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BBC FILM REVIEW: MANGROVE (2020)

BBC FILM REVIEW: MANGROVE (2020)

Directed by: Steve McQueen

Produced by: Anita Overland, Michael Elliot

Screenplay by: Steve McQueen, Alastair Siddons

Cast: Letitia Wright, Shaun Parkes, Malachi Kirby, Rochenda Sandall, Nathaniel Martello-White, Richie Campbell, Alex Jennings, Jack Lowden, Darren Braithwaite, Sam Spruell, Samuel West, Llewella Gideon, Jodhi May, Gary Beadle, Jumayn Hunter, Duane Facey-Pearson, etc.

Music by: Mica Levi

Cinematography: Shabier Kirchner

Original Network: shown on the BBC as part of the Small Axe anthology

***CONTAINS HISTORICAL SPOILERS***



“So, if you are the big tree… We are the small axe… Ready to cut you down… To cut you down…” — Bob Marley song, Small Axe


You wait for a thought-provoking courtroom drama about individuals battling an oppressive legal system and end up watching two in two days. It wasn’t a specific plan to follow up my viewing of The Trial of the Chicago Seven (2020), by watching Steve McQueen’s majestic adaptation of the ‘Mangrove Nine’ narrative, but it was most certainly historically and culturally serendipitous. However, while Aaron Sorkin’s entertaining distillation of the 1968-1969 events, which occurred at the Democratic National Convention and subsequently in the U.S. courts, were delivered in an irreverent and satirical style, Steve McQueen’s approach to the systematic racism and brutality of the police force and legal battle which followed in Mangrove (2020), is treated with far more intensity and power.

Mangrove (2020) is the first in a set of five films curated, written and directed by Steve McQueen, in what has become known as the ‘Small Axe’ anthology. It premiered at the London Film Festival in 2020, before being released on the BBC television network. The aim of the ultra-talented McQueen, and his writers, cast and crew is to reflect important historical figures and events from West Indian culture in the 1960s, 1970s and 1980s. Mangrove (2020) centres on the trial of the ‘Mangrove 9’, namely Frank Crichlow, Darcus Howe, Althea Jones-Lecointe, Barbara Beese, Rupert Boyce, Rhodan Gordon, Anthony Innis, Rothwell Kentish; and Godfrey Millett. They were seen as leaders of protests which occurred in August 1970, that resulted in battles with police on the Notting Hill streets. While original charges were thrown out by a magistrate, the then Director of Public Prosecutions decided the case should go to court in 1971.



The excellent screenplay by McQueen and his co-writer Alastair Siddons expertly establishes the era and setting of the story. Similarly, the production design perfectly captures the look of late 1960’s West London. Shaun Parkes’ portrayal of Frank Critchlow is both moving and influential in drawing the viewer into the character’s desires and culture. Critchlow opens the Mangrove Restaurant in 1968 with a longing to establish a place that serves West Indian food; and provide a meeting place within the community. Alas, due to the heavy-handed approach by the police in the area, led mercilessly by Sam Spruell’s P. C. Frank Pulley, Critchlow’s dream is left in tatters by constant raids and arrests. It is the Metropolitan Police’s belief that the Mangrove Restaurant is a hive of criminal activity and drug use. No drugs were found during these raids, thus Critchlow filed charges himself of unlawful arrest. Eventually, Critchlow, Howe, Jones-Lecointe and others became involved in marching and protesting at what they saw as clear racial prejudice by the police.

My emotions while watching the events unfold, from the clashes with police to the subsequence court case, was that it is tragic that there was such violence and division between people of the Commonwealth and the authorities. After all, West Indians were invited by the British Government to come to here in the 1950’s, to help rebuild post-war Britain. Obviously, not all British people rejected them, however, clearly there was an incredible amount of racism and abuse, here illustrated by the police’s horrific attitude in Mangrove (2020). Thus, Steve McQueen and his exceptional cast deserve all the plaudits coming their way in bringing such a vital legal case to the screens. The Mangrove 9’s case is emblematic of the horror of ignorance that has occurred in British history and that we must continue to stamp out vitriolic actions based purely on cultural difference and the colour of an individual’s skin. In representing such important events and individuals moreover, Steve McQueen has delivered one of the most powerful films of 2020.

Mark: 10 out of 11


IN PRAISE OF BBC’S LINE OF DUTY + SEASON 5 – TV REVIEW

BBC’S LINE OF DUTY & SEASON 5 REVIEW

Created and Written by Jed Mercurio

Directors (Season 5): John Strickland and Sue Tully

Cast (Season 5): Taj Atwal, Martin Compston, Adrian Dunbar, Stephen Graham, Anna Maxwell Martin, Vicky McClure, Rochenda Sandall, Polly Walker etc.

I was slightly late to the Line of Duty corrupt police drama party. Thankfully, I caught up with it by watching the first four seasons on Netflix. The fifth season has just completed a run over the last six weeks on BBC1 and thoroughly thrilling it was too. Creator and writer Mercurio is a bulletproof show-runner; a genre writer with a proven hit rate whose work almost always brings commercial, critical and audience success.

Having achieved early TV writing acclaim with dark medical comedy, Cardiac Arrest (1994-1996), Mercurio’s subsequent drama Bodies (2004 – 2005) was another critical hit. Latterly, Bodyguard (2018) and Line of Duty (2012 – present) have also proved highly successful. Undeniably, Line of Duty is a massive hit for the BBC. It has received awards and nominations from: the Royal TV Society, the Writers’ Guild and BAFTA. Moreover, it was also voted in the top BBC shows of all time. Therefore, after the success of Season 4 on BBC1, Season 5 was awaited with great anticipation.

THE LANGUAGE OF LINE OF DUTY

If you haven’t seen Line of Duty then it is highly recommended as quality genre storytelling. Over five seasons it has received much media attention and a strong fan following. It’s also fun looking out for the tropes, genre expections and language built into the classic cop drama. So, a game of Line of Duty bingo would certainly include:

  • AC12’s lead characters: DS Steve Arnott, DI Kate Fleming and Superintendent Ted Hastings will be committed to nicking bent coppers.
  • Massive and unexpected plot twists.
  • Untimely deaths of major characters.
  • Police Officers being bigger criminals than actual crooks.
  • The main antagonist will likely be revealed early on to the audience like an episode of Columbo.
  • Brilliantly written and lengthy police interview scenes often dominate whole episodes.
  • The main antagonist can at any time be superseded by a bigger antagonist like an episode of ‘24‘.
  • Main antagonists will be played by well known actors such as: Lennie James, Keeley Hawes, Daniel Mays and Thandie Newton.
  • Minor sub-plots will often blow up into being the main plot.
  • Red herrings galore with misdirection and cliff-hanger writing tricks becoming legion.
  • Line of Duty language and catchphrases have become culturally familiar including: “Fella”; “Mother of God”; “Bent Coppers”; and my favourite: “DCI. . . has the right to be questioned by an officer at least one rank senior.”
  • Fantastic hard-boiled one-liners and dialogue that Raymond Chandler would be proud of.

I could go on but I can highly recommend all five seasons of the show. While it exists within the police drama genre the lead characters are well written. Not simply basic binary heroes, they are complicated humans, yet highly determined and professional. The plots are serpentine and often become very complex, threatening to swallow their own tail at times. Nonetheless, if Alfred Hitchcock created a long running crime drama then Line of Duty would be it.

LINE OF DUTY – SEASON 5 REVIEW (WITH MINOR SPOILERS)

Season 5 began with an all action and breathless opening couple of episodes. Yet, by the end it transformed into a claustrophobic, theatrical and tense police interview showdown. While Season 4 found Thandie Newton desperately trying to evade capture using her intelligence and guile, Season 5 was more explosive. Opening with a pulsating robbery, with an OCG (Organised Crime Group), raiding a police vehicle convoy carrying confiscated drugs and weapons; AC12 were soon hunting armed robbers and investigating the death of several Police Officers.

The head of the crime gang is, or so we think, John Clayton. He is portrayed by fine character actor, Stephen Graham. It soon turns out Clayton is not what he seems and is playing a very dangerous game as an undercover cop. But, is Clayton still undercover or has he gone rogue? Clayton’s gang are not to be crossed and their boss is an anonymous high-ranking corrupt Police Officer referred to only as ‘H’. They communicate via computer text software, thus creating a fog of invisibility and suspicion.

As the various plot strands ravel and unravel further robberies and murders occur, with Mercurio creating a series of tense stand-offs and action set-pieces. The stakes get higher and higher until our very own Ted Hastings becomes number one suspect in the chase for ‘H’. Adrian Dunbar as Hastings is especially brilliant in this season. His character finds his whole life and history turned upside down and in freefall. I mean, could this beloved character be the arch-nemesis? The conflict created by Mercurio is totally absorbing until the very final reveal.

Overall, one could argue that Season 5 goes too far to attempt to out do the previous seasons. However, I loved both the complexity and familiarity of what I was watching. The action, suspense, twists, doubt, shocks and ‘whodunit’ plot were played to perfection. We also got a bit of characterisation amidst the heavy plotting as we found out about: Hastings’ history in Northern Ireland; Fleming’s family issues; and the impact of Arnott’s spinal injury (from a violent attack in Season 4). We also got some new characters such as the formidable DCS Carmichael featuring a stand-out performance from Anna Maxwell Martin.

Ultimately, this is a cops and robbers show which plays the numbers very well. Furthermore, like a game of bingo you never know the order the numbers will come out, who’ll win or lose and whether the game is, in fact, rigged so no one really profits in the end.

Mark: 9 out of 11