fate. Conversely, the narrative is more of a chronicle of David’s life and contains what I call an “up-and-down” structure.



Through the rollercoaster that is David’s life he finds family love, then industrial pain via his stepfather condemning him to years of child labour. Then in an attempt to overcome his cruel fate he finds positive gain through family, creativity, romantic love, friendship and education. But destiny tests him by having this all taken away once again. Throughout, Dev Patel shines brightly. His David Copperfield is as tough as they come, as he rolls with the punch’s life throws at him. Moreover, he is a fantastic conduit and spine within the structure. Through him we are introduced to some wonderfully vivid characters; some likeable and some not so. Indeed, Iannucci’s casting is a primary joy with Peter Capaldi as Mr Micawber, Hugh Laurie as Mr Dick, Tilda Swinton as Betsy Trotwood, Ben Whishaw as Uriah Heep and Aneurin Barnard as Steerforth, all giving splendid renditions of their respective characters.

Overall, Iannucci and his scriptwriting partner, Simon Blackwell, mine Dickens’ novel for much comedy gold and there are so many hilarious one-liners and funny situations. Moreover, there’s some depth here too as it’s a story of an individual finding their soul, identity and place in a cruel world. One could argue a feature film is not enough to do the novel justice, and it would probably best be served as a television mini-series. However, for a whip-cracking, razor-sharp and heart-warming two hours, in the company of one the greatest novelists, one of the greatest modern satirists, wonderful set design; and finally one of the most impressive ensemble casts gathered in recent memory, this film is highly recommended.

Mark: 9 out of 11


YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM UPDATE

YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM UPDATE

Last year I wrote and filmed a new short film called You Have a New Follower (2020). It is now completed and it is now being prepared for submission to film festivals. Here are the details, credits and a trailer to watch.

Please also feel free to SUBSCRIBE HERE to my YouTube channel which has all my short films on. Or check out the WEBSITE HERE.


YOU HAVE A NEW FOLLOWER (2020) – TRAILER



YOU HAVE A NEW FOLLOWER (2020) – DETAILS

TAGLINE

“Watch your back…”

PREMISE

Astrid Nilsson’s life begins to unravel when she is stalked by a mysterious hooded figure.

ABOUT

You Have a New Follower (2020) is the latest short film from Paul Laight and Fix Films. It was shot in London and combines mystery, suspense and science fiction genres with dramatic effect. It’s a short, low-budget film which seeks to explore themes of paranoia, anxiety, and identity within the thriller genre.

MAIN CAST

ASTRID NILSSON – Tilde Jensen
DAVID MARKER – Mitchell Fisher

CREDITS AND CREW

DIRECTED BY: Paul Laight and Tilde Jensen
WRITTEN AND PRODUCED BY: Paul Laight
CAMERA: Petros Gioumpasis
LIGHTING: Sakis Gioumpasis
SOUND: Marina Fusella
EDITORS: Oliver McGuirk, Petros Gioumpasis
COMPOSER: James Wedlock
SOUND DESIGN: Simos Lazaridis
LOCATION MANAGER: Melissa Zajk
PRODUCTION ASSISTANT: Lue Henner

A FIX FILMS PRODUCTION © 2020



FILMS THAT GOT AWAY #6 – THE UMBRELLAS OF CHERBOURG (1964)

FILMS THAT GOT AWAY #6 – THE UMBRELLAS OF CHERBOURG (1964)

Written and Directed by: Jacques Demy

Produced by: Mag Bodard

Music by: Michel Legrand

Cast: Catherine Deneuve, Anne Vernon, Nino Castelnuovo, Marc Michel, Ellen Farmer, Mirielle Perrey etc.

**MAY CONTAIN SPOILERS**



I knew there were good reasons to get married. The obvious one is the positive nature of a caring relationship and not becoming a lonely, bitter old man. The other is that given my wife loves films too, she will introduce me to the occasional classic film I may have missed. Thus, we went to the BFI and watched the classic musical The Umbrellas of Cherbourg (1964). While she is a massive fan of the musical genre, I can take or leave it generally. Every now and then though I will really love a musical film. The Umbrellas of Cherbourg (1964) is now one of them.

Starting in 1957 and structured over three acts that end in 1963, we follow the lives and loves of two main protagonists, Genevieve (Catherine Deneuve) and Guy (Nino Castelnuovo). The ups and downs of their romance drives the narrative. The two struggle to keep their love alive amidst the obstacles of military conflict, social convention and family pressure. While the story is relatively simple, Jacques Demy’s wonderful script and direction warms you to the two young lovers. So much so, by the emotionally gut-wrenching ending, even a grizzled cynic like myself felt like crying.

The Umbrellas of Cherbourg (1964) is not your classic all-singing-all-dancing musical. It is more an opera of everyday life and love. The actors sing the dialogue all the way through and once I got used to this, the device really worked well for the story. Of course, Michel Legrand’s incredible score literally drenches the colourful sets and mise-en-scene with wonder. Moreover, Demy’s cinematographer, Jean Rabier, works miracles; his camera gliding around the actors in small spaces such as shops, garages, apartments and French cafes. Lastly, Catherine Deneuve and Nino Castelnuovo are such an attractive, but beautifully tragic screen couple. Clearly their touching story, amazing music and Jacques Demy’s cinematic brilliance had a massive influence of Damian Chazelle’s splendid La La Land (2016).

Mark: 9.5 out of 11


SIX OF THE BEST #22 – CHRISTMAS FILMS!

SIX OF THE BEST #22 – CHRISTMAS FILMS!

Once again the festive season is upon us. Thus, the over-privileged first world will buy stuff they don’t need, drink and eat more than humanly possible, and perhaps even celebrate the birth of the son of God. As you may gather, being a miserable cynic, I’m not a massive fan of Christmas, but it is a lovely time to try and be nice to people, take time off from the day job and watch even more films and television.

Watching films and not being at work is definitely my favourite thing about Christmas, so I thought it fun to have a look at what I consider six of the best Christmas films. How do you define a Christmas film? I would say the film should not only be set at Christmas, but also invoke a sense of the Christmas spirit, evil or otherwise. It should also contain Christmas themes or even some kind of moral within the narrative. Therefore, Die Hard (1988) is NOT a Christmas film. Here, in my humble opinion, are six that most definitely are! Happy holidays!


die hard 20th Century Fox

A CHRISTMAS CAROL / SCROOGE (1951)

“Well, then, I’ll just swallow this and be tortured by a legion of hobgoblins, all of my own creation! It’s all HUMBUG, I tell you, HUMBUG!”


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BAD SANTA (2003)

“I beat the shit out of some kids today. But it was for a purpose. It made me feel good about myself. It was like I did something constructive with my life or something, I dunno, like I accomplished something.”


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ELF (2003)

“We elves try to stick to the four main food groups: candy, candy canes, candy corns, and syrup.”


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GREMLINS (1984)

“First of all, keep him out of the light, he hates bright light, especially sunlight, it’ll kill him. Second, don’t give him any water, not even to drink. But the most important rule, the rule you can never forget, no matter how much he cries, no matter how much he begs, never feed him after midnight.”


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IT’S A WONDERFUL LIFE (1946)

“You see, George, you’ve really had a wonderful life. Don’t you see what a mistake it would be to throw it away?”


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KRAMPUS (2015)

“Saint Nicholas is not coming this year. Instead, a much darker, ancient spirit. His name is Krampus. He and his helpers did not come to give, but to take. He is the shadow of Saint Nicholas.”


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INDULGENT 500TH POST CELEBRATION – WITH TOP TEN MOST VIEWED ARTICLES!

TOP TEN MOST VIEWED POSTS!

I started this blog in October 2013 with a review of a low budget sci-fi film called Arrival of Wang (2013). 500 posts later and I am still going. I, like many, don’t make any money out of writing this blog, but I really enjoy it. I have also made connections with other bloggers and film fans all over the world and I find that brilliant too.

I thought it may be interesting to look at the TOP TEN most viewed reviews or articles I have written. So, excluding views for the Home page/Archives clicks, here are the top ten articles with links in the heading.



1. “RESPECT MY AUTHORITAH” – MY FAVOURITE 17 SOUTH PARK EPISODES

Published in October 2013 – 4528 views

I basically watched all 17 seasons of South Park in 2013 and selected my favourite episodes of this great comedy show. We’re now up to season


2. SIX OF THE BEST #9 – GAME OF THRONES MEMORABLE MONOLOGUES

Published in August 2017 – 2488 views

HBO’s adaptation of George R. R. Martin is one of the greatest television narratives ever. Full of action, intrigue, treachery, quests, sex and murder, it also had some great dialogue. Here I listed six great speeches from the show.


3. CLASSIC MOVIE SCENES #4 – ZODIAC (2007) – “The Basement Scene”

Published in March 2018 – 1101 views

As the title says, this looked at a masterful work of direction in David Fincher’s tense crime thriller.


4. THE TIN DRUM (1979) – CLASSIC FILM REVIEW

Published in October 2016 – 643 views

I’m unsure why this strange, but classic German film has so many views but there you go!


5. AU REVOIR LES ENFANTS (1987) – CLASSIC FILM REVIEW

Published in November 2013 – 493 views

Another classic European film review gets decent numbers. This is an academic essay more than a review, but a worthy analysis of Louis Malle’s brilliant wartime set drama.



6. NEVER EVER BLOODY ANYTHING EVER! THE GENIUS OF RIK MAYALL!

Published in July 2014 – 473 views

I still cannot believe that Rik Mayall is dead. He was such a hero of mine growing up and genuinely one of the funniest people that ever existed. R.I.P Rik Mayall! This article is a tribute to both his genius and my love of one of his hilarious TV comedies: Mr Jolly Lives Next Door.


7. CLASSIC FILM SCENES #2 – ONCE UPON A TIME IN AMERICA (1984) – “THE CAKE SCENE”

Published in December 2017 – 427 views

Another classic film scene from another classic film gets into the top ten! I should probably write more of these!! Sergio Leone’s gangster epic is rarely screened on television but it is as amazing as it is long.


8. CLASSIC FILM SCENES #1 – KES (1969) – “THE CANE SCENE”

Published in March 2017 – 384 views

Ken Loach is one of my favourite filmmakers in terms of both quality and consistency of cinematic output. His incredibly raw depiction of Northern life in Kes (1969) gave us many memorable scenes, including this one about the injustices of the education system.


9. 100 NOT OUT! SOME GREAT FILMS OF 100 MINUTES OR LESS #1

Published in March 2016 – 317 views

Aside from reviews of past and present films and TV shows, I occasionally do more focused articles. This one picked some great films that tell their story in one hundred minutes or less. Maybe I should do one about classic films over one hundred and eighty minutes too?


10. CINEMA REVIEW: THE HANDMAIDEN (2016)

Published in April 2017 – 315 views

Perhaps it’s because “sex” is included in the tags of this review of Park Chan-Wook’s erotically charged crime noir, or because it is brilliantly written, who knows! Anyway, it’s the highest seen new release review so it must be of some interest to some people.


THE END OF THE WORLD

Well, that’s the top ten most viewed articles out of the five hundred I have posted. For the record, the LEAST viewed article with only SEVEN VIEWS is this one: APOCALYPSE WHEN? VISIONS OF FUTURE EARTH! It goes to show that no one is interested in reading about filmic visions of the end of the world. C’est la vie!

Happy Christmas and thanks for reading!


A TEST OF CHARACTER: BRIEFLY EXPLORING CINEMATIC PERSONAS

A TEST OF CHARACTER: BRIEFLY EXPLORING CINEMATIC PERSONAS

“Just because you are a character, doesn’t mean you HAVE character.”

Winston Wolf – Pulp Fiction (1994)


What makes one film character more interesting than others? Obviously, the actor who plays them brings much to the role, but the writing, their story and personality are what draws us specifically to them. While film studios have utilised the star system and cast well regarded actors to sell their movies, the actual personas of the characters are just as, if not, more important.

Having strong characters to support the genre, concept and plot of their works is integral to writers, directors and actors. Thus, I’d like to explore some general character traits which help define a strong film character. I would like to consider the following: LIKEABILITY, EMPATHY, EXPERTISE, RESILIENCE, HUMOUR, COOLNESS and COMPLEXITY. There are obviously many other aspects to a character we could consider but I’ll stick to these for now.

To support this, I will list five film characters in each category. If I have missed anything glaring, then please feel free to shout out and comment.

*******CONTAINS FILM SPOILERS*******



LIKEABILITY

Does a character have to be likeable for you to root for them? Not at all! However, if they are a positive character it does help you to warm to their stories and emotions. That isn’t to say you cannot appreciate unlikeable characters, however, they are more complicated and I will come to those later.


FIVE LIKEABLE FILM CHARACTERS

  1. GEORGE BAILEY – IT’S A WONDERFUL LIFE (1946)
  2. WOODY – TOY STORY (1995)
  3. SAMWISE GAMJEE – LORD OF THE RINGS (2001)
  4. MARGE GUNDERSON – FARGO (1996)
  5. ATTICUS FINCH – TO KILL A MOCKINGBIRD (1962)


EMPATHY

Empathy and sympathy are two sides of the same coin, but can also contain variants. You can sympathise with a character but not necessarily empathise with their actions; and vice versa. For me, empathetic aspects are what I look for most in a character. They could still be pretty unlikeable, but if I feel drawn to their plight I will still connect with their story. Nonetheless, the characters I list here are both empathetic and mostly sympathetic too.


FIVE EMPATHETIC FILM CHARACTERS

  1. ROCKY BALBOA – ROCKY (1976)
  2. MARTY PILETTI – MARTY (1955)
  3. FORREST GUMP – FORREST GUMP (1994)
  4. CARRIE WHITE – CARRIE (1976)
  5. KING KONG – KING KONG (1933)


EXPERTISE

I have read a lot of screenwriting books and many of them say if you cannot make a character likeable or sympathetic, make them excel at something. Their expertise in their chosen field will draw you into their world, empathise and even admire their actions. If they are on the right side of the law that will obviously increase identification with such a character. Having said that there are many experts who are villains and I, like many, love a good nemesis too.


FIVE EXPERT FILM CHARACTERS

  1. TONY STARK – IRON MAN (2008)
  2. ETHAN HUNT – MISSION IMPOSSIBLE franchise.
  3. INDIANA JONES – RAIDERS OF THE LOST ARK (1981)
  4. HANNIBAL LECTER – SILENCE OF THE LAMBS (1991)
  5. DETECTIVE WILLIAM SOMERSET – SEVEN (1995)


RESILIENCE

Resilience or the overcoming of insurmountable odds is a sure-fire way of getting an audience on side. The fact a character refuses to give in despite overwhelming odds creates all manner of means with which to identify with a character. When watching a film we also want to see characters who mirror our own personalities. So, to watch characters who never give in is very appealing to me.


FIVE RESILIENT FILM CHARACTERS

  1. ELLEN RIPLEY – ALIEN (1979)
  2. SOLOMON NORTHUP – TWELVE YEARS A SLAVE (2013)
  3. CELIE JOHNSON – THE COLOR PURPLE (1985)
  4. ANDY DUFRESNE – THE SHAWSHANK REDEMPTION (1994)
  5. OH-DAE-SU – OLDBOY (2003)


HUMOUR

Obviously making an audience laugh is a fine way of making the one like a character. It’s also a good way to mask a characters’ agendas or be employed as a defence mechanism or weapon too. Funny characters are not just limited to comedy films as humour can enhance action, romantic and drama genres too.


FIVE HUMOROUS FILM CHARACTERS

  1. ACE VENTURA – ACE VENTURA: PET DETECTIVE (1994)
  2. PETER PARKER – SPIDERMAN (2002)
  3. JUNO MACGUFF – JUNO (2007)
  4. AXEL FOLEY – BEVERLEY HILLS COP (1984)
  5. RANDALL P. MCMURPHY – ONE FLEW OVER THE CUCKOO’S NEST (1975)


COOLNESS

Arguably the most difficult one to quantify and even write, because it could be the actor who the one bringing the cool to the role. However, I think there are great examples of characters who are written that way too. Usually, a cool character will be someone of few words or a reserved demeanour or simply designated cool by their skills, actions and even what they wear.

FIVE COOL FILM CHARACTERS

  1. VIRGIL HILTS – THE GREAT ESCAPE (1963)
  2. CLIFF BOOTH – ONCE UPON A TIME IN HOLLYWOOD (2019)
  3. LEE – ENTER THE DRAGON (1973)
  4. HOLLY GOLIGHTLY – BREAKFAST AT TIFFANY’S (1961)
  5. MAX ROCKATANSKY – MAD MAX (1979)


COMPLEXITY

Complexity can be defined it many ways. It could be they are conflicted souls, searching for their place in the world. Or characters who are behaving badly while striving to be good. They could just be presenting a certain persona while hiding their real self. Or they could just be totally screwed and have mentally flipped. Complex characters are often unpredictable, but always compelling.


FIVE COMPLEX FILM CHARACTERS

  1. HOWARD BEALE – NETWORK (1976)
  2. MIRANDA PRIESTLY – THE DEVIL WEARS PRADA (2006)
  3. DARTH VADER – STAR WARS (1977)
  4. TRAVIS BICKLE – TAXI DRIVER (1976)
  5. JOHNNY FLETCHER – NAKED (1993)

TO BE CONTINUED. . .

There are so many wonderful characters in the world of cinema. Those mentioned above are just a few. The aspects I speak of too are just brief sketches really in such a fascinating area. Certain characters are more than simply likeable, empathetic, cool, complex and funny. Some of are a collision of all the facets I have noted above. Lastly, as well as different elements to their personas, characters can also be defined as an archetype or genre type. But, that is another story for another article.


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