Tag Archives: Cooper Hoffman

Cinema Review: The Long Walk (2025) – a compelling adaptation of Stephen King’s anti-war allegory!

Cinema Review: The Long Walk (2025)

Directed by Francis Lawrence

Screenplay by JT Mollner

Based on The Long Walk by Stephen King

Produced by Roy Lee, Steven Schneider, Francis Lawrence, Cameron MacConomy

Main Cast: Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Joshua Odjick, Judy Greer, Mark Hamill etc.

Cinematography by Jo Willems

*** MAY CONTAIN SPOILERS ***



This compelling and moving anti-war film was adapted from the Stephen King novel, The Long Walk (1979), originally published under his pseudonym, Richard Bachman. The story is set in a dystopian alternative version of the United States ruled by a totalitarian regime; a new military-driven world order. The plot follows the fifty young male contestants of a gruelling annual walking contest, who must follow a set of rules or face the grim consequences. Ultimately, most of their fates are doomed as only the last boy standing gains the prize.

As an aside, I often wondered why King published under a pseudonym and after a quick net search I found that the author was limited to publishing one book per year, since publishing more would be “unacceptable” to the public. King therefore wanted to write under another name in order to increase his publication without saturating the market for the King “brand”. So, there you go. But what of The Long Walk (2025)? How does it compare to the plethora of other King film adaptations?



Grim, unrelenting, and devastatingly poignant, The Long Walk (2025) transforms a brutal endurance contest into an unmistakable anti-war allegory. Fifty young men, each plucked from a different state, march forward under the banner of national pride and promised glory — but what unfolds is the slow annihilation of their bodies and spirits. The premise, simple on the surface, becomes a searing critique of how nations sacrifice youth for power, money, and hollow ideals.

The film thrives on the camaraderie and conflict between the boys: fleeting alliances form, bitter rivalries crack open, and in moments of exhaustion or terror, we glimpse the fragile humanity beneath their forced bravado. Echoes of The Hunger Games franchise, also directed by Francis Lawrence, are impossible to miss. However, this story clearly influenced The Hunger Games and other examples of survivalist literature. Yet, The Long Walk (2025) is way more rawer, more intimate, and ultimately more scathing in its indictment of systemic cruelty.

Among the excellent ensemble cast, Cooper Hoffman as Ray and David Jonsson as Peter emerge with standout performances. Their characters, drawn together in unlikely connection, add emotional depth to the carnage, grounding the relentless attrition in genuine feeling. As their bond develops, the horror of the “Walk” feels sharper, the futility more unbearable. Overall, aside from slight repetition of action and an ending I’d have preferred to have gone a different way, The Long Walk (2025) carries hypnotic and bloody power. It is both a war story without a battlefield and a coming-of-age tale without the promise of adulthood — a haunting testament to how societies can destroy their own sons in pursuit of an impossible prize.

Mark: 8.5 out of 11


CINEMA REVIEW: LICORICE PIZZA (2021)

CINEMA REVIEW: LICORICE PIZZA (2021)

Written and Directed by: Paul Thomas Anderson

Produced by: Sara Murphy, Adam Somner, Paul Thomas Anderson

Cast: Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie etc.

Cinematography: Michael Bauman and Paul Thomas Anderson

Edited by Andy Jurgensen

*** MAY CONTAIN SPOILERS ***



Any film from Paul Thomas Anderson will certainly receive high critical praise and Licorice Pizza (2021) is certainly no different. Not only do I think this is his most over-rated film. I don’t even think it is a good one. Not for any technical reasons. Because as usual Anderson’s filmic skills as a director, the scintillating cinematographic style, the evocative rendition of early 1970’s Californian suburbs, plus two star-making turns within a formidable cast, ensure Licorice Pizza (2021) is deservedly going to win many plaudits. But I just did not get the story about pretty much nothing and did not connect with the lead romance.

Set in 1973, Licorice Pizza (2021), is part slice-of-life period drama and part character comedy, with a spine consisting of an odd romance between entrepreneurial fifteen-year-old, Gary Valentine (Cooper Hoffman) and twenty-five-year-old, Alana Kane (Alana Haim). While containing many brilliantly directed scenes, the film is a hot mess of indulgent rooting through Paul Thomas Anderson’s historical research and anecdotal events inspired by real-life film producer, Gary Goetzman.



Being asked to root for a relationship which is dubious on the surface and extremely complex to say the least is not beyond me. But Licorice Pizza (2021) doesn’t address the age difference, aside from a couple of moments in the script. I know Cooper Valentine is an old head on young shoulders, but why Alana doesn’t hang out with people her own age was weird for me. I’m not being politically correct or a prude, but is Anderson asking for us to root for what could end up being statutory rape. Am I over-thinking this? Well, all I can say is it impacted my emotions of a major aspect of the story.

Licorice Pizza‘s (2021) worst crime is it’s virtually plotless and I could not identify with the characters. I liked Gary to a certain extent as he ducks and dives to make a living, but what was at stake? Nothing really. Yeah, I get it is art but I found Anderson’s vision boring. Sure, the actors are great, especially the effervescent Alana Haim. Virtual cameos from Sean Penn, Bradley Cooper and Tom Waits failed for me though, with Cooper’s coke-addled and womanising impression of Jon Peters about as funny as an enema. Of course, the cinematography, period design, soundtrack and costumes are exquisitely presented, but they exist in an emotional vacuum. Finally, Licorice Pizza (2021) made me want to watch Paul Thomas Anderson’s previous 1970s masterpiece, Boogie Nights (1997). Now, that film deserved all the critical praise that came its way.

Mark: 6 out of 11