Tag Archives: Casino

NETFLIX REVIEW – OZARK (2020) – SEASON 3

NETFLIX REVIEW – OZARK (2020) – SEASON 3

Created by: Bill Dubuque & Mark Williams

Producers: Jason Bateman, Chris Mundy, Bill Dubuque, Mark Williams

Director(s): Jason Bateman, Alik Sakharov, Ben Semanoff, Amanda Marsalis, Cherien Dabis

Writers: Chris Mundy, Paul Kolsby, Ning Zhou, Martin Zimmerman, Miki Johnson, John Shiban, Laura Deeley

Cast: Jason Bateman, Laura Linney, Sofia Hublitz, Skylar Gaertner, Julia Garner, Lisa Emery, Janet McTeer, Charlie Tahan, Tom Pelphrey, Joseph Bedford Lloyd, Joseph Sikora, Felix Solis, Jessica Frances Dukes etc.

Original Network: Netflix

**CONTAINS SEASON 1 & 2 SPOILERS**



So, the third season of the Netflix crime drama, Ozark, confirms its status as one of my must-watch TV programmes. It joins the likes of Game of Thrones, Penny Dreadful, It’s Always Sunning in Philadelphia, Breaking Bad, Doctor Who, Curb Your Enthusiasm, Inside No. 9 and many more, which became essential viewing. If you haven’t seen the show, Jason Bateman plays an accountant who has to go on the run with his family to Ozark, Missouri, while working for a murderous Mexican drug cartel. Accompanying him are his wife, Wendy, portrayed by Laura Linney and their two teenage children, Jonah and Charlotte. The structure of the season one and two is to essentially place the American “nuclear family” at the heart of a noir thriller and watch them use their wits to survive. What is even more apparent though is that the ingenuity of the writing means we are rooting for the bad guys. Of course, there is always a bigger fish or predator, but slowly and surely the Byrdes are climbing a slippery ladder up the crime food chain.

Season 3 begins not long after season 2 ended. The explosive and brutal Mexican drug wars, involving the Navarro Cartel and bitter rivals, provides a violent back drop for the drama. It heightens the tension and danger for Marty and Wendy, who are now running a casino literally on the Ozark lakes. With the Cartel wars raging, the Byrdes also have major problems closer to home. They are attending marriage therapy, the FBI are about to audit their casino, Navarro himself is breathing down their necks about the flailing money-laundering operation, Janet McTeer’s devious lawyer, Helen Pierce, wants more control, and Frank Cosgrove Junior, from the Kansas City mob, is being a spoilt arsehole. His character and Julia Garner’s foul-mouthed Ruth Langmore face off many times during the season. In addition, Wendy’s erratic wanderer of a brother, Ben (Tom Pelphrey) is thrown into the heady mix, while always lurking is devilish Darlene Snell (Lisa Emery). The stakes are high, and the players are set for one almightily gripping game of life and death.



All the ingredients of what I loved in the first two seasons of Ozark are still present in the latest season. This is good old-fashioned crime and noir drama, with ultra-violence and shocking plot twists, presented via a stylish set of production values. The cinematography alone is just so stylish with natural lighting, shadows and silhouettes used to cloak the characters. Furthermore, many of the narrative twists and turns could be deemed as over-the-top, but the scriptwriting and lead performances are of such high quality you cannot fail to be drawn into this shady world of drug dealers, gangsters, assassins and liars. Indeed, pretty much every character is a liar and there are very few innocent or righteous characters in Ozark. Even the kids are in on the lies and have some of their own too.

Of the new characters introduced, FBI Agent Maya Miller (Jessica Frances Dukes) is a welcome addition to the machinations. Yet, her attempts to follow the rules leads her directly into dark water, as Marty attempts to manipulate her to his own ends. Not as innocent is Wendy’s brother, Ben. While he is lively and a bit of a maverick, he still has a good heart though. However, he has a secret which will come to the fore later in the season. This allows Wendy to face one of the most difficult life choices she ever has to make. In such scenes the acting from Tom Pelphrey and Laura Linney is incredibly powerful. Some may say that these episodes trivilize mental illness, but Ozark is not attempting to explore major issues. Instead, it uses them to serve the darker plot developments and continued tragedy within this savage world. Afterall, this is a show which literally had a character suffer a Caesarean section with a hunting knife.

Overall, season 3 of Ozark is a brutal and exciting wade through a swamp of vicious and calculating set of characters. There is also much dark humour, especially in the industrial language and biting delivery of the amazing Julia Garner. Even Jason Bateman as Marty Byrde, a cool and calm individual, continues to prove he will stop at nothing to keep him and his family alive. I think also that Marty enjoys the games and the gambles. He wants to win at all costs as demonstrated in flashbacks to his childhood experiences with a particular arcade game. Likewise, Wendy, whose character really came to the fore in season 2, is just as ruthless. To both of them death has become part of their everyday lives. As Bateman and Linney continue to give incredible performances, I’m hooked on where Ozark is leading us. Given season 4 promises old and new rivals to threaten the Byrde family, I bet it’s going to get darker and even more shocking.

Mark: 9.5 out of 11


OZARK (2018) – SEASON 2 – NETFLIX TV REVIEW

OZARK (2018) – SEASON 2 REVIEW

Created by: Bill Dubuque & Mark Williams

Producers: Jason Bateman, Chris Mundy, Bill Dubuque, Mark Williams

Director(s): Jason Bateman, Andrew Bernstein, Phil Abraham, Alik Sakharov, Ben Semanoff, Amanda Marsalis

Writers: Chris Mundy, David Manson, Alyson Feites, Ryan Farley, Paul Kolsby, Ning Zhou, Martin Zimmerman

Cast: Jason Bateman, Laura Linney, Sofia Hublitz, Skylar Gaertner, Julia Garner, Jordana Spiro, Lisa Emery, Jason Butler Harmer, Harris Yulin, Peter Mullan etc.

Original Network: Netflix

**MAY CONTAIN SPOILERS**

The Byrde family are back for a second season trying to keep their heads above bitter Ozark lake water once again. If you haven’t seen the show Jason Bateman plays an accountant who has to go on the run with his family to Ozark, Missouri while working for a murderous Mexican drug cartel. Accompanying him is his wife, Wendy, portrayed by Laura Linney and their two teenage children, Jonah and Charlotte.

Without wishing to give away too many spoilers I can reveal the first season found the Byrde’s lives under threat from the Mexican Cartel and the FBI, while at the same time they made new local enemies in the Langmores and the Snells. The structure of the season one and two is to essentially place the American “nuclear family” at the heart of a crime noir thriller and watch them use their intelligence and wits to save their skins. What is even more apparent though in Season 2 is that, like with Breaking Bad, the ingenuity of the writing means we are rooting for the bad guys. I mean, the Byrdes are money-laundering criminals, but somehow the performances and screenwriting makes us root for them, mostly.

Having created some geographical and financial stability in the Ozarks by funnelling drug monies through various local business ventures, Marty and Wendy spend all of this season planning to get a casino up and running on the lake. Of course, this is met with resistance from many parties, notably the local crime family, the Snells; the FBI led by twisted obsessive, Roy Petty; Ruth Langmore’s jailbird father, Cade; and most significantly the State Senate which must pass the bill for a new casino. The latter is where Wendy’s character proves her worth as she has experience manipulating the political process following years working as campaign manager in Washington.

In the past I have criticised some Netflix shows for having too many episodes and being full of filler. Well, it’s safe to say there is little in the way of filler in these ten episodes. The suspense, pace and narrative zip along, fully committed to the substantial plots and compelling subplots. Of course, it feels very familiar, yet the “innocent family under threat” trope so often used by Hitchcock and other thriller filmmakers is cork-screwed here. Both Marty and Wendy fight back against their nemeses with cunning and threat. Wendy’s character arc is particularly enthralling, because as Marty begins to waver and his Borg-like cloak of non-emotion slips, she revels in the power-games, even as the body count begins to mount up.

If you love crime thrillers as I do you will love Ozark. While the elements are quite generic the acting, writing and directing are right out of the top draw. I also love the cinematographic style too. Some may say they find it literally too dark. However, the lack of white balance adds to the murky nature of the events in play. The crisp darkness and shadow paradoxically illuminate the inner machinations of some very dark souls. I mean, while the Byrde family are criminals, they are actually sane when compared to the likes of psychotic Darlene Snell (Lisa Emery) and sewer rat, Cade Langmore (Trevor Long). Their characters are so unhinged I wouldn’t want to argue with them, even on the phone.

Ozark, also has at least three almost-perfect acting performances from Jason Bateman, Laura Linney and Julia Garner as the young Ruth Langmore. Garner for such a young actress steals every scene. I think she is destined for a great career. Garner gives her character a sparky, intelligent and tough-nut exterior, but vulnerable interior. Plus, a strong theme of the show is loyalty and survival of the family unit. As much as Ruth Langmore tries to stay loyal to her family, fate and her poor choices conspire against her. Oh, and I almost forgot the Season 2 acting cherry on the cake, with Janet McTeer’s crime lawyer kicking in our dramatic shins with wicked aplomb.

In short: Ozark is a treat for an audience hungry for plot driven crime dramas. It perpetually springs narrative traps as the themes throb darkly. The underlying theme seems to be you have to be bad to survive and anyone who isn’t ultimately pays the price. Because God and humanity have forsaken Ozark, Missouri, with only shadow in bloom. Blessed with incredible acting, fine writing and twists throughout, I for one cannot wait for Season 3 to be released next month on Netflix.

Mark: 9 out of 11

MY EIGHT FAVOURITEST FILMS OF 2014!

MY EIGHT FAVOURITEST CINEMA FILMS OF 2014!

In 2014 I set myself a project which was to write a review for every film I saw at the cinema and post on my blog.  I viewed TWENTY-EIGHT films at the cinema in 2014 and pretty much achieved my writing goal aside from one anomaly which is in hand.

Why EIGHT you may ask?  Well, I wanted to put a bit of pressure on myself to really nail these choices and TOP TEN’S are a bit obvious too.  Of course there are loads of films I DID NOT see plus many, many more films I did see on DVD, Netflix and Sky but you can only judge a films’ true qualities by watching it on the big screen.

So, these are my TOP EIGHT FAVOURITEST CINEMA FILMS OF 2014. They are maybe not necessarily the most-awards-friendly-critically- acclaimed films hence but they are the ones which completely blew me away when I saw them.  They are ALL films I saw at the cinema BUT for one which is a TV movie.  If you’ve seen it you’ll know why it’s on the list.

For the record the list will include:  the film title; link to original review; quote from post; and a clip.

**CONTAINS SPOILERS**

  1. UNDER THE SKIN (2013) – Director: JONATHAN GLAZER

UNIQUE filmmaking comes along every so often into the Multiplexes. This is cinematic Art of the highest quality, a sheer visual treat and an unnerving and very memorable experience…

..like all great art it stayed with me and I could not get it out of my mind. And I still can’t. It’s not a super-hero film. It’s not a date movie. It’s not a 3-D CGI sick-fest. It’s pure, pulsing, hypnotic cinema of the highest quality…”

2.  TRUE DETECTIVE (2014) – Creator: NIC PIZZOLATTO – Director: CARY FUKUNAGA

**Yes I know this wasn’t on the cinema but it should’ve been!**

“Writer Nic Pizzolatto delivers a corrupt vision of humanity,
Amidst the Cajun swamps we’re in David Fincher territory,
Standard cop stuff like the Chief screaming “you’re off the case!”,
Is deftly masked by Cary Fukunaga’s directorial style and pace,

McConaughey’s Rust Cohle is post-modern Sherlock,
He will never cease until the mystery is unlocked,
Allied with Harrelson’s Watson the two just won’t stop,
Title may say True Detective but it should be Existential Cop!”

3.  NIGHTCRAWLER (2014) – Director: DAN GILROY

“Bloom was a ghost; a shell of a man with little in the way of backstory and yet through his actions we absorb the horror of his character. I was drawn in so much by Gyllenthaal’s magnetic performance as well as a fine supporting cast… Through Bloom the parasitic press and public are shown to both be vampires draining the life out of humanity. WE ARE ALL MONSTERS AT HEART!”

4.   CAPTAIN AMERICA – THE WINTER SOLDIER (2014) – Directors: RUSSO BROTHERS

“Captain America: TWS delivers in a way The Avengers did. Although it’s a darker, grounded and more complex film as the screenplay transplants the story of conspiracy thriller Three Days of the Condor (1975) into the Marvel Universe… links well the past and present; soldiers attempting to come to terms with post-war issues; Roger’s regret over historical events and a touching Benjamin Buttonesque scene with a character from the first movie. Moreover, there’s also some neat socio-political commentary in their too with references to shadowy NSA operations and Government kill lists.  Of course none of this gets in the way of the rip-roaring action.”

5.   WOLF OF WALL STREET (2013) – Director: MARTIN SCORCESE

“Martin Scorcese is one of the greatest living filmmakers still working today and The Wolf of Wall Street feels like a greatest hits package combining all of the finer ingredients from his other films.  You’ve got the classic swooning camera moves;  the direct address to camera; cat-and-dog couples fighting as seen in Casino and Goodfellas; the boat-in-peril sequence as seen in Cape Fear; the multi-character voiceovers;  the dumb criminals putting themselves in the shit;   characters turning on each other and ratting each other out as seen most recently in The Departed; plus many more.” 

6.  GUARDIANS OF THE GALAXY (2014) – Director: JAMES GUNN

“I loved this film for so many reasons.  It’s a nostalgic rush and push of music, action, fantastical creatures, space operatics, zinging one-liners, knowing humour, spectacular effects and in Chris Pratt — a new cinema star (lord) for the millennium is born.  Let’s be honest there isn’t an original bone in its body but the fleshy pastiche and meaty cultural references Guardians of the Galaxy wears proudly on its sleeves take the audience on one hell of a journey”

7.   DAWN OF THE PLANET OF THE APES (2014) – Director: MATT REEVES

“… the original book and 1968 film and gave us some serious action and brain-food encompassing themes and historical events such as: Darwinism; dystopic future visions; civil and social unrest; slavery; man’s inhumanity to animals; medical experimentation; the Vietnam and Cold war; civilisation versus savagery; anthropology; Frankenstein myth; space and time travel; and many other socio-political and science fictional motifs.  Overall, the Apes series is a conceptual and cultural phenomenon and Dawn of the Planet is a wonderful addition to the series.”

8.   THE IMITATION GAME (2014) – Director: MORTEN TYLDUM

“There is so much heartache in the character of Turing.  The flashbacks to Turing’s school years when he was bullied and suffered personal loss garners further pathos. Moreover, the “peas and carrots” scene alludes to the possibility of Turing having Asperger’s or similar high-functioning autism.  And in Benedict Cumberbatch we have an actor who imbues Turing with a grandiose pain which I found genuinely moving. Here’s is an actor — who while cornering the market on misfit geniuses — once again shows terrific range and surely he will be nominated come Awards ceremony time.”