Tag Archives: Jodie Whittaker

DOCTOR WHO –S11 – EP. 9 REVIEW – IT TAKES YOU AWAY (2018)

DOCTOR WHO REVIEW – IT TAKES YOU AWAY (2018)

Directed by: Jamie Childs

Written by: Ed Hime

Cast: Jodie Whittaker, Mandip Gill, Bradley Walsh, Tosin Cole, Ellie Wallwork, Kevin Eldon, Christian Rubeck, Lisa Stokke 

Produced by: Nikki Wilson

Executive producer(s): Chris Chibnall, Matt Strevens, Sam Hoyle

Music composer: Segun Akinola

**MAY CONTAIN SPOILERS**

This episode, depending on your point of view, was either a strange, but moving science fantasy surrealist hybrid classic; or a collection of half-baked concepts that fell apart with an incredibly bizarre and silly ending.

Yet, It Takes You Away starts off very promisingly. For a start the title evokes suspense, mystery and an underlying sense of loss. The suspense builds when the Doctor and companions arrive in Scandinavia and are immediately faced with a mystery in the Norwegian wood. The beautiful landscape of blue fjords, green brush and scattered timber hide a dark secret within a boarded up cabin. The impressive cinematography also evokes an eerie atmosphere. Moreover, there’s a frightening monster hiding somewhere within nature. Or is there?

In the cabin, the Doctor finds a lone teenage girl, Hanne, blind and seemingly abandoned by her father. Of course, they all agree to help protect Hanne against the monster and find her father too. Up to this point the drama and mystery were intriguing and finely poised. Subsequent events descend to a strange place called the ‘Anti-Zone’. This is where it all begins to fall apart narratively speaking.

Emotionally the episode had some very powerful moments drawing on the breakdown of family relationships; Graham’s grief for the loss of his wife and whether it is better to live in or out of reality. However, within these fascinating themes were some stupid bloodsucking moths and the brilliant character actor Kevin Eldon was under-used as an underground demon-type creature. The less said about the ending the better, which I can only think was going for Twitter-like-clickbait trending rather than a coherent and believable pay-off.

The denouement, together with another massive exposition dump from the Doctor scrambling to convince us it all made sense, found the episode completely laughable.  It was a shame as it had some fine ideas and Bradley Walsh gave a moving performance as Graham. Ultimately though, this season of DoctorWho is flailing having started so promisingly and It Takes You Away plummeted to a new low.          

(Mark: 5 out of 11)

DOCTOR WHO– S11 – EP. 8 REVIEW – THE WITCHFINDERS (2018)

DOCTOR WHO– S11 – EP. 8 REVIEW – THE WITCHFINDERS (2018)

Directed by: Sallie Aprahamian

Written by: Joy Wilkinson

Cast: Jodie Whittaker, Mandip Gill, Bradley Walsh, Tosin Cole, Alan Cumming, Siobhan Finneran, Tilly Steele, Tricia Kelly, Arthur Kay  

Produced by: Alex Mercer

Executive producer(s): Chris Chibnall, Matt Strevens, Sam Hoyle

Composer: Segun Akinola

**MAY CONTAIN SPOILERS**

Well, after enjoying a number of this season’s episodes for fascinating writing and emotional exploration of important historical events, we finally got one that didn’t work for me on the whole. The Witchfinders found the Doctor and the now tiresomely named “gang”, in attempting to time travel to the Coronation of Elizabeth I, ending up in a bitter backward village in Lancashire. There they discover all manner of horrific deeds being dealt upon the women folk; all accused of witchcraft by the aptly named matriarch of the manor, Becca Savage.

It is announced by Savage – an excellent Siobhan Finneran – that Satan’s work is legion in the village and witches will be tried by dunking. If they survive and are able to breath under water then they are damned as a witch. Yet, if they drown they are not a witch. This medieval version of “Catch 22” was actually a real thing and while incredible to today’s woke audiences shows our ancestors in a very poor light. There is often some reflection and resonance to current times where Doctor Who is concerned and here there is no difference. Indeed, witch-hunts often occur in society now via the press or new-fangled “demon” – the damned social media.

Along with Finneran as Savage, Alan Cumming also guest stars as King James I. It’s a slyly camp and arguably over-the-top performance that Cumming excels at and was enjoyable nonetheless. However, as the episode proceeded the strength of the witch-hunt ideas gave way to a really badly written script and the Doctor and Graham wearing hats anachronistically for weak comic effect. I guess the Doctor has a bit more action, rather than being a cypher for history; and at least finds herself in a bit more peril too. But I have to admit I don’t think Jodie Whittaker is getting hold of the role of the Doctor in the way her predecessors did. It’s almost as if she’s copying David Tennant or Matt Smith too much. It’s a shame, but you cannot just blame sloppy writing or directing, as it’s now clear Whittaker is not owning the role.

The ending of the episode, while containing some brilliant monsters, was so hurried. We got a barrage of exposition in a final face-off scene which also contained some very shoddy effects. The Witchfinders was therefore a bang average episode, which started very promisingly but drowned by the end in a lake of mediocrity. Indeed, if you go to YouTube you will find a plethora of postings which are decrying the end of Doctor Who as we know it. I myself believe it’s far too early to grab a torch and join that mob. Because, on the whole, the series has had some great episodes, but unfortunately this wasn’t one of them.  

Mark: 6 out of 11

DOCTOR WHO – S11 – EP. 7 REVIEW – KERBLAM (2018)

DOCTOR WHO – S11 – EP. 7 REVIEW – KERBLAM (2018)

Directed by: Jennifer Perrott

Written by: Pete McTighe

Cast: Jodie Whittaker, Mandip Gill, Bradley Walsh, Tosin Cole, Julie Hesmondhalgh, Lee Mack, Callum Dixon, Claudia Jessie etc.

Produced by: Nikki Wilson

Executive producer(s): Chris Chibnall, Matt Strevens, Sam Hoyle

Composer: Segun Akinola

**MAY CONTAIN SPOILERS**

Kerblam

After the moving emotion and historical power of last week’s episode, this week the Doctor was back to the future and in outer space. Following a delivery from the Kerblam shopping emporium the Tardis crew receive a message pleading for help. Quicker than you can say Amazon, the team are soon undercover at the space factory trying to find out what’s going on at Kerblam.

It’s a pacey episode with some excellent one-liners and a pretty involving plot. The writer Peter Tighe manages to cram in some corporate sabotage, a romance plot and creepy androids – called TeamMates – reminiscent of the electric cab drivers from Paul Verhoeven’s Total Recall (1990). It also features some excellent guest appearances from comedian Lee Mack and Julie Hesmondhalgh who stand-out in their under-written roles. Aside from a couple of wonky narrative moments and dodgy CGI conveyor belt chase the episode was very enjoyable.

Mandip Gill

In terms of subtext there were some interesting points to be made about online shopping empires and the idea that machines are making human beings redundant. However, this wasn’t laboured but successfully integrated into the humorous and, at times, suspenseful story. Indeed, this felt more like one of the lighter Matt Smith or David Tennant episodes in terms of wit, action and theme. My main issue now with the series is that the Doctor’s characterisation is not as interesting as previous ones.

It is now the seventh week for Jodie Whittaker’s tenure and in each episode I have really wanted her to stamp her acting authority on the role. She is a great actor but perhaps some of the directing is failing to make the most of her ability. The show is entertaining enough but it does feel too dramatically lightweight in terms of Whittaker’s performance at times. Of course, I am still really enjoying the show but at present the Doctor is more of a cypher rather than a rounded character. Jodie Whittaker is carrying the episodes brilliantly but there’s got to be more weight and intensity for me.

Mark: 8 out of 11

 

DOCTOR WHO – S11 – EP. 6 REVIEW – DEMONS OF THE PUNJAB (2018)

DOCTOR WHO – S11 – EP. 6 REVIEW – DEMONS OF THE PUNJAB (2018)

Directed by: Jamie Childs

Written by: Vinay Patel

Cast: Jodie Whittaker, Mandip Gill, Bradley Walsh, Tosin Cole, Leena Dhingra, Amita Suman, Shane Zaza, Hamza Jeetooa etc.

Produced by: Alex Mercer

Executive producer(s): Chris Chibnall, Matt Strevens, Sam Hoyle

Composer: Segun Akinola

**MAY CONTAIN SPOILERS**

Doctor Who Demons of the Punjab


This season of Doctor Who is now settling into a strong mix of diversity, narrative simplicity and emotional resonance. I’ve read some negative comments bemoaning the quality of the writing and weakness of the stories in general, however, as Sunday night teatime entertainment goes the show is a success in my view. Indeed, the latest episode, Demons of the Punjab was another involving and fascinating watch.

This week it was Yaz’ character which took centre stage as her curiosity about her grandmother, Umbreen, found the Doctor breaking time-travel protocol. If you’ve seen the Doctor Who episode Father’s Day and film classic Back to the Future (1985) we all know how dangerous it can be for anyone to cross their own timeline. Indeed, while the Doctor has actually crossed her own timeline before many times she should really know better!


Doctor Who India


Thus, Team TARDIS travelled back to 1947 as the Partition of India took place. Here Yaz gets to meet her own family members as her grandmother is about to marry. Of course the path of true love and time travel rarely goes smoothly and the course of history is threatened by Yaz’ presence and her and the Doctor must attempt to not interfere with events. Of course, it would not be a Doctor Who episode without some kind of alien threat and this is provided by the Vajarians; a mystical race who appear where chaos is ensuing across the universe. Their presence adds an air of mystery to the episode, but ultimately they are an emotional subplot to the main conflict relating to how the Partition of India affects Yaz’ family.

Overall, Demons of the Punjab successfully combined political, historical, romance and drama in amidst the usual science fiction concepts. It was especially strong from an emotional perspective. By the end as a family is torn apart by the situation I felt a real sadness in my heart. The division of India by the British Empire was an event which divided people based on their religion and ethnic background and created a huge schism between families, colleagues and friends. Doctor Who merely skims the surface of the impact it would have and the lives affected by the subsequent conflict. Yet, what the episode teaches us is that while we may not be able to change history we must learn from it. We must learn that division and conflict can only lead to heartache and pain.

Mark: 8.5 out of 11


DOCTOR WHO – SEASON 11 – EPISODE 5 REVIEW: THE TSURANGA CONUNDRUM  (2018)

DOCTOR WHO – SEASON 11 – EPISODE 5 REVIEW: THE TSURANGA CONUNDRUM  (2018)

Directed by: Jennifer Perrott

Written by: Chris Chibnall

Produced by: Nikki Wilson

Executive producer(s): BBC Productions, Chris Chibnall, Matt Strevens, Sam Hoyle

Cast:   Jodie Whittaker, Bradley Walsh, Tosin Cole, Mandip Gill, Brett Goldstein, Ben Bailey-Smith, Suzanne Packer etc.

**MAY CONTAIN SPOILERS**

The_Tsuranga's_Passengers

Well, this was a lot of fun. I really connected with this latest adventure, which found the Doctor and her crew initially scavenging on an alien junkyard planet, before suddenly being caught in a surprise sonic explosion. They wake aboard the Tsuranga – which is an automated space hospital – like a flying version of the National Health Service. Discombobulated and injured from the mine explosion the Doctor, companions, Tsuranga’s crew and patients are soon to be faced with an even bigger danger.

Small but devastating the danger is called a P’Ting. It’s a creature that scoffs non-organic material; a cute looking eating machine that will devour the ship. It attacks the vessel and begins literally eating it out of space-ship and home.  The Doctor, aided by the ship’s medical staff Astos and Mabli; plus General Eve Cicero; her brother Durkas; synth robot Ronan; and Yoss, a pregnant man are all threatened by the darned P’Ting. I wondered if there was some sociological subtext to the P’Ting as it eats its way through the hospital in space, with Chris Chibnall critiquing the devastation of the NHS by the Tories. However, this message wasn’t to the fore and overall it was essentially a fun genre episode with lots of action and humour throughout.

Doctor-Who-S11_Ep5_07.jpg

The standard genre set-up of a base/ship under siege is a Doctor Who staple. Despite the simplicity of the plot, it felt fast-paced and thrilling to me. The guest stars were excellent too, notably the comedian Brett Goldstein who stood out during his time on screen. There was some silliness with Ben Bailey-Smith’s Durkas rigging up a nebulous engineering control to pilot the crashing Tsuranga; nonetheless the entertainment levels remained very high. I especially enjoyed the humour and emotion gained from the alien bloke (who looked very human) giving birth; while Tosin Cole’s Ryan examined further his own relationship with his estranged father. Overall though, this was another light and uncomplicated episode from Chibnall, Whittaker and the team, but one that had me laughing and thrilled throughout.  

Mark: 8 out of 11

DOCTOR WHO – SEASON 11 – EP. 4 REVIEW: ARACHNIDS IN THE UK (2018)

DOCTOR WHO – SEASON 11 – EPISODE 4 REVIEW: ARACHNIDS IN THE UK (2018)

Directed by: Sallie Aprahamian

Written by: Chris Chibnall

Produced by: Alex Mercer

Executive producer(s): BBC Productions, Chris Chibnall, Matt Strevens, Sam Hoyle

Cast:   Jodie Whittaker, Bradley Walsh, Tosin Cole, Mandip Gill, Chris Noth, Shobna Gulati etc.

Composer: Segun Akinola

**MAY CONTAIN SPOILERS**

Doctor Who Series 11

Having got lost in space and time looking for her TARDIS, the Doctor and companions were now, via a stop in 1950s Alabama, back in the UK, present. Just at the right time it would seem too as Sheffield was in the grip of a major arachnid problem. If like me you’re not scared of spiders this episode held no major fears, however, for those with arachnophobia it played out like the stuff of nightmares.

The TARDIS lands on Ryan and Yasmin’s estate and we are soon introduced to Yas’ mother, father and, from her point of view, irritating sister. Her mother, Najia, has a job working at a just-about-to-open plush hotel. Her father spends his time complaining and collecting rubbish building up on the estate. Now, I wonder if these situations will be connected to the spider problem. Yes, I wonder?

Meanwhile, Graham and Ryan are faced with the continued grief over the loss of their loving wife and Aunt, Grace. Her ghost appears to Graham and Sharon D. Clarke performance adds a welcome emotional pull to the spider shenanigans. It also gives Graham and Ryan’s characters interesting depth as we continue to empathise with their loss.

Spider_(Arachnids_in_the_UK)

One would think the spiders would be the main monsters of the episode but they are not. Indeed, humans and capitalist corporations are often the biggest fiends within Doctor Who and that is no different in Arachnids in the UK. Hollywood actor Chris Noth as obnoxious American businessmen, Robertson, fires people and refuses to take any responsibility for the toxic contamination which causes the spiders to grow exponentially. Chris Chibnall has fun having digs at this Donald J. Trump clone and while Noth’s performance is a bit over-the-top, it’s in keeping with the B-movie horror tone of the episode.

Overall, this is a lighter episode than the previous week’s Rosa, but the giant spiders were quite frightening. Furthermore, the social commentary about environmental dumping of waste added another layer to the narrative also. Jodie Whittaker offered another safe performance as the Doctor although the storyline hardly stretched her talents. I thought Bradley Walsh gave a moving turn as Graham and the final scenes in the Tardis with the Doctor were memorable. Ultimately, Arachnids in the UK  was probably the weakest in the series so far, but it’s fast paced narrative and creepy crawlies filled the Doctor Who gap satisfactorily until next week.

Mark: 7.5 out of 11

 

 

DOCTOR WHO – SEASON 11 – EPISODE 3 REVIEW: ROSA (2018)

DOCTOR WHO – SEASON 11 – EPISODE 3 REVIEW: ROSA (2018)

Directed by: Mark Tonderai

Written by: Malorie Blackman and Chris Chibnall

Produced by: Nikki Wilson

Executive producer(s): BBC, Chris Chibnall, Matt Strevens, Sam Hoyle

Cast:   Jodie Whittaker, Bradley Walsh, Tosin Cole, Mandip Gill, Vinette Robinson, Joshua Bowman

Music: Segun Akinola

Tardis-team-d0c3c14

**MAY CONTAIN SPOILERS**

We now have the new Doctor, Companions, TARDIS and showrunner up and running. Therefore the new series of Doctor Who will sink or swim going forth based on the quality of the writing. Rosa written by acclaimed author Malorie Blackman and Chris Chibnall was an excellent episode which expertly combined socio-political, historical and science-fiction situations.

Malorie Blackman is an experienced writer with many books published;  and has written for Doctor Who before, providing one of the stories to the enjoyable Twelve Doctors: Twelve Stories audiobook I listened to this year. Rosa finds the TARDIS bringing the Doctor and pals back or forward to 1955, Alabama. There they find a nefarious character determined to change the course of history by stopping Rosa Parks’ legendary protest against segregation.

doctor-who1.jpg

Doctor Who has always used historical figures within their narratives including: Charles Dickens, Richard the Lionheart, Vincent Van Gogh, William Shakespeare to name a few. It harks back to the remit of the first Doctor’s era of desiring to educate and entertain; Rosa most certainly did that. It was also very moving as well as informative. Not only did it successfully give the audience a history lesson, it illustrated the vital importance of peaceful protest to achieve change. Moreover, it really pulled the companions, Ryan and Yasmin especially, into the emotion of the narrative as they suffer first hand racism from the ignorant people of Montgomery.

Overall, the episode zipped along and while the plotting had some wonky moments – mobile phones and Elvis, really!? – it contained some cracking gags; one zinger about artist Banksy was especially memorable. Also, Jodie Whittaker is finally settling into the role of the Doctor. She is a seriously good dramatic actor and I was pleased there were moments when the pace slowed to allow her work to breathe. In providing educational, historical and emotional resonance, Rosa, was an archetypal Doctor Who episode full of intelligent and poignant scenes. It also contained the scary idea that racism and prejudice are still present in the future!  Thankfully though, the Doctor and her companions, are here to help legends such as Rosa Parks to thwart it.

Mark: 9 out of 11