Created and written by: Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard & Ben Willibond
Directed by: Tom Kingsley
Producer: Matthew Mulot
Starring: Lolly Adefope, Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Laurence Rickard, Charlotte Ritchie, Kiell Smith-Bynoe, Ben Willibond, Katy Wix etc.
Original Network: Six Episodes on BBC1
**MAY CONTAIN SPOILERS**
After the horror viewing that was Chernobyl (2019), police corruption inLine of Duty (2019), and general death and drama of Game of Thrones (2019), I decided I needed a bit of a laugh. So, I watched six lovely episodes of the hilarious BBC comedy show called Ghosts (2019). Not to say there isn’t death in the show; after all it is about ghosts! But it’s a fantasy comedy that is so likeable and full of daft characters that you cannot help but feel your spirits lifted after watching it.
The story concerns a late twenty-something couple, Alison (Charlotte Ritchie) and Mike (Kiell Smith-Bynoe), who, like many people in the city are financially stretched and looking for somewhere to live. With property prices high and a severe lack of wealth, all they can afford is the equivalent to an urban rabbit hutch. Then, suddenly, Alison inherits a gigantic house in the country from a forgotten Aunt and fortune seems to shine on them. But it’s not all it is cracked up to be. The house is a crumbling mess of a |”money pit”; plus they have some spectral “guests” who do not want them there.
Joining the very likable couple is a tremendous ensemble of gifted comedy actors who portray multiple characters, notably the ghosts who died and are consequently trapped on the property. The sheer number of characters means they all vie for laughs; however, the writing is witty and fast-paced with a succession of verbal, physical and slapstick humour. There are some particularly inventive running gags and I especially loved the ghosts from the plague pit in the basement, who happen to be plumbing experts due to close proximity to the boiler. Other characters veer toward stereotypes, notably Simon Farnaby’s sleazy, trouser-less MP, yet, the brilliant comedic performances breathe energy and life into the all the ghostly incarnations.
Comedic ghost stories are hardly the most original template. Indeed, I grew up watching and enjoying the very silly Rentaghost (1976 – 1984). Plus, films such as:Blithe Spirit (1945), Ghostbusters (1984) and Beetlejuice (1988), all use the supernatural within humorous scenarios. So, if you want similar entertainment I’m NOT afraid to say in terms of the head-spinning rate of gags and funny situations, Ghosts, is frighteningly good.
The excellent intellectual comedy BIRDMAN (2014) is about — among many themes — a movie star attempting to gain artistic credibility and shift his career from the commercial side to the more critically acclaimed. Using this as inspiration I decided to take a look at some musicians, actors and a filmmaker who in some way have began at one end of the creative spectrum and successfully careered to another. At the same time as changing creative lanes they surprised the audience, improved their critical kudos or at the very least shifted perception of their oeuvre. Please do suggest others if I have missed them; which I imagine I have. They’re in no particular order either.
PETER JACKSON – FILMMAKER
Peter Jackson is one of my cinematic heroes. The reason being is he began his career from scratch in New Zealand making the no budget horror film Bad Taste (1987) before subsequently going on to make some of the biggest grossing blockbusters ever committed to celluloid. My favourite film of his remains the hilarious gorefest Braindead (1992) and therefore his career shift to the haunting Heavenly Creatures (1994) was an incredible leap. Personally, I liked his bloody horror films better but of course his Tolkien trilogies contain some amazing filmmaking too.
DAN STEVENS – ACTOR
I don’t watch Downton Abbey so had never heard of the handsome actor Dan Stevens. The first I met him was watching the low budget actioner The Guest (2014) and he is absolutely brilliant. It’s a smart, funny and violent B-movie which makes merry hell of its’ “cuckoo in the nest” plot. Stevens is brilliant and has all the charm and looks of a bona fide movie star in the making.
BEN KINGSLEY – ACTOR
Kingsley stunned me when he appeared in Jonathan Glazer’s excellent debut feature Sexy Beast (2000) as the foul-mouthed cockernee monster Don Logan; sent to wreak havoc on Ray Winstone’s feng shui and chi. It was an incredible performance which completely shifted perception away from the archetype RSC trained actor of stage and screen. His portrayal of Gandhi put Kingsley very much on the cultural map whereas the visceral brutality of Logan pissed all over it!
LUCILLE BALL – ACTOR
Lucille Ball was a pioneering actress, comedienne and film studio executive. She was the star of many sitcoms notably I Love Lucy. Early doors though she performed in many small movie roles in the 1930s and 1940s, being dubbed the “Queen of the B-movies”. In 1951, Ball helped create the television series I Love Lucy with husband Desi Arnaz and during a prolific career Ball was nominated for Emmy thirteen times and won four of the beauties.
CLINT MANSELL – MUSICIAN
Clint was the frontman for Black Country-bassed-hip-hop-funny-as-fuck-politically-incorrect-grebo-groovesters Pop Will Eat Itself! Along with The Wonderstuff they were one of my favourite bands from the late 80s/90s. Songs like: Beaver Patrol, Grebo Guru, Can U Dig It, Wise Up Sucker etc.smacked the arse of the charts with a flurry of non-sensical lyrics and pilfered samples. Years later Mansell rose from the spunky ashes of PWEI to become a respected film composer. His most memorable score is for the grim, yet awesome Aronofsky helmed Requiem For A Dream (1996) and since then he has consistently written for the same director. His classical piece Lux Æterna has become a ubiquitous soundtrack for many a film trailer!
JEROME FLYNN – ACTOR
To be honest Jerome Flynn has always been a decent TV character actor ever since he starred in Soldier Soldier in the 1990s. But we also have him to thank for giving producer Simon Cowell some of his early hit records when, along with Robson Greene, he butchered a series of singalonga ‘classics’ including Unchained Melody. He’s forgiven though for his musical crimes as his cultural slate has been wiped clean via his tough and gritty appearances in the phenomenal Game Of Thrones plus the excellent Ripper Street.
When Theron appeared in some decent but unspectacular early roles you would not have been wrong to suspect she was just another model-turned-actress wannabe who had got her break due to her cracking good looks. However, THAT is definitely NOT the case as her acting prowess was proven in the Oscar-winning role of female serial-killer Aileen Wuornos. Tragic film Monster (2003) flipped career perception on it’s head as she imbued Wuornos with an anger, pain and humanity which never fails to rabbit-punch the emotions. It was an incredible lane change in Theron’s career and proved she was no blonde bimbo. She was also fantastic as a twisted neurotic suffering from a severe case of arrested development in Young Adult (2011).
BEN AFFLECK – ACTOR/DIRECTOR
Is Ben Affleck a good actor? I had this discussion with a friend and we decided he was a solid if unspectacular presence who can be impressive at times with his professionalism in Good Will Hunting (1997), Changing Lanes (2002), Hollywoodland (2006) and Gone Girl (2014). However, let’s be straight he has also appeared in some right old garbage such as Daredevil (2003) and the critically panned Gigli (2003). But Affleck’s cultural redemption has occurred as a director in which he has hit three cinema home runs with the excellent Gone Baby Gone (2007), The Town(2010) and the political thriller Argo (2012). These are three proper movies with the assured directorial touch of the great genre filmmakers such as John Ford or Huston. In some ways his career mirrors that of Clint Eastwood’s; as in he’s appeared in some great films, some rubbish films and is now becoming a formidable director to boot!
WHOOPI GOLDBERG – COMEDIAN/ACTOR
Multi-talented Emmy, Oscar, Tony winner Goldberg is one of the most versatile comedian/actors to grace the stage and screen. She developed her abilities at the Blake Street Hawkeyes Comedy troupe and would then be cast in Spielberg’s The Color Purple (1985). Goldberg’s Celie Johnson is a character battered by life but whom amidst the abuse retains a strength to not let life destroy her. All the more amazing given it was Goldberg’s first dramatic film role. Goldberg would go on to prove both her dramatic and comedic mettle in a number of roles eventually winning an Oscar in the supernatural-thriller-romance-weepieGhost (1990).
ANDREA BOCELLI – SINGER
I don’t know much about Opera or classical music to be honest but I do know what I like when I hear it. Thus, Andrea Bocelli’s pop-opera classic Con te partiròis an obvious favourite ever since I heard it in The Sopranos.Andrea Bocelli himself had always immersed himself in singing since a boy but had to work his way up from the bottom, sort of. He was a qualified lawyer and playing piano in the bars when ‘discovered’ by goalkeeper-turned-singer Luciano Pavarotti. The rest they say is history! Time to say goodbye reader; au revoir!