Tag Archives: Bradley Cooper

A STAR IS BORN (2018): OSCAR BINGO #1 & CINEMA REVIEW

A STAR IS BORN (2018): OSCAR BINGO AND FILM REVIEW

Directed by: Bradley Cooper

Produced by: Bill Gerber, Jon Peters, Bradley Cooper, Todd Phillips, Lynette Howell Taylor

Screenplay by: Eric Roth, Bradley Cooper, Will Fetters

Based on: A Star Is Born by William A. Wellman, Robert Carson, Dorothy Parker, Alan Campbell

Starring: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle, Sam Elliott

Cinematography: Matthew Libatique

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When a star is born others will die. Some will fade. Some will collapse. Some will burn bright like the sun before vanishing. That is the cycle of life and the narrative of this standard film classic. Yet, if you’re going to cover an old traditional then you’ve got to be confident you’re going to do it justice. It could be considered an easy track to lay down by replicating a story done three times before, however, if you get it wrong and play a bum note then you’ve ruined the song. Safe to say that writer, director and star Bradley Cooper has thrown his heart and soul into this story and with on-screen partner Lady Gaga, and an incredible production team, they’ve collectively knocked it out of the park. For this review I’d like to play a bit of Oscar bingo and consider the merits of the film along with the players award chances.

BEST FILM CHANCES: 8 out of 10

This is a film about dreams: living, broken and dying dreams. It’s a beautifully timeless tale of two people who fall in love but their trajectories veer in opposite directions. Bradley Cooper is Jackson Maine: a successful rock star still selling out stadiums and seemingly with everything positive on the outside. Inside though he’s crumbling; he suffers from tinnitus, alcoholism and the inner demons of a broken family past that drugs, booze, music and his long-suffering brother, portrayed by the excellent Sam Elliott, cannot block out. When a chance meeting with a bar singer occurs, sparks fly with Ally, as she suddenly brings a burst of light and hope into his life. While she is insecure off-stage she nails it on-stage; not surprising as she is portrayed by pop mega-star Lady Gaga. The two fall in love but the path of romance, while powerful on and off stage for a while, ultimately struggles with both his addiction and Ally’s subsequent pop success. Given the familiarity of the story the ‘Best Film’ chances could be slightly hampered in regard to originality. But overall it has the feel of both an epic and powerful love story combined with some tragically intimate moments that will make it one of the front runners when the nominations come out.

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BEST DIRECTOR CHANCES: 7 out of 10

While this is his is directorial debut, Bradley Cooper has infused the story with an energy, immediacy and intimacy akin to that of a veteran filmmaker. The on-stage scenes put you at the heart of the gigs, while his sterling performance and that of Lady Gaga’s absolutely soar. There is a core reliability of emotion in so many memorable scenes, from the humour of Ally’s father and his chauffeur circle of friends, to the happy times of Ally and Jackson in love, and the more tempestuous boozy periods. Cooper’s helming is consistent and it is clearly a labour of love as he successfully melds romance, tragedy and backstage musical in an impressively directed story.

BEST ACTRESS CHANCES: 9 out of 10

Lady Gaga is a ridiculous name but it’s hard to forget. While not a massive fan of her pop persona she has released a plethora of songs catchier that the bubonic plague. I had only seen her acting before in a couple of things, notably American Horror Story: Hotel, but due to the hysterical style of that gruesome anthology it’s difficult to tell if she had much range. However, as the working class Ally, she infuses the character with a bright-eyed innocence and fiery passion that wins you over immediately. Her and Cooper’s chemistry is tremendous and very believable and those eyes; they just made me melt at times. Oh, and of course THAT voice. What a voice and what amazing interpretations of so many great songs. Lady Gaga will go very close to the Best Actress Oscar in my mind.

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BEST ACTOR CHANCES: 7 out of 10

Cooper directs himself very well and his quietly impactful performance both on and off stage really got me in the heart. The pathos and emotion he conveys in charting the collapse of a man crumbling from the inside out is very powerful. Cooper reminded me of a younger Jeff Bridges and indeed, Sam Elliott with his performance encapsulating a talented and pained artist who is never happier than when on stage. Off stage the demons are still there haunting him emotionally and physically. Being harsh, one could say the familiarity of the character – a grizzled alcoholic musician battling addiction – could go against his Oscar chances, but Cooper’s performance remains one of nuance and empathy.

BEST SUPPORTING ACTOR: 8 out of 10

There are a couple of serious contenders here with Andrew Dice Clay giving a sly comedic turn as Ally’s protective father. Moreover, there’s the battle-born gravitas of Sam Elliott as Jackson’s long suffering road manager and brother. The scene where he puts his drunken brother to bed in order to stops him choking on his own vomit, protecting yet also reviled by this broken man, impacts greatly. Elliott just nails his role and the film could have benefitted even more from his presence throughout. Nonetheless, he steals those scenes he does inhabit and will certainly get nominated.

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BEST SONG CHANCES: 10 out of 10

Shallow will win the Best Oscar no doubt. When introduced acapella by Lady Gaga you only get a suggestion of its’ power. However, when she launches into it on stage it is an absolutely memorable and stand-out musical moment. The music throughout is linked powerfully to the emotion of the characters from Jason Isbell’s composition Maybe It’s Time to the final heartfelt song, I’ll Never Love Again, sang beautifully by Lady Gaga. Even the sly satirical digs at the soulless pop that Ally sings are done with skill. The juxtaposition of their plasticity versus the realness of the rock music delivered by Ally and Jackson creates another layer of musical depth in a consistently brilliant soundtrack.

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OVERALL

A Star Is Born (2018) is a great cinematic experience with every person involved in the production at the top of their game. The story is familiar but the performances, characterisation, direction and the songs all combine to create a very emotional and human journey. I’m not the greatest fan of musicals but this one had me hooked from start to finish and is a fine example of classic Hollywood genre storytelling at its best.

Mark: 9 out of 11

SCREENWASH – OCTOBER 2015 – FILM AND TV REVIEW ROUND-UP

SCREENWASH FILM & TV REVIEW– OCTOBER 2015

A bumper month of viewing this month incorporating some fine films I saw at the London Film Festival plus some bloody good televisual catch-ups as well. As usual my marks are – in tribute to Spinal Tap – out of eleven!

***MAY CONTAIN SPOILERS***

AMERICAN SNIPER (2014) – BLU RAY

Modern warfare biopic directed by Clint Eastwood about Chris Kyle; an American sniper who had the most recorded kills in U.S. military history. It was a box office smash and Bradley Cooper is excellent as are the kinetic direction of the war scenes.  Politically I felt uneasy rooting for a hired killer and I also felt more could have been done to show the downside of coming home from war. Ultimately though this is solid masculine filmmaking for all you John Wayne fans out there. (Mark: 7 out of 11)

BEASTS OF NO NATION (2015) – NETFLIX/CINEMA/LONDON FILM FESTIVAL

This is a stunning drama which leaves you battered and burnt emotionally.  It’s about a civil war in Africa and the child soldiers whom are ripped from their families and made to fight for despotic mad men. Don’t watch if you are easily upset because Cary Fukanaga’s film is a terrifying journey into the heart of darkness. A career-best performance from Idris Elba and phenomenal acting debut from Abraham Attah, as Agu, make this a stunning film. I saw it at the London Film Festival but it is freely available to watch on Netflix. (Mark: 9 out of 11)

DAYS OF WINE AND ROSES (1959) – BLU RAY

This heart-breaking film — with brilliant performances from Lee Remick and Jack Lemmon — shows the power alcohol has as it systematically shakes you like a rabid dog until one’s soul is hollowed out. The story shows a couple succumbing to the demon drink after which their relationship is torn apart. It’s also demonstrates the power of AA in aiding treatment for recovery. Incredible performances, script and score make it an American classic.  (Mark: 9 out of 11)

DHEEPAN (2015) – CINEMA (LFF)

Superb filmmaker Jacques Audiard strikes cinema gold again with this brilliant character study about immigrants in France, attempting to forge a life in the crime-ridden estates of Paris. What starts as a humane tale of survival crosses over into explosive thriller territory by the end. There is so much empathy to be felt for Dheepan and his fake “wife’s” struggle that while their journey is small-scale it feels epic from an emotional standpoint. (Mark: 9 out of 11)

DUMB AND DUMBER TO (2014) – NOW TV

Saw some negative reviews for this silly comedy sequel but I found it just as dumb, moronic and hilarious as the original. It’s a twenty-years-later-retread of the same jokes from the first as we find Jim Carrey and Jeff Daniels older but just as fun and funnerer.(Mark: 7 out of 11)

EVOLUTION (2015) – CINEMA (LFF)

Some wonderful and evocative imagery and cinematography relating to birth and death could not save this French- arthouse-film-poem from being a pretentious and repetitive bore. (Mark: 4 out of 11)

FARGO (2014) – NETFLIX

I just caught up with first season TV show of FARGO and really enjoyed it. If you’re a Coen Brothers’ fan you’ll love it because it’s like a “greatest hits” package full of their characters, plots, themes, dumb criminals, nice cops and references to their whole back catalogue.  I loved Billy Bob Thornton’s evil emulation of Anton Chigurh and good to see Martin Freeman play a “not-so” good guy. Even Glen Howerton pops up filtering Pitt’s dumb fitness trainer from Burn After Reading. I think Allison Tolman steals the show with a fine, nuanced performance though. It’s dark, bloody, suspenseful and kinda funny looking!  (Mark: 9 out of 11)

GET ON UP (2014) – NOW TV

The time-hopping structure didn’t necessarily help this biopic of James ‘Godfather of Soul’ Brown but the funky music, editing and performance of Chadwick Boseman as Brown are a joy. Growing up a pauper the resilient and determined Brown became a musical great and must be recognised as a genius. (Mark: 7 out of 11)

THE GUNMAN (2014) – BLU RAY

Sean Penn does a Liam Neeson and wraps his acting chops round some fisticuffs and firepower as he missions round the world dealing with post-traumatic migraines and capitalist pig war-mongerers. It’s a decent DVD rental watch and has some fun shootouts and action. (Mark: 6 out of 11)

HONEYMOON (2013) – NOW TV

This is an indifferent no-budget horror movie with decent cast, including Rose Leslie, about newlyweds having a nightmare honeymoon. Starts well and has some suspenseful moments but lacks a decent pay-off. (Mark: 5 out of 11)

HORRIBLE BOSSES 2 (2015) – NOW TV

Very entertaining comedy sequel in which the cast including: Jason Bateman, Charlie Day, Chris Pine, Christoph Waltz and Kevin Spacey have a lot of fun fighting each other in a worker versus bosses plot. The highlight once again is Jennifer Aniston’s filthy-sex-addicted dentist who steals the show with her depraved and hilarious ways. (Mark: 7 out of 11)

THE JUDGE (2014) – NOW TV

Kind of made-for-TV-pilot-script is elevated in quality by the castings of Robert Duvall, Vincent D’Onofrio and Robert Downey Jnr as a family torn apart by a murder trial.  Downey Jnr and Duvall are excellent as the warring Judge/Father and Lawyer/Son who must join forces and attempt to repair their differences while Duvall faces a murder charge. Slightly longer than needed this is  decent legal drama with fine performances.  (Mark: 7 out of 11)

MACBETH (2015) – CINEMA

The “Scottish Play” gets a gothic and atmospheric treatment from Justin Kurtzel with the majestic Michael Fassbender as the doomed laird. Macbeth and his Lady – ethereal Marion Cotillard – plot and cook up a whole heap of revenge, regret and retribution on the misty Highlands. It’s heavy on mood and pain and panoramic landscapes as the tears of war and greed for power resonate heavily within the wonderful Shakespearean story and dialogue. Powerful stuff. (Mark: 8 out of 11)

THE MARTIAN (2015) – CINEMA

Ridley Scott is back on form with this terrific science fiction epic starring Matt Damon as Robinson Crusoe on Mars. A fantastic ensemble cast including Jeff Daniels, Kristen Wiig, Sean Bean, Jessica Chastain, Benedict Wong and Kate Mara all combine to try and get Mark Watney back to Earth.  Reminiscent of Castaway (2000) we find time running out for the lone Botanist forced to grow food out of human manure. Damon is a charming lead and we root for his hero in a dramatic and humorous space opera. (Mark: 8 out of 11)

MISS MEADOWS (2014) – NOW TV

This is an odd but not-too-bad indie film starring Katie Holmes as a Miss-Prim-and-Proper-vigilante who murders scumbags with a butter-wouldn’t-melt attitude. More of a sketch or short film idea rather than a feature it’s still darkly diverting if you like your comedy deadly. (Mark: 6 out of 11)

OBSERVANCE (2015) – CINEMA (LFF)

Creepy voyeuristic and Kafkaesque horror-thriller doesn’t make much sense but has enough creepy moments to keep you interested. Probably would have made a better short film but kudos to the Aussie filmmakers for getting this no-budget movie together. (Mark: 6 out of 11)


RIPPER STREET – SEASONS 2 & 3 – AMAZON PRIME

Just caught up to date with Season 2 and 3’s BBC/Amazon Prime’s TV show RIPPER STREET. This is a great ‘historical’ period detective show. The usual genre stuff of solving crimes is accompanied by some lovely faux-Victorian dialogue, colourful costumes, great characters and evil plotting. Downtown Abbey can go f*ck itself. This is my kind of period drama; bloody and brilliant! (Mark: 8 out of 11)

SICURIO (2015) – CINEMA

After the brilliance of Denis Villeneuve’s directorial releases Prisoners (2013) and Enemy (2013) my expectations were really high for this DEA/Cartel crime-based thriller starring Emily Blunt and Josh Brolin.  While it’s high on suspense, great cast and atmosphere it fails to catch fire dramatically, leaving one thirsty for more heart-in-your-mouth moments such as the brilliant opening sequence.  (Mark: 7 out of 11)

SUFFRAGETTE – CINEMA (LFF GALA)

This is a cracking drama which has fine direction by Sarah Gavron with a simple, yet effective screenplay by Abi Morgan.  Carey Mulligan is the brave workhouse heroine who decides to make a stand against the inequality around her; for that she is arrested and beaten and castigated by the men and establishment. Her story is heart-breaking and touching and stands a fine testament to the brave women who fought for the right to vote. (Mark: 8 out of 11)

SURVEILLANCE (2013) – NOW TV

Jennifer “Daughter of David” Lynch delivers a nasty and weird little psycho-horror which stars Julia Ormond and Bill Pullman as FBI Agents tracking down nefarious killers on the road. Suspenseful and dark I thought it was pretty good with some decent kills and suspense. (Mark: 6.5 out of 11)

UNBROKEN (2014) – NOW TV

With Suffragette, Get on Up, American Sniper and The Walk it was a month for biopics and Unbroken follows this trend. It charts the brave exploits of Olympian and war-hero Louis Zamperini played with formidable zeal by Jack O’Connell. It’s an absorbing tale of survival that’s solidly directed by Angelina Jolie. It’s a simple old fashioned story told with broad strokes that, while short on characterisation, would make a good rental on a rainy Sunday afternoon.  (Mark: 7 out of 11)

THE WALK (2015) – CINEMA

If you’ve seen the Man on Wire documentary about the mad French bloke walking a tightrope between the Twin Towers in the 1970s then you pretty much know the story here. However, Joseph Gordon Levitt is charming as the Parisian lunatic and film genius Robert Zemeckis carves out a bravura range of set-pieces based around a final act heist. Overall this is an entertaining, if slight, biopic of a dare-devil mad-man which is not recommended for those with vertigo. (Mark: 7.5 out of 11)

SCREENWASH – SEPTEMBER 2015 – FILM AND TV REVIEW ROUND-UP

SCREENWASH – SEPTEMBER 2015 – FILM AND TV REVIEW ROUND-UP

Bit late with this one but I have been doing some work for charity; although I prefer not to talk about it. Anyway, I saw shedloads of big and small screen product in September! So, here’s a quick review of some of things I witnessed with marks out of 11.

**HELL YEAH – THERE’S SPOILERS!**

’71 (2014) – AMAZON PRIME

Chase-thriller ’71 centres itself on a British soldier portrayed by Jack O’Connell who on the run in enemy territory finds himself pursued by nefarious parties from both Irish and British sides. It’s a kinetic and suspenseful film, directed with verve and urgency and contains some heart-stopping moments, as well as a fine cast including Sean Harris and Richard Dormer.  (Mark: 7.5 out of 11)

BADLAND: A ROAD TO FURY (2014) – BLU-RAY

Called Young Ones in the States this is a real genre oddity as it combines Western and Science-Fiction tropes within a dystopic narrative set in a god-forsaken hellish dustbowl.  Michael Shannon is the father and farmer who tries his best to keep his family together in an unforgiving future. This is a very strange film which probably deserves another viewing to make real sense of what’s occurring; good cast though.  (6 out of 11)

BLEEDER (1999) – DVD

No one does brutal studies of lowlife like Nicolas Winding Refn. His early Danish films, Bleeder included, are grim character pieces that burst into nihilistic violence. This features four friends who watch films together but whose lives are coming apart at the seams. It’s bloody, depressing but somehow remains compelling and watchable; much like a car crash on the M4. (7 out of 11)

EVEREST (2015) – CINEMA

This is suspenseful mountain disaster film which shows both the folly and bravery of men and women at high altitude. Some of the moments will leave you biting your nails and gasping for breath as the mountaineering team scale the Himalayas. The most impressive aspect is the cast including: Jake Gyllenhaal, Jason Clarke, Michael Kelly, Emily Watson, Josh Brolin, John Hawkes and more.   (7 out of 11)

THE DROP (2014) – NOW TV

Tom Hardy offers another brilliant piece of character work as a Boston barman who works in a mob-owned pub. He finds himself threatened by local scumbag Matthias Schoenaerts over the disputed ownership of a dog. The puppy is very well cast but Hardy and James Gandolfini own the show with a sterling study of masculinity and controlled rage. (8 out of 11)

THE GAMBLER (2014) – BLU RAY

Great dialogue, direction and cast couldn’t stop me from hating the nihilistic lead character played by a miscast and too-nice Mark Wahlberg. He was such a miserable-death-wish cunt that I wanted the gangsters who were chasing him to kill him and save me from having to watch anymore of his irredeemable and depressing loser. (4 out of 11)

GOING CLEAR (2014) – NOW TV

This is an astounding documentary revealing the history, psychology and inner-workings of the Scientology “religion”. It’s an amazing expose with interviews from former members of the cult who having disconnected, found themselves stalked and discredited by the extremely paranoid Scientologists. It is compelling viewing for anyone interested in religion or alleged cults and the financial dealings of the group makes them akin to organised crime syndicate, such is their wealth and violent ways of dealing with “members”.   (9 out of 11)

GOMORRAH (2014) – NOW TV

Gomorrah is one of the best TV dramas I’ve seen all year. It is a brutal and violent Italian gangster drama set in Naples and like modern day Roman times but with more plots, blood and murder. It follows the Savastano family and the enemies they face both on the right and wrong side of the law. No one is safe as the series reaches a deathly climax. Gripping stuff and highly recommended!  (10 out of 11)

GRAVE ENCOUNTERS (2011) – AMAZON PRIME

If I had the choice of removing my genitals with a cheese grater or watching this film again I would choose the grater as this was just laughable. Neither scary or suspenseful it has loud shouting actors who should be shot with high-powered rifles rather than a camera. Basically only for people who like terrible found footage horror films or the mentally ill. (1 out of 11)

LEGEND (2015) – CINEMA

Tom Hardy is phenomenal as the Kray twins. Set in 60s London’s underworld this begins like a smack-bang gangster film before delving deeper into the psychology of mental illness of Ronnie Kray’s wife and his crazed brother, Ronnie. Tonally it gets caught between cartoon humour, glamourizing violence and serious crime drama but recommended for the lead performance. Indeed, Tom Hardy, as in Bronson (2008), humanizes monstrous criminals who probably don’t deserve it. (7.5 out of 11)

THE NECESSARY DEATH OF CHARLIE COUNTRYMEN – BLU RAY

A diabolically pretentious and awful Euro-drama which didn’t know if it was a comedy or gangster or rites of passage or study of grief type movie!  Ultimately it tried them all and failed in every aspect! Avoid!  (2 out of 11)

PADDINGTON (2014) – BLU RAY

I loved Paddington as a kid and the dulcet tones of Michael Hordern narrated the 2-D animated tales with warmth and charm.  The funky film version is an even bigger delight with Ben Whishaw, Sally Hawkins and Hugh Bonneville collaborating beautifully with Paul King’s terrific script and lovely direction. The animation is a joy and the gag-rate incredibly high in a wonderful feel-good family film. (8 out of 11)

RIFIFI (1955) – NETFLIX (RE-WATCH)

This is a classic French crime drama from which involves the robbery of a jewellery store by a gang of ex-cons.  It’s memorable for the long-near-silent robbery sequence in the middle act which is full of suspense and hold-your-breath moments.  I loved that they humanized the criminals and the characters at the start and the robbery scene is often imitated but never bettered. (8 out of 11)

RUBBER (2011) – AMAZON PRIME

Bizarre horror-comedy which cannot under any circumstances be recommended unless you like fourth-wall-breaking-art-films-about-murderous-tyres-who-explode-birds-and-humans-with-telekinetic-powers. Actually, it’s also a satire on the nature of Hollywood filmmaking and an audience starved of originality; I think!  (8 out of 11)

RUN ALL NIGHT (2015) – DVD

Liam Neeson is a drunken, washed-up mob enforcer who faces a race against time to save his estranged son (Joel Kinnaman) and his young family.  It’s pretty generic fayre in which a grizzled Neeson can do in his sleep but it has some crunching action, car-chases and shoot-outs which fizz along impressively at a breakneck pace.  (7 out of 11)

SALVATION (2014) – SKY MOVIES

Mads Mikkelsen could not save The Necessary Death of Charlie Countrymen but his quiet power is very much to the fore in this colourful revenge Western.  He portrays a Danish former soldier whose wife and son are butchered by Jeffery Dean Morgan’s dastardly men, precipitating a path of bloody retribution. (7 out of 11)

THE WOLFPACK (2014) – CINEMA

A very interesting documentary about a huge family of boys and one girl who were kept as virtual prisoners in their own New York high-rise apartment by an alcoholic, bullying and eccentric father. The boys retained their sanity just about as they sought movies as a means to connect with society. The parodies they act out such as Pulp Fiction and Dark Knight were hilarious. But there is much pathos as both the children and Mother are tragic figures too having been “lost” and imprisoned by, quite frankly, a pathetic excuse for a father. (7.5 out of 11)

WHITECHAPEL (2009 – 2012 – Seasons 1-3) – NETFLIX

Started watching this during the quiet times at work and got pretty gripped by the East End murder cases investigated by Rupert Penry-Jones, Phil Davis and Steve Pemberton. It’s a well-made addition to the over-loaded detective genre which by Season 3 had some excellent suspense and drama. I was especially drawn in by Davis and Penry-Jones water-oil relationship and the latter’s OCD. (7 out of 11)

WYRMWOOD: ROAD OF THE DEAD (2015) – AMAZON PRIME

This is a really fun zombie-road-movie-gore-fest which is clearly inspired by Mad Max, Evil Dead, Braindead and George Romero’s oeuvre. Some lovely blood-gushing gore and imaginative machinery on show makes this low budget horror-comedy well worth a rental. (7 out of 11)

MAGNIFICENT 007 – MY FAVOURITE BOND FILMS

MAGNIFICENT 007 – MY FAVOURITE BOND FILMS

SPECTRE (2015) is out in UK cinemas soon and I’m anything but original so I’ve listed my 7even favourite Bond films.  Selections are in alpha-male order!

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CASINO ROYALE (2006)

I can watch this film over and over again. Daniel Craig’s debut is a lean-mean fighting machine in a movie which begins with a quick stylish black and white opening and then moves onto his pursuit of cold-blooded banker Le Chiffre (Mads Mikkelsen). Mikkelsen steals the acting plaudits from Craig as the reptilian poker player while Eva Green is a great foil too. In fact, Vesper Lynd is my favourite female Bond lead. Her character is no pushover and more than matches Bond verbally during their first meeting. Later in the story she saves his life and breaks his heart adding an emotional depth to their relationship. The gambling, double-crosses, parkouring, humour, hand-to-hand combat and explosive action all combine to make this a 007 classic.

FROM RUSSIA WITH LOVE (1963)

Dr No (1962) established all the classic Bond tropes including: memorable opening guitar riff; iconic gun barrel scene; glamorous women and locations; spy plots; action and stunts; megalomaniac villains and henchmen and women. Indeed, From Russia With Love had TWO great baddies in Red Grant (Robert Shaw) and Rosa Klebb (Lotte Lenya).  Klebb was a nasty piece of work while peroxide-blonde Robert Shaw was a muscular adversary for Bond and their claustrophobic fight on the train was brutal and full of suspense. Sean Connery really nailed the role of Bond as he did in the debut film.  He sails through a complex plot dispatching enemy agents with unruffled hair, an insouciant glare and meaty hooks, as evil crime syndicate SPECTRE are foiled by Bond with formidable style and power.

GOLDENEYE (1995)

Pierce Brosnan is a very good Bond. He’s very much like IKEA; reliable, spacious, sort-of-attractive and open on Sundays. His debut effort is his best and has him going up against a dastardly double-agent and series of Russians hell-bent on starting World War III.  The spectacular bungee-stunt opening is awesome and Famke Janssen is brilliant as thigh-crushing nemesis Xenia Onatopp, while Alan Cumming provides some laughs as a cowardly computer nerd. Of course, however, it’s the action that rules including self-destructing trains, stealth helicopters and Bond smashing a tank through KGB military headquarters in St Petersburg.  What’s NOT to love about that?!

GOLDFINGER (1964)

Everything about Goldfinger is first rate. The cat-and-mouse plot twists between Bond and Goldfinger (Gert Frobe) who do battle over cards, golf and then during the devilish Fort Knox heist. It also features a cracking villain in Odd-Job who uses a murderous, metal hat to vanquish foes and a great Bond girl in the cheekily-named Pussy Galore (Honor Blackman). Last but not least we have one of the most iconic deaths of any character with Jill Masterson (Shirley Eaton) being suffocated by pure gold for her treachery.

Moreover, while there was an element of gadgetry in prior Bond movies such as flick-knife shoes, in Goldfinger the ingeniously designed Aston Martin was a school-boy’s wet dream. The car was pimped up with: ejector seat; bladed wheels; revolving number plates and missiles and became an iconic toy to own.  Such awesome technology and the deathly gas and the lasers which almost kill Bond would become the kind of staple devices used throughout the franchise. Indeed, ‘Q’ played by Dennis Llewellyn would feature in nearly all the Bond films right through to the Brosnan era. Finally, this definitely has the GREATEST Bond theme song EVER!  Probably!

LIVE AND LET DIE (1973)

It was a toss-up between this and The Spy Who Loved Me (1977) for my favourite Moore instalment.  While his final films were a stain on the franchise where he was out-acted by his wig Moore provided a twinkle and humour to the role as well as those saintly looks.  In Live and Let Die he comes up against the ridiculously named Mr Big and the film invokes the Blaxploitation archetypes and clichés of the day. Interestingly, Clint Eastwood was approached as a possible Bond before Moore got the role and Eastwood’s persona would certainly have matched the Harlem and New Orleans settings.  I found Jane Seymour very intriguing as the “white witch” Solitaire and the voodoo and tarot themes lent themselves well to the drama.  Live and Let Die has a cracking theme tune from Wings and is a fast-paced delight; with a move away from spy-games to more of a 70s-cop-show-crime-thriller-with-jokes-vibe.

THE LIVING DAYLIGHTS (1987)

Dalton was an under-rated Bond; a tough, serious man more akin to the Fleming vision. He only did two films but this is still one of my favourite stories as it feels like a proper thriller rather than a series of set-pieces and chases which, by-the-way, I don’t mind too. A globe-trotting Bond, as usual, smashes round the world to places such as Bratislava, Vienna and Afghanistan tracking blonde cellists, assassins, Soviet defectors, KGB villains and the general air of cold war espionage stuff make this a formidable story. It also has a great pop theme song from A-Ha and the poster is a genuine classic.  Many of the recent Bond posters have been subdued and monochromatic but this one just bursts with fireworks and colour; much like the movie itself.

ON HER MAJESTY’S SECRET SERVICE (1969)

George Lazenby was the David Moyes of the Bond series inasmuch as he had an impossible job following an icon. He’s as wooden as a park bench but his physicality proves formidable in the hand-to-hand combat scenes and O.H.M.S.S is a cracking film with some great drama and a tragic romance. The opening sequence is full of smashing action and ended with a knowing one liner: “This never happened to the other guy!” Telly Savalas is a decent enough Blofeld but Peter Hunt and his directorial units steal the show with some wonderful chases especially in the snowy landscapes of Switzerland. It memorably has TWO theme tunes plus THAT ending where Bond suffers heartache; an especially brave scene to include in a populist franchise.

GREAT ENSEMBLE FILM CASTS #1

GREAT ENSEMBLE FILM CASTS #1

Movie stars are usually the Kings and Queens of a film! They propel the narrative and guarantee bums on seats when a film opens. They also create expectation and word of mouth buzz thus studios have invested heavily over the decades in icons such as:  Al Pacino, Harrison Ford, Clint Eastwood, George Clooney, Julia Roberts, Tom Cruise, Arnold Schwarzenegger, Marilyn Monroe, Meryl Streep, Sylvester Stallone, James Cagney, Mel Gibson to name but a few.

I love movie star driven cinema, however, I’m also a big fan of the ensemble casts seen in genre films such as: comic book epics, crime thrillers, war films and Westerns.  What an ensemble cast offers is a diverse set of characters and actors bouncing off one another to powerful effect. Most recently the mountain disaster film Everest (2015) had fine actors including: Jake Gyllenhaal, Jason Clarke, Michael Kelly, Emily Watson, Josh Brolin, John Hawkes and more.   Thus, just for the hell of it I’ve picked out some of my favourite films which contained not just one big star but lots of fine actors who all combined to make a fantastic movie experience.

12 ANGRY MEN (1957)

Bona fide classic movie adapted from the TV play by Reginald Rose and directed by the legendary filmmaker Sidney Lumet.  The claustrophobic nature of a jury arguing over a murder case is brought to the boil by a superlative Henry Fonda and sterling character actors such as: Jack Klugman, Lee J. Cobb, Martin Balsam and Robert Webber.  It’s a real festival of acting full of sweat, anger, conscience, guilt and doubt.

AVENGERS ASSEMBLE (2012)

Joss Whedon’s Marvel behemoth broke all kinds of box office records across the world! It’s a humdinger of a movie with a cracking cast that included: Robert Downey Jnr, Scarlett Johansson, Mark Ruffalo, Jeremy Renner, Samuel L. Jackson, Chris Evans, Chris Hemsworth, Tom Hiddleston and many more!  In fact, I’m surprised the set didn’t collapse under the weight of all the egos in front of camera.

GRAND BUDAPEST HOTEL (2014)

It’s cameo cast central in Wes Anderson’s fast-paced eccentric comedy with Ralph Fiennes leading the line-up with a terrific central performance. Also, tagging along for the quirky and colourful ride are such acting luminaries as: F. Murray Abraham, Willem Defoe, Tilda Swinton, Jeff Goldblum, Bill Murray, Jude Law, Edward Norton, Mathieu Amalric, Adrien Brody, Saoirse Ronan, Jason Schwartzman, Tom Wilkinson and Owen Wilson. Blink and you’ll probably miss some of them!

INCEPTION (2010)

Christopher Nolan’s mind-bending heist thriller features a dream cast. Or does it!  Yes – it does!  It’s a Hollywood pot-pourri of movie stars such as Leonard DiCaprio, Oscar winner Marion Cotillard, star-in-the-making Tom Hardy, veteran character actors like Tom Berenger and Michael Caine and feisty starlet Ellen Page.

LA CONFIDENTIAL (1997)

While the careers of Russell Crowe, Guy Pearce and Kevin Spacey have gone up and down in various measures recently this brilliant crime film found them on the rise up the Hollywood ladder. Here they play a trio of very different detectives investigating movie lookalikes, murder and police corruption in Los Angeles. Throw in the likes of Kim Basinger, James Cromwell and Danny Devito and you have a cast to literally die for.

THE MAGNIFICENT SEVEN (1960)

The cast of this classic Seven Samurai remake is remarkable as in, aside from Yul Brynner, they were all pretty much unknown at time of filming. So, kudos to the casting team who recruited such a charismatic troupe including: Steve McQueen, Charles Bronson and James Coburn; who would all become stars in their own right.

MAGNOLIA (1999)

Take your pick from Paul Thomas Anderson’s films which ALWAYS have excellent casts. I am in no doubt actors are drawn to the narcissistic and existential angst which inhabits the characters’. Boogie Nights (1997) is one of my favourite films but Magnolia with – Tom Cruise, Philip Baker Hall, Philip Seymour Hoffman, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards – just wins out for best cast for me.

MEANTIME (1984)

Not a large ensemble cast but a brilliant one nonetheless.  In Mike Leigh’s quintessentially British council estate film we get three young British stars in Gary Oldman, Tim Roth and Phil Daniels plus Alfred Molina and Pam Ferris too.  Each character drowns in depression, awash in concrete, unemployment and the stench of piss-stinking lifts and cigarette-stained wallpaper. This is a sad, funny, low-budget 1980s kitchen-sink classic.

THE OUTSIDERS (1983)

Similar to The Magnificent Seven this is a “before they were famous deal” with an incredible cast who would come to known in the 1980s as The Brat Pack. C. Thomas Howell, Rob Lowe, Emilio Estevez, Matt Dillon, Tom Cruise, Patrick Swayze, Ralph Macchio, and Diane Lane all starred in this tragic rites of passage story about teenage gangs and friendship. All the actors when on to have decent careers; but what ever happened to that Tom Cruise guy though?!?

PULP FICTION (1994)

Tarantino, of course, is not only about the cracking dialogue and violence and homages to other movie styles and genre but he also knows how to cast a movie.  He rarely has a big film star at the helm of his films but rather relies on a mixture of known stars in supporting roles, character actors, plus fading or B-movie journeymen. Often, actors are cast on ability and suitability rather than saleability such as Pam Grier and Christophe Waltz. His keen casting eye gave us a wonderful Samuel L. Jackson – up until then limited to mainly supporting roles – and also relaunched John Travolta’s flagging career in the imperious ensemble crime film Pulp Fiction.

SHORT CUTS (1993)

Robert Altman is the “King” of the ensemble drama as demonstrated with Nashville (1975), Mash (1970 and The Player (1993). His films often poked into the American underbelly psychoanalysing the mores of the various classes.  His work would have a massive influence on Paul Thomas Anderson and actors clearly considered it a badge of honour to act for him. Short Cuts was adapted from  Raymond Carver’s work and the cast included: Julianne Moore, Fred Ward, Anne Archer, Jennifer Jason Leigh, Robert Downey, Jr., Madeleine Stowe, Chris Penn, Jack Lemmon, Frances McDormand, Andie MacDowell, Lily Tomlin and many more.

TINKER, TAILOR, SOLDIER, SPY (2011)

This spy thriller contains a “Who’s-Who” of British acting talent. We have Commissioner Gordon, Bane, Sherlock Holmes, King George VI, Doctor Who, Truman Capote and even Trigger from Only Fools and Horses acting in between the shadows of murky British Intelligence espionage.  It’s a tricky watch as the director goes for atmosphere over exposition but the sheer style and quality of the performances ensure espionage has never been so intriguing.

SCREENWASH REVIEWS– AUGUST 2015 (PART TWO)

SCREENWASH REVIEWS – AUGUST 2015 (PART TWO)

On top of the Netflix and documentary purge I watched quite a few films this month. Thus, here for your consideration, are some little reviews with marks out of eleven!

***MAJOR SPOILERS**

A MOST WANTED MAN (2014) – NETFLIX

One of Philip Seymour Hoffman’s final films and a pretty decent espionage thriller set in Germany. Despite an excellent cast and decent atmosphere I didn’t care much for the characters and it fizzled out for me by the end. (Mark: 6 out of 11)

COBAIN: MONTAGE OF HECK (2014) – BLU RAY

This is a very moving, filmic scrapbook documentary about an absolute musical legend who alas suffered both from mental and physical pain hence why he took his own life. Not sure if it was deliberate but toward the end his Mother and Wife were lit in a very similar way and resembled each other. While it was kind of objective allowing the sounds, videos, photos, recordings, interviews, cuttings and text to tell the story there a subconscious attempt by the director to link these two individuals. I loved the animated stuff which visualized the monologues Cobain recorded during his short life. I highly recommended this to fans of the troubled rock-poet and of course his amazing music. (Mark: 8.5 out of 11)

CREEP (2014) – NETFLIX

Not the British horror film directed by Christopher Smith ten or so years ago but a found footage film about a videographer who answers an advert to film a diary of weirdo played by the disarmingly dangerous Mark Duplass. I hated this at the start but it grew on me and the subtle horror was very well done and the ending is great. (Mark: 6.5 out of 11)

ENEMY (2014) – SKY

Doppelganger thriller Enemy is an enigmatic and weird treat full of fantastical images and brooding fear; featuring the ever brilliant Jake Gyllenhaal playing dual roles. His struggling actor and anxious teacher meet by chance and what follows is a mysterious game of cat and mouse. Both startling and unsettling from formidable genre director Denis Villeneuve. (Mark: 8.5 out of 11)

HECTOR AND THE SEARCH FOR HAPPINESS (2014) – NETFLIX

This is one of the worst-middle-class-first-world-problems-monstrosities-of-a-film I have ever seen.  I like Simon Pegg but I switched this film off forty-five minutes in. Hector isn’t happy?  No one’s happy, Hector!  Happiness is an illusion, Hector! Do you have your health, Hector? Your girlfriend is Rosamund Pike, Hector?  You have a home and food on the table, Hector? Count your blessings, Hector and piss off!! (Mark: 0 out of 11)

HYENA (2014) – NETFLIX

This is a sturdy and compelling British crime drama with a fantastic lead performance from Peter Ferdinando as a bent copper trying, yet failing, to stay ahead of the dangerous games he’s playing. It’s a brutal and nasty film; very reminiscent in style of Nicolas Winding Refn or Alan Clarke and is mostly gripping but slightly overlong. If you like your drama meaty, earthy and realistic then this is a movie for you. (Mark: 7 out of 11)

COCO CHANEL & IGOR STRAVINSKY (2009)

This was a sumptuous and stylish film with one of my favourite actors Mads Mikkelsen portraying composer Igor Stravinsky.  I have to admit that I found it pretty boring though in terms of the drama and while it looked great I just did not care about the lives of rich and spoilt artists in 1920s France. (Mark: 5.5 out of 11)

THE MAN FROM UNCLE (2015) – CINEMA

Amidst the spy genre pastiche, muscular bromance and triple crosses there’s some cinematic gold enjoyment to be had in watching The Man From Uncle. Guy Ritchie is a very reliable genre director and during some of the set-pieces I actually sensed there’s a proper auteur trying to get out.  While I liked Skyfall (2012) and look forward to Spectre (2015) this was reminiscent of the old Bond films from the 1960s as it makes espionage sexy again. Overall, this is an ultra-stylish spy eye candy with a cracking soundtrack. (Mark: 8 out of 11)

MAN WITH A MOVIE CAMERA (1920) – BFI CINEMA

Classic formalist documentary from Dziga Vertov is both an extravagant experiment in montage-making plus an intriguing look back at Soviet life post-Revolution. Dismissed as folly at the time of release it is now considered a masterwork, not only as a documentary, but as a film itself. It is humbling and intriguing viewing and makes you realise that the Soviet life is no different to ours as we witness births, marriages, deaths, work, rest and play. It’s a genuine historical and filmic masterpiece. (Mark: 10 out of 11)

MAZE RUNNER (2014) – SKY

This is a surprisingly entertaining addition to the recent raft of teenage-action-hero-in-dystopic-future-world-peril-films.  I enjoyed the existential mystery set up in the premise as our hero Thomas (Dylan O’Brien) is thrown into a Lord of The Flies land inhabited only by young men, trapped by a massive maze.  Plot-wise and action it’s very strong, however, the theme of humanity-accepting-one’s-fate-versus-escaping-while-testing-authority gave the story a richness making it very watchable indeed. (Mark: 7.5 out of 11)

MISSION IMPOSSIBLE: ROGUE NATION (2015) – CINEMA

M: I5 was a blast! Tom Cruise and the IMF team up to their usual breathtaking pyrotechnics! Good to see Sean Harris get a prominent role as he’s a formidable character actor. Phillip Seymour Hoffman – from M:I3 – is easily the best baddie though.  I just wish the trailers wouldn’t show virtually ALL the stunts especially HOW Tom did the “hang to the plane” thing. I don’t watch these films for the story – it’s the action. Please leave some for the film next time trailer people!  Rebecca Ferguson kicks serious ass and the scene at the Opera is pure Bond and pure cinema of the highest quality.
(Mark: 8 out of 11)

NO ONE LIVES (2014) – SKY

A stylish, yet empty exploitation serial-killer flick which would go straight to video if Blockbusters had any stores left.  Luke Evans is a handsome actor looking for a decent role since finishing Fast and Furious 6 and The Hobbit trilogy but this isn’t it. The film itself is saved by some extravagant violence and bloodletting but as a story it’s hollow like (Mark: 3 out of 11)

SOUTHPAW (2015) – CINEMA

If you like films about boxing then you’ll love Southpaw: a brutal and quality action-melodrama with another fine performance by Jake Gyllenhaal.  The story is very simplistic and structured around a riches-to-rags-to-redemption narrative but I found the soap operatics and bombastic direction a real adrenaline-pumped belt to the senses. Gyllenhaal is ripped, torn and lean like a prime piece of beef as life deals him body blow after blow. Can his on-the-ropes boxer bounce and make a come-back? While somewhat predictable I found Antoine Fuqua’s punchy movie a real knockout! (Mark: 8 out of 11)

STRAIGHT OUTTA COMPTON (2015) – CINEMA

This is a tremendous biopic of seminal hip-hop legends NWA, who came to the fore of world music in the late 1980s. Performances and direction are excellent as Ice Cube, Dr Dre, Eazy-E, DJ Yella and MC Wren – AKA NWA – exploded onto the scene like a bomb and delivered anger, power and beats that propelled them straight out of Compton and into the charts!  They are a perfect example of sociological, political and cultural forces converging to create a superlative brand and the film perfectly captures the age, the music, the look and the camaraderie of being the group. The film illuminates the spirit of the hip-hop scene and the problems the group had with the law while dramatically portraying the bitter in-fighting over royalties which split the band apart. Goes without saying the soundtrack is brilliant too! (Mark: 8.5 out of 11)

THEY CAME TOGETHER (2014) – NETFLIX

This starred two of my favourite comedic actors in Paul Rudd and Amy Poehler and is a broad parody of romantic comedies with a very high joke-rate. He stars as a corporate confectionary executive and tries to take over her small independent sweet-hearted business and at first they hate each other but then… Yes, they have sex! Pitched somewhere between Naked Gun and Anchorman this is very, very silly but also an absolutely hilarious comedy. Short, sweet, ridiculous and as infectious as diabetes.  Is diabetes infectious – oh, who cares! Just watch the movie! (Mark: 8.5 out of 11)

MY EIGHT FAVOURITEST FILMS OF 2014!

MY EIGHT FAVOURITEST CINEMA FILMS OF 2014!

In 2014 I set myself a project which was to write a review for every film I saw at the cinema and post on my blog.  I viewed TWENTY-EIGHT films at the cinema in 2014 and pretty much achieved my writing goal aside from one anomaly which is in hand.

Why EIGHT you may ask?  Well, I wanted to put a bit of pressure on myself to really nail these choices and TOP TEN’S are a bit obvious too.  Of course there are loads of films I DID NOT see plus many, many more films I did see on DVD, Netflix and Sky but you can only judge a films’ true qualities by watching it on the big screen.

So, these are my TOP EIGHT FAVOURITEST CINEMA FILMS OF 2014. They are maybe not necessarily the most-awards-friendly-critically- acclaimed films hence but they are the ones which completely blew me away when I saw them.  They are ALL films I saw at the cinema BUT for one which is a TV movie.  If you’ve seen it you’ll know why it’s on the list.

For the record the list will include:  the film title; link to original review; quote from post; and a clip.

**CONTAINS SPOILERS**

  1. UNDER THE SKIN (2013) – Director: JONATHAN GLAZER

UNIQUE filmmaking comes along every so often into the Multiplexes. This is cinematic Art of the highest quality, a sheer visual treat and an unnerving and very memorable experience…

..like all great art it stayed with me and I could not get it out of my mind. And I still can’t. It’s not a super-hero film. It’s not a date movie. It’s not a 3-D CGI sick-fest. It’s pure, pulsing, hypnotic cinema of the highest quality…”

2.  TRUE DETECTIVE (2014) – Creator: NIC PIZZOLATTO – Director: CARY FUKUNAGA

**Yes I know this wasn’t on the cinema but it should’ve been!**

“Writer Nic Pizzolatto delivers a corrupt vision of humanity,
Amidst the Cajun swamps we’re in David Fincher territory,
Standard cop stuff like the Chief screaming “you’re off the case!”,
Is deftly masked by Cary Fukunaga’s directorial style and pace,

McConaughey’s Rust Cohle is post-modern Sherlock,
He will never cease until the mystery is unlocked,
Allied with Harrelson’s Watson the two just won’t stop,
Title may say True Detective but it should be Existential Cop!”

3.  NIGHTCRAWLER (2014) – Director: DAN GILROY

“Bloom was a ghost; a shell of a man with little in the way of backstory and yet through his actions we absorb the horror of his character. I was drawn in so much by Gyllenthaal’s magnetic performance as well as a fine supporting cast… Through Bloom the parasitic press and public are shown to both be vampires draining the life out of humanity. WE ARE ALL MONSTERS AT HEART!”

4.   CAPTAIN AMERICA – THE WINTER SOLDIER (2014) – Directors: RUSSO BROTHERS

“Captain America: TWS delivers in a way The Avengers did. Although it’s a darker, grounded and more complex film as the screenplay transplants the story of conspiracy thriller Three Days of the Condor (1975) into the Marvel Universe… links well the past and present; soldiers attempting to come to terms with post-war issues; Roger’s regret over historical events and a touching Benjamin Buttonesque scene with a character from the first movie. Moreover, there’s also some neat socio-political commentary in their too with references to shadowy NSA operations and Government kill lists.  Of course none of this gets in the way of the rip-roaring action.”

5.   WOLF OF WALL STREET (2013) – Director: MARTIN SCORCESE

“Martin Scorcese is one of the greatest living filmmakers still working today and The Wolf of Wall Street feels like a greatest hits package combining all of the finer ingredients from his other films.  You’ve got the classic swooning camera moves;  the direct address to camera; cat-and-dog couples fighting as seen in Casino and Goodfellas; the boat-in-peril sequence as seen in Cape Fear; the multi-character voiceovers;  the dumb criminals putting themselves in the shit;   characters turning on each other and ratting each other out as seen most recently in The Departed; plus many more.” 

6.  GUARDIANS OF THE GALAXY (2014) – Director: JAMES GUNN

“I loved this film for so many reasons.  It’s a nostalgic rush and push of music, action, fantastical creatures, space operatics, zinging one-liners, knowing humour, spectacular effects and in Chris Pratt — a new cinema star (lord) for the millennium is born.  Let’s be honest there isn’t an original bone in its body but the fleshy pastiche and meaty cultural references Guardians of the Galaxy wears proudly on its sleeves take the audience on one hell of a journey”

7.   DAWN OF THE PLANET OF THE APES (2014) – Director: MATT REEVES

“… the original book and 1968 film and gave us some serious action and brain-food encompassing themes and historical events such as: Darwinism; dystopic future visions; civil and social unrest; slavery; man’s inhumanity to animals; medical experimentation; the Vietnam and Cold war; civilisation versus savagery; anthropology; Frankenstein myth; space and time travel; and many other socio-political and science fictional motifs.  Overall, the Apes series is a conceptual and cultural phenomenon and Dawn of the Planet is a wonderful addition to the series.”

8.   THE IMITATION GAME (2014) – Director: MORTEN TYLDUM

“There is so much heartache in the character of Turing.  The flashbacks to Turing’s school years when he was bullied and suffered personal loss garners further pathos. Moreover, the “peas and carrots” scene alludes to the possibility of Turing having Asperger’s or similar high-functioning autism.  And in Benedict Cumberbatch we have an actor who imbues Turing with a grandiose pain which I found genuinely moving. Here’s is an actor — who while cornering the market on misfit geniuses — once again shows terrific range and surely he will be nominated come Awards ceremony time.”