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BBC TV REVIEW – INSIDE NO. 9 (2020) – SEASON 5 – more hare-raising twists from geniuses Pemberton and Shearsmith!

BBC TV REVIEW – INSIDE NO. 9 (2020) – SEASON 5

Created and written by: Steve Pemberton & Reece Shearsmith

Directors (Season5): Matt Lipsey, Guillem Morales, Steve Pemberton

Original Network: BBC (available on BBC Iplayer and Netflix)

No. of Episodes: 6

***CONTAINS PROPER SPOILERS***



Inside No. 9 is written by and stars Steve Pemberton and Reece Shearsmith. Both are brilliant comedic and dramatic actors, having appeared in many TV shows and films down the years. They are arguably most famous for beginning their careers in amazing comedic troupe The League of Gentlemen; however, their work on Inside No. 9 surpasses the ‘League’ in my view.

If you have never seen Inside No. 9 before, I urge you to do so. It is an exceptional anthology series with six standalone episodes per season. Individual episodes feature a whole host of different characters and actors each time. As per the prior seasons, the latest one is absolutely brilliant. It privileges tightly woven thirty-minute short narratives, which more often than not, feature a twist in the tale. Moroever the events usually unfold in one location with never more than a handful of characters. This makes the narratives feel more focussed, intense and intimate.

Inside No. 9 is also a surprising delight because you never know what kind of genre you will get. One week you could get comedy, horror, drama, crime, romance or musical; and sometimes a combination of all of them. They also take chances with their use of form and structure, with many episodes either paying homage or parodying different genre styles. So, here are some short reviews of each episode from Season 5. Usually, I mark my reviews out of eleven (in homage to This is Spinal Tap (1984)), however, for obvious reasons, I will be marking these reviews out of NINE.


EPISODE 1 – THE REFEREE’S A W**NKER

Cast: David Morrissey, Ralph Little, Steve Pemberton, Reece Shearsmith

The number 9 of this episode occurs in a football referees’ changing room before, during and after a critical final game of the season. Tensions rise between players, mascots and officials in what is the referee’s last game before retirement. David Morrissey is brilliant as the ultra-professional ref attempting to keep control amidst the chaos. Ralf Little also excels as the vain referee’s assistant, with Shearsmith and Pemberton offering fine comedic support. On the main this plays out as a comedy, but there are also serious moments. Indeed, The Referee’s a Wanker explores themes of corruption, gay footballers, and the obsessive win-at-all-costs nature of football fanatics. Fast-paced, funny and containing a great twist, this episode kicked off the season very positively.

Mark: 8 out of 9



EPISODE 2 – DEATH BE NOT PROUD

Cast: Jenna Coleman, Kadiff Kirwan, Steve Pemberton, Reece Shearsmith, Sarah Solemani

This episode was a joy on many levels. Firstly, it was a fantastic mixture of dark comedy and bloody horror. Most significantly, it contained a wonderful series of meta-cultural call backs to Shearsmith’s and Pemberton’s prior work called Psychoville. A grotesque and demented sitcom, Psychoville contained a gallery of crazed characters with many portrayed by Pemberton and Shearsmith. In Death Be Not Proud the opening is quite conventional. Young couple (Jenna Coleman and Kadiff Kirwan) get what they think is a property bargain. However, the flat was host to a grisly murder and something from beyond the grave is tormenting the new tenants. When the previous owner, David Sowerbutts returns things get even weirder. Only then do we learn about the horrific history of this murder home, to sick and hilarious effect.

Mark: 8.5 out of 9



EPISODE 3 – LOVE’S GREAT ADVENTURE

Cast: Steve Pemberton, Debbie Rush, Gaby French, Bobby Schofield, Reece Shearsmith.

Once again displaying fine writing and actorly versatility, Love’s Great Adventure plays out as a straight family drama. It’s of such high quality and hits such emotional and dramatic peaks, TV writers like Paul Abbott, Jimmy McGovern and Jed Mercurio would have been proud to have written it. Cleverly structured around an advent calendar, the Christmas setting adds texture to the financial struggles of one working class family. Trevor (Pemberton) and Julia (Debbie Rush) are devoted to each other, their teenage daughter and grandson who lives with them. They are even prepared to forgive their self-destructive addict son. Set mainly in the kitchen on various days leading up to Christmas day, the events unfold in a subtle, but powerfully realistic manner. These are ordinary, but compelling characters, who prove there is nothing stronger than family love.

Mark: 8.5 out of 9



EPISODE 4 – MISDIRECTION

Cast: Reece Shearsmith, Steve Pemberton, Jill Halfpenny, Fionn Whitehead

One of my favourite ever TV shows is Tales Of The Unexpected and Inside No. 9 certainly owes a debt to that series of twisted genre narratives. Misdirection is a case in point. It is up there with the best Pemberton and Shearsmith plots, as a young student journalist, Fionn Whitehead, interviews Reece Shearsmith’s famous magician. Safe to say that as this is about magic there is much in the way of tricksy turns, bluffs and diversionary tactics. Shearsmith is on brilliant form as the arrogant traditionalist with a dark secret. He criticizes the inelegance of street magicians while a battle of wits ensues with Whitehead’s seemingly naive novice. Echoing the structural and stylish dexterity of Peter Schaffer’s brilliant Sleuth (1972), Misdirection holds all the cards when it comes to being a deviously clever and totally unexpected tale.

Mark: 9 out of 9



EPISODE 5 – THINKING OUT LOUD

Cast: Maxine Peake, Phil Davis, Ionna Kimbrook, Sandra Gayer, Sara Kestelman, Reece Shearsmith, Steve Pemberton

Before reviewing this season, I watched every episode twice. I’m glad I did because Inside No. 9 can be complex and pack a lot in thirty minutes. So, it proves in Thinking Out Loud, as we get seven seemingly disparate characters all unconnected. Or so we are led to believe. The episode uses the video diary format, which was something of a popular phenomenon in the 1990s, plus it echoes the “talking heads” style of Alan Bennett. Thus, we get a character in therapy, her therapist, a criminal on death row, a singer, a man suffering from cancer, a man looking for love and an Instagram influencer. All directly address the camera and as we cut between them, their connection slowly filters through until the incredible reveal. Owing much to films like Identity (2003) and Split (2017), this psychological thriller is very crafty with many chilling moments that bear up to multiple viewings.

Mark: 8 out of 9



EPISODE 6 – THE STAKEOUT

Cast: Steve Pemberton and Reece Shearsmith

This virtual two-hander concentrates all of the action within the confines of a police car. Steve Pemberton portrays the jaded and experienced police officer obsessed with finding out who killed his partner. Joining him in the vehicle is new partner, played by Shearsmith. The latter’s character is a Special Constable who seeks to follow the book causing tension on a stakeout during a literal graveyard shift. The two clash over diet, riddles, word-games and police procedure, but over three nights they eventually find mutual respect. The bulk of the episode’s enjoyment comes from Pemberton and Shearsmith’s sparring and their performances are exemplary. The writing is also impressive as it plays with the tropes of the police procedural genre. Finally, it also sets up a suspenseful opening only to confound us by the bloody fiendish denouement.

Mark: 8.5 out of 9



NETFLIX TV SERIES REVIEW – THE STRANGER (2020)

NETFLIX TV SERIES REVIEW – THE STRANGER (2020)

Created by Harlan Coben – based on The Stranger by Harlan Coben

Writers: Harlan Coben, Danny Brocklehurst, Charlotte Coben, Karla Crome, Mick Ford etc.

Directors: Daniel O’Hara, Hannah Quinn

Cast: Richard Armitage, Siobhan Finneran, Jennifer Saunders, Shaun Dooley, Paul Kaye, Dervla Kirwan, Kadiff Kirwan, Jacob Dudman, Ella-Rae Smith, Brandon Fellows, Anthony Head, Stephen Rea, Hannah John-Kamen etc.

No. of Episodes 8

Network release: Netflix

***MAY CONTAIN SPOILERS***


Image result for the stranger netflix poster

Imagine sitting in a bar or restaurant or at the gym or in a coffee shop minding your own business. A stranger approaches you and tells you something that your spouse or partner or relative was hiding from you. This is a secret which rips apart your life and turns everything upside down in the process. This is the basic premise of Harlan Coben’s adaptation of his own novel, The Stranger. Over eight gripping episodes the drama hooks you in from this point forth. Secrets, lies, violence, corruption, blackmail, betrayal and murder drive the narrative in a compelling and serpentine plot.

In what is the TV equivalent of a right page-turner, the main protagonist, Adam Price (Richard Armitage), is the first person to be approached by the titular Stranger. He is given information regarding his wife (Dervla Kirwan) and this threatens to tear his whole family apart. This is just the tip of the iceberg though in regards to the plotting. Other individuals are being targeted too by the Stranger. At the same time a teenager has been comatosed following a woodland rave. It’s not long before Siobhan Finneran’s DS Johanna Griffin investigates this crime, the bizarre beheading of a llama, plus murder, extortion and abduction.

At first, I thought it may be a metaphysical figure revealing guilty secrets to the cast of characters in a Stephen King supernatural-style narrative. However, Harlan Coben’s contemporary crime thriller is firmly set in reality, as it privileges familial and police procedural drama compellingly. Over the eight episodes I was glued to what happens next, as we get so many cat-and-mouse chases and character surprises throughout. Richard Armitage is excellent as the lead protagonist, desperately trying to keep his family together. The teenage character subplots are not so successful as the some of their acting is pretty dire. However, the likes of Siobhan Finneran, Jennifer Saunders, Paul Kaye and Stephen Rea add real quality to what is a conventional, but always watchable genre production.

Mark: 8 out of 11