Tag Archives: Funny

ALL 4 TV REVIEW: CRASHING (2016)

ALL 4 TV REVIEW: CRASHING (2016)

Created and written by: Phoebe Waller-Bridge

Producer: Ben Wheeler

Directed by George Kane

Cast: Phoebe Waller-Bridge, Jonathan Bailey, Julie Dray, Louise Ford, Damien Moloney, Amit Shah, Susan Wokoma, Adrian Scarborough etc.

Original Network: Channel 4 Television (UK)

**MAY CONTAIN SPOILERS**

While Netflix, Sky, Fox, Disney and Amazon dominate much of the digital television output across the English-speaking world, Britain has, in the BBC, ITV and Channel 4 a lot to offer in regard to TV entertainment. I watch a lot of the main drama and comedy from the BBC, but I thought perhaps I needed a little catch-up on some Channel 4 shows I may have missed.

Thus, I set up an account at ALL 4https://www.channel4.com/ – and had a little look about. There are hundreds of films, comedies and dramas on their channel produced in the UK, Europe and the globe in general. So, I will be writing some reviews of stuff I’ve been catching up on that I can recommend. I have to state ALL 4 is great value because it is ad-driven and there is NO monthly subscription.

Crashing (2016), is a comedy centred around property guardians. Such people rent disused properties at a discounted rate but have to “protect” the property and leave virtually immediately when the landlord demands. It’s a great set-up for a television format as it allows for a mixture of various characters to connect in comedic, dramatic, romantic and hysterical ways. The setting, a disused hospital, is also great with the abandoned building providing a strong visual theme throughout.

Written by Phoebe Waller-Bridge, prior to her Fleabag and Killing Eve fame, the script pulls focus on six such property guardians. Waller-Bridge is Lulu, a twenty-something party girl drifting into London town looking for childhood friend Anthony. You can obviously see elements of her Fleabag persona in Lulu notably the way she uses alcohol, flirting and chaotic sexuality to hide her true feelings. Other characters are: said friend, Anthony; his girlfriend, neurotic Kate; middle-aged depressive Colin; French artist, Melody; awkward professional, Fred; and grieving, but charismatic estate agent, Sam. Kate, especially, is a progenitor for Fleabag’s hyper-stressed sister, Claire.

Waller-Bridge has created an interesting chorus of variant personalities who laugh and conflict and romance and sex in a very entertaining six episodes. I would say the show is more comedic than dramatic and there are some really funny moments which tend toward the slapstick, bodily functions, comedic misunderstanding or are just simply sex-driven. Who-fancies-who-or-who-is-fucking-who is a believable running theme through the show but there is some pathos there, especially with Colin, Fred and Sam’s characters. Overall, this is an under-rated comedy gem which, while it only ran for just one season, is definitely worth watching for the fast-paced writing and excellent ensemble acting.

Mark: 8 out of 11

GHOSTS (2019) – BBC TV REVIEW

GHOSTS (2019) – BBC TV REVIEW

Created and written by: Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard & Ben Willibond

Directed by: Tom Kingsley

Producer: Matthew Mulot

Starring: Lolly Adefope, Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Laurence Rickard, Charlotte Ritchie, Kiell Smith-Bynoe, Ben Willibond, Katy Wix etc.

Original Network: Six Episodes on BBC1

**MAY CONTAIN SPOILERS**

After the horror viewing that was Chernobyl (2019), police corruption in Line of Duty (2019), and general death and drama of Game of Thrones (2019), I decided I needed a bit of a laugh. So, I watched six lovely episodes of the hilarious BBC comedy show called Ghosts (2019). Not to say there isn’t death in the show; after all it is about ghosts! But it’s a fantasy comedy that is so likeable and full of daft characters that you cannot help but feel your spirits lifted after watching it.

The story concerns a late twenty-something couple, Alison (Charlotte Ritchie) and Mike (Kiell Smith-Bynoe), who, like many people in the city are financially stretched and looking for somewhere to live. With property prices high and a severe lack of wealth, all they can afford is the equivalent to an urban rabbit hutch. Then, suddenly, Alison inherits a gigantic house in the country from a forgotten Aunt and fortune seems to shine on them. But it’s not all it is cracked up to be. The house is a crumbling mess of a |”money pit”; plus they have some spectral “guests” who do not want them there.

Ghosts – Picture Shows: Lady Button (MARTHA HOWE-DOUGLAS), The Captain (BEN WILLBOND), Julian (SIMON FARNABY), Kitty (LOLLY ADEFOPE), Mary (KATY WIX), Thomas Thorne (MAT BAYNTON) – (C) Button Hall Productions – Photographer: Mark Johnson

Joining the very likable couple is a tremendous ensemble of gifted comedy actors who portray multiple characters, notably the ghosts who died and are consequently trapped on the property. The sheer number of characters means they all vie for laughs; however, the writing is witty and fast-paced with a succession of verbal, physical and slapstick humour. There are some particularly inventive running gags and I especially loved the ghosts from the plague pit in the basement, who happen to be plumbing experts due to close proximity to the boiler. Other characters veer toward stereotypes, notably Simon Farnaby’s sleazy, trouser-less MP, yet, the brilliant comedic performances breathe energy and life into the all the ghostly incarnations.

Comedic ghost stories are hardly the most original template. Indeed, I grew up watching and enjoying the very silly Rentaghost (1976 – 1984). Plus, films such as: Blithe Spirit (1945), Ghostbusters (1984) and Beetlejuice (1988), all use the supernatural within humorous scenarios. So, if you want similar entertainment I’m NOT afraid to say in terms of the head-spinning rate of gags and funny situations, Ghosts, is frighteningly good.

Mark: 9 out of 11

MOUNTVIEW SHORT FILMS RETROSPECTIVE #4 – 2011

MOUNTVIEW SHORT FILMS RETROSPECTIVE #4 – 2011

Between the years of 2008 and 2011, I did some screenwriting work for the Mountview Film Academy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Writers would be shuttled in and given a remit to create short films using specified actors, locations and length of film. Thus, I wrote a number of scripts which were adapted on very low budgets. Here are the three I wrote for the year 2011.

2011 was an interesting year. Britain faced countrywide riots in London, Birmingham, Manchester and Liverpool. The reasons for the violent outbreaks were mixed and included social unrest due to government cuts, police brutality, hot weather and youth discontent. British courts meted out severe justice and law and order was restored, however, the protests in Tunisia, Jordan, Egypt, Yemen and Bahrain gave 2011 what became known as the ‘Arab Spring’. Here the people of the Middle East didn’t just riot and loot but actually took power back from dictatorial leaders.

In other news Vladimir Putin held onto power in Russia while in Britain, again, the News of the World lost its power and position as the major Sunday newspaper. This was due to the phone hacking scandal and heads rolled and injunctions followed. More legal ramifications occurred for a number of MP’s sent to jail for fiddling their expenses. While, in more frivolous news Charlie Sheen has a complete meltdown; Hugh Grant became a father at 51; Adele’s star went stratospheric as she sold millions of recording units; but sadly the pop and soul singer, Amy Winehouse passed away aged only twenty-seven. Meanwhile. . .

BEST LAID PANS (2011)

This short comedy is about a guy who gets trapped in a restaurant toilet when striving to propose to his girlfriend.

This has some great work by the cast, director and crew and my script has a lot of comedic promise. I think it suffers from being over-written for the eight minute running time. With a slightly increased budget and, say a few more minutes, it would have been even funnier. Nonetheless, it’s still quite an entertaining little farce.

SHARKS (2011)

This short comedy-drama concerns two friends who bump into each other having not seen each other for years.

I think this is one of my favourite scripts and it is executed to perfection. The story of a too-shy and over-confident couple of buddies trying to “pull” a work colleague is full of twists and dark humour. The acting by the Mountview students is really good and the pacing of the story handled expertly. All involved bring to life my script very well.

CORPORATE (2018) – COMEDY CENTRAL TV REVIEW

CORPORATE (2018) – COMEDY CENTRAL TV REVIEW

Created by: Pat Bishop, Matt Ingebretson, Jake Weisman

Directed by: Pat Bishop

Starring: Matt Ingebretson, Jake Weisman, Anne Dudek, Adam Lustick, Aparna Nancherla, Baron Vaughan, Lance Reddick

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Have you ever had a job where during your employment you literally just wanted to die?  It could be for a number of reasons: you hate your job; you hate your boss; you hate your work colleagues; you hate yourself; you’re bored with the tasks; the endless meetings; a hangover from hell; your pen broke and leaked all over you; the girl from Accounts doesn’t fancy you; you hate the customers; or you feel so existentially empty and having realised the pointlessness of living in a cruel, heartless and soulless vacuum of a world you see no alternative but to commit suicide. Or is that just me?

Of course, many of the above are the irrational emotions of a spoilt Westerner and can be firmly filed under first world problems. Because in a thriving and greed-driven capitalist society which is destroying the environment and Earth, making the rich richer and the monetizing and exploiting the poor for the continual gathering of wealth, what alternative is there? We can protest and sometime things change but most of us have the fight kicked out of our guts or never had it to begin with. So we have no choice but to punch the clock, get our money, go out and get drunk or high and play Xbox, have miserable children, watch a movie, watch Netflix, buy crap we don’t need, over eat and drink; and then go back to work on Monday, deluding ourselves we are living valuable lives.

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Comedy Central’s under-the-radar black comedy satire Corporate encapsulates much of what I’m talking about above. My attitude is nowhere near as bleak anymore as the opinions stated above and come from emotions of when I was much younger and cynical. However, there remains a truth to these feelings and Corporate – in ten very funny episodes – captures that negative truth very well. It also captures the existential dread of working in an office for a diabolical corporation, hell-bent on fucking the world while chasing the: Dollar, Pound, Yen, Rupee, Renminbi etc.

Indeed, Hampton DeVille are a massive global company and completely ruthless in their business as the show reflects practices by such conglomerates as: Amazon, Apple and Google etc. Their CEO is the megalomaniacal Christian Deville (Lance Reddick) but the show focusses on the trainee executives Matt (Matt Ingebretson) and Jake (Jake Weisman) as they face the horror of: long pointless meetings; ridiculous away days; dress down days; pedantic HR policies; general boredom and ennui; and dealing with patronising middle managers and petty colleagues. With episode titles such as: Powerpoint of Death, The Void and The Pain of Being Alive, the show is pitch black in its outlook and themes; while the visual style is drained of colour with browns, blacks and greys dominating.

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Overall, I really enjoyed the absurd look at office life in Corporate. It takes risks because even the lead protagonists aren’t likable and the delivery is very deadpan. I especially enjoyed the skewering corporate business, as Hampton Deville is shown to be involved in: gun-running; starting civil wars; monetizing religion and art; over-the top technological releases; stupid jargon and sloganeering; plus it nails the horrific tedium of being trapped in a job you hate. But as I always say: there’s one thing worse that having a job you hate – having to look for a job you know you’re going to hate!!

(Mark: 8.5 out of 11)

DETECTORISTS  (2014 –      ) –SEASONS 1 and 2 – BBC TV SHOW REVIEW

DETECTORISTS  (2014 –      ) – SEASONS 1 and 2 – TV COMEDY REVIEW

Written by: Mackenzie Crook

Directed by: Mackenzie Crook

Cast: Mackenzie Crook, Toby Jones, Rachael Stirling, Aimee-Ffion Edwards, Gerard Horan, Sophie Thompson, Pearce Quigley, Divian Ladwa

Opening theme: “Detectorists” by Johnny Flynn

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Picture the scene: a bird’s eye view of two men pacing slowly across a lush, rural landscape. The green grass shines and ploughed dirt sits proud flanked by golden wheat fields. As an acoustic guitar chimes and lilting mellifluous vocals of Johnny Flynn drift across the countryside vista, we are serenely introduced to our “heroes”, Andy and Lance, the Detectorists. Serene is probably the perfect word to describe this character comedy. Gentle too. It moves at its own perfect pace and gives us something of a break from faster-paced, heightened, rude and farcical nature of other more urban-based comedies. There are obviously jokes but never at the expense of well developed character moments and empathy.

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Set in the fictitious town of Danebury, in the county of Essex, this wonderfully dry comedic delight was created by Mackenzie Crook. Probably best known for playing David Brent’s bowl-haired “yes-man” Gareth, from seminal sitcom The Office, plus many other film and television roles, Crook has fashioned a brilliant show that exudes a quiet confidence in both writing and direction. He himself plays a budding archaeologist Andy, a non-careerist beta male who pays the rent via a series of agency jobs; while his school teacher partner, Becky, (Rachael Stirling) provides the ambition and drive in the relationship. His best mate, Lance, is portrayed with nuanced comedic timing by character actor, Toby Jones. Lance drives a forklift and hankers after his ex-wife who runs a local holistic shop. Plus, these two ordinary blokes happen to be part of the DMDC – ‘Danebury Metal Detecting Club.’

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One may think that the whole premise of a rural metal detecting club is slightly underwhelming and parochial; and to be honest you would be right. But herein lays the strength of the show because the peace and quiet between the narrative and comedy is very hypnotic. The plot in Season 1 finds the DMDC in direct competition with stupidly named “Antiqui-Searchers” over a big historical find; while Season 2 has them searching for crash-landed WW2 German bomber. Amidst these strands the loves and lives of our protagonists and club-members intertwine carefully; as a brilliant supporting cast breathe life into an array of oddball and eccentric characters.

Overall, I found Detectorists very funny throughout creating real inner warmth.  I mean, as Andy and Lance softly walk across the landscape, discussing last night’s University Challenge, scanning for that possible jackpot of medieval gold, nothing very much happens. But there’s The Detectorists’ main strength, nothing much happens with characters you really love spending time with.

(Mark: 9 out of 11)

The Detectorists — Seasons 1 – 3 are available on DVD/BLU RAY

Seasons 1 and 2 are available to stream on NETFLIX.           

I’M DYING UP HERE (2017) – S1 – SHOWTIME TV REVIEW

I’M DYING UP HERE (2017) – S1 – SHOWTIME TV REVIEW

Genre: Comedy-drama

Created by: David Flebotte

Based on: I’m Dying Up Here by William Knoedelseder

Starring: Melissa Leo, Ari Graynor, Clark Duke, Michael Angarano, Andrew Santino, Stephen Guarino, Erik Griffin, RJ Cyler, Al Madrigal, Jake Lacy

Network: Showtime US / Sky Atlantic UK

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As well viewing loads of films I also block out the horrors of the world by watching lots of television too. With cable, digital, internet and terrestrial channels to choose from you will find some gems to stop you thinking about the end of the world; UNLESS, of course, it’s a show about the end of the world. Anyway, as the war-mongering governments plot and false flag and generate fear and murder innocents all around the world, comedy, as they say, can sometimes provide the best medicine.

Showtime’s1970s based comedy-drama is set in Los Angeles. It features an ensemble cast of wannabe comedians at various stages of their careers, which congregate at Goldie’s Comedy Club. Melissa Leo plays the tough-edged business woman running the show who can make a comic’s career by getting them on the Johnny Carson show. Because of economics and the desperate comedians’ desire for fame the acts will work as open spots until they get a break. Leo anchors the show with a ballsy performance, yet beneath her hard exterior there is much pain and vulnerability in her character. She fights and scratches and bites to stay ahead of her rivals as she’s consistently undermined by the sexist and patriarchy dominated show business ‘system.’

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The rest of the cast consists of an assortment of character actors, actual stand-up comedians and up-and-coming actors including: Ari Graynor, Jake Lucy, Andrew Santino, Al Madrigal, Clark Duke, Michael Angarano and RJ Cyler. Ari Graynor, as the Texan comedian fighting her way up in a male-dominated world; and, young, black comedian RJ Cyler especially stood out. I have seen Cyler in a number of shows and films now and I think he is a bona fide star in the making. The double act sparring of Clark Duke and Michael Angarano are also hilarious too as the lively, aspiring acts from out of town, so broke they have to rent a closet to live in.

The era, costumes and smoky settings of comedy clubs are fantastically evoked as is the characterisation of the comedians’ struggle. I mean these are intrinsically narcissistic individuals striving for fortune and fame yet many of them are self-hating, low-esteemed and bitter people just searching for a moment of adoration through the audiences’ laughter. Many of the characters are also deeply flawed and actually unlikeable, notably Andrew Santino’s Bill Hobbs. Moreover, while creating a sense of community with each other the comedians are also fiercely competitive and much humour is driven by their cutting barbs and scathing comments toward each other. Childish tit-for-tat battles rage too when things heat over between the acts; either because they have bombed or because they have been stitched up by another act. Lastly, the socio-politics of the era provide excellent subtext and much of the drama derives from: sexual politics; alcohol and drug addiction; comedy club rivalry; joke-theft; heckler-battles; career and actual suicide; race relations; the Vietnam War; and every day existential crises.

Episode 103

Overall, I’m Dying Up Here may not be for everyone but it was brilliant viewing for me. I love stand-up comedy and I love television drama. I also thought the writing, direction, acting, performances, soundtrack and production design were excellent. The show’s strength is in the ability to balance drama and adult-based humour over ten fascinating episodes. It reminded me, most of all, of an extended series of the film Boogie Nights (1997) and the work of Robert Altman. Finally, I myself have written and performed stand-up comedy and, while there’s been little financial or cultural success, I have absolutely loved my time on stage. As a creative pursuit it can be both exhilarating when it goes well and completely devastating when you ‘die’ and NO ONE laughs. But hey, death on stage is far more palatable than the apocalypse! Indeed, it’s NOT THE END OF THE WORLD!

(Mark: 9 out of 11)

Something to offend everyone! CURB YOUR ENTHUSIASM – SEASON 9 – TV REVIEW

CURB YOUR ENTHUSIASM – SEASON 9 – TV REVIEW

Created by and story by: Larry David

Executive producer(s): Larry David, Jeff Garlin, Robert B. Weide, Larry Charles, Erin O’Malley, Alec Berg etc.

Production company(s): HBO Entertainment, Warner Bros.

Starring: Larry David, Jeff Garlin, Cheryl Hines, Susie Essman, J. B. Smoove etc.

**CONTAINS SPOILERS**

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There’s absolutely no reason why a situation comedy about an aging, wealthy, neurotic and narcissistic Hollywood writer should be one of the most consistently funny comedy shows of the last twenty years. There’s no real substance or depth in Curb Your Enthusiasm; in fact not much really happens of great value as it occurs in a “Larry David / Hollywood” bubble. Moreover, in anti-hero Larry David you more often than not find his behaviour abhorrent as he goes about upsetting friends, family members, celebrities, and strangers on a daily basis. However, due to the writing, cast and situations the humour is always pretty, pretty good!

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After a six-year hiatus Larry David is back and nothing really has changed. The formula remains the same inasmuch as he gets himself in ridiculous situations upsetting everyone around him, resulting in the most farcical of comedic pay-offs. However, while many of the narrative reveals can be seen a long way off it doesn’t make them any less enjoyable. Special highlights during Season 9 are JB Smoove’s scene-stealing turns as Larry’s “house-guest” Leon Black; who over the course of the last few seasons has inveigled his way into Larry’s life. The two have become an unlikely double act as uncool Jewish bald guy buddies up with his cooler, streetwise and “player” pal. With Leon and Larry you get a relationship which both reflects and satirizes racial stereotypes to funny effect.

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While most of the Season 9 episodes work as stand-alone stories the integral over-riding arc involves Larry David writing a new Broadway show. Inspired by events which occurred to novelist Salman Rushdie, Larry has written a musical called, incredibly, Fatwa!  At first everyone loves the idea and rushes to invest. However, when Larry mocks the Ayatollah on the Jimmy Kimmel show he himself is, you’ve guessed it, hit with a Fatwa!!  The running gags throughout created by this comedic narrative are very broad, un-PC, stereotypically offensive; but also bloody hilarious. I wondered why there wasn’t more controversy; however, Larry David himself is the butt of many of these jokes as he fails to lift the Fatwa.

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The season is crammed with celebrity appearances and particular standouts are: Salman Rushdie, Elizabeth Banks, F. Murray Abraham; and Hamilton creator Lin Manuel-Miranda. The latter hilariously clashes with Larry during the production of the Fatwa: The Musical. There are also some great gags relating to everyday observations including: Uber ratings; pickle jars; tipping; disturbances in kitchens; Asperger’s; plus many more. The episode, Running with the Bulls, with Bryan Cranston portraying Larry’s harangued therapist, was probably my favourite. It was also great to see The Mighty Boosh comedy nut-case Rich Fulcher make an appearance as an evasive Restaurant Manager. Overall, the season was pretty scatter-gun in it’s target humour but it certainly hit the mark throughout. I’m just amazed, in these liberal-PC-social-media-offence-driven times there wasn’t more controversy. Having said that Larry David probably wouldn’t care as in his own words, “I have reservations about everything I do.”

Mark: 9.5 out of 11