Tag Archives: Short film

TOLERANCE (2019) – FIX FILMS SHORT FILM – ONLINE RELEASE

TOLERANCE (2019)

Last year I wrote, produced and directed my second short film called Tolerance. Post-production was carried out and completed including artwork and the music. It was finished earlier this year and I am now releasing the film online here.

SCREENINGS

TOLERANCE premiered at the Unrestricted View Film Festival, London in April 2019. Also, it was nominated for best art direction award at http://www.uvff.co.uk.

Also screened at:

Fix Films Ltd Film Night, London, March 2019
UK Monthly Online Film Festival, April 2019
Lift-Off Online Sessions, Pinewood Studios, April 2019
Direct Monthly Online Festival, April 2019

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PITCH

Tolerance is a story of obsession, revenge and murder. It concerns a dinner “date” which takes a murderous turn. Inspired by narratives by Hitchcock Presents, Tales of the Unexpected and Inside No. 9, it suspensefully examines both personal and societal issues when a relationship breaks down.

On the surface it is essentially a suspensful thriller and dark comedy. However, within the subtext I attempt to examine the harm people inflict on each other with their relationship choices. Lastly, with the recent #MeToo furore that correctly highlighted the horrendous toxicity of human behaviour, I wanted to consider wider concerns of gender politics.

CAST AND CREDITS

Written and directed by: Paul Laight
Starring: Georgia Kerr and Patrick Tolan
Sound: Marina Fusella
Camera: Edward Lomas
Lighting: Kato Murphy
Make-Up: Camille Nava
Music: James Wedlock
Editor: Jodie Williams
Set Designer: Melissa Zajk

Running Time: 13 minutes – 52 seconds

Website: http://www.fixfilms.co.uk

A Fix Films Production © 2019

MY CINEMATIC ROMANCE #17 – SPIKE LEE

MY CINEMATIC ROMANCE #17 – SPIKE LEE

Shelton Jackson “Spike” Lee has been a prolific actor, director, producer and polemicist for some time now. An ultra talented and outspoken cinematic artist, he has directed thirty fiction and documentary films since his debut feature film She’s Gotta Have It (1986). Plus, all manner of promos, commercials, music videos, short films and television series.

To celebrate his work and the fact he finally got recognised for his amazing filmmaking skills by the Oscars this year, I would like to highlight, five of his finest films that are worth watching and rewatching. An energetic firebrand of a director he has made films in many genres and is a risk-taker in subject, theme and style. Whether you agree with what he has to say he is a filmmaker who is always creating situations and characters who must be heard. Here are some great examples of his cinematic work.

**MAY CONTAIN SPOILERS**

DO THE RIGHT THING (1986)

Spike Lee’s incendiary look at the day in the life of a Brooklyn neighbourhood finds a variety of characters coping with both rising temperatures and simmering racial tension. Lee’s brilliant script is fully of boldly written and brightly sketched characters presented via a succession of hilarious and dramatic vignettes. The formal excellence on show too from Lee is to be applauded as he uses devices from: music video and cinema to tell his rich stories. The day does not end well as the neighbourhood erupts into tragic violence with Lee proving himself adept at balancing humour, politics and tragedy in equal measure.

MALCOLM X (1992)

Arguably, Malcolm X (1992), is Spike Lee’s most significant and impressive film. It charts the life and death of a man born Malcolm Little who would grow to be anything but. After a troubled childhood he became a drug dealer and criminal in order to survive. Having converted to Islam he rejected his slave roots, going on to become one of the most outspoken voices against black oppression the world has ever seen. The project took decades to come to the screen and Lee and Washington both faced objections from many parties for their involvement. However, the finished film a masterful biography capturing the spirit of an intelligent, passionate and outspoken individual trying to right the wrongs within American society and history. Both Lee and Washington should have won Oscars for their work. The film stands ultimately as a fine cinematic tribute to a true spokesperson for a generation.

HE GOT GAME (1998)

From my basic research Spike Lee is revealed to be a New York Knicks fan. It’s no surprise then his love of basketball really shines through in this mix of sport, crime and personal drama. The story follows young hot-shot basketball prospect, Jesus Shuttlesworth, and the decision he has to make in regard to which college he goes to. On paper it’s Jesus’ choice but in reality he has all manner of people attempting to influence him. These include: his girlfriend, his coach, agents, local gangsters and most pressing of all, his jailed father portrayed by Denzel Washington. Ray Allen is excellent as Jesus and Lee invokes an empathetic character study with lashings of verve and style.

INSIDE MAN (2006)

Spike Lee directs in confident style, with Denzel Washington and Clive Owen both excellent as the lead cop and main criminal. Jodie Foster is brilliant too as a venal fixer brought in by Christopher Plummer’s bank owner. What makes Lee’s direction ping here is his deft handling of a complex structure within the heist genre. Moreover, Lee demonstrates he is able to convey a genre story with impeccable skill and deliver fine screen performances to boot. I especially loved the diversity of the supporting characters and the film oozes a pure New York atmosphere throughout.

BLACKKKLANSMAN (2018)

BlacKKKlansman (2018) is a complex film which expertly mixes many genres, infusing musical, thriller, Blaxploitation, comedy and documentary styles, making it a joy to experience. Spike Lee has never been afraid of experimenting and sometimes his films have not worked because of it. However, with this he succeeded in making one of the best films of 2018. It should have won Best Film Oscar in my view. It is thought-provoking but never preachy for the sake of it and uses humour most often as a weapon to undermine the senseless ideologies of the KKK. Indeed, in ridicule there is hope they may eventually be side-lined to the shadows of history.

MOUNTVIEW SHORT FILMS RETROSPECTIVE #3 – 2010

MOUNTVIEW SHORT FILMS RETROSPECTIVE #3 – 2010

Between the years of 2008 and 2011, I did some screenwriting work for the Mountview Film Academy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Writers would be shuttled in and given a remit to create short films using specified actors, locations and length of film. Some work better than others and here are three I wrote in 2010.

2010

What an interesting year. Personally, I had my fortieth birthday, changed jobs and my son turned ten years old. I am still at that current job and my son is now eighteen! Yikes: time is a relentless bastard!

In the world of culture, society, news and media there were some fascinating stories in 2010. Snow and ice dominated headlines in the beginning and end of the year. Tony Blair gave evidence to the Iraq enquiry while Dennis Hopper and Alexander McQueen sadly passed away. Ash from Iceland burst the air and disrupted flights all over Europe, as the Deepwater Horizon platform exploded off the Gulf of Mexico.

Later, Labour would lose the election to a Conservative-Liberal Democrat coalition; while Rauol Moat went on a kill crazy rampage in the North-East of England. Chilean miners got trapped underground, while Julian Assange and Wikileaks also hit the headlines. Finally, most importantly of all, Matt Cardle won The X Factor.

DYING AND KILLING (2010)

This short comedy drama centres on a stand-up comedian who wreaks revenge on a heckler who verbally destroys her set.

I would have to say this is close to being my favourite student short film of the lot. It has a great premise and is very funny. The student actors involved are brilliant and it is directed with style by Jonathan Wolff. As a semi-pro comedian myself I know what it’s like to fail on stage and the film captures that emotion well.

A GOOD CAUSE (2010)

This short romantic comedy-drama centres on a romance between a businessmen and a charity worker that takes a twisted turn.

While the actors do their best with this idea I don’t think the story is particularly sharp. Indeed, the premise feels unfocussed and the direction cannot mask the faults in the script. Having said that the actors are pleasant and the twist is funny, if a little bizarre. Overall, a bit more rehearsal and a re-write may have tightened the film a tad.

REAP (2010)

This short sci-fi drama centres on a ‘Reaper’ (a person who transfers souls to the ‘other side’), having to make a life and death choice.

I basically wrote this in an afternoon as an emergency script was required by Mountview, after another one fell down at the last minute. Clearly riffing on The Matrix, the film looks and feels too generic and the script is pretty weak. However, there is a decent idea in here which could be worth building on. The actors do well with the formulaic material but not one of my better scripts.

FIX FILMS RETROSPECTIVE #6 – THE CHESS GAME (2012)

FIX FILMS RETROSPECTIVE #6 – THE CHESS GAME (2012)

TITLE: THE CHESS GAME (2012) – short film (15 mins)

TAGLINE: “Not all of us are destined to be Kings!”

DIRECTOR: Gary O’Brien

WRITERS/PRODUCERS: Paul Laight and Gary O’Brien

CAST: Philip Delancy, Bill Thomas, Tyrone Atkins, Bobby Freeman and Andy Davies

I haven’t written one of these short film retrospectives for a while but I thought I’d look back on my sixth short film – The Chess Game – and how it came to be made.

We hadn’t written or produced a film since 2008 when Elephant Trunk (2008) was released. Looking back it was for a mixture of personal and financial reasons. I mean making short films is a passion but sometimes the amount of work you put in can sometimes be the only reward. It is pleasing to complete a film but then what do you do? With Elephant Trunk (2008) I should have tried to get it into more festivals but ultimately I did not market it well enough. Moreover, I’d started doing more stand-up comedy as a creative hobby so decided to commit to that for a few years. I basically did not have enough time for filmmaking, especially with other family and work commitments.

In 2012, my filmmaking partner, Gary got in touch and quite rightly said it was about time we got back on the horse, as it were, thus we began working on the script that would become The Chess Game (2012). He had a basic premise of a seemingly harmless person living in a village fully integrated into the community. However, that said individual was actually hiding a secret past.  We wrote the screenplay and, in terms of its length, became an ambitious thriller focussing on themes of guilt, revenge and war. It starts simply with the offer of a ‘friendly’ chess match between two strangers and spirals into a game of cat and mouse culminating in a deadly end game. Arguably, the story would probably have suited a Tales of the Unexpected half-hour length but we felt, given the lack of budget, we could do it justice at fifteen minutes.

Once we were happy with the script we raised the very low budget from independent sources and set about casting. We decided to use the talented Phil Delancy, who we’d worked with before and could be trusted to deliver a great performance. We also cast three excellent actors I knew from the comedy circuit in Tyrone Atkins, Andy Davies and Bobby Freeman. With regard to the lead role of Viktor, we knew we’d have to cast someone of great experience. Here was a character with charm keeping a dark secret close to his chest. Eventually, we cast seasoned professional Bill Thomas; an experienced screen actor who had been in many television and film roles including: The House Of Eliot, Cutting It, The Bill, Doctors, Holby City, Pusher (2012) and Alice Through the Looking Glass (2016) etc.

The rehearsal process was fantastic as myself, Gary, Phil and Bill really stress-tested the story and characters. Conversely, it was a script which changed a lot prior to production; not in terms of structure but rather the development of the characters’ motivations. Ultimately, the production would be a very successful shoot over two weekends in Oxfordshire. The story itself stands up to a re-watch as it twists and turns to a big reveal. My only regret is the end of the shoot was a bit rushed, however, the cast and crew were amazing and I think the film is not too bad, despite being shot on a shoestring budget.

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MOUNTVIEW FILM ACADEMY RETROSPECTIVE #1 – THE BLACK ROOM (2008)

MOUNTVIEW FILM ACADEMY RETROSPECTIVE #1 – THE BLACK ROOM (2008)

A rather indulgent post this!!  

Between the years of 2008 and 2011, I did some screenwriting work for the Mountview FilmAcademy; a filmic extension of the Mountview Academy of Theatre Arts. Based in London, they would produce a number of student acting projects including many low budget short films. Notable Mountview Alumni include: Craig Parkinson, Eddie Marsan, Lois Chimimba, Connie Fisher, Douglas Henshall, Rebecca Trehearn and many more.

Writers would be shuttled in and given a remit to create short films using specified actors,locations and length of film.  In 2008, I wrote a film called THE BLACK ROOM. It featured some talented actors and was directed by Jonathan Wolff. It’s a black comedy farce, concerning a writer who is struggling so much to write a period drama he starts to go a bit mad.

Watching the film back after ten years is interesting from a creative perspective. I actually think it works really well still and the story holds up despite the very low budget. Indeed, in places I still think the short film is pretty funny; echoing, on a very minor level, Charlie Kaufman’s meta-textual work in the film Adaptation (2002). Anyway, here it is:

FLATMATES (2018) – A short horror film release

FLATMATES (2018)

“The cost of LIVING just got higher!”

The low budget short horror film I completed in February 2018 is now ready for an online release. Please check it out here and feel free to share.

PITCH

SARAH TENNANT moves into the ‘perfect’ rental property; only to find she’s sharing with an unwanted flatmate.

INFORMATION

Flatmates (2018) is the latest short film from Fix Films. It’s a contemporary ghost story which warns of the perils of flat-sharing, unscrupulous Estate Agents and haunting loneliness.

CAST

Melanie Gayle, Tilde Jensen, Georgia Kerr, Caitlin Scott.

CREW

Writer / Director: Paul Laight

Camera: Edward Lomas

Sound: Marina Fusella

Gaffer: Kato Murphy

Make-Up: Angie White

Editor/Post: Gary O’Brien

Assistant Director: Ben Pendrey

RUNNING TIME

7 minutes

COMPLETED

February 2018

BACKGROUND

Fix Films are a filmmaking collective consisting of dynamic duo Paul Laight and Gary O’Brien. Since 2005 they have been involved in the creation of many short films and promos.  They self-produce, write, direct, edit and score their own films to a very high standard despite the low budgets. They are true independent filmmakers. Flatmates is Paul’s first directorial effort.

WEBSITE

www.fixfilms.co.uk

THE HOLY CORE – A STAR TREK FAN FILM – PRODUCTION UPDATE

THE HOLY CORE – A STAR TREK FAN FILM – PRODUCTION UPDATE

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Just a quick update to say that another short screenplay I have co-written has just been funded and has entered the pre-production phase. It’s a follow up to our Star Trek fan film Chance Encounter called The Holy Core.

Alas, the Kickstarter campaign did not reach its target but out of the blue a private donor gifted the full budget to enable Gary and Fix Films to make the production a reality.

So, we are very grateful to the donor and to everyone who contributed to the Kickstarter campaign and look forward to making The Holy Core.

It is an exciting script which we would describe as a thoughtful science fiction adventure story examining the values of faith and science set against a backdrop of religious fanaticism and romantic love.

Check out our website here:

Here’s Gary with the most recent Holy Core update. Live long and prosper!