Tag Archives: Apocalypse

NETFLIX TV REVIEW: INTO THE NIGHT (2020)

NETFLIX TV REVIEW: INTO THE NIGHT (2020)

Directed by: Inti Calfat and Dirk Verheye

Written by Jason George – based on the novel The Old Axolotl by Jacek Dukaj

Cast: Pauline Ettienne, Laurent Capulletto, Stefano Cassetti, Nabil Mallat, Jan Bijvoet, Vincent Londez, Babetida Sadjo, Mehmet Kurtulus, Alba Gaia Bellugi, Regina Bikkinina, etc.

Distribution: Netflix


****MAY CONTAIN SPOILERS ****



Netflix’s first Belgian original production series is an inspired adaptation of Jakub Dukaj’s electronic science fiction work, The Old Axolotl. While that work may be a digital release about a post-apocalyptic Earth, Into The Night (2020), is not a futuristic tale, but rather a very contemporary one set in the now. Opening in the Brussels airport the suspense is ratcheted up from the start when a NATO Officer, Terenzio Gallo, takes a Moscow bound plane hostage at gunpoint. Frantic and dangerous he orders the pilot and crew to take off immediately as they are all in danger. I won’t reveal what that danger is for fear of spoilers. What I can say is though these six episodes are one hell of a thrilling and panic-stricken plane journey.

Jason George’s excellent adaptation is written as a fast-paced disaster movie over six sharp episodes. Given the characters convene at an airport and the Brussels office of the United Nations is close by, the narrative establishes an ensemble of various nationalities including: Polish, Italian, Belgian, French, Turkish, Russian, Moroccan and in later episodes, English. Indeed, as well as the environmental threat and technological challenges the characters face, national identities and cultural clashes drive the drama of the series. The various personalities may be facing impending doom from an unknown source, while flying thousands of feet in the air, yet they cannot put their petty prejudices aside and this leads to much trouble. Amidst the in-fighting though some solidarity is found as the passengers and crew overcome a plethora of suspenseful moments and situations.

I personally cannot stand flying. Thus, my heart was literally in my mouth throughout this exciting series. The acting, action, direction and editing are all extremely well delivered, and I can safely say that this is one of Netflix’s winners. The threat the humans face is also very believable too. Furthermore, a classic disaster movie trope is to give the characters enough depth to bring you into their personal stories. Each episode is named after a character and is accompanied by a mini-flashback establishing their back story. We get one character seeking romance, one facing grief, another having an affair, a mother attempting to save her sick son, and so on. While these are very much standard types within the genre, the breathless pace of Into The Night (2020) leaves you dizzy from both the high altitude and anxiety.

Mark: 8.5 out of 11


AMAZON PRIME REVIEWS FEATURING: THE BOYS (S1), THE EXPANSE (S1) and PREACHER (S1)

REVIEWS OF THE BOYS (2019), THE EXPANSE (2016) & PREACHER (2016)

So, we are now a few weeks into the lockdown scenario caused by the COVID-19 virus and I have been off work for around that amount of time too. Tragically people are dying, and we owe it to be responsible by continuing to follow the rules laid down that will prevent the spread of the infection. It’s tough for everyone including families, employees and businesses. The capitalist system has taken a massive hit, and some will not survive in terms of life and work. I am not a religious person, but I pray to everyone’s God, whoever that may be, society comes through this. We are digging tunnels, looking for light and an escape. It cannot come soon enough.

In terms of escape it has never been easier to find both the time and formats with which to fill the gap. Thankfully the internet is still up and running, thus I have been filling my time in — aside from some minor administrative work-from-home stuff — writing my film reviews, editing and posting short videos, exercising and watching quite a lot of television and film content. Anything to stop me from becoming a beer monster or functioning alcoholic – AGAIN! The latest focussed viewing has been of Amazon Prime, and the many boxsets they have. So, here are mini reviews of three shows I have seen recently. All with the usual marks out of eleven.

***MAY CONTAIN SPOILERS***



THE BOYS (2019) – SEASON 1 – PRIME VIDEO

Based on the comic book series created by Garth Ennis and Darick Robertson, this violent superhero comedy is the complete antithesis of the Marvel Universe. Taking savage satirical swipes at huge corporations and United States foreign policy, it features a group of vigilantes, led by Billy Butcher (Karl Urban) called ‘The Boys.’ For a variety of reasons, including good old-fashioned revenge, they have targeted the most powerful business in the world, Vought International. Vought control and monetize ‘The Seven’, a group of all-powerful superheroes who happen to mostly be narcissistic, unstable and psychotic arseholes.

The initial episodes started slowly for me and I found it difficult to warm to any of the characters. This could simply be superhero fatigue or certain weaknesses in the writing throughout. However, the spikes of tremendous action, vicious humour and spectacular violence kept me on board. Elisabeth Shue and Antony Starr impress as the nefarious villains, while Erin Moriarty shone as the one decent superhero, Starlight. The least said about the shockingly bad English accent Karl Urban delivers the better. I mean his acting is impressive, but mate – come on!!

Mark: 8.5 out of 11



THE EXPANSE (2015) – SEASON 1 – SYFY/AMAZON PRIME

Usually when I see something is on the Syfy channel I baulk slightly. I mean the shows are pretty decent as a rule, but some right old fantasy schlock can get dumped there. So, with a saturated streaming market offering a plethora of U.S. cable shows, sometimes the Syfy channel shows get short shrift. It’s a shame because The Expanse is a really good science-fiction programme which began airing on Syfy, but is now on Amazon Prime. The sci-fi show hangs tonally between Alien (1979), Blade Runner (1982) and the Philip K. Dick-style “Mars v Terra” stories I have read. Indeed, while it doesn’t contain actual aliens or Dick’s surreal explorations of the psyche, it is, in fact, a fantastically plotted and styled industrial, political and humanistic set of narratives.

Based on James S. A. Corey’s (a pseudonym I believe for two writers), The Expanse (Season 1), is set hundreds of years into the Earth’s future and space has been colonized. But it’s not a utopia. Mars, Earth and an outer-planetary system of space stations called ‘The Belt’ are all conflicted on the brink of civil or galactic war. The multiple narratives follow the likes of the always-excellent, Thomas Jane, as a grizzled cop investigating a missing person and a space freighter gang led by Stephen Strait. The latter’s crew go from episode to episode finding life-threatening situations throughout. It’s a space-rock solid production full of twists, action and conspiracies; retaining a cynical, noir and unglamorous edge which makes me want to watch further seasons.

Mark: 8.5 out of 11



PREACHER (2016) – SEASON 1 – AMC/AMAZON PRIME

Developed by Hollywood players Seth Rogen and Evan Goldberg, along with Breaking Bad writer, Sam Catlin, this darkly comedic post-modern vision of heaven and hell is based on a comic book by Garth Ennis (that man again) and Steve Dillon. Starring the very reliable Dominic Cooper as hard drinking and former career criminal-turned Preacher, Jesse Custer, we find him losing faith in a small Texan town and a dwindling set of hopeless parishioners. That is until one day he is struck by some twisted divine interpretation. Then, literally, all hell breaks loose as Custer battles his inner demons and the local slaughterhouse baron portrayed with callous joy by Jackie Earle Haley.

Like The Boys, I initially found Preacher a little bit slow in terms of setting up the story and characters. But I think that was deliberate as there are so many crazy concepts relating to religion and the afterlife in here, a balance had to be given to combining the fantastic and more realistic elements. I’m not sure they’re wholly successful, however, Cooper is great, and he is ably supported by the effervescent Ruth Negga as his tough-talking ex-girlfriend, Tulip. Moreover, English actor Joseph Gilgun steals the show as the Irish sidekick with a dark secret. While the narrative moves steadily, with arguably too many secondary characters, the bloody gore levels during the fight scenes are absolutely spectacular. If, like me, you enjoy irreverent bible-black comedy which offends most religions and contains lashings of ultra-violence, then Preacher is definitely one to pray to the lords of television for.

Mark: 8 out of 11 (but 10 out of 11 for the gore)

APOCALYPSE CINEMA – VISIONS OF POSSIBLE FUTURES (IRREVERENT AND PANIC-FREE POST)

APOCALYPSE CINEMA – VISIONS OF POSSIBLE FUTURES

“It’s the end of the World as we know it – and I feel fine!” Michael Stipe


With the world gripped by the COVID-19 virus threat one’s mind can run amok and look to possible futures. Thus, I thought it interesting to explore some visions of the Apocalypse as seen on the film. I mean you have to hand it to humanity; it’s able to distract itself from the possible end of the world by creating stories and entertainment ABOUT the end of the world!   Here’s TEN of the best I could think of.

***CONTAINS MASSIVE SPOILERS***


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NIGHT OF THE LIVING DEAD (1968) – UNKNOWN CAUSE

George Romero’s seminal classic zombie film gave birth (and death) to a whole subgenre of horror films. The low budget is no barrier to an ingenious concept involving the dead rising up and attempting to wipe out the rest of humanity. Both powerful as a horror narrative and social commentary, it remains one of the most influential films of all time.


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PLANET OF THE APES (1969) – NUCLEAR WAR

Poor old Charlton Heston never had much luck with the future as his characters often ended up in dystopian visions of hell. Such films included: Soylent Green (1973)Omega Man (1971) and the classic Planet of the Apeswhere simian humanoids are running the planet and enslaving the savage natives. One of the great sci-fi epics with probably the greatest film ending of all time, the film remains a timeless vision of the future.


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MAD MAX: ROAD WARRIOR (1981) – NUCLEAR WAR

In between the road-raging original and this brilliant sequel there was some kind of global nuclear meltdown hitherto bringing about a dusty wasteland where fuel is God and humans will kill to get their hands on it!  Out of the dust rises a reluctant hero, Max Rockatansky (Mel Gibson), who strives to survive while battling hordes of petrolheads, psychos and punks! Definitely one of the best sequels of all time, George Miller spectacularly remade it with the equally pulsating Fury Road (2015).



THE TERMINATOR (1984) – ARTIFICIAL INTELLIGENCE

Bloody Internet, sorry Skynet!  We create these wonderful computers to help us with everyday life including our Missile Defence Systems and they turn on us!  Only a Mother and her child – who hasn’t been born yet – can save us from a life of death and slavery at the hands of the machines. Cameron’s seminal sci-fi action film delivers an unforgettable feast of story, concepts and emotion, containing in Sarah Connor’s, one of the best character arcs of all time.


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THE MATRIX (1999) – ALIEN MACHINES / ARTIFICIAL INTELLIGENCE

Damned alien machines enslaving humanity and feasting on our fluids and organs for energy in some sick, twisted vision of a futuristic Harvest festival. Then again, compared to some of the shitty office jobs I’ve had I think I’d choose the “Matrix” over those; just don’t tell me I’m in the Matrix! Neo (Keanu Reeves) chose the other pill and it’s a good job he, Morpheus and Trinity did, because we get some kick-ass slow-motion action out of it.



WATERWORLD (1995) – GLOBAL WARMING

In this future we will basically live in the water and grow gills. Also, pure dirt and water will be our most priceless commodity. Well, that’s what will occur according to this apocalyptic-polar-ice-caps-melting-earth-swimming-pool-with-pirates movie. At the time it was one of the most expensive film flops in history, but IT actually wasn’t THAT bad. Kevin Costner plays a softer and more soaked version of Mad Max, while Dennis Hopper chews up the scenery as the over-the-top Napoleonic baddie at sea.

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TWELVE MONKEYS (1995) – DEADLY VIRUS

Seeing someone close to you die in front of your eyes as a child is not a future you really need is it?  But what if THAT person is. . . Following the opening of this brilliant film, the plot centres around future prisoners being sent back in time to find the cause of the deadly viral apocalypse. The awesome mind of Terry Gilliam filtering Chris Marker’s classic short La Jetée (1962), makes this an intelligent and exciting end-of-the-world blockbuster. Bruce Willis and Brad Pitt are on particularly good form too amidst Gilliam’s frightening visuals.


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28 DAYS LATER (2002) – RAGE VIRUS

Alex Garland and Danny Boyle’s blistering British horror classic springboards a Day of The Triffids style opening as Cillian Murphy wakes up in a seemingly empty London. Alas, he is not alone as he finds, along with a ragtag bunch of survivors, the world has been populated with raging and rapid zombies hellbent on feeding. Boyle directs with a low budget, yet prodigious inventive flair in a modern-day monstrous classic.


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THE WORLD’S END (2013) – ALIEN INVASION

The third in the Edgar Wright, Simon Pegg and Nick Frost ‘Cornetto Trilogy’ is often seen as the weakest of the three. That’s because the first two are so strong, The World’s End suffers slightly in their shadow. However, a stellar British cast all combine brilliantly as a group of friends reuniting to enact the same town pub crawl they had done year’s before. It’s just a shame a bunch of aliens have decided to take over the town at the same bloody time!


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THIS IS THE END (2013) – BIBLICAL APOCAPLYPSE

The end of days has never been so hilarious and dumb as in this Seth Rogen and Evan Goldberg directed apocalyptic comedy. The stellar who’s-who cast of rising Hollywood actors including: Jonah Hill, Rogen, James Franco, Craig Robinson, Jay Baruchel, Danny McBride plus many more cameos turns, all find themselves battling monsters, fiery sinkholes and each other, in an irreverent and gleeful disaster movie.


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THE GIRL WITH ALL THE GIFTS (2016) FILM REVIEW

APOCALYPSE TO ZOMBIES: THE GIRL WITH ALL THE GIFTS (2016) REVIEW

**CONTAINS SPOILERS**

Being an avid cinema-goer I love the experience and have few complaints as a pastime generally. Of course there are great, good, mediocre and bad movies but that’s the nature of any business. However, one of the things that often gets on my nerves is the lack of promotion for really good low-budget films produced in the U.K. Quite often such films on a lower budget fall foul of the power of the Multiplex domination by Hollywood where Disney, Marvel and Star Wars franchise films saturate the cinema screens. Don’t get me wrong I enjoy such cinematic entertainment, but every now and then, a real gem of a film falls between the cracks and does not get the attention it should. One such film is the British zombie-horror drama The Girl With All The Gifts (2016).

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Somewhere amidst the Hollywood marketing behemoth this film was released last year to very little fanfare and it deserved much more in my opinion. It has an excellent cast with Gemma Arterton, Paddy Considine and Glenn Close playing key characters. It also features an intriguing script – based on his novel – by M.R. Carey, succinct direction by Colm McCarthy; plus a standout performance from young actress Sennia Nanua. I must say that the score by Cristobal Tapia de Veer added to the overall dread, scares and brooding peril and I expect this composer to go to the top of his profession.

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Thematically, the film is very strong dealing initially with a skewed educational situation as Ms Justineau (Arterton) teaches her pupils; who are mysteriously chained to their desks. The reason for this is revealed slowly allowing the tension to rise gradually as Justineau’s special relationship with “gifted one” Melanie develops. Their bond builds throughout and one may argue Justineau’s feelings and decisions are misplaced as the adults versus children dynamic heightens. Indeed, the landscape is filled with monstrous orphans and suspense is generated because Melanie’s allegiance could switch any time between the adults and the other zombie children.

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Thus, compared to the very average rom-zom-com-mash-up Pride and Prejudice and Zombies (2016), which benefited from a £28 million budget, The Girl With All The Gifts (made for £4 million) contains a whole lot more suspense, imagination and atmosphere.  The story itself treads the familiar mud and blood road of a post-apocalyptic world where children are the only hope to combat a deadly virus that has wiped out humanity. It’s a standard scientists-and-soldiers-on-the-road-type-plot which wears a jacket of influences including: Lord of the Flies, 28 Days Later, and various George Romero films very well. Overall, this psychological horror contains a number of tense, heart-racing and gory scenes making it an under-rated classic which deserved more success at the cinema in my humble opinion.

APOCALYPSE WHEN? VISIONS OF FUTURE EARTH

APOCALYPSE WHEN? VISIONS OF FUTURE EARTH

“It’s the end of the World as we know it – and I feel fine!” Michael Stipe

Driven by a romantic fog and a momentary lack of aforethought I bought tickets for a Singlonga Sound of Music (1965) event for my girlfriend’s birthday recently. It’s her favourite musical and I thought: try it – you might enjoy it. Well, I liked the film: an opposites-attract-love-story tied up with a formidable musical presentation beautifully performed, choreographed, directed and lit.

But what I did not enjoy was the preposterous introduction/warm-up compered by a rubbish Drag Queen plus a plethora of drunken morons dressed up as: nuns, Maria, Austrians, brown-paper-and-strings, and a goat!  Actually, I must say, some of the costumes were impressive; but, call me a stick-in-the-mud, I don’t need to fancy-dress up to enjoy something because I have no desire to externalise my personality. I can actually use my brain and a thing called imagination. Still, each to their own I suppose.

Anyway, once the awful horror-show introduction was over the film itself – even the Singalonga aspect – was pretty bearable! The Sound of Music is a good film!  But my underlying memory of the night is of a drunken man dressed as a Nun shouting at the Prince Charles Cinema employee complaining that a member of staff had been rude to his party because they were texting during the film.  His exact words were:

“Your staff are out of order! I want a full apology or we’re going on Social Media to complain.  We’re going on Facebook! THIS WILL GO VIRAL! THEN YOU’LL BE SORRY!!”

And at that moment in time in the Prince Charles Cinema Foyer, as I sipped my Hobgoblin ale from a plastic cup, I recalled idiot global governments bombing hell out of Syria while viewing this over-lubricated Man-Nun yelling; and I just thought we’re doomed as a species aren’t we?! Perhaps not today or tomorrow but, irrespective of all the great things humans have achieved, Judgement Day is inevitable.

What kind of future do you want, Paul, I asked myself?  Why not have a look at some visions of the Apocalypse as seen on the film and television screens. I mean you have to hand it to humanity; it’s able to distract itself from the possible end of the world by creating stories and entertainment ABOUT the end of the world!   Here’s some of the best I could think of.

**THIS CONTAINS MASSIVE SPOILERS**

PLANET OF THE APES (1969)

Poor old Charlton Heston never had much luck with the future as his characters often ended up as dystopic visions of hell. Such films included: Soylent Green (1973), Omega Man (1971) and the classic Planet of the Apes where simian humanoids are running the place enslaving the savage natives.


MAD MAX: ROAD WARRIOR (1981)

In between the road-raging original and this brilliant sequel there was some kind of global nuclear meltdown hitherto bringing about a dusty wasteland where fuel is God and humans will kill to get their hands on it!  Mmmm. . . doesn’t sound like now at all does it?


THE TERMINATOR (1984)

Bloody Internet, sorry Skynet!  We create these wonderful computers to help us with everyday life including our Missile Defence Systems and they turn on us!  Only one man – who hasn’t been born yet – can save us from a life of death and slavery at the hands of the machines. What do you mean: it’s better than your current life?!


THE MATRIX (1999)

Damned Artificial Intelligence enslaving humanity and feasting on our fluids and organs for energy in some sick, twisted vision of a futuristic Harvest festival. Then again, compared to some of the shitty office jobs I’ve had I think I’d choose the Matrix over those; just don’t tell me I’m in the Matrix so I can use films and TV to distract me from my physical torment!


SOUTH PARK – GO GOD GO/GO GOD VII (2006)

Pissed off that he cannot get the latest Nintendo Wii, impatient Eric Cartman accidentally freezes himself and ends up in a no-religion 2546 future where talking Sea Otters and humans battle it out in a wickedly-funny-Richard-Dawkins-bashing-Buck-Rogers-parodying-classic-two-parter.


WATERWORLD (1995)

In this future we will basically live in the water, grow gills and dirt will be our most priceless commodity. Well, that’s what will occur according to this apocalyptic-polar-ice-caps-melting-earth-swimming-pool-with-pirates movie. At the time it was one of the most expensive film flops in history but actually wasn’t bad with Kevin Costner playing a soaked version of Mad Max.


TWELVE MONKEYS (1995)

Seeing someone close to you die in front of your eyes as a child is not a future you really need is it?  Following the opening of this brilliant film prisoners are sent back in time to find the cause of the deadly viral apocalypse. The awesome mind of Terry Gilliam filtering Chris Marker’s classic short La Jetée makes this an intelligent and exciting end-of-the-world blockbuster.


DR WHO – THE END OF THE WORLD (2005)

Of course, up and down and across the years the Doctor and his companion(s) have witnessed the end of Earth and time itself on many occasions. In this episode though Rose, in her first adventure with Christopher Eccelston’s Doctor, sees the apocalypse via a satellite station called Platform One. The Sun has expanded yet the destruction of Earth has never looked so stunning, sad or beautiful.


HAPPY CHRISTMAS!!