BANDERSNATCH (2019) – BLACK MIRROR REVIEW
Directed by: David Slade
Produced by: Russell McLean
Written by: Charlie Brooker
Cast: Fionn Whitehead, Will Poulter, Asim Chaudhry, Craig Parkinson, Alice Lowe etc.
Choices, choices, choices! We all have so many choices to make every day. Some simple; some much tougher. We didn’t have any choice over whether we were born, but now we are here there’s a myriad of daily selections we get to make. Do we get out of bed? Do we eat? Do we wash? Do we find the strength to get in our car or on the train and face the horrors of employment? Do we engage with violent abandon by calling the driver who cut us up at a roundabout, “a wanker!” Do we wear our clean underwear today or re-use yesterdays? Do we have a salad or burger for lunch? Do we start smoking again? Do we regret having children? Do we tell our partner we love them? Do we have the last beer in the fridge? Do we try and change our life? Do we just give up? Do we watch the new drama box-set or a Netflix special by Black Mirror creator Charlie Brooker. So many tough choices!
Thus, you’ve had a shitty day with so many choices made and you sit down in front of the television in the hope you can switch off your brain. But that darned Brooker won’t let you. The televisual provocateur and his production team are cruelly requesting, for your entertainment, that you make MORE choices. If you’re young enough to remember those: “Go to page 47 to see if your spell vanquished the demon – or go back to page 666 to find out if you are the conqueror of the Universe”, type books, then Bandersnatch is THAT in television form. You may also be used to multiple choice computer games the likes of which I played myself as a kid on the Spectrum 128k computer. This is also the inspiration for Brooker’s twisted vision. But is it any good? I would choose YES! Bandersnatch is dark, hallucinatory and involving “fun”.
The story/stories are set rather aptly in 1984. Our main protagonist is a grieving and troubled teenager, Stefan Butler (Fionn Whitehead). Stefan is obsessed by a “choose your adventure” book called Bandersnatch. Inspired to turn it into a computer game, he soon descends down a veritable black hole mentally, physically and emotionally. The fact that we are vicariously responsible for the characters’ journey create a real sense of dread, doubt and suspense. It’s very clever and immersive and no doubt the writing of it must have been a tortuous process.
While it may not be for some I was engrossed by the show as it felt at times I was living in a Philip K. Dick story. Dick’s novels are often hallucinatory and dream-like with simple yet devastating prose. They deal with reality, alternative reality and beyond reality. You’re often in a place with unreliable narrators or confused protagonists who are existing in some real world, imagined or manufactured nightmare. Paranoia, anxiety and depression infect Dick’s world and Brooker captures that vibe brilliantly in Bandersnatch. However, it’s not also without humour too, albeit incredibly dark sarcastic humour.
Brooker and his filmmaking team achieve a style over substance triumph with Bandersnatch. I have only gone through Stefan’s narrative once but it gripped me from start to finish as an experience. The drained, urban and suburban 1980s colour and council-estate-grey look suited the psychotic breakdown of the main character. Nonetheless, at times, the dizzying twist of choices did take away from the emotional journey of the character. At one point I was so in the meta-hole the whole trip made me feel quite queasy. Having said that, I will be going back into this meta-adventure again; after all, the choices like in life seem endless.