Tag Archives: The Coen Brothers

APPLE TV FILM REVIEW: THE TRAGEDY OF MACBETH (2021)

APPLE TV FILM REVIEW: THE TRAGEDY OF MACBETH (2021)

Directed by Joel Coen

Screenplay by Joel Coen (Based on Macbeth by William Shakespeare)

Produced by: Joel Coen, Frances McDormand, Robert Graf

Cast: Denzel Washington, Frances McDormand, Bertie Carvel, Alex Hassell, Corey Hawkins, Harry Melling, Brendan Gleeson etc.

Cinematography: Bruno Delbonnel

*** SPOILERS ALERT ***



The Coen Brothers – Ethan and Joel Coen – are, as a filmmaking duo, one of the most original, imaginative, daring, and brilliant artists of my generation. I have watched all of their films many times at the cinema and at home, having completely connected with their distinct style and cinematic voice from their very first film, Blood Simple (1984) to their most recent release anthology Western The Ballad of Buster Scruggs (2018). As they’ve developed as filmmakers my admiration has grown exponentially over the years. They have worked within the studio system while maintaining their cinematic individuality and independent spirit.

Thus, it was a surprise when it was announced that Ethan Coen was taking a break from filmmaking, leaving his brother to venture out solo. Joel’s first production as a singular director is an adaptation of William Shakespeare’s famous Scottish play, The Tragedy of Macbeth (2021). With Denzel Washington cast in the lead and Frances McDormand portraying Lady Macbeth, Joel Coen certainly brought major talent to this prestige Apple production. Yet, given how familiar the play is to the world and the number of film, stage, radio and TV adaptations there have been, could the sole Coen breathe fresh life into this ancient tome?



If you haven’t seen or read Macbeth it is a tragedy first believed to have been performed in 1606. It deals with Macbeth’s journey from heroic warrior to murderous King to paranoiac and haunted mad person. Shakespeare’s themes are so absorbing in relation to the nature of ambition, fate and how a greedy lust for power will destroy a man’s soul and future. The play’s language is pure bewitching poetry and the gothic spirit which pervades the story clutches and squeezes at one’s organs tightly. Macbeth’s fate is sealed as soon as he believes the three witches prophecy on the battlefield. He is damned by his own hubris as well as his wife’s subtle manipulations. But how well does Joel Coen and his stellar cast capture such themes and character intricacies?

Firstly, the look of The Tragedy of Macbeth (2021) is astounding. Shot in brooding monochrome, shadows loom ominously creeping closer via Bruno Delbonnel’s striking cinematography. Moreover, the large sets dwarf the players given them a trapped feel. As though the walls are closing in on their souls as each fateful decision is made. The cast are uniformly superb too. Indeed, Coen makes a fascinating decision regarding the witches, having them portrayed in tremendously twisted fashion by one actor, Kathryn Hunter. Washington and McDormand are of course excellent. However, having such iconic actors in the leads did cause some disconnect with their respective characters. Plus, and I realise it is sacrilege to say this, but I always felt that Macbeth and his wife’s fall into insanity seemed to come too quickly in the latter acts. Lady Macbeth’s suicide in this adaptation felt particularly rushed.

My main tragedy of The Tragedy of Macbeth (2021) is that I did not enjoy it as much as many of the critics have. It is an incredibly wondrous film to look at. The sound also crackles and pops with howling wind, squawking birds, metal swords clashing and THAT sensational dialogue being delivered with majestic power by the cast. Yet somehow, despite the prodigious talent and excellent work presented by all I did not quite gel with it. I think it is probably my over-familiarity with the narrative, plus it was a very respectful adaptation. I would have liked to have seen more gore and action, rather than the restrained vision Joel Coen so expertly delivers here. Nonetheless, it remains another impressive addition to his amazing filmic curriculum vitae.

Mark: 8 out of 11


BARRY (2018 – PRESENT) – S1 & S2- HBO TV REVIEW

BARRY (2018 – PRESENT) – S1 & S2- HBO TV REVIEW

Created by: Alec Berg, Bill Hader

Producer(s): Aida Rodgers, Emily Heller

Writer(s): Alec Berg, Bill Hader, Emily Heller, Liz Sarnoff, Sarah Solemani, Ben Smith etc.

Director(s): Alec Berg, Maggie Carey, Bill Hader, Hiro Murai, Liza Johnson, Minkie Spiro etc.

Cast: Sarah Goldberg, Bill Hader, Stephen Root, Glenn Fleshler, Anthony Carrigan, Henry Winkler etc.

Original Network: HBO

**MAY CONTAIN SPOILERS**

Critically acclaimed and Emmy award-winning dark comedy satire, Barry (2018) stars Bill Hader. He plays the eponymous lead, a hitman, who travels to Los Angeles for “work” and then finds himself joining an acting class by mistake. The comedy and drama of his finely written and directed HBO show derives from the dialectic juxtaposition of crime and war film tropes mixed with narcissistic and delusional Hollywood creative types. But is it any good? Yes and no!

Technically this is first rate and challenging entertainment; obsidian black in its’ humour and at times very compelling as drama. Stylistic influences are clearly the likes of: the Coens, Quentin Tarantino, Robert Altman and Elmore Leonard’s novel/film/TV series Get Shorty. However, I don’t think I liked it as much as those or as much as the panel of Emmy Award judges.

Personally, I don’t like, irrespective of their quality, shows or films titled after a single-name character. It’s just a personal thing. More importantly the show tries so hard to be cool. It has a knowing “everything-but-the-kitchen-sink-cultural-melange” vibe. Plus, tonally it is all over the shop. One scene will be a hilarious situation involving bad acting from the class; and the next Barry will be blowing someone away. How am I meant to feel about such a lunge from comedy to drama involving so many unlikeable characters?

As Barry Block/Berman, Bill Hader is absolutely brilliant. He wants out of the murder business and is haunted by events from the military. Because of this I have much sympathy for him. However, this empathy is tested by some of his more heinous actions. Hader nonetheless delivers an iceberg cool performance with a searing internal pain. In the second season especially, his post-traumatic stress is explored intensely; and when he explodes with anger it resonates powerfully. Conversely, I wanted more of this than the parodic Chechen and Bolivian gangsters, who just aren’t funny.

In support, Stephen Root is brilliant as Barry’s exploitative handler and so-called friend. Sarah Goldberg as the neurotic actress, Sally Reed is a revelation. This is especially the case in the second season when her character gets some interesting storylines and great monologues. Likewise, Henry Winkler steals many scenes as the acting coach, Gene Cousineau; forever name-dropping and shilling for a quick buck.

Overall, Barry can be recommended for the excellent cast and mostly complex characters. While I would have preferred the dumb comedy to be reduced, there are indeed some great episodes throughout the two seasons. So, if you are looking for an intense exploration of human existence you get an element of that within the mix of: humour, satire, violence, shoot-outs and plot twists. But maybe, like the lead character, Barry tries to do too much all at once; however, at least it tries.

Mark: 8 out of 11