Tag Archives: anger

AMAZON FILM REVIEW – I CARE A LOT (2020)

AMAZON FILM REVIEW – I CARE A LOT (2020)

Directed by: J Blakeson

Produced by: Teddy Schwarzman, Ben Stillman, Michael Heimler, J Blakeson

Written by: J Blakeson

Cast: Rosamund Pike, Peter Dinklage, Eiza González, Chris Messina, Macon Blair, Alicia Witt, Damian Young, Isiah Whitlock Jr., Dianne Wiest, etc.

Music by: Marc Canham

**MAY CONTAIN SPOILERS**



Strange that this highly entertaining and acid-humoured thriller should be a Netflix release overseas, but in the U.K. released via Amazon Prime. Anyway, streaming platform aside was I Care A Lot (2020) any good? Firstly, let’s talk about genre. Do you enjoy watching films without any redeemable or essentially heroic characters? Do you enjoy spending time with criminals? Whether they are the charismatic kind like those in Goodfellas (1990) or Layercake (2004), or romantic kind in Drive (2011), or ultra-ambitious types such as Lou Bloom in neo-noir masterpiece, Nightcrawler (2014). If you do, then you will both love and hate Rosamund Pike’s confident sociopath, Marla Grayson!

J Blakeson’s razor-sharp and barb-cracking screenplay opens with Marla’s brutally honest statement of intent. She wants it all and doesn’t care who she crushes to get it. Unlike, Lou Bloom, who was on his knees broke when we meet him, Marla already has a successful, legal but morally repugnant business going on. Marla and her associate and partner, Fran (Eiza Gonzalez) run a successful ‘Guardian Angel’ corporation. Their modus operandi is to exploit the elderly and tie them up in legal knots to asset-strip their money, properties and belongings. Complicit Doctors and retirement home directors are also in on the con, while the most frightening thing is that the American justice system assists the process. If I had had a gun, I would have shot the television after forty minutes, such was my anger toward Marla and her sordid business practices. Then she inadvertently makes a fatal mistake in choosing her next mark, Dianne Wiest’s wealthy “cherry,” Jennifer Peterson. That is a rich retiree with NO relatives or children. Marla thinks it is Christmas come early – it has not!


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Without wishing to give away too much away, Peter Dinklage’s rich businessman, Roman, enters the narrative and Marla’s devious planning suddenly comes under threat. Here the film moves from spot-on satire into extremely generic territory losing the dynamism of the first half of the film. Indeed, the first hour of I Care A Lot (2020) was a fantastic critique of the care system in the USA, and no doubt across the world. In blood-boiling fashion the film tells us that getting old is extremely expensive. One can work all one’s life and then see your savings and properties ripped away by expensive health care, homes for the elderly, pharmaceutical companies jacking up their products, greedy carers and pernicious lawyers. Marla Grayson is a grinning symbol of this corrupt system and nothing will get in her way – not even Roman and his associates. This is perfectly encapsulated in a fine scene where Marla ruthlessly negotiates with Chris Messina’s slippery lawyer. But the suited shark is just the starter as Roman is now on the warpath.

Peter Dinklage again proves what a brilliant actor he is as Roman. He is extremely good at rage in many scenes. His and Marla’s ongoing battle comes to a head in the final act, and when he turns the tables on her I was so happy that she would get her comeuppance. I felt maybe the direction lost some focus in the second half of the film as J Blakeson arguably felt the audience should somehow side with Marla as she finds her life under threat. I can safely say that I wanted her to die in the most painful way possible. Because unlike the ‘Driver’ (Ryan Gosling) in Drive (2011), Marla Grayson is utterly beyond redemption. Not that she would care what anybody else thought! Overall, that’s why I found the film incredibly entertaining. It may have lost sharpness when it moved from socio-political tubthumping into more standard crime film territory, it continually made me feel proper emotion, anger mainly. Sure, it may be slightly overlong, but J Blakeson crams a lot of twists and shocks into into, I Care A Lot (2020).

Mark: 8.5 out of 11


TWO CHARACTERS ON THE EDGE OF A NERVOUS BREAKDOWN – FILM REVIEW DOUBLE BILL – HORSE GIRL (2020) + THUNDER ROAD (2018)

HORSE GIRL (2020) + THUNDER ROAD (2018) FILM REVIEWS

Having seen both these fascinating character studies, Horse Girl (2020) and Thunder Road (2018) recently, I was compelled to write a double bill review because similarly they feature: lower budgeted production values, a singularly powerful lead acting performance, characters who have recently lost their mothers, very uncomfortable emotionally charged scenes; as well as both exploring themes relating to mental illness. Thus, I thought it interesting to review the films with these elements in mind.

In regard to mental health, it is quite rightly being addressed more and more in society in a respectful manner. The barriers and prejudices of the past are being eroded and people are talking about it more openly. I have first-hand family experience of someone who has suffered with mental illness. Plus, I have experienced the loss of a close friend to suicide due to debilitating anxiety and have other friends on anti-depressants. I have tried to be of assistance to those people, but it is incredibly difficult to help anyone. Likewise, medical professionals seek various ways of attempting to assist, treat and counsel individuals with mental health problems.

Ultimately, it so tough to deal with such illnesses as they are powerful and invisible. I have utmost empathy for anyone suffering from anxiety, depression and serious mental health problems. It’s such a shame that I feel kind of helpless when it comes to helping people I am close to. It is not always enough to listen and understand, thus professional medical help should be sought and sometimes even that is not enough. It is not surprising therefore that cinema is also exploring such stories and themes.

With Joker (2019), mental illness was examined in a comic book genre setting in a powerful way for me. Some critics felt it trivialised mental illness. I felt that it was, while stylised and theatrical, actually accurate in the disturbing disintegration of Arthur Fleck’s downward mental spiral. Horse Girl (2020) and Thunder Road (2018) are two very different films in terms of genre, but with similar thematic trajectories as Joker (2019). Indeed, while they are independently produced and smaller in scale, they feature two frightening renditions of characters on the verge of a mental breakdown.

***THESE REVIEWS CONTAIN SPOILERS***



HORSE GIRL (2020)

Directed by: Jeff Baena

Written by: Jeff Baena and Alison Brie

Cast: Alison Brie, Molly Shannon, John Reynolds, John Ortiz etc.

Depicting mental illness accurately is a very tricky thing on film in my view. Obviously, we have over the years had all manner of psychotics and mad people chasing and killing others in horror films and thrillers. There have also been many films centred around characters in mental institutions. Some are respectful examinations, but many more could be seen as exploitation films. Horse Girl (2020) is not exploitational, but rather an oddity that falls somewhere between the gaps of arthouse drama and weird character study. Such films are difficult to assess as, however impressive the technical aspects of the production are, the strange events of the film could alienate an audience in terms of entertainment.

Despite Alison Brie’s exceptionally brave performance as Sarah, the narrative consistently disengages you emotionally, taking you to very dark and weird places. Sometimes you have to wonder whether the actor is holidaying in weirdness for the sake of it, or is genuinely drawn to characters who exist with mental issues. Given Brie is an intelligent and highly talented actor, plus she co-wrote the script, you cannot help but feel this is a very personal project. Her portrayal of a shy loner dealing with the suicide of her mother, sleepwalking, day delusions, fragmented time loss and nightmares makes Horse Girl (2020) a disorientating experience. However, in conveying the chaos and frightening nature of mental illness, the film is commendable but tough to recommend.

Mark: 7 out of 11



Thunder Road Jim Cummings

THUNDER ROAD (2018)

Written and directed by: Jim Cummings

Cast: Jim Cummings, Kendal Farr, Nican Robinson, Macon Blair etc.

Talking of films that are difficult to recommend, Jim Cummings self-produced, written, directed and acted film Thunder Road (2018) is another. Rather than giving us, like Horse Girl (2020), an unreliable narrator and escalating series of surreal events seemingly separated from reality, Cummings film deliver very real feelings of embarrassment and anxiety to the audience. Advertised on certain film sites as a comedy-drama, neither the comedy nor drama are conventionally enacted. The film is based around a series of hysterical monologues and stream of consciousness dialogues from Cummings grieving and soon-to-be-divorced troubled cop, Jim Arnaud.

Arnaud’s mental issue is not psychosis, but rather a circumstantial and emotional nervous breakdown precipitated by grief and a personality disorder. The opening scene at a funeral for Arnaud’s mother, is a case in point. Based on his original short film of the same name, Cummings produces a tour-de-force acting exercise in both awkward comedy and distanciation. Subsequently, the film’s narrative events find Arnaud attempting to be a good father, friend and police officer, however, he is constantly on the edge of an angry outburst or outpouring of emotional honesty. His character makes us empathise as he is in grief, but at the same time he’s very difficult to like due to his extreme reactions. Ultimately, as a low budget feature for Jim Cummings acting abilities, Thunder Road (2018) is a compelling character study. However, it’s tough to watch and the slightly misogynistic ending left a sour taste in what was a fascinating emotional exploration of grief and mental instability.

Mark: 7.5 out of 11