Tag Archives: low budget

UNDER-RATED CLASSICS #9 – WILD BILL (2011)

UNDER-RATED CLASSICS #9 – WILD BILL (2011)

Directed by: Dexter Fletcher

Produced by: Tim Cole & Sam Tromans

Written by: Dexter Fletcher, Danny King

Cast: Charlie Creed-Miles, Will Poulter, Liz White, Sammy Williams, Charlotte Spencer, Leo Gregory, Neil Maskell, Iwan Rheon, Olivia Williams, Andy Serkis etc.

Music by: Christian Henson

Cinematography: George Richmond

***MAY CONTAIN SPOILERS ***



With so much British filmmaking talent behind and in front of the camera being absorbed by the big film and television studios in America, and the lack of cash within the British film industry too, it’s rare that a British film gets made and then distributed properly. Even if a film such as the earthy London-set crime drama, Wild Bill (2011), does find its way to British cinemas it can be cruelly enveloped by the Hollywood film behemoth, swallowed up at the multiplexes and seen by very few popcorn guzzlers. Which is a damn shame as Wild Bill (2011) is a tidy, low-budget, and extremely under-rated classic in my book. Made for just £700,000 and directed by the now in-demand actor-turned-filmmaker, Dexter Fletcher, the film marries family conflict, humour, violence, South London gangsters all in a moving tale of redemption.

For the record, for me, an under-rated classic can be a film I love, plus satisfy the following criteria:

  1. Must not have won an Oscar.
  2. Must not have won a BAFTA.
  3. Must not appear in the AFI Top 100 list.
  4. Must not appear in the IMDB Top 250 list.
  5. Must not appear in the BFI 100 Great British films.
  6. Must not appear in the all-time highest grossing movies of list.

Unfortunately, Wild Bill (2011), does not meet any of these criteria. In fact, not many people have even heard of the film, let alone seen it. But it’s on Netflix so do try and catch it. Read on for some reasons why.



The main character nicknamed, portrayed by the excellent character actor, Charlie Creed-Miles, is the titular “Wild Bill”. He has just been released from prison having been a dealer and fighter and general menace to society. There is immediately tension because you wonder if the man will return to his bad old ways. Surprised to find his wife has buggered off to Spain, Bill is hardly given a warm welcome by his older son, Dean, as Will Poulter give another very mature performance. Indeed, Dean hates Bill, and while he is only fifteen, he has been the breadwinner looking after his young brother, Jimmy (Sammy Williams). Forced to stay together by Social Services, much of the film finds the father and son resisting, then attempting to find some common ground. The attempts at family harmony are not aided by the career thugs, including Leo Gregory and Neil Maskell’s characters, attempting to get Bill back on their crack dealing crew. It’s during such struggles that Bill strives to be positive and not return to his violent ways. However, there is only so far a man can be pushed.

Wild Bill (2011) is beautifully filmed with some fantastic London vistas as well as some gritty, urban locations to savour. Sure, the film also has a familiar set of character archetypes and narrative tropes. These include the ex-con trying to go straight, the tart with a heart, the local drug dealers terrorizing the estate, a teenage mum, estate kids getting pulled into crime, the white dealer who thinks he’s black; and the “Mr Big” crime boss played with threatening glee by Andy Serkis. Yet, the characters never become stereotypes as the writing and narrative avoid most of the cliches usually present in plain bad cockney gangster films. Ultimately, the writers, director and actors really make us care about Bill and his boys. I mean, after many false starts he really tries to make a go of it as a father. Bill may not have always made the best decisions in life, but he has guts and heart; very much like Wild Bill (2011) as a whole.


YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM YOUTUBE RELEASE

YOU HAVE A NEW FOLLOWER (2020) – SHORT FILM RELEASE

Hope you are well and safe!

Finally, I have decided to release my short film, You Have A New Follower (2020) on YouTube. It has been delayed due to the pandemic and other personal matters. It got several screenings at online and physical film festivals, however, not as many as hoped due to the outbreak of COVID-19.

I am very proud of the film as I have attempted to explore issues relating to mental health within the thriller genre. I hope it intrigues and interests you too. Below is link to the film and after that the credits and further film details.

You Have A New Follower (2020) – Fix Films Ltd


PITCH

“Watch your back…”

Astrid Nilsson’s life begins to unravel when she is stalked by a mysterious hooded figure.

You Have a New Follower (2020) is the latest short film from Paul Laight and Fix Films. It was shot in London and combines mystery, suspense and science fiction genres with dramatic effect. It’s a short, low-budget film which seeks to explore themes of paranoia, anxiety, and identity within the thriller genre.

CAST & CREDITS

Directed by: Paul Laight & Tilde Jensen
Cast: Tilde Jensen, Mitchell Fisher
Written and Produced by: Paul Laight
Camera: Petros Gioumpasis
Lighting: Sakis Gioumpasis
Sound: Marina Fusella
Editors: Oliver McGuirk, Petros Gioumpasis
Composer: James Wedlock
Sound Design: Simos Lazaridis
Location Manager: Melissa Zajk
Production Assistant: Lue Henner

SCREENINGS

The Fix Film Night, London – February 2020
Cineshots, London – March 2020
Lift Off Sessions, UK – March 2020 (Online)
Fabulosis Short Film Night, London – May 2020 (Online film night) Unrestricted View Horror Festival, London – October 2020 – (Online festival)
Horror of Damned, Italy – November 2020 (Online festival)
Lulea International Film Festival, Sweden – November 2020 – (Online in 2020 and hopefully in Sweden in September 2021)

Website: www.fixfilms.co.uk
YouTube: www.youtube.com/c/FixFilmsLtd

A FIX FILMS PRODUCTION © 2020


FILMS THAT GOT AWAY #9 – ONCE (2007)

FILMS THAT GOT AWAY #9 – ONCE (2007)

Written and directed by: John Carney

Produced by: Martina Niland

Cast: Glenn Hansard, Marketa Irglova

Original songs by: Glenn Hansard, Marketa Irglova and Interference.

Cinematography: Tim Fleming


**** MAY CONTAIN SPOILERS ****



I am not sure why I missed this film first time around, however, it’s most likely due to prior prejudices against musical or music-based films. Yet, since I married in 2016, I have began to watch and enjoy more musicals. This is mainly due to my wife being a massive fan of musical cinema and theatre. While it’s still not necessarily my favourite genre, every now and then an utter gem of a musical will emerge. John Carney’s beautifully moving love story between a hoover repair guy and a flower-selling girl, Once (2007), is certainly one of those.

John Carney is an honest filmmaker who is attracted to outsiders and people with real emotional turmoil. They tend to be at crossroads in their lives and are struggling either with their dreams or their relationships. He also loves musicians, flaws and all. In Begin Again (2013), a washed-up musical executive, portrayed by Mark Ruffalo, meets unhappy singer-songwriter, Keira Knightley and their first-world romance is played out to bittersweet consequences. Similarly, in Sing Street (2016), a troubled teenager comes of age through his 1980’s pop band and bittersweet romance with a rebellious and equally-troubled schoolgirl. Notice a pattern? Well, this style of music, gritty city backdrops and salty romances were established in Carney’s breakout hit, Once (2007).

Made for a ridiculously low budget of around $150,000, this ultra-realistic musical contains songs that burst with love and pain from the characters of Guy (Glenn Hansard) and Girl (Marketa Irglova). The two meet and connect, but this is no conventional romance as they both have powerful emotional histories between them. It’s the beautiful music and their authentic dialogue exchanges which drive the story. Hansard’s singing and guitar playing are so powerful and moving. Their duet in the music shop of the song, Falling Slowly is a tour-de-force. I was not surprised when I saw it had won the Oscar for best original film. Overall, Once (2007) is a surprisingly brilliant no-budget feature, shot on the streets of Dublin, which deservedly became a big hit.

Mark: 9 out of 11