SCREENWASH – AMERICAN TV DRAMA REVIEWS
Following on from my recent reviews of ITV drama shows I have also recently watched, many U.S. programmes over the last few months. So, here are some more bite-size reviews with marks out of eleven. Hope you enjoy.
**CONTAINS SPOILERS**
BATES MOTEL (2014) – SEASON 1 – NETFLIX
So, Norman Bates gets a paradoxical contemporary prequel which while chronologically set before Alfred Hitchcock’s classic Psycho (1960), exists in the now of mobile phones, crooked cops, Chinese sex slaves, cystic fibrosis and huge cannabis forests that drive the towns’ industry. Freddie Highmore as young psycho Norman and Vera Farmiga as his domineering, yet sexy, mother are absolutely brilliant in this absurdly plotted but nifty little horror-crime-thriller-mish-mash. I especially enjoyed Highmore’s subtle delivery as he fights with the demons in his head, amidst hormonal teenage desires. Plus, more often than not he echoes Anthony Perkins classic performance as the original Master Bates. (Mark: 8 out of 11)
BIG LITTLE LIES (2017) – SEASON 1 – SKY ATLANTIC
One of the most difficult things a screenwriter and director have to do, in my view, is to make rootable those wealthy, spoilt and first-world characters that drive your story. One way to do it is to make their conflict human and relatable, plus casting brilliant actors in the lead roles helps greatly too. Reese Witherspoon, Nicole Kidman, Laura Dern, Adam Scott, Alexander Skarsgard and Shailene Woodley are all on top acting form portraying various personas within the affluent Monterey upper middle classes. Jean-Marc Vallee directs David Kelley’s superb script with aplomb and the editing is some of the best you will see in a television show all year. The interweaving stories concerning an unknown murder victim; school bullying; warring parents; extra-marital affairs; and the abusive relationships, is expertly played out over seven compelling episodes. (Mark: 9 out of 11)
BILLIONS (2017) – SEASON 2 – SKY ATLANTIC
Again, how do you make rich people empathetic and rootable? Well in Billions the writers don’t! They have created a superbly written series around some of the most selfish, self-centred, vicious and vindictive characters in hedge-fund shark Bobby Axelrod and unscrupulous Attorney General Chuck Rhodes; and pitted them against each other over ten compelling episodes. Damian Lewis and Paul Giamatti are on fantastic form as “Masters of the Universe” leads that will stop at nothing to destroy each other’s lives. Maggie Siff and Malin Akerman as their respective wives also at the sharp end of the legal, financial and psychological one-upmanship drama, along with a terrific ensemble cast including: David Constable, David Strathairn, Eric Bogosian, Toby Leonard Moore and the very gifted Asia Kate Dillon. (Mark: 9 out of 11)
HOMELAND (2014) – SEASON 3 – NETFLIX
After the explosive end to Season 2, which wiped out many of the major supporting players, Season 3 found Carrie Matheson and Nicholas Brody find themselves separated and in deep trouble. Matheson is cast as the scapegoat for the destruction of the CIA and failure in protocols while Brody is in Columbia lurching from one violent episode to another. The strength of the first two seasons came from the dynamic plotting, heart-racing suspense and the chemistry between Claire Danes and Damian Lewis. Season 3 suffers from the two’s separation slightly but there was enough dramatic moments throughout to make it well worth a watch. Danes was especially impressive as Matheson who is forever taking chances because of her determination to protect her country, plus her love for Brody. The show doesn’t present easy answers and the ending was particularly bleak as we come to realise that no one wins in these political and international wars. Have to say that Mandy Patinkin as Saul Berenson and Rupert Friend gave great support and the show ultimately remains compelling, even if at times it slightly tested believability. (Mark: 8 out of 11)
SONS OF ANARCHY (2015) – SEASONS 6 & 7 – NETFLIX
My lord this show is SO brutal; in fact I think it is arguably the most violent TV show I have ever seen because many of the deaths are cold and hot-blooded savagery. In Seasons 6 and 7, Jax (Charlie Hunnam) desperately tried to become a better person and take the club down a more legitimate route, however, once an outlaw – always an outlaw. Thus battles with cops, IRA, gang-bangers, Mayans, Aryan Brotherhood, and more culminated in two seasons of the usual carnage and bloodshed. Also, Jax had the horror of dealing with the death of loved ones borne out of terrible lies and decisions by those close to him. The main strength of the show is the terrific ensemble cast of which Jimmy Smits, Charlie Hunnam, Tommy Flanagan and Katey Sagal really stood out. Also, the action and serpentine plot twists kept the dramatic irony and suspense at pulsating levels. Only the indulgent montages, over-the-top “I love you, brother” dialogue and overlong episodes wrenched a little but overall an exciting end to a gruesome but entertaining TV show. (Mark: 8.5 out of 11)
THE WALKING DEAD (2017) – SEASON 7 – FOX
The Walking Dead is very much like an elderly grandparent in as much as it has provided happy past memories; has a lot to offer in terms of historical experience; yet sits in their armchair only occasionally sparking into life for our entertainment. However, I must say, Season 7 was way more entertaining than Season 6, which overall really stalled in terms of storylines and fast-paced action. Rick Grimes (Andrew Lincoln) and his Alexandrian crew and family came under pressure, not just from the zombie hordes but also Jeffery Dean Morgan’s delightful uber-villain, Negan. Massacring two of the leading characters at the beginning of the season created a real sense of suspense throughout and, aside from a few filler episodes; I thought the writing and the introduction of other clans gave the show some dramatic impetus. I still think sixteen episodes are too many but the war against the Saviours was gripping and overall there was enough bloody zombie deaths to entertain this horror fan. (Mark: 8 out of 11)
I gave up on Walking Dead. I should have given up on SOA but stuck with it til the end.
Big Little Lies is on my watch list, and you’ve just convinced me to bump it up.
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Cheers for the read. Big Little Lies just oozes quality.
Yes, SOA became a revolving door of repetitious death and violence. By the end it was nihilistic and over-the-top, but I was still committed to the characters in a soap opera way. Season 7 of Walking Dead pulled its socks up but it is pretty slow at times.
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I braved through the spoilers and some I merely glanced at (just incase I visit it). I tried to watch The Bates Motels but I really disliked it after he first season..while Verma Farmiga is great to watch on screen as Norma, I found it a little too teenage angst for my liking with the drama heavily focused on his life. I do under hand it is primarily about his transition..how he adapts in social circumstances but I couldn’t find it as exciting as it had planned to be and I may be in the minority when I say I donttlike the walking dead..perhaps it has gotten better but I had stilped watching it after the Governer season was over. It was the only time I found it interesting story wise. I have watched a show called Gotham which is actually quite intriguing if it is of interest to you. Then there is the Evil Dead Series of you like legal the original movie. Notably one worth our watch I feel is a show called LilyHammer. It’s on Netflix I believe. It’s very much like Fargo in a sense and I think you would enjoy it. Speaking of I have finished the second season of Fargo..did not expect that ending very strange but I highly enjoyed the show. Onwards to season three. A lovely post Paul. The show must go on!
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Thanks for the read and kind comments. My spoilers are never too full on but I like to warn people just in case.
I agree that Walking Dead suffered a dip around Season 5/6 but S7 was mostly great. I saw first season Gotham but similarly to Walking Dead, I find any more than twelve season episodes get a bit bogged down in terms of pace as the story is stretched. Longer seasons work better with stand alone self-contained plots in my view.
Oh yes Fargo Season 2 had the weird “visitor” moment during the shootout finale. That was clearly a nod to the Coen Bros ‘Man Who Wasn’t There’ which had a similar UFO theme. I look forward to Season 3 too!
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