ALL 4 TV REVIEW – FRIDAY NIGHT DINNER (2011 – 2020)
Created and written by: Robert Popper
Directors: Steve Bendelack, Martin Dennis
Cast: Tamsin Greig, Paul Ritter, Simon Bird, Tom Rosenthal, Mark Heap, Tracy Ann Oberman, etc.
Number of Seasons: 6 (37 episodes)
Original Network: Channel 4
*** MAY CONTAIN SPOILERS ***
I decided to take a break from watching the usual murder, drama, time-travel, fantasy and crime-based TV shows I gravitate toward, by bingeing all six seasons of the Channel 4 (also available on Netflix) family situation comedy, Friday Night Dinner. Created and written by Robert Popper, this hilarious, energetic and feelgood show is set within the Goodman family household in North London. While recent British comedies such as The Mighty Boosh, Spaced and Psychoville tended toward the meta-fictional and surreal genre of humour, Friday Night Dinner is very much a traditional family-based programme. The laughs come thick and fast from the characters and events that unfold during a traditional Jewish Friday night meal.
Friday Night Dinner establishes a very structured formula and sticks to it pretty much through all the six seasons. Each episode usually opens with the “bambinos” or “the boys”, Adam (Simon Bird) and his younger brother, Jonny (Tom Rosenthal), arriving at their parent’s home. There they are greeted by half-dressed father, Martin (Paul Ritter) — who often has his shirt off because he is “boiling” — and their doting mother, Jackie (Tamsin Greig). Several story strands then quickly unravel as dinner, more often than not, descends into chaos and farce. Dinner table conversation usually revolves around Mum and Dad asking if their sons have any “females” or romantic entanglements. Moreover, the parents often embarrass their kids by over-sharing details of their own sex life, or “nippy-nippy”, as they call it.
The humorous dialogue, family squabbles and constant banter is augmented by Jonny and Adam’s consistently hilarious prank pulling, plus the appearance of the Goodman’s very strange neighbour, Jim (Mark Heap) and his dog, Wilson. Where comedy series like Taxi had Latka and Seinfeld had Kramer, Jim is a similar oddball whose weird behaviour makes the rest of the family almost seem normal. I mean, the father Martin, while very eccentric in his ways, is positively sane when compared to Jim. Actually, I very much enjoyed Jim’s ridiculous attempts to “understand” the Jewish culture. His hapless ignorance often sees Jonny and Adam Goodman giving him false information about their traditions, leading to all manner of ridicule and misunderstanding. This is one of the many running gags the writer, Robert Popper, entwines throughout the six series. Such repeated jokes and funny catchphrases are the comedic fabric of a very well written and constructed show.
If you’re looking for a comedy that reinvents the wheel, then award-winning Friday Night Dinner is probably not for you. However, if you like traditional farcical comedy with fast-paced gags, physical slapstick and relatable everyday situations, then you should definitely check it out. The cast are absolutely brilliant, and all imbue their characters with likeability, empathy and just a touch of insanity. Tamsin Greig shines as the put-upon mother having to deal with her bickering sons, and hard-of-hearing husband, Martin, who is never far from causing a home disaster. I loved Paul Ritter as the in-his-own-world-hoarder, Martin, while Simon Bird and Tom Rosenthal add to the fun with their sharp comedy timing and physical hilarity. Above all else, the series works fantastically well as a comedy of errors about a warm-hearted, loving, if hopelessly dysfunctional family unit.
SIX OF THE BEST FRIDAY NIGHT DINNER EPISODES (ONE PER SERIES)
The Date – Series 1 – Episode 6 – Jackie invites a girl around for date with Adam. The only problem is Adam knows nothing about it, and he is mortified with embarrassment. At the same time, Jonny revels in Adam’s horror.
Mr Morris – Series 2 – Episode 2 – Jackie’s mother has a new gentleman friend and he has come to dinner. Mr Morris though, turns out to be very aggressive and ruins the night for everyone.
The Fox – Series 3 – Episode 3 – Martin has a dead fox in the freezer, which he intends to stuff. He asks the boys to help him extricate it to the shed without Jackie noticing. Safe to say things don’t go according to plan.
The Funeral – Series 4 – Episode 5 – Martin’s Uncle Saul has unfortunately passed away meaning they must spend the day at a funeral, and even worse, spend time with Martin’s mother AKA “Horrible Grandma.”
The Tin of Meat – Series 5 – Episode 2 – Aunty Val has been staying with the family as she is getting a divorce. Martin despairs as Val keeps throwing away all of his stuff. Finally, Martin and Val clash big time over a twenty-year old tin of meat.
The Caravan – Series 6 – Episode 1 – Martin purchases a crappy old caravan and, to Jackie’s dismay, parks it outside the house. Meanwhile, Jim has a new addition to his household, but becomes obsessed with the caravan toilet.
UNDER-RATED CLASSICS #8 – THE NINTH CONFIGURATION (1980)
Directed, written and produced by: William Peter Blatty
Based on The Ninth Configuration by William Peter Blatty
Starring: Stacy Keach, Scott Wilson, Jason Miller, Ed Flanders, Robert Loggia, Moses Gunn, Joe Spinell, Neville Brand etc.
Music by: Barry De Vorzon
Cinematography: Gerry Fisher
*** MAY CONTAIN SPOILERS ***
“I became insane, with long intervals of horrible sanity.” ― Edgar Allan Poe
Sparked by uber-film critic Mark Kermode waxing lyrical about The Ninth Configuration (1980) in one of his cinema books, I was extremely pleased when I found a remastered 2016 reissue streaming on Amazon Prime. I don’t always agree with Kermode’s effusive praise of certain films, however, his opinion should always be respected. Having watched the film I can concur that it is indeed an under-rated classic. Just to clarify, for me, an under-rated classic can be a film I love, plus satisfy the following criteria:
Must not have won an Oscar.
Must not have won a BAFTA.
Must not appear in the AFI Top 100 list.
Must not appear in the IMDB Top 250 list.
Must not appear in the BFI 100 Great British films.
Must not appear in the all-time highest grossing movies of list.
While the writer and director, William Peter Blatty, won a Golden Globe for best screenplay, I feel that The Ninth Configuration (1980) is somewhat of a lost masterpiece. It was released at the same time as Ordinary People (1980) , The Elephant Man (1980) andRaging Bull (1980) and rarely seems to be discussed or praised at all these days. Well, aside from Mark Kermode’s gratefully received validation. Thematically, it is very strong as it deals with mental breakdown and illness amidst soldiers post-Vietnam. Moreover, it also contains memorable iconography within a curiously foreboding setting.
Based on Blatty’s 1978 novel, which in itself was a reworking of an earlier story called, Twinkle, Twinkle “Killer” Kane, The Ninth Configurationcentres the action in a grand chateau located, rather weirdly in America somewhere. The dark, shadowy castle (which was actually in Germany), is surrounded by deep forestation and is used by the U.S. government as an insane asylum for military personnel. Spring-boarding themes and ideas from movies such as: One Flew Over The Cuckoo’s Nest (1975), Mash (1970) and, in regards to its exploration of P.T.S.D., The Deer Hunter (1978), the narrative features a whole host of eccentric and over-the-edge characters. They include an Astronaut, Captain Billy Cutshaw (Scott Wilson), who went mad and sabotaged a space launch, Jason Miller as Lieutenant Frankie Reno, a soldier attempting to direct Hamlet with a cast of dogs; and the recently arrived, new psychiatrist, Colonel Vincent Kane (Stacey Keach). It is Kane’s and Cutshaw’s developing relationship which powers many of the philosophical and existential debates within the film’s incredible script.
For a film set in an asylum Blatty unsurpisingly uses dark humour, hysterical personalities and some incredibly funny lines of dialogue to propel an absurd first half. However, as Cutshaw and Kane’s connection grows deeper, the two men push each other into some very dark places. Exploring the slight gap between insanity and sanity is a tricky thing to get right in terms of tone, however, Blatty, is a brilliant writer and succeeds with a script that zig-zags the line between chaos and structure. He also benefits from an amazing ensemble cast of character actors who throw themselves heartily into the chaos on show. Scott Wilson and Stacey Keach are especially memorable in their intense and honest portrayals of soldiers pushed too far by their respective commands.
Overall, The Ninth Configuration (1980) is a forgotten masterpiece which deserves revisiting. I was blown away by the endlessly quotable dialogue and the risks Blatty took as a director. I mean, he opens with an incongruous Country and Western song-backed montage before the credits. This pop video beginning is jarring, but somehow makes sense in the end. Blatty then veers between farcical humour, crazed episodes involving the lunatics taking over the asylum, and philosophical and theological discourse within the therapy sessions. Finally, the film finishes with a violent and cathartic denouement, yet one which, given the dark existentialism that has unfolded, is amazingly full of hope, faith and optimism.
Main Cast: Larry David, Jeff Garlin, Cheryl Hines, Susie Essman, J. B. Smoove, Ted Danson, Richard Lewis, Vince Vaughan, Kaitlin Olson etc.
Guests: Mila Kunis, Clive Owen, Laverne Cox, Chris Martin, Sean Penn, Jonah Hill, Jon Hamm, Philip Rosenthaland many more.
Distribution Platform: HBO (USA) – SKY (UK)
**CONTAINS MASSIVE SPOILERS**
“AH! INTERESTING. . . “
During a lengthy hiatus from 2011 to 2017, fans of Curb Your Enthusiasm were left bereft of their dose of Larry David’s inimitable and eccentric behaviour. The multi-millionaire writer of Seinfeld had carved out a wonderfully politically incorrect comedy series, full of misunderstanding, farce and hilariously embarrassing situations. Thankfully, he returned with season 9, and it was absolutely brilliant. Larry managed to get himself a death sentence, having written a musical called Fatwa, along with all manner of other comedic shenanigans. Season 10 has now followed and, once again, anti-heroic Larry delivers ten more fantastically offensive and funny episodes. More often than not we find his behaviour abhorrent as he goes about upsetting friends, family members, celebrities, and strangers on a daily basis. However, sometimes we are with Larry and his actions have merit and reason. Furthermore, due to the wonderful writing, improvising, cast and situations the humour is always more than pretty, pretty good!
NARRATIVE ARC (OF THE COVENANT)
Usually, Curb Your Enthusiasm episodes can stand alone due to the richness of the narrative strands Larry David and his writers create. But most seasons will have a very solid narrative arc running through it to provide looping rejoinders, a structural spine and a fitting conclusion. In season 10, there were echoes of storylines from prior seasons. Larry wanted to get back with Cheryl and they even committed divorced adultery, cuckolding Ted Danson in the process. However, the main arc revolved around the return of coffee store owner, Mocha Joe (Saverio Guerra). Larry pisses Mocha Joe off because he complains about “cold” coffee, wobbly tables and weak scones. Following Larry’s customary banishing he swears revenge on Mocha Joe. This takes the form of the wonderfully named ‘spite store’ he sets up next door. Thus, Latte Larry’s is born, and ten episodes of fast-paced, tit-for-tat, vengeful and hilarious scenes ensue.
“THE GOLDEN RULE” – STYLE AND THEMES
Curb Your Enthusiasm is not just funny because of the situations, dialogue, observations, guest stars and acting performances. It is also very sophisticated and stupid, combining a variety of comedy styles to fuel the humour. Earlier seasons could be argued to be more based in reality per se. The interactions between the characters felt more natural, in keeping with the pilot episode which was shot as a mockumentary about Larry returning to stand-up. Later seasons, especially seasons 9 and 10, upped the gag rate and one could even say felt slicker. Don’t get me wrong, the jokes have always come thick and fast in Curb Your Enthusiasm, but in the last two seasons there is not only a reliance on the usual comedy of embarrassment, observations and satire, but farce, slapstick and gross-out humour too have been added to the palette. Lastly, the show has always skated close to the edge in regard to non-PC humour and causing offence. Evidently, Larry David has now fully thrown himself over that edge and is happy to offend everyone in a two-fingered salute to so-called snowflakes or liberals out there.
In regard to thematics, Larry David clearly has his finger on the pulse relating to contemporary society, politics and human behaviour. Much of the humour and funny scenarios derive from what is acceptable behaviour and certain “rules” within everyday living. In season 10, Larry finds himself questioning, among other things: the behaviour of a pregnant woman; the merits of artificial fruit; what is and what isn’t’ sufficient praise; usage of disable parking badges; whether he should be in a restaurant’s ‘ugly section’; whether sex with Cheryl’s sister is post-relationship cheating; and the overall benefits of running a spite store. These elements, the running feuds with Ted Danson, Mocha Joe and Larry’s assistant, Alice, and themes relating to the Harvey Weinstein scandal and #MeToo movement; Larry and Leon’s continued chats about the nature of being black/white; Donald Trump’s presidency; fat shaming; suicide; Susie’s alleged plot to murder Jeff; nationalist ridicule; egotistic actor types; and transgender issues, all connectedly make this season a very rich product, full of ideas and challenging storylines.
“PRETTY GOOD. . . ” – EPISODE RATINGS
Episode 1 – Happy New Year – (8.5 out of 10)
Larry goes to war with Mocha Joe and reignites his romance with Cheryl. His relationship with his assistant also descends into accusations of sexual harassment.
Highlight: Larry wearing his Donald Trump, “Make America Great Again!”and ensuring no one wants to be seen with him.
Episode 2 – Side Sitting – (8.5 out of 10)
Larry’s relationship with his assistant, Alice, is possibly going to court unless he settles and makes amends. His attempts to get back with Cheryl are rebuked, so he dates his lawyer’s assistant.
Highlight: Larry gives Susie a portrait of herself as a birthday present. She loves it – but Jeff doesn’t.
Episode 3 – Artificial Fruit – (9 out of 10)
Larry’s donation to a charity fails to bring forward redemption when he refuses to hug Laverne Cox at an event, because she has a cold. Meanwhile, Richard and Larry argue over who is paying a lunch bill, leading to a very embarrassing escapade at a Spanish funeral.
Highlights: Larry is unsure if the Heimlich manoeuvre is appropriate when his assistant is choking. Plus, Larry’s doodle debate with Christine Lahti blows up into a serious disagreement.
Episode 4 – You’re not going to get me to say anything bad About! – (9 out of 10)
Larry, Donna (his new girlfriend), Cheryl, Jeff, Susie and Leon go to Cabo San Lucas for a friend’s wedding. Larry becomes fixated with Donna’s yo-yo dieting, but he and Leon do find some incredible coffee beans for Latte Larry’s.
Highlight: Larry’s determination to locate a toothbrush descends into a farcical conclusion. Later, at the wedding, Ted discovers Larry and Cheryl’s infidelity in a hilarious fashion.
Episode 5 – Insufficient Praise! – (9 out of 10)
Preparations for Latte Larry’s gather pace as Larry asks for a specific urinal type. Larry also gets a new housekeeper and is given a sex doll by Freddy Funkhouser. Meanwhile, Larry clashes with actor Clive Owen and Richard Lewis’ new girlfriend; a professional “crier”.
Highlights: Larry’s frantic battle with the sex doll resulting in his housekeeper and Cheryl catching him. Also, Clive Owen’s brilliantly pretentious send-up of narcissistic acting types.
Episode 6 – The Surprise Party! – (8.5 out of 10)
Larry meets a German inventor who has an anti-Semitic Alsatian called Adolf, and he gains joy from the use of a disabled parking badge. He also clashes with Susie over the surprise party she intends to throw for Jeff.
Highlight: Despite not having an appointment, Larry uses his cardiologist’s reception area to wait, because it’s a “waiting room”.
Episode 7 – The Ugly Section! – (9.5 out of 10)
Larry consistently keeps getting placed in the “ugly section” at the back of a restaurant. Simultaneously, he attempts to woo the widow of his friend who recently committed suicide.
Highlights: Larry asking Jane Krakowski’s character where she got the handles for her husband’s coffin. Later, Larry ruins a possible sexual liaison with her by arguing about the New York Jets. Lastly, Larry insults Susie as she should be in the restaurant “ugly section”.
Episode 8 – Elizabeth, Margaret and Larry! – (10 out of 10)
Actor, Jon Hamm, shadows Larry as he prepares to play a character like him in a film. Larry and Leon start a new business venture which initially proves profitable. Cheryl is angered when Larry spontaneously begins a relationship with her sister, Becky.
Highlights: Jon Hamm slowly turning into Larry throughout the episode, culminating in them both being ejected from a dinner party. Also, Kaitlin Olson returning as Becky and the surprising sex with Larry.
Episode 9 – Beep Panic! – (9 out of 10)
Larry strikes up a friendship with a waitress that dripped sweat into his soup. He also becomes obsessed with the liqorice at his car showroom. Meanwhile, Mocha Joe plots his own revenge using DVD film screeners.
Highlights: Leon and Larry succumb to the severe laxative effect of the liqorice in a silly bit of toilet humour.
Episode 10 – The Spite Store! – (10 out of 10)
Latte Larry’s is well and truly open, and it inspires other celebrities to open similar spite stores. Larry is irked by siren abusers and gives a job to Joey Funkhouser, but his big penis causes the store no end of issues.
Highlights: Sean Penn’s opening a spite-driven pet store. All Larry’s innovations at the coffee store ultimately lead to a very explosive downfall.
“NO GOOD?” – CONCLUSION
In preparing for this review I rewatched season 9 and watched season 10 twice. So, it’s obvious to say that I love, Curb Your Enthusiasm. Overall, I found the latest season to be a wonderful mix of old-fashioned slapstick and farce, combined with Larry David’s original and skewed vision of humanity. What was also impressive was the structural coherence of juggling so many comedy plots and situations. Plus, Larry behaves appallingly, and this is very appealing in an ever-increasingly politically correct world. Many times, throughout the season Larry is shown to be a provocative arsehole, but on occasions he very much has a valid point. Larry’s issues are very much first world problems, but because of the skilled writing and consistently high joke rate I related greatly to this season. Plus, Larry doesn’t win. His spiteful plotting and perpetual disagreements with those around him mostly fail. Indeed, ultimately, the joke is always on him.