SHUDDER TV HORROR REVIEW: CREEPSHOW (2019)
Directors (various): Rob Schrab, Greg Nicotero, Tom Savini, Roxanne Benjamin, John Harrison, David Bruckner, etc.
Writers (various): Stephen King, Rob Schrab, Joe Hill, Paul Dini, Stephen Langford, David J. Schow, John Skipp, Dori Miller, John Esposito, Bruce Jones, Christopher Buehlman, Matt Venne, etc.
Cast (various): Adrienne Barbeau, Jesse C. Boyd, Giancarlo Esposito, Christopher Nathan, Tobin Bell, Cailie Fleming, Rachel Hendrix, David Shea, Guy Messenger, Diane D. Carter, David A. MacDonald, Jeffrey Combs, Nelson Bonilla, Callan Wilson, Kid Cudi, DJ Qualls, Antwan Mills, Jake Garber, Gino Crognale, David Arquette, Karen Strassman, Tommy Kane, Kermit Rolison, Bruce Davison, Hannah Barefoot, Tricia Helfer, Dylan Smitty, Afemo Omilami, Logan Allan, Addison Hershey, Will Kidrachuck, Big Boi, Nasim Bowlus, Carey Jones, Madison Bailey, Ian Gregg, Ravi Naidu, Connor Christie, Madison Thompson, Jason Jabbar Wardlaw Jr., Andrew Eakle, Julia Denton, Scott Johnson, Tom Olson, Erica Frene, Danielle Lyn, Michael Scialabba, Jordan Patrick, Dennis Bouldin, David Wise, etc.
Streaming platform: Shudder / Amazon Prime
***MAY CONTAIN SPOILERS***
The anthology or portmanteau film has thrown up some fine cinematic entertainment over the years. Generally, an anthology film can be described as a collection of works with a linked theme, genre, style and author etc. The horror genre is an ideal subject matter for anthology and the feature film, Creepshow (1982), found two giants of horror — Stephen King and George A. Romero — marrying their mischievous minds to monstrous impact.
Creepshow (1982) consisted of five short stories. Two of these stories were adapted from King’s literary narratives, while the rest were from originals he wrote for the film. The film is bookended by prologue and epilogue scenes involving a young boy who is scolded for reading horror comics. Conversely, Creepshow is a homage to the EC horror comics of the 1950s, such as Tales from the Crypt and The Vault of Horror. Romero even hired long-time effects specialist Tom Savini to replicate comic-like effects during the film. The movie was a minor hit and a sequel would follow. As would an actual comic book series based on the film.
Unsurprisingly, in this era of endless remakes and reboots and universes, Creepshow has received the TV adaptation treatment. Released as Shudder original production, the series consisted of six episodes and twelve terrifying tales. Experienced horror writers and directors were employed and there are also some very familiar faces in the cast too. Was it any good? Well, as someone who watches a lot of short horror films on YouTube, I have to say that there’s always hits and misses in the genre. However, the production values of Shudder’s Creepshow are of an excellent quality. Moreover, the stories keep to the traditions of the original films, which usually involved some kind of morality tale, revenger’s story or character-driven plot. They aren’t simply just exercises in style or terror over substance.
My favourites of the twelve were The House of the Head and Night of the Paw. In the former, a young girl discovers a terrifying toy head in her newly acquired dollhouse. This creepy concept really made me jump throughout and was devilishly clever too. In the Night of the Paw, we got another telling of the classic Monkey’s Paw story. Here a local mortician possesses a monkey’s paw that grants wishes which backfire horrifically. Of the other stories that I liked, Gray Matter was an atmospheric and nasty monster short. While Bad Wolf Down taps into the well-worn military versus werewolves’ theme, with stylish and bloody results.
Children and horror obviously feature a lot in Stephen King’s work. This is echoed in the stories called All Hallows Eve and The Companion. Both stories focussed on bullying and retribution in an imaginative fashion. Of the other stories, The Finger benefited from an unhinged performance by DJ Qualls. His character finds a finger which turns into something unspeakably evil. Meanwhile, Skincrawlers trod another often-used horror theme; that of the dangers of plastic surgery and (un)natural body enhancement. The remaining stories were also decent, although having said that the zombie tale, Times is Tough in Musky Holler, was arguably the weakest of the lot. Ultimately, Shudder’s Creepshow reboot was an entertaining horror anthology show, well written, directed and acted. My only reservation was it was all a bit slick and glossy. In fact, it could have done with a lower budget and the grittier touch of George Romero at times.