Tag Archives: Argo

SIX OF THE BEST #31 – FILMS INVOLVING ADMINISTRATION!

SIX OF THE BEST #31 – FILMS INVOLVING ADMINISTRATION!

Having worked in administrative roles most of my working life I thought it would be fun to consider six films which incorporate paperwork, or at least some element of office life, within their cinematic fabric. I’ve worked in industrial, corporate, retail, financial, legal, media and customer service environments. Moreover, I have also had some brilliant, some boring and some frankly awful jobs. Thus, it always pleases me when I can identify with characters and narrative elements that utilise office drudge and tasks. Thus, here are six of the best that do. If you can think of anymore please let me know.


That Moment In Brazil when Sam Lowry's air conditioning fails | by Louie  Hsiao | Medium

ARGO (2012)

The Oscar winning thriller is very exciting, even though much of the action takes place in U.S. Embassy, C.I.A. and Hollywood backlot offices. A great script and cast are wonderfully helmed by Ben Affleck, plus there are some expertly suspenseful scenes throughout. My favourite is the sequence where the Iranians piece together shredded paper to find out the identities of the Americans they are chasing. It’s painstaking work, but somehow extremely suspenseful too.


Argo – Ben Affleck's gripping CIA thriller sends reality into a tailspin |  Ben Affleck | The Guardian

DARK WATERS (2019)

Todd Haynes superior legal thriller unveils a tragic series of events relating to environmental, chemical, legal and human corruption by the DuPont corporation. Mark Ruffalo’s dogged lawyer never gives up in the face of corporate greed and community murder and a load of paperwork. When he gets delivered boxes and boxes of files from DuPont’s army of lawyers I really wanted to dive into the screen and help him!


Dark Waters review: Mark Ruffalo takes up weary arms against a malicious  multinational | Sight & Sound | BFI

DOUBLE INDEMNITY (1944)

Double Indemnity was adapted from James M. Cain’s devious noir novella and found Fred MacMurray and Barbara Stanwyck plotting to kill her husband for the insurance money. As MacMurray’s desperate voiceover reveals the events of the story, we are pulled into a web of deceit and murder which shows human nature as greedy, vicious and unforgiving. Billy Wilder’s films often featured weak men in difficult situations and here I just love that the insurance industry is featured rather than the standard cops and private detectives in other film noirs.


FILM NOIR OF THE WEEK: Double Indemnity (1944) | Dostoyevsky Reimagined:  Blogs

OFFICE SPACE (1999)

Mike Judge’s under-rated black comedy is arguably the best film ever about working in an office. It features so many great scenes and loopy characters as Ron Livingston’s lowly software administrator just decides to stop trying! Rather than get sacked the management team see him as a free-thinker and he actually gets promoted. Perfectly catching the repetitious nature, absurdity and tedium of corporate life, one of the many hilarious moments involves the violent destruction of a printer by fed up workers.


17 Things to Look for the Next Time You Watch Office Space | Mental Floss

THE REPORT (2019)

Based on true events, the film forensically documents a period of U.S. history where Adam Driver portrays, Daniel J. Jones, a U.S. Senate staffer investigating the 2005 destruction of interrogation videotapes. He begins the work in 2009 and is faced with six million pages of CIA materials to work through. It soon, unsurprisingly, becomes an obsessive and ordered job for Jones and it takes him years to ultimately finish the report. Often C.I.A thrillers have car chases and shootouts, but this is an extensively researched drama set in enclosed offices, in meetings, in Senate hearings, at desks and computer screens; all with flashes of interspersing torture.



THE SHAWSHANK REDEMPTION (1994)

Patience is a virtue they say, and Andy Dufresne shows it in spades; tiny little digging spades he uses to chip away at a tunnel over many, many years. This prison film benefits from a gem of a Stephen King story, plus Frank Darabont’s brilliant writing. Everyman Dufresne could be battered into submission by the rape, beatings, and incarceration he endures but his stubborn survival instinct pays off in a wonderful pay-off at the story’s end. I also loved how he used his skills as an accountant to get the guards on his side, utilising his bookkeeping abilities as part of his escape plan.


The Shawshank Redemption - Film | Park Circus

CHANGING LANES – (AKA ‘ARTISTS’ WHO SUCCESSFULLY SHIFTED CAREER PATHS)

CHANGING LANES – by PAUL LAIGHT

The excellent intellectual comedy BIRDMAN (2014) is about — among many themes — a movie star attempting to gain artistic credibility and shift his career from the commercial side to the more critically acclaimed. Using this as inspiration I decided to take a look at some musicians, actors and a filmmaker who in some way have began at one end of the creative spectrum and successfully careered to another. At the same time as changing creative lanes they surprised the audience, improved their critical kudos or at the very least shifted  perception of their oeuvre. Please do suggest others if I have missed them; which I imagine I have. They’re in no particular order either.

PETER JACKSON – FILMMAKER

Peter Jackson is one of my cinematic heroes. The reason being is he began his career from scratch in New Zealand making the no budget horror film Bad Taste (1987) before subsequently going on to make some of the biggest grossing blockbusters ever committed to celluloid.  My favourite film of his remains the hilarious gorefest Braindead (1992) and therefore his career shift to the haunting Heavenly Creatures (1994) was an incredible leap.  Personally, I liked his bloody horror films better but of course his Tolkien trilogies contain some amazing filmmaking too.

DAN STEVENS – ACTOR

I don’t watch Downton Abbey so had never heard of the handsome actor Dan Stevens.   The first I met him was watching the low budget actioner The Guest (2014) and he is absolutely brilliant. It’s a smart, funny and violent B-movie which makes merry hell of its’ “cuckoo in the nest” plot.  Stevens is brilliant and has all the charm and looks of a bona fide movie star in the making.

BEN KINGSLEY – ACTOR

Kingsley stunned me when he appeared in Jonathan Glazer’s excellent debut feature Sexy Beast (2000) as the foul-mouthed cockernee monster Don Logan; sent to wreak havoc on Ray Winstone’s feng shui and chi.   It was an incredible performance which completely shifted perception away from the archetype RSC trained actor of stage and screen.  His portrayal of Gandhi put Kingsley very much on the cultural map whereas the visceral brutality of Logan pissed all over it!

LUCILLE BALL – ACTOR

Lucille Ball was a pioneering actress, comedienne and film studio executive. She was the star of many sitcoms notably I Love Lucy. Early doors though she performed in many small movie roles in the 1930s and 1940s, being dubbed the “Queen of the B-movies”.  In 1951, Ball helped create the television series I Love Lucy with husband Desi Arnaz and during a prolific career Ball was nominated for Emmy thirteen times and won four of the beauties.

CLINT MANSELL – MUSICIAN

Clint was the frontman for Black Country-bassed-hip-hop-funny-as-fuck-politically-incorrect-grebo-groovesters Pop Will Eat Itself!  Along with The Wonderstuff they were one of my favourite bands from the late 80s/90s.  Songs like:  Beaver Patrol, Grebo Guru, Can U Dig It, Wise Up Sucker etc.   smacked the arse of the charts with a flurry of non-sensical lyrics and pilfered samples. Years later Mansell rose from the spunky ashes of PWEI to become a respected film composer. His most memorable score is for the grim, yet awesome Aronofsky helmed Requiem For A Dream (1996) and since then he has consistently written for the same director. His classical piece Lux Æterna has become a ubiquitous soundtrack for many a film trailer!

JEROME FLYNN – ACTOR

To be honest Jerome Flynn has always been a decent TV character actor ever since he starred in Soldier Soldier in the 1990s.   But we also have him to thank for giving producer Simon Cowell some of his early hit records when, along with Robson Greene, he butchered a series of singalonga ‘classics’ including Unchained Melody.   He’s forgiven though for his musical crimes as his cultural slate has been wiped clean via his tough and gritty appearances in the phenomenal  Game Of Thrones plus the excellent Ripper Street. 

MATTHEW McCONAUGHEY – ACTOR

McConaughey has always had star appeal ever since his appearance in Richard Linklater’s Dazed and Confused (1993) and always stood out as an actor to watch. His career choices, however, in romantic comedies such as: The Wedding Planner (2001), How to Lose a Guy in 10 Days (2003), Failure to Launch (2006), Fool’s Gold (2008) and Ghosts of Girlfriends Past (2009) made him a shedload of dough but had many thinking he’d thrown away his ability on fluff. But then the “McConaissance” occurred and since 2010 he has eschewed the mortgage-paying unchallenging work and starred in some intense, transformative and often brutal roles including: Killer Joe (2011), The Paperboy (2012), Mud (2012), Magic Mike (2012), The Wolf of Wall Street (2013), Dallas Buyers Club (2013), and stunning HBO series True Detective (2014).

CHARLIZE THERON – ACTOR

When Theron appeared in some decent but unspectacular early roles you would not have been wrong to suspect she was just another model-turned-actress wannabe who had got her break due to her cracking good looks.  However, THAT is definitely NOT the case as her acting prowess was proven in the Oscar-winning role of female serial-killer Aileen Wuornos. Tragic film Monster (2003) flipped career perception on it’s head as she imbued Wuornos with an anger, pain and humanity which never fails to rabbit-punch the emotions.   It was an incredible lane change in Theron’s career and proved she was no blonde bimbo. She was also fantastic as a twisted neurotic suffering from a severe case of arrested development in  Young Adult (2011).

BEN AFFLECK – ACTOR/DIRECTOR

Is Ben Affleck a good actor?  I had this discussion with a friend and we decided he was a solid if unspectacular presence who can be impressive at times with his professionalism in Good Will Hunting (1997),  Changing Lanes (2002), Hollywoodland (2006) and Gone Girl (2014).  However, let’s be straight he has also appeared in some right old garbage such as Daredevil (2003) and the critically panned Gigli (2003). But Affleck’s cultural redemption has occurred as a director in which he has hit three cinema home runs with the excellent Gone Baby Gone (2007), The Town (2010) and the political thriller Argo (2012).   These are three proper movies with the assured directorial touch of the great genre filmmakers such as John Ford or Huston.  In some ways his career mirrors that of Clint Eastwood’s; as in he’s appeared in some great films, some rubbish films and is now becoming a formidable director to boot!

WHOOPI GOLDBERG – COMEDIAN/ACTOR

Multi-talented Emmy, Oscar, Tony winner Goldberg is one of the most versatile comedian/actors to grace the stage and screen. She developed her abilities at the Blake Street Hawkeyes Comedy troupe and would then be cast in Spielberg’s The Color Purple (1985). Goldberg’s Celie Johnson is a character battered by life but whom amidst the abuse retains a strength to not let life destroy her. All the more amazing given it was Goldberg’s first dramatic film role.  Goldberg would go on to prove both her dramatic and comedic mettle in a number of roles eventually winning an Oscar in the supernatural-thriller-romance-weepie Ghost (1990).

whoopi-goldberg-young-1984-stand-up-photo-GC

ANDREA BOCELLI – SINGER

I don’t know much about Opera or classical music to be honest but I do know what I like when I hear it.  Thus, Andrea Bocelli’s pop-opera classic Con te partirò is an obvious favourite ever since I heard it in The Sopranos.  Andrea Bocelli himself had always immersed himself in singing since a boy but had to work his way up from the bottom, sort of.  He was a qualified lawyer and playing piano in the bars when ‘discovered’ by goalkeeper-turned-singer Luciano Pavarotti. The rest they say is history!  Time to say goodbye reader; au revoir!