Tag Archives: Brass Eye

FILMS THAT GOT AWAY #12: THE DAY SHALL COME (2019) + SIX OF THE BEST #29 – CHRIS MORRIS THINGS YOU MUST WATCH!

THE DAY SHALL COME (2020) – FILM REVIEW

Directed by:  Chris Morris

Produced by: Iain Canning, Anne Carey, Emile Sherman

Written by: Chris Morris, Jesse Armstrong

Cast: Marchánt Davis, Anna Kendrick, Danielle Brooks, Kayvan Novak, Denis O’Hare, Jim Gaffigan etc.



Chris Morris is a bona fide genius. A natural prankster, a fearless satirist, writer, actor, producer, director and enfant terrible of radio, television and more recently cinema. He has been suspended by Greater London Radio and by the BBC and described by the Daily Mail as “the most loathed man on TV.” Which to me is a highly positive thing. Moreover, Morris is genuinely one of my cultural heroes and certainly one of the funniest artists to have graced the planet.

Morris’ latest cinema release is called The Day Shall Come (2019), and given I am such a fan of his work it did not make any sense why I have only just seen the film. Perhaps I had seen some negative reviews or maybe it was released at the same time as the London Film Festival in 2019? Thus, it meant I could not find time to watch it. Anyway, the story is somewhat of a mixed bag and definitely not as focussed or blisteringly funny as Morris’ prior directorial masterwork, Four Lions (2010). Centring on the idiotic efforts of the F.B.I’s terrorist taskforce to bring down targets that threaten United States security, operative Kendra Glack (Anna Kendrick) and her boss, Andy Mudd (Denis O’Hare) pull focus on Marchánt Davis as Moses Al Shabaz, an impoverished preacher, running the hapless ‘Star of Six’ commune. Moses, who is possibly bi-polar, is a likeable fool with delusions of grandeur, however, the FBI decide he is a threat and try to fit him up in many farcical scenes of entrapment.

There are funny moments and some delightfully bizarre dialogue exchanges. Furthermore, Davis excels in his role as the eccentric Moses and the under-used Danielle Brooks brings much needed humanity to her role as his wife. However, the film is full of mostly unlikeable and unlikely characters, meaning Morris’ satirical bullets rarely hit their target. Kendrick is miscast and while there are a few laugh-out-loud moments throughout, I just felt like the script was continually trying to squeeze square blocks into round holes. I even watched it twice to see if maybe I had missed something first time round. Goes to show even for a creative magician such as Chris Morris, certain tricks don’t always come off.

Mark: 7.5 out of 11


SIX OF THE BEST #29 – CHRIS MORRIS THINGS YOU MUST WATCH!

NEWSREADER: The main stories so far: Jimmy Savile drops dead at the Stoke Mandeville Boxing Day bash—but the patients are far from mourning.

CORRESPONDENT: The majority, if not all of them, are extremely relieved that he’s now dead, although I suspect that some of them will be sorry that he didn’t suffer a great deal more.

— The Chris Morris Music Show, 16 December 1994


While The Day Shall Come (2019) does not reach the dizzy heights of Chris Morris’ best output, it is still a highly thought-provoking critique of American law enforcement practices. Arguably though it misses more marks than it hits. Here are six of the best things that Chris Morris has been involved in and I urge you to try and find them on a streaming platform or on DVD or online somewhere. If you love obsidian black and controversial comedy then Chris Morris is your man!

CHRIS MORRIS RADIO SHOWS!

Morris’ creative career really formed on radio. He worked at Radio Bristol, Greater London Radio and made the The Chris Morris Radio Show on BBC Radio 1. He gained notoriety and was suspended from the BBC for announcing Conservative politician Michael Heseltine was dead. In fact, fake obituaries were one of his early favourite pranks. Later, Morris joined forces with another comedy legend, Armando Iannucci, to help create the seminal spoof news show called, On the Hour. The rest they say is history.




THE DAY TODAY (1994)

The Day Today was a TV comedy show that parodied current affairs programmes. Broadcast in 1994 on BBC2, it was created by Armando Iannucci and Chris Morris and an adaptation of the radio programme On the Hour. The genius and surreal satire The Day Today found Morris winning the 1994 British Comedy Award for Best Newcomer. The rest of the cast including Steve Coogan, Rebecca Front, Doon Mackichan, Patrick Marber and David Schneider were incredibly good too. I wonder what happened to them?!


BRASS EYE (1997)

Chris Morris took the ferocious journalistic character he created on The Day Today (1994) into Brass Eye (1997), with one of the most scurrilous and controversial works of television ever. Once again, Morris was lampooning current affairs shows and the often hysterical way the media sensationalise issues such as drugs, sex and crime. Morris fooled many celebrities and politicians during the filming of Brass Eye (1997), getting them to commit to absurd, but fake media campaigns. A 2001 special was planned but cancelled due to fear of further controversy and litigation against Channel 4.


JAM (2000)

Ever pushing the boundaries of radio and television genre form and style, Morris’ cult sketch show Jam (2000), is a truly dark and twisted experience. Unsettling and bleak it presented unconnected and surreal sketches, unfolding over an ambient soundtrack. Buried late at night on the Channel 4 schedule it was incredibly striking in style and content with a superb cast including: Amelia Bullimore, Julia Davis, Mark Heap and Kevin Eldon.


NATHAN BARLEY (2005)

This absurdist comedy found Morris working with another comedy genius in Charlie Brooker. Here they took inspiration from Brooker’s TVGoHome – a 2001 E4 TV show parodying television – as the focus of a fly-on-the-wall documentary called Cunt. With energetic fool and influencer Nathan Barley as the lead idiot, the sitcom delivered six delicious episodes which skewered hipster characters and pretentious Shoreditch-based culture. The cast included: Julian Barratt, Ben Whishaw, Richard Ayoade, Nicholas Burns, Claire Keelan etc. and Nathan Barley is a highly recommended comedy that seems as vital now as it did in 2005.


FOUR LIONS (2010)

Oh my word! How the hell this film did NOT get banned is something that still shocks me. It is one of the the funniest and controversial films ever about the darkest subjects, namely terrorism and radicalised Jihadis. How Morris and his co-writers, Jesse Armstrong and Sam Bain, managed to successfully satirise, demonise and humanise Muslim fundamentalists is beyond belief. The wicked script and unbelievably good performances by Riz Ahmed, Nigel Lindsay and Kayvan Novak help make Four Lions (2010) one of the finest socio-political comedies of all time. It’s hilarious and actually moving at the end as I pitied, recoiled and felt for these poor misguided fools. Deservedly, Chris Morris won the award for Outstanding Debut by a British Writer, Director or Producer at the BAFTAS in 2011.


NEVER EVER BLOODY ANYTHING EVER! THE GENIUS OF RIK MAYALL!

NEVER EVER BLOODY ANYTHING EVER!   A RIK MAYALL TRIBUTE BY PAUL LAIGHT

NEVER EVER BLOODY ANYTHING EVER!   THE GENIUS OF RIK MAYALL & MR JOLLY

**CONTAINS MASSIVE SPOILERS YOU BASTARDS**

The passing of comedian and actor Rik Mayall was a ruddy shame.  Of course I didn’t know the guy but from a cultural point-of-view here was a comedian, actor, raconteur, writer and clown who I grew up watching on the tellybox and escaped into fits of laughter just at his merest look, gesture, rant, pratfall and frying pan in the face.  So when I heard of his death I was disappointed because he was dead. And would never be alive to perform again. That always positive energy was gone.

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I myself have attempted stand-up on a lower-runged level of the comedy circuit and while you can obtain laughs through trial, error, gigging, experience, writing actual jokes blah, blah, blah etc. but what you can’t be taught is actually being funny.  You’ve either got it or you haven’t. And Rik Mayall didn’t just have funny bones; he had funny eyes, ears, hair, nails, feet, hands, heart, spleen, blood etc. You get the picture:  HE was fucking funny!

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Kevin Turvey, Lord Flashheart, Richard Richard, his many Comic Strip performances, Alan B’stard, Drop Dead Fred, The Dangerous Brothers etc. were some of the many varied comedic performances Rik Mayall delivered. He could do clown, mania, slapstick, psycho, pathetic, sleazy, satirical, violence, arrogance, low status, high status, eloquence, sarcasm, smarm and many more.  Like  an overgrown demented child he could run amok, shout then whisper, go dark and then lighten up in a moment.  And it was just so bloody natural.

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Arguably his crowning performance was as Rick in The Young Ones, a surreal, punkish yet somehow still traditional situation comedy centred around four lazy students who essentially fail to get on whatsoever but still form a dysfunctional “family” unit.  Rik was the spoilt mummy’s boy with inklings of anarchic desire yet with a penchant for Cliff Richard records.   He was a spotty, poetry spouting virgin prone to bouts of rage and snivelling sycophancy and sneakiness with an anger toward authority and revolutionary ideals but neither the backbone, physical power or bottle to actually do anything that may bring a government down.  He was basically a cowardly, hysterical child who happened to be hilarious at the same time.

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The Young Ones was a defining comedy for me when I was growing up.  I’d never seen anything like it.  And ever since I have sought out such programmes containing profanity, imagination, stupidity, slapstick, satire, surrealism and above all else human beings trying and failing to get on with each other. I have subsequently found this in shows such as South Park, Red Dwarf, Blackadder, The Day Today, Alan Partridge, The Office, It’s Always Sunny In Philadelphia to name but a few. However, for the remainder of this piece I want to pay tribute to — if you put a gun to my head — my favouritest thing that Rik was in ever! One of the funniest 50 minutes of comedy ever committed. The Comic Strip film:  MR JOLLY LIVES NEXT DOOR! 

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The Comic Strip Presents: erupted from the sordid strip joint stages of Soho or more specifically the original Comedy Store.   Alumni included: Adrian Edmondson, Dawn French, Rik Mayall, Nigel Planer, Peter Richardson, Jennifer Saunders, Alexei Sayle with frequent appearances by Keith Allen, Robbie Coltrane and many more comics who would become household names over the years.  Anarchic, punkesque and anti-establishment in approach they were a hurricane of creativity challenging the comedic hegemony and what was considered to be the apolitical, sexist, politically incorrect and old-fashioned performers of the day.

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From the stage they marched into our living rooms on the newly founded Channel 4 in 1982 (way back when C4 produced challenging programming) and over the years produced some wonderful and wacky short films, features and shows which satirised everything and anything from: literature, film, television, politics, music, war, fashion, sport, law etc. The Comic Strip Presents: were a staple for alternative souls and any new episodes were greeted with joy in the mind of South London latchkey-TV-addicted kids like myself.

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The Comic Strip collective produced too many hilarious shows to mention but my favouritest ever is Mr Jolly Lives Next Door!  Written by Mayall and Edmondson they presented two drunken, idiotic morons derived from their Dangerous Brothers’ stage personas.  Together they are DREAMYTIME ESCORTS: alcoholic, depraved, sleazy con-artists with little or no redeeming qualities whatsoever; other than arguably perhaps they cause themselves more damage than others.  Mr Jolly is a masterclass of violent slapstick, stupidity, sight gags, demented cameos and also some very well written jokes too.

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It begins with our unnamed “heroes” helping the police with their enquiries relating to Fatty: a now dead client.  Dreamytime Escorts then get confused with their mysterious-assassin-lunatic neighbour Mr Jolly (the hilarious Peter Cook) and somehow are involved in a plot to “take out” Nicholas Parsons; as arranged by demented gangland boss Mr Lovebucket (Peter Richardson).  And the whole thing is directed by Stephen Frears – yes THAT Stephen Frears. The same one who directed The Grifters (1990), The Queen (2006) and Dangerous Liaisons (1988) etc.

So with a deranged story — which I think may have influenced another moronic classic Dumb and Dumber (1994) — on the go the audience is driven along on a wave of anarchic fun and alcohol fuelled insanity with Rick and Ade having much fun while they’re at it.  The scenes where they torture the Japanese client and get so drunk they end up in the toilet screaming at each other — having “borrowed” Mr Lovebucket’s £3000 to kill Parsons — are a senseless joy.  The drunken nonsense is ramped up even more when they take Quiz Show host and TV celebrity Nicholas Parsons to the Dorchester on a night out; Parsons believing they are competition winners when in fact the “Escorts” have accidentally run the real winners off the road and killed them in a fiery blaze.

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To a teenager the sheer pace of the lunacy was a thing of beauty and even now when I watch Mr Jolly the chaotic nature of the scenes at the Dorchester at Parson’s house are packed full of physical performances, celebrity in-jokes, stupid sight gags such as the tattoo which Ade thinks has been put on backwards when he looks at it in the mirror.  I marvel at the comic timing, sheer energy and controlled mayhem on show.  The next day they suffer the grandest of hangovers and when Mr Lovebucket calls in his debt the two drunks must actually kill Parsons.  What follows is live action cartoon violence of a side-splitting variety with Rik getting a hammer over his head and Ade holding on while two grenades explode.

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Cue a finale which involves a crazy car chase, Rick shitting himself, Dreamytime Escorts van ending up in a skip, Mr Jolly murdering Parsons to the tune of What’s New Pussycat, exploding tonic water and Peter Richardson’s Lovebucket uttering the immortal words: “WHAT IS GOING ON!?” before the whole premises blows up. What you have are Stooges like physical humour combined with Loony Tunes style cartoon violence. There is little satire and no subtlety but it is uproariously funny.  We end with Ade and Rick walking down Camden Lock canal before Mayall pushes his partner-in-grime in the water for no reason.  And that is what is so great about Mr Jolly: it has no underlying meanings or any depth. It’s stupid and violent and loud and ruddy funny.  Rick Mayall was all of these too and much much more and I thank him and Ade for giving us this crazy masterpiece.