Tag Archives: Lucio Fulci

ARROW VIDEO – GOOD , BAD AND WEIRD FILM REVIEWS!

ARROW VIDEO FILM REVIEWS!

In keeping with my theme of branching out and watching different subscribers, last month I paid around £4.99 extra for the ARROW VIDEO CHANNEL via AMAZON PRIME. This gave me access to a whole host of good, bad and very weird films. There are some newish films on there, but mainly the channel contains vintage horror, arthouse and cult movies. This was a good old trip down memory lane for me as it meant I re-watched loads of films which were considered part of the 1980’s “video nasties” era. I also watched a number of films I had never seen before.

If you didn’t know ARROW FILMS is a leading independent entertainment distribution company. Established in 1991, it is dedicated to supporting upcoming and established filmmakers of dynamic new cinema and developing a slate of fantastic films from all around the globe. Moreover, they are also a leading restorer of classic and cult films and enjoy releasing anniversary celebrations of landmark titles. You’ll find some films of both incredible and dubious quality. Safe to say though, such releases are never boring. Lastly, ARROW are never frightened to distribute films previously banned, unreleased or heavily censored. They are true pioneers in the world of cinema. Check out their website here!

***MAY CONTAIN SPOILERS***



THE HORROR! THE HORROR!

If, like me, you love horror films then an Arrow subscription is essential. But before I get onto those, they also have a decent roster of world cinema films. Directors such as Krzysztof Kieślowski, Alejandro Jodorowsky, Susanne Bier, Thomas Vinterberg, Marjane Satrapi, Vittorio De Sica, David O. Russell, Hirokazu Koreeda, Richard Kelly, Bruce Robinson, Rainer Werner Fassbinder and Nagisha Oshima have many of their works distributed by Arrow online and via DVD or BLU-RAY. Indeed, I recently watched and loved Kieslowski’s BLIND CHANCE (1987) and Oshima’s MERRY CHRISTMAS MR LAWRENCE (1983). on the Arrow channel.

Yet, it was mainly the horror and cult movies I concentrated on during my month’s sojourn into Arrow’s back catalogue. Thus, here are some mini-reviews and marks out of eleven for the numerous films I watched.


THE BEYOND (1981)

Insane, surreal and with some incredibly gory deaths, this is perhaps Lucio Fulci’s most illogical, but brilliant film. The imagery and music collude to both sicken and chill in equal measures. It also has one of the most haunting final scenes in horror cinema. Mark: 8 out of 11


THE BLACK CAT (1981)

A truly dreadful adaptation of Edgar Allan Poe’s story which is contemporised badly by Lucio Fulci and his scriptwriters. I dislike cats generally and this revenge story does nothing to appease such negativity. Mark: 2.5 out of 11


THE BURNING (1981)

Pretty decent gore-fest which, while written before FRIDAY THE 13TH (1980), suffers mildly in comparison to that murdered-teenagers-at-camp classic. Famous for being produced by the Weinstein’s and early acting appearances from Jason Alexander, Fisher Stevens and Holly Hunter. Mark: 7.5 out of 11


CONTAMINATION (1980)

Truly terrible, but actually “so-bad-it’s-entertaining” mash-up of ALIEN (1979) and the 007 Bond franchise. Dodgy effects, acting and dubbing make this Italian B-movie laughably enjoyable. Mark: 5.5 out of 11


The Beyond (1981)

DON’T TORTURE A DUCKLING (1972)

An earlier Lucio Fulci film which actually has a decent plot and some disturbing, but compelling scenes and themes. Centred amidst a rural Italian setting, a murderer is running amok killing the village children. A reporter sets out to uncover the murderer as villagers begin to suspect the kids died at the hands of witchcraft. Mark: 7.5 out of 11


THE EXTERMINATOR (1980)

I used to revel in this nasty B-movie revenge film as a teenager. The school yard would have hives of thirteen-year olds chattering about the Doberman attack scene, pimps set on fire and the gangster killed in a meat grinder. Watching it back now, it truly is a terrible piece of filmmaking and an extremely lurid viewing experience. For all its derivative faults, I still loved it! Mark: 7 out of 11


HELLRAISER (1987)

Clive Barker’s cult horror classic is not so much about narrative coherence, but an assault on the senses. That damned mysterious and devilish “Rubik’s cube” is opened, giving way to a whole host of demonic monsters breaking Earth’s dimensions and threatening an Anglo-American family. Powerful visuals, incredibly effective prosthetics and brilliant nemeses in Frank and Pinhead, make HELLRAISER (1987) an extremely memorable low-budget horror cult classic. Mark: 8 out of 11


HELLRAISER II: HELLBOUND (1988)

A direct sequel to the original, but without Clive Barker directing this time unfortunately. HELLBOUND (1988) has some wonderful gore and monstrous moments as Kenneth Cranham’s mad doctor opens up the hellish gates to the beyond. But the surreal storytelling is so deranged and ridiculous I was just laughing by the end. Mark: 5.5 out of 11


Hellraiser (1987)

MANIAC COP (1988)

I love a lot of Larry Cohen’s work, but this is arguably only a minor B-movie script from him. The clue is in the title really as a vengeful cop goes on a kill crazy rampage in the dark recesses of the city. Notable for Bruce Campbell’s turn as a bemused cop suspected of the crimes, plus the impactful silent giant of a killer. Mark: 6 out of 11


THE NEW YORK RIPPER (1982)

While I do not agree with censorship as a rule, I can see why this Lucio Fulci United States shocker was banned in Britain for many years. It is disgustingly violent and misogynistic, verging on pornography in many scenes. The biggest crime is it’s so badly made from a capable filmmaker. Avoid at all costs! Mark: 1 out of 11


RAWHEAD REX (1986)

A gigantic phallic cock-monster called ‘Rawhead’ is woken near an Irish village and kills anyone who gets in his way. Another Clive Barker short story gets a film adaptation and this is awful in every way! Barker hated it and that led to him taking more control of HELLRAISER (1987). Lacking narrative context and even basic filmmaking skills, we are in the “so bad it’s hilarious” camp here. Mark: 3 out of 11


RED EYE (2005)

A rare diversion away from the horror genre finds Wes Craven directing Cillian Murphy, Rachel McAdams and Brian Cox in this fast-paced airplane-set thriller. I had never seen this film before as McAdams and Murphy provide committed performances while possessing excellent on-screen chemistry. Extremely suspenseful for the most part until it gives way to huge explosions and shootouts at the end. Great fun overall! Mark: 7.5 out of 11


Rawhead Rex (1986)

TENEBRAE (1982)

I have to admit that I am not a big fan of Dario Argento’s films generally. I find them imaginative, but mostly loud and nonsensical. Moreover, they have little in the way of suspense or actual scares. TENEBRAE (1982) is another empty Argento exercise in misogyny and style-over-substance as an American writer finds himself pitted against a vicious killer copying murders from his novels. There are some decent horror moments, but the twist is too self-knowing and ridiculous to not find laughable. Mark: 6 out of 11


THE WITCH THAT CAME FROM THE SEA (1976)

Now, this is a weird film. Part-revenge-part-feminist-part-porn-part-horror story that was also banned in Britain as a video-nasty. Millie Perkins gives a haunting performance as a psychologically damaged individual, who is so disturbed by a childhood trauma she kills when in sexual congress. It’s almost a really good film because the characterisation and motivation is well conceived. However, it’s also rather eccentrically acted and directed in places, so approach with great caution. Mark: 6 out of 11


ZOMBIE FLESH EATERS (1979)

This classic zombie exploitation from Lucio Fulci is one I’ve seen many times. While not quite as good as the Romero classics in terms of story and theme, it has so many unforgettably bloody scenes. The moment when a zombie attacks a shark is a horror set-piece you will never forget. As Fulci rips off Romero he spins the undead genre into a frenzy with relentless dirt, maggots, sinew, bone and guts on screen, all the while accompanied by a creepy score by Giorgio Tucci. Mark: 8 out of 11


ZOMBIE FOR SALE (2019)

The most contemporary film I watched from Arrow Video is a riotously funny and moving rom-zom-com from Korea. A rural family find a way of making money out of a zombie who has escaped a science laboratory, however, their get-rich-quick-scheme backfires with bloody hilarious results. While it is overlong, it benefits from a clever script and excellent acting, although it over-does the slow motion scenes and jarring narrative tonal switches. Mark: 8 out of 11



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SHUDDER HORROR FILM REVIEWS – EXTREME!

SHUDDER HORROR FILM REVIEWS – EXTREME!

I’m continuing the Shudder film review residency here on my site with this post. However, as I watched so many horror films on the channel recently, I have decided to break them down into categories. This one is called Extreme!

Essentially the films reviewed here are — because of their content, style or both — prime examples of nasty, violent, sickening and in some cases extremely depraved horror movies. So, be warned do not watch these films, unless you have a strong emotional constitution and actually enjoy witnessing graphic scenes of gore, sex and bloody mayhem.

For your information, the films are reviewed in order of my rating, which as usual is out of eleven.



REVENGE (2017) – DIRECTED BY CORALIE FARGEAT

Featuring a B-movie rape and revenge plot, this exploitation story is raised way above its subject matter due to ultra-stylish direction, gorgeous cinematography and a compelling lead performance by Matilda Lutz. She portrays Jen, an aspiring actress, who is on a weekend getaway with handsome boyfriend (cheating husband), Richard (Kevin Janssens). He seems very well off as their break takes place at a stunning isolated villa location. However, things go awry when two of his hunting buddies turn up, and one, Stan (Vincent Colombe) attacks Jen while Richard is out. From then on events twist from incredibly bad to worse for Jen, and she finds herself being hunted down in the blazing heat of the desert. The film looks absolutely incredible with amazing photography and colour design. Overall, what it lacks in story and characterisation though, it more than makes up for in stunning action, searing violence and a powerful critique of toxic masculinity.

Mark: 8 out of 11


TERRIFIER (2016) – DIRECTED BY DAMIEN LEONE

I saw this horror film appear in a post on the YouTube channel What Culture Horror. So, the story of a demented clown who never speaks and slashes people to death on Halloween definitely piqued my interest. It’s both extremely violent and low-budget, having been made for around $100,000. However, it is in fact impressively shot and edited for such a small amount of money. The gory effects are amazingly effective too, summoning up memories of 1980’s prosthetic film effects. There is no real subtext or thematic strength, but I was pretty tense and sickened throughout. Moreover, the clown called Art is a memorably monstrous creation. He kills without reason and purely for his own entertainment. Nihilistic in tone, the director sure knows his horror and delights in presenting many sick ways of murdering his characters. Thus, if you like disembowelling, strangulation, burning, beheading and other gruesome movie deaths then, Terrifier (2016), is worth watching from behind the safety of the sofa.

Mark: 7.5 out of 11



CITY OF THE LIVING DEAD (1980) / THE HOUSE BY THE CEMETERY (1981) – DIRECTED BY LUCIO FULCI

Filmmaker, Lucio Fulci, is often found lurking in the shadow of Italian horror filmmakers such as Mario Bava and Dario Argento, however, he truly knows how to frighten and sicken the life out of an audience. So much so he has been given the nickname, ‘Godfather of Gore’. As well as directing many films, notably, Zombie Flesh Eaters (1979) and The New York Ripper (1982), he is infamous for his “Gates of Hell” trilogy which included: City of the Living Dead (1980), The House By the Cemetery (1981) and The Beyond (1981). I re-watched the first two recently and while not as terrifying as when I saw them in the past, they still have the power to shock. While lacking coherent plots, containing pretty bad acting and some chronically dreadful dubbing in places, paradoxically Fulci’s films can arguably be considered surreal horror classics. They may not make any narrative sense, but his ability to create stunningly violent set-pieces is legendary. Memorable scenes include: the spewing of intestines, crawling maggots, hanging priests, drilled brains, chopped heads and monsters rising from basements and graves. Such imagery and dreaded moments — all set to a creepy synth soundtrack — make Fulci’s movies unsettling viewing experiences.

Mark: 7 out of 11


ISLAND OF DEATH (1976) – DIRECTED BY NICO MASTORAKIS

Not only is this one of the sickest films I have seen, it is also one of the most appalling I have sat through. Having said that, that is in fact what Greek director Mastorakis, based on what I’ve read, set out to do. The story, if you can call it that, focusses on a couple called Christopher (Robert Behling) and Celia (Jane Lyle) who go on a sex-driven-kill-crazy-honeymoon-rampage on the Greek island of Mykonos. If you can get past the couple having sex in a phone booth while telephoning his mother, and stomach Christopher raping a goat before killing it, then do watch the rest of this conveyor belt of pornographic sex and violence. By the end, I was stunned to silence at how sick the film was.

Mark: 1 out of 11


TETSUO – THE IRON MAN (1989) – DIRECTED BY SHINYA TSUKAMOTO

Lauded as a low-budget Japanese extreme body horror cult classic, Tetsuo: The Iron Man (1989), is either the work of a genius or a complete madman. Filmmaker, Shinya Tsukamoto, deserves so much praise for literally making most of the film in his own house and paying for it out of his own pocket. Yet, the thumping industrial soundtrack, jump-cutting-stop-motion style and story of metal invading the body, soul and mind of various characters was too f*cked-up, even for me. I know it gets mentioned as a work of genius, but it was frankly unwatchable. Thankfully, it’s only sixty-seven minutes of hell to get through.

Unmarked!

SCREENWASH REVIEWS: FEBRUARY 2015

SCREENWASH REVIEWS: FEBRUARY 2015

Ola!   Hope you’re well. Here’s another wash-up of movies I saw in the month of February at the cinema, on Blu-Ray or streamed via Netflix et al.  In alpha order.

***THERE BE SPOILERS AHEAD***

300: RISE OF AN EMPIRE (2014) – SKY MOVIES

This sequel/sidequel is an adequate facsimile of the muscular and far superior original adaptation of Frank Miller’s 300. It’s a teenage boy’s wet dream with bloody ultra-violence and often-topless Eva Green’s war-whore Artemesia taking centre stage amidst the carnage. Once again the Greeks and Persians go to battle but this time at sea as greased-up, muscle-ripped men-in-pants knock the crap out of each other. Eva Green aside this film lacks the star quality of the first one as well as a consistent narrative as it takes an age to establish its cardboard characters prior to the well-orchestrated battles.

CITY OF THE LIVING DEAD (1980) – AMAZON PRIME

I’ve said this before but Lucio Fulci’s films are horror classics and should be given more respect in my view. They have creepy music, horrific images and tense atmosphere that are the stuff of nightmares. If surrealist genius Luis Bunuel had directed horror films they would have resembled Fulci’s oeuvre. With a dreamlike narrative City of The Living Dead unleashes hell when a priest commits suicide in Dunwich causing a series of memorable horror moments including characters: being buried alive; throwing intestines up through the mouth; bloody-eyed zombies wreaking havoc; brains impaled on a lathe and many more horrible deaths.

CRANK 2: HIGH VOLTAGE (2009) – NETFLIX

This stupid but highly entertaining movie-come-live-action-videogame once again has Jason Statham getting up to all kinds of shenanigans to keep his ticker (in this case an electric heart contraption) going or he dies. Cue the killing and torture of gangsters aplenty in a high-octane offensive speedy comedy-actioner.


DELIVER US FROM EVIL (2014) – BLU RAY

Eric ‘Chopper’ Bana finds another functional film on his CV as director Scott Derrickson fails to reach the horror heights of his previous film Sinister (2012) in this cop-meets-exorcist thriller. Some decent scares along the way and Sean Harris is excellent as the man-possessed, but it’s nothing we haven’t seen before.

IT FOLLOWS (2014) – CINEMA

IT FOLLOWS is a very good film with great music and well-constructed composition of shots plus a really good central premise. So, basically a curse is passed sexually between suburban teens and if you have it an entity hunts you down to a grisly death. I very much enjoyed it and felt very tense throughout. The problem is there’s so many bad films around when a good one comes along the critics go crazy for it. In short: a fine teen frightener compared to much of the crap around but it was too subtle especially at the end when I wanted a bloodier finale. However, the Director is definitely one worth following.

KINGSMAN: THE SECRET SERVICE (2014) – CINEMA

Having seen four kind of serious Oscar-worthy films in January I watched the spy-action-comedy-Bond-parody KINGSMAN: THE SECRET SERVICE (2014) finding it bally brilliant fun. While I like some of the more serious comic book adaptations this is a blast from beginning to end with jokes and violence aplenty. Pitch perfect pace and delivery by cast and crew as the script hybridizes kitchen sink, action and spy genres. I was especially pleased they didn’t squeeze out the bloody action and make it a 12A as the Marvel, DC and Peter Jackson films have done in the last few years. THAT scene in the “Church” is a case in point and is certainly one you won’t forget in a hurry. To quote the parlance of our age: “The film is well sick, bruv!”

 

JOE (2013) – NETFLIX

Nicolas Cage is outstanding and on very restrained form as the working class lead of this depressing character study. It shares similar traits with MUD (2012) where McConaughey’s criminal bonds with local kids but this is a whole different beast as it features: alcoholism, dysfunctional families, inner rage and general abuse against humans. Overall, existential despair prevails in a genuinely gruelling experience that very much haunts the viewer.

ONLY TWO LOVERS LEFT ALIVE (2013) – BLU RAY

Jim Jarmusch’s elegant vampire film is so slow-moving I ended up finishing it the day before I started watching it. Tom Hiddleston and Tilda Swinton are the best thing about this character study about the inertia of immortality. I enjoyed many of the rock and music references and the subtext of virulent human blood killing off the undead but it was too ponderous overall to recommend to anyone. For hard-core Jarmusch fans only.

OUT OF THE FURNACE (2013) – NETFLIX

A terrific cast including: Bale, Harrelson, Saldana, Defoe and the always impressive Casey Affleck feature in this steely drama. It centres on two brothers (Bale and Affleck) just trying to get by in a run-of-the-steel-mill Pennsylvanian town. Tension comes from Affleck’s gambling losses which culminate in his taking up bare-knuckle fist fighting to pay off debts. Woody Harrelson chews up the scenery as the dominant nemesis and while some of the narrative turns don’t quite fit it’s pretty gritty and Bale is on good form as the brother trying but failing to maintain a normal existence.

PREDESTINATION (2014) – CINEMA

I think most time-travel films are paradoxical by nature and holes can always be found in the logic but as a time-travel/thriller genre film Predestination worked really well providing an intriguing gender-political angle too. The nature of the loner and finding love for others and oneself was also an interesting theme plus the inevitability of fate was there in the subtext too. It may completely fall apart on subsequent viewings but for the running time it offered a lot more than many other star-driven, big-budget movies. Even though I enjoy seeing stuff blown up on screen I do love a brain-twister too.

Thus, if you like any of the following: TimeCrimes (2007), Looper (2012), The Adjustment Bureau (2011), Time After Time (1979), Back to the Future (1985), The Terminator (1984), Doctor Who etcetera… then do watch this one. It’s a fine low-budget time-travel film starring Ethan Hawke and breakout performance from brilliant Sarah Snook.


ROCK ‘N’ ROLLA (2008) – SKY MOVIES

Guy Ritchie’s big budget upgrade of Snatch (2000) is a shiny and stylish gangster folly full of British talent including: Tom Wilkinson, Toby Kebbell, Mark Strong, Tom Hardy, Gerard Butler and Idris Elba; with Thandie Newton keeping the testosterone levels down in a decent knockabout bit of fun.

SELMA (2014) – CINEMA

This is political storytelling of the highest order with David Oyelowo brilliantly portraying one of the greatest humans that ever lived: Martin Luther King. Tom Wilkinson is also superb as political rival Lyndon B. Johnson as the two lock horns over King’s pursuit of the equal rights vote for African-Americans. This is a moving story of injustice and violence at the heart of America’s recent past as King and his brothers and sisters fight the good fight for one of the most basic of democratic rights. Lives were lost and blood was shed but above it all Martin Luther King is shown to be a majestic force in the righteous fight which culminates in a ground-breaking march from Selma to Montgomery in Alabama, 1965. I was very ill watching this but it is fantastic filmmaking with sterling performances and an in depth examination of a vital part of American history.

THE VILLAGE (2004) – SKY MOVIES

M. Night Shymalan’s recent films have been panned and bombed at the box office and very much lost the plot. Some might say that that the rot set in with The Village but I really like this movie. I like the design, colour, pace, acting, direction, horror, romance and central premise. Arguably it hangs by a thread in regards to plausibility but on a re-watch it was genuinely tense and had so much atmosphere I was captivated by the whole narrative. Joaquin Phoenix and Bryce Dallas Howard shine as two lovers trapped in the village by the threat of strange beasts and the elders who know an incredible secret.

My Top Three Bestest Films that I enjoyed for February were (in alpha order):

  1. KINGSMAN
  2. PREDESTINATION
  3. SELMA