THE NETFLIX MEMORANDUM – INCLUDING REVIEWS OF: AFTERLIFE, THE DIRT, RUSSIAN DOLL, DAREDEVIL ETC.
For some insane reason I have given up alcohol for the year and the weight of reality and time burdens my everyday existence. First world problems abide. Anyway, while my liver breathes a huge sigh of relief, my mind still desires stimulus. Thus, I have, in my constant sobriety, had even more time to stream and watch even more films and television. These bitesize reviews look at the latest stuff I’ve seen on the behemoth streamer Netflix; with the usual marks out of eleven.
**MAY CONTAIN SPOILERS**
Ricky Gervais’ latest fictional piece is a really enjoyable tragi-comedy. His everyman, Tony, is suffering severe grief following the passing of his wife. Sadly he allows misanthropy and suicidal thoughts to overcome his daily existence in the fictional town of Tambury. The comedy is founded on dark materials but filled with deep humanity as we watch Tony wrestle with his demons.
I especially loved the eccentric characters and jokes concerning Tony’s job as a reporter with the local newspaper. The supporting cast are a joy too and include brilliant comedians like: David Earl, Kerry Godliman, Joe Wilkinson, Tom Basden and Diane Morgan. The ensemble cast and fine writing combine to create a simple, funny and emotional journey through one’s man’s fight with depression and grief. (Mark: 9 out of 11)
ABDUCTED IN PLAIN SIGHT (2019)
I keep telling myself not to watch such true crime documentaries as they make me feel really sad about the state of human behaviour. This story from the United States was in documentary film form so I got pulled back in by not having to sit through ten episodes of horror. Also, I’d heard it was a pretty incredible story too so my interest was piqued by that.
Safe to say this grim tale of grooming, paedophilia and abduction that one family suffered at the hands of a human monster in the 1970s, is something you wish you could un-see. As a documentary film it is very well made but it does make you lament the gullibility of some people and sickness of others. (Mark: 6 out of 11)
DAREDEVIL (2018) – SEASON 3
I’d say Matt Murdoch’s Daredevil is my favourite of the Marvel/Netflix streamed offerings. Charlie Cox is a fine actor and the drama, fighting and villainous rendition of Wilson Fisk by Vincent D’Onofrio, make it essential viewing. While it takes a huge gulp to believe that a blind guy could be that great at fighting criminals with sight, once you buy into that premise the show offers a lot of fun.
While not scaling the heights of Season 1, and lacking the brutal Punisher (John Bernthal) side-plot of Season 2, this latest Season 3 finds Murdoch up against Fisk again and a new psychopath in rogue FBI agent, Ben Poindexter. Like other Marvel adaptations on Netflix it’s still five episodes too long and bogged down with plodding angst and lengthy dialogue scenes, so doesn’t quite hit the bulls-eye throughout. Nonetheless, it’s still compelling drama and the hand-to-hand fight scenes are an absolute sensation. (Mark: 8 out of 11)
THE DIRT (2019)
Crazed rock stars take drugs, smash up hotel rooms, screw groupies and almost die due to their excess is the unsurprising narrative ups and downs of this Motley Crue biopic. It’s not a bad watch but is essentially like a poorer version of This is Spinal Tap, without the incredible gag-rate. The film fleshes out the caricature members of the band showing their human side; Douglas Booth and Iwan Rheon bringing depth to their paper-thin roles. Moreover, while the era and stadium shows are really well emulated the direction lacks alot of imagination.
I mean, there was an intense film about addiction and human excess in here, and while we do get some moving scenes, notably with singer Vince Neil’s life struggles and Nikki Sixx’s heroin dependancy; ultimately the film did not dig deep enough into their characters. Still, fans of the band and their energetic rock music will love it no doubt. (Mark: 6 out of 11)
JESSICA JONES (2018) – SEASON 2
Kristen Ritter is back as Marvel’s hard-drinking, misanthropic and super-powered private investigator; and she remains very pissed off. Season 1 of Jessica Jones was absolutely brilliant due to David Tennant’s incredible villain, Kilgrave, and Jones’ character arc reflecting the damaging nature of controlling relationships.
Season 2, alas, is a plodding let-down full of filler episodes and weak sub-plots which quite frankly bored me. While Ritter holds the season together, the investigation into her past gets dragged down by soap operatics and a severe lack of pace and action. Mark: 6 out of 11
Mads Mikkelsen is one of my favourite actors and he is on good form as a crack hit-man daubed ‘The Black Kaiser’. There’s a decent B-movie in here somewhere but the attention-deficient and showy direction detract from a potentially interesting story of regret and redemption. Moreover, while the action scenes are deftly realised the stupid characterisation, exploitative sex scenes and amoral violence drag the film into the unwatchable territory.
The least said about Matt Lucas’ performance as the amoral ‘Mr Big’ the better; here a usually excellent comic actor is given appalling direction that, like most of the film, lacks subtlety, tone and emotion. (Mark: 3 out of 11)
RUSSIAN DOLL (2019)
Another Groundhog Day copy gets a run out with Natasha Lyonne’s sassy computer programmer finding herself living out the same day over and over with various insane diversions along the way. It starts off really interestingly with lots of crazy deaths, character revelations and existential suffering. However, it soon runs out of steam, adding up to eight dramatically paper-thin episodes, more style than content.
Lyonne, is a fine actor who I like very much, delivers every line like New York comedian Andrew Dice Clay and this grated on me in the end as I felt I was watching a stand-up performance rather than a fully-rounded character searching for the meaning of life. (Mark: 6.5 out of 11)
THE SINNER (2018) – SEASON 2
After the surprisingly excellent Season 1 of The Sinner, I was really looking forward to the second season. The cop show format is twisted in a really interesting way as we see the accused commit the crime, yet find the cop, in this case the impressive Bill Pullman, empathising with the criminal. Pullman’s Harry Ambrose is a brilliant creation. He’s not flashy or loquacious but a determined and dogged cop with his own personal demons.
Drawn to the troubled or underdog Ambrose digs for justice and redemption. In this story he sees his own past in the crimes of a 13 year-old boy accused of murder and is determined to find answers. Here the boy in question is given a compelling performance by Elisha Henig; and his characters’ commune existence and family history had me gripped throughout. A supporting cast including Carrie Coon and Tracy Letts also add real quality to this stirring psychological drama with themes relating to: physical and psychological abuse; religious cults; family tragedy; mental illness; and the darkness of the human spirit. (Mark: 9 out of 11)