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STRANGER THINGS (2019) – SEASON 3 – META-BINGO REVIEW

STRANGER THINGS (2019) – SEASON 3 – META-BINGO REVIEW

Created, Written and Directed by: The Duffer Brothers

Produced by: The Duffer Brothers, Shawn Levy, Dan Cohen and Iain Paterson.

Director(s): Shawn Levy, Ute Briesewitz, Duffer Brothers

Writer(s): William Bridges, Kate Trefey, Paul Dichter, Curtis Gwinn

Cast: Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Maya Hawke, Cara Buono, Joe Keery, Cary Elwes and many, many more.

Number of episodes: 8

Original Network: Netflix

**CONTAIN MASSIVE SPOILERS**

When Season 1 was released, Netflix’s phenomenally popular sci-fi-rites-of-passage-comedy-adventure-drama proved an excellent nostalgia-fest. Indeed, it evoked the 1980’s perfectly in design, sound and look, wearing Steven Spielberg, Stephen King, John Carpenter and George Lucas influences, not so much on its sleeve, but as a whole darned fashion show.

Written and directed by the Duffer Brothers, it centred on the search for a missing child in (where else) Indiana, an ultra-dimensional netherworld and a telekinetic kid called Eleven, who’s on the run from a nefarious US Government facility. Archetypal characters such as embittered drunken cop (David Harbour), distraught nutty mother (Winona Ryder), Gooniesque geeky teens all try and track down their missing friend during eight episodes containing weird and monstrous moments throughout.

I thought Season 1, while full of great design, style, suspense and mystery, was over-rated. It was still a fine work of entertainment but I found the story seriously padded out and stretched. While Season 2 is more generic it was a marked improvement as we got more pace and action. Season 3, though, is even better in terms of story-lines, pace and humour. Some may lament the move away from the mystery and darkness of Season 1, but Season 3’s humour, action and romantic sub-plots are turned right up to Eleven (pun intended).

Furthermore, amidst all the teenage romance crap, there is some fantastic gore and visceral monster goo on show. The Mind Flayer nemesis is an absolutely fearsome creature creation and way more convincing than the cartoon Russians. So, overall, I think this was my favourite season as it didn’t take itself too seriously. It just went for pure adrenaline and mind-bending chases and fights throughout. I didn’t even mind the John Hughes-style soppy romances.

Lastly, Season 3 isn’t perfect as it often verged on parody. This is notable in Episode 8, where we get a viral-bait version of The Never Ending Story (1984) theme song. Quite frankly, it was tonally inappropriate given the kids were being hunted down by Russian soldiers and an inter-dimensional monster at the time. Aside from this crime against genre occurring Season 3 is great because it featured a cavalcade of film references and homages. Well, let’s be honest, they basically stole a load of ideas from other movies.

So, rather than do a traditional review I will mark Stranger Things (2019)Season 3, and then pick a TOP TEN movie homages or steals that featured prominently as a fun meta-bingo review. Obviously, I’ve probably missed loads out, so, if you care, let me know which ones.

Mark: 9 out of 11


TOP TEN META-REFERENCES IN STRANGER THINGS (2019)


RUSSIAN BADDIE — THE TERMINATOR (1984)


BILLY AND TOWNSFOLK ‘DOUBLES’ — INVASION OF THE BODY SNATCHERS (1956 / 1978)


THE MIND FLAYER – THE BLOB (1958) / ALIEN (1979) / THE THING (1982) / TREMORS (1990)


STEVE AND ROBIN’S “WILL THEY, WON’T THEY ROMANCE?” — ANY JOHN HUGHES FILM!


THE BLACK WATER VOID – UNDER THE SKIN (2013)


USA VERSUS RUSSIA — RED DAWN (1984), RAMBO 2 (1985) & ANY COLD WAR FILM!


BILLY’S DREAMS — DREAMSCAPE (1984) / NIGHTMARE ON ELM STREET (1984)


ELEVEN’S TELEKINETIC POWERS — CARRIE (1976), THE FURY (1978) & SCANNERS (1981) ETC. . .


KIDS ON A MISSION TO SAVE THE TOWN/WORLD (AGAIN) — THE GOONIES (1985)


FANTASY OLDER WOMEN DYNAMIC — RISKY BUSINESS (1983) / WEIRD SCIENCE (1985)


CHANGING LANES – (AKA ‘ARTISTS’ WHO SUCCESSFULLY SHIFTED CAREER PATHS)

CHANGING LANES – by PAUL LAIGHT

The excellent intellectual comedy BIRDMAN (2014) is about — among many themes — a movie star attempting to gain artistic credibility and shift his career from the commercial side to the more critically acclaimed. Using this as inspiration I decided to take a look at some musicians, actors and a filmmaker who in some way have began at one end of the creative spectrum and successfully careered to another. At the same time as changing creative lanes they surprised the audience, improved their critical kudos or at the very least shifted  perception of their oeuvre. Please do suggest others if I have missed them; which I imagine I have. They’re in no particular order either.

PETER JACKSON – FILMMAKER

Peter Jackson is one of my cinematic heroes. The reason being is he began his career from scratch in New Zealand making the no budget horror film Bad Taste (1987) before subsequently going on to make some of the biggest grossing blockbusters ever committed to celluloid.  My favourite film of his remains the hilarious gorefest Braindead (1992) and therefore his career shift to the haunting Heavenly Creatures (1994) was an incredible leap.  Personally, I liked his bloody horror films better but of course his Tolkien trilogies contain some amazing filmmaking too.

DAN STEVENS – ACTOR

I don’t watch Downton Abbey so had never heard of the handsome actor Dan Stevens.   The first I met him was watching the low budget actioner The Guest (2014) and he is absolutely brilliant. It’s a smart, funny and violent B-movie which makes merry hell of its’ “cuckoo in the nest” plot.  Stevens is brilliant and has all the charm and looks of a bona fide movie star in the making.

BEN KINGSLEY – ACTOR

Kingsley stunned me when he appeared in Jonathan Glazer’s excellent debut feature Sexy Beast (2000) as the foul-mouthed cockernee monster Don Logan; sent to wreak havoc on Ray Winstone’s feng shui and chi.   It was an incredible performance which completely shifted perception away from the archetype RSC trained actor of stage and screen.  His portrayal of Gandhi put Kingsley very much on the cultural map whereas the visceral brutality of Logan pissed all over it!

LUCILLE BALL – ACTOR

Lucille Ball was a pioneering actress, comedienne and film studio executive. She was the star of many sitcoms notably I Love Lucy. Early doors though she performed in many small movie roles in the 1930s and 1940s, being dubbed the “Queen of the B-movies”.  In 1951, Ball helped create the television series I Love Lucy with husband Desi Arnaz and during a prolific career Ball was nominated for Emmy thirteen times and won four of the beauties.

CLINT MANSELL – MUSICIAN

Clint was the frontman for Black Country-bassed-hip-hop-funny-as-fuck-politically-incorrect-grebo-groovesters Pop Will Eat Itself!  Along with The Wonderstuff they were one of my favourite bands from the late 80s/90s.  Songs like:  Beaver Patrol, Grebo Guru, Can U Dig It, Wise Up Sucker etc.   smacked the arse of the charts with a flurry of non-sensical lyrics and pilfered samples. Years later Mansell rose from the spunky ashes of PWEI to become a respected film composer. His most memorable score is for the grim, yet awesome Aronofsky helmed Requiem For A Dream (1996) and since then he has consistently written for the same director. His classical piece Lux Æterna has become a ubiquitous soundtrack for many a film trailer!

JEROME FLYNN – ACTOR

To be honest Jerome Flynn has always been a decent TV character actor ever since he starred in Soldier Soldier in the 1990s.   But we also have him to thank for giving producer Simon Cowell some of his early hit records when, along with Robson Greene, he butchered a series of singalonga ‘classics’ including Unchained Melody.   He’s forgiven though for his musical crimes as his cultural slate has been wiped clean via his tough and gritty appearances in the phenomenal  Game Of Thrones plus the excellent Ripper Street. 

MATTHEW McCONAUGHEY – ACTOR

McConaughey has always had star appeal ever since his appearance in Richard Linklater’s Dazed and Confused (1993) and always stood out as an actor to watch. His career choices, however, in romantic comedies such as: The Wedding Planner (2001), How to Lose a Guy in 10 Days (2003), Failure to Launch (2006), Fool’s Gold (2008) and Ghosts of Girlfriends Past (2009) made him a shedload of dough but had many thinking he’d thrown away his ability on fluff. But then the “McConaissance” occurred and since 2010 he has eschewed the mortgage-paying unchallenging work and starred in some intense, transformative and often brutal roles including: Killer Joe (2011), The Paperboy (2012), Mud (2012), Magic Mike (2012), The Wolf of Wall Street (2013), Dallas Buyers Club (2013), and stunning HBO series True Detective (2014).

CHARLIZE THERON – ACTOR

When Theron appeared in some decent but unspectacular early roles you would not have been wrong to suspect she was just another model-turned-actress wannabe who had got her break due to her cracking good looks.  However, THAT is definitely NOT the case as her acting prowess was proven in the Oscar-winning role of female serial-killer Aileen Wuornos. Tragic film Monster (2003) flipped career perception on it’s head as she imbued Wuornos with an anger, pain and humanity which never fails to rabbit-punch the emotions.   It was an incredible lane change in Theron’s career and proved she was no blonde bimbo. She was also fantastic as a twisted neurotic suffering from a severe case of arrested development in  Young Adult (2011).

BEN AFFLECK – ACTOR/DIRECTOR

Is Ben Affleck a good actor?  I had this discussion with a friend and we decided he was a solid if unspectacular presence who can be impressive at times with his professionalism in Good Will Hunting (1997),  Changing Lanes (2002), Hollywoodland (2006) and Gone Girl (2014).  However, let’s be straight he has also appeared in some right old garbage such as Daredevil (2003) and the critically panned Gigli (2003). But Affleck’s cultural redemption has occurred as a director in which he has hit three cinema home runs with the excellent Gone Baby Gone (2007), The Town (2010) and the political thriller Argo (2012).   These are three proper movies with the assured directorial touch of the great genre filmmakers such as John Ford or Huston.  In some ways his career mirrors that of Clint Eastwood’s; as in he’s appeared in some great films, some rubbish films and is now becoming a formidable director to boot!

WHOOPI GOLDBERG – COMEDIAN/ACTOR

Multi-talented Emmy, Oscar, Tony winner Goldberg is one of the most versatile comedian/actors to grace the stage and screen. She developed her abilities at the Blake Street Hawkeyes Comedy troupe and would then be cast in Spielberg’s The Color Purple (1985). Goldberg’s Celie Johnson is a character battered by life but whom amidst the abuse retains a strength to not let life destroy her. All the more amazing given it was Goldberg’s first dramatic film role.  Goldberg would go on to prove both her dramatic and comedic mettle in a number of roles eventually winning an Oscar in the supernatural-thriller-romance-weepie Ghost (1990).

whoopi-goldberg-young-1984-stand-up-photo-GC

ANDREA BOCELLI – SINGER

I don’t know much about Opera or classical music to be honest but I do know what I like when I hear it.  Thus, Andrea Bocelli’s pop-opera classic Con te partirò is an obvious favourite ever since I heard it in The Sopranos.  Andrea Bocelli himself had always immersed himself in singing since a boy but had to work his way up from the bottom, sort of.  He was a qualified lawyer and playing piano in the bars when ‘discovered’ by goalkeeper-turned-singer Luciano Pavarotti. The rest they say is history!  Time to say goodbye reader; au revoir!