Tag Archives: MAKING A MURDERER

DOCUMENTARY FILM REVIEWS including: 13TH, RATS, THE WHITE HELMETS, BLACKFISH and more. . .

SCREENWASH – DOCUMENTARY REVIEW SPECIAL

I thought I would make an effort to watch more documentaries over the last few months. Personally, I love nothing more than to immerse myself in fictional worlds created by writers, show-runners and filmmakers etc. but sometimes it’s important to face the “truth”.

Having said that are documentaries actually reflecting reality or the truth?  Because the documentary genre over the years has become ultra-sophisticated and many “true” stories are not just simply filmed documents or events or interviews. Now, documentaries are often carefully constructed narratives with as much if not more drama and turns in their tales than fictional works.

I wasn’t the only one who was gripped by Netflix’s Making a Murderer (2015) or HBO’s exceptional The Jinx: The Life and Deaths of Robert Durst. Moreover, I’ve always been an avid viewer of the work of dogged filmmaker Nick Broomfield, the disarming talent of Louie Theroux, and at his best the polemical Michael Moore. However, you always have to be aware that what one is watching has been manipulated and finessed to tell a story or a certain agenda; thus truth is not always absolute and should always be questioned.

Nonetheless, the documentary film or programme remains an important tool to confront existential, sociological, historical and political events and issues. It also tends to be a lower budgeted medium – compared to fictional works – with which to illuminate and entertain an audience. So, here are some documentaries I have been watching of late.

CRIME

Crime documentaries are big business and along with historical Nazi dramas fill up the TV screens and online. Netflix has some well-presented and often controversial documentaries, one such is AMANDA KNOX (2016), which interviewed many of those involved in the despicable murder case of Meredith Kercher a few years back. This intriguing documentary lifts the lid on a case where the media and Italian legal system are on trial as much as Knox herself.

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WAR

With the Nazis in mind, the BBC documentary AUSCHWITZ: THE NAZIS AND THE FINAL SOLUTION (2005) is a horrific examination of wartime atrocities which probes the means with which the Nazis tried to wipe out all the Jews. This is a challenging yet incredible mix of interviews, dramatic re-enactment and detailed research on the evil death camp Auschwitz. While not an easy watch it is a brilliantly devised series which illustrates the blackest stain of one of humanity’s darkest periods in history.

From World War II to a very contemporary conflict Netflix presents THE WHITE HELMETS (2016), which over a hard-hitting forty minutes profiles the heroism of the eponymous rescue workers striving to save civilians from conflicted Aleppo and Syria on the whole. The short film won an Oscar but having done some research online the other side of the argument suggests this is a propaganda piece and does not represent the real work of this group. All I can say is someone somewhere is blowing the hell out of Syria and it is a bloody tragedy because people are dying! Indeed, whichever side the White Helmets are on the filmmakers show the insane destruction of war and suffering occurring for reasons that are beyond my understanding.

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NATURE

For something far more heart-warming I recommend the majestic film THE EAGLE HUNTRESS (2016). It documents the story of Aisholpan, a 13-year-old girl from Mongolia, as she attempts to become the first female eagle hunter in her country. Beautiful vistas and soaring eagles amidst the snow are to the fore in a very sweet tale of a young lady facing up against years of cultural chauvinism and prejudice, for something she loves doing.

More harrowing though is the well-constructed Killer Whale documentary BLACKFISH (2013) which highlights the cruelty to these beautiful creatures in captivity and the alleged corporate greed of SeaWorld following the deaths of trainers at the park. It also illustrates, in my opinion, the idiotic folly of human beings who think it is wise to get in the water with gigantic aquatic hunters. We are imprisoning animals for our own apparent entertainment and killing ourselves because of it. Idiots!

More human lunacy can be found in the harrowing film VIRUNGA (2014) set in the Congo where director Orlando von Einsiedel stabs at the heart of darkness and finds Soco International and civil war damaging the natural beauty of Virunga National Park. It’s another sad indictment on humanity as the people who live there and the animals, notably the Gorillas, find their habitat is surely being destroyed in the name of greed and insane mercenary bloodlust.

Taking the nature documentary in the direction of horror is Morgan Spurlock’s brutal film RATS (2016). This sickeningly impressive doc takes us on a whistle-stop tour of the globe with gruesome scenes of rat-catching, scientific experimentation, baiting and butchering of rats. Most disgustingly the eating of rodents in Vietnam is considered a delicacy. Gross!

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SOCIO-POLITICAL

Arguably the most powerful of the documentaries I watched was Ava DuVernay’s polemical and politically charged 13th (2016), a film which slams years of Government policies in regard to incarceration. Indeed, the evidence presented shows systematic lobbying from big business to turn the prison system into a means of enslaving the less socially advantaged. The mass rise of inmates in jail from the 1970s to now bares out this fact and the harsh stories within the documentary too are shocking. 13th is a savage indictment against the United States Government treatment, over the years, of black and Hispanic communities, and while it’s very one-sided, the points it is well researched and makes are incredibly powerful.

An altogether less incendiary and academic approach comes via Noam Chomsky’s interviews represented in REQUIEM FOR THE AMERICAN DREAM (2015) where the ultra-intellectual argues lucidly that a half-century of policies have been designed to favour the most wealthy at the expense of the majority. It’s thought-provoking and makes you wonder if this real life “They Live” style of social domination by the rich is truly real or just a dreamt up socio-liberal political conspiracy. To me, and I am not particularly bright when it comes to such matters, believe it is capitalist Darwinism at its worst and the wealthy and powerful are simply protecting what they have to the detriment or the less socially advantageous. Bastards!

I have to say that I admire the bravery of many documentary filmmakers, especially the ones who get right into the nitty gritty of the action. One such filmmaker Matthew Heinemann and his film CARTEL LAND (2015) has a lot of bottle going to Mexico and the US border to film events relating to the drug trade, criminality and nefarious Cartel factions and Government groups. Heinemann and his crew deserve praise for bringing these incredible events concerning an ongoing bloody civil war which seems to have no end in sight.

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LIFE

America is a continual goldmine for fascinating documentaries and Louis Theroux has proved time and time again he is a dab hand at gently poking a stick into some of the darker areas of humanity. Two such BBC documentaries he made are LA STORIES (2014) and THE CITY ADDICTED TO CRYSTAL METH (2009) where Theroux’s unassuming style examines the lives of people and animals affected by drugs, paedophilia, death and social decay. I like Louis Theroux as he isn’t afraid to ask important questions and his work gets into your psyche, without ever smashing you over the head with a definite agenda or tunnel-vision polemics.

The comedian Russell Brand presented a more vigorous approach when challenging the UK government’s ‘war on drugs’ policy by finding out how other countries are tackling their problems of drug abuse. RUSSELL BRAND – END THE DRUGS WAR (2014) was an passionate crusade by Brand to treat drug addiction as a disease and not a crime and he made some excellent points in carrying his case to legal and Government figures.

CINEMA

For some lighter viewing I also watched an informative documentary about filmmaker, actor and theatre genius called: MAGICIAN: THE ASTONISHING WORK OF ORSON WELLES (2014), which entertainingly ran through the career highs and lows of Orson Welles. Meanwhile, I AM YOUR FATHER (2015) was a likeable tribute to the man who WAS Darth Vader in the original Star Wars franchise – David Prowse. However, the film was ruined by the Spanish director crow-barring himself into the film and also trying to create some drama out of Prowse being gazumped by George Lucas for the shooting of Vader’s death scene. Prowse had a great career and I found the attempts at controversy were unnecessary and the film should’ve concentrated on the man in the suit himself.

Image result for david prowse darth vader

Last but not least if you love filmmaking docs you must watch LOST SOUL: RICHARD STANLEY’S ISLAND OF DR MOREAU (2014). This documentary charts the journey of director Richard Stanley and his attempts to bring classic novel The Island of Dr Moreau to the silver screen. With a massive budget and filming taking place in Australia it all starts to go wrong for Stanley as tropical storms hit the set and the money men at the studio lose confidence. Add the crazy Marlon Brando, difficult Val Kilmer and hedonistic extras to the mix and you get a box office turkey burning in front of your eyes. Both funny and tragic it reveals the folly of filmmaking yet sadly also seemed to finish Stanley’s promising directorial career.

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016

TOP TWELVE BESTEST FILMS AND TV SHOWS OF 2016 – SCREENWASH SPECIAL BY PAUL LAIGHT

Well, here’s wishing you a prosperous New Year going forward!  I’ve read somewhere that apparently 2016 wasn’t a vintage year for movies but I went to the cinema a lot and saw a whole host of cracking entertainment.  Likewise, television budgets and production values continue to soar and there were some incredible shows produced too.

So, here are my TOP TWELVE films I saw at the cinema AND TOP TWELVE television shows watched/streamed.  Some of the films and TV programmes may have bled from 2015 into 2016 release-wise; moreover, I have also included a couple of yet-to-be-released films I saw at the London Film Festival.

Remember dudes these are not necessarily the best films or shows but the ones I enjoyed the most. So, overall, it’s just my opinion, man.

TOP TWELVE FILMS SEEN AT THE CINEMA IN 2016 (in alphabetical order)

ARRIVAL (2016)

“. . .an intelligent and emotional science-fiction drama with a beautifully constructed narrative.”

BONE TOMAHAWK (2015)

“A tremendous genre-blend of horror and Western, this debut feature from S. Craig Zahler is destined to be a cult classic.”

CAPTAIN AMERICA 3: CIVIL WAR (2016)

“. . . again the Russo Brothers direct with whip-cracking pace and humour, making this easily one of the blockbusters of the year.”

DOCTOR STRANGE (2016)

“. . .wonderful fun with hallucinogenic visuals, eye-popping fight scenes plus mystical marvels!”

THE HATEFUL EIGHT (2015)

“. . . QT remakes Reservoir Dogs (1992) via Agatha Christie, setting it in the snowy West of America circa 1870s.”

MANCHESTER-BY-THE-SEA (2016)

“. . . heart-racking drama which stretches the emotions while also providing flickers of light amidst the pain.”

MEN AND CHICKEN (2015)

“. . . lurches from hilarious physical violence to examinations of religion and science in a film I can only describe as being like the Three Stooges meet The Island of Dr Moreau.”

THE NICE GUYS (2016)

“. . . pings a shaggy-dog narrative along at a cracking pace with a script filled with so many hilarious punchlines and sight gags.”

RAW (2016)

“. . . great horror film which has one of the most disgusting scenes I have had the pleasure to see for some time.”

THE REVENANT (2015)

“. . . just superb, grueling, bloody, epic and beautiful filmmaking!”

ROGUE ONE: A STAR WARS STORY (2016)

“. . . a rip roaring mission-in-space-war movie set just before the original Star Wars movie!”

ROOM (2015)

“. . . a film not just about isolation, abandonment and the horror of humanity; but also the unbridled love a mother has for their child.”

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TOP TWELVE TV SHOWS SEEN IN 2016 (in alphabetical order)

BETTER CALL SAUL (2016) – SEASON 2

“Are there any better character drama shows around than this show? The writing and acting in Season 2 was just brilliant.”

BILLIONS (2016) – SEASON 1

“. . . great acting, script and cat-and-mouse twists galore in a meaty twelve episodes.”

DAREDEVIL (2016) – SEASON 2

“This has it all including: amazing fight scenes, bloody violence, rip-roaring action and hellish derring-do!”

FARGO (2015) – SEASON 2

“. . . drama, humour and suspense are incredible as is the cast.”

GAME OF THRONES (2016) – SEASON 6

“. . . these ten episodes were just a pacey, brutal, vicious, conniving, fiery, animalistic, blinding, cutting, resurrecting delight.”

GOMORRAH (2016) – SEASON 2

“. . . further brutality and skulduggery follows in a show which has a heart of pitch black darkness acted out like a contemporary reflection of the Roman Empire.”

IT’S ALWAYS SUNNY IN PHILADELPHIA (2016) – SEASON 11

“. . . gags explode like fireworks throughout the series as things go south and very dark; more often than not ending in chaotic hilarity.”

MAKING A MURDERER (2015) – SEASON 1

“. . . It is as thrilling and suspenseful as anything Hitchcock created as the trials of these men and their families are thrust before us.”

PENNY DREADFUL (2016) – SEASON 3

“. . .a blindingly beautiful and bloody wondrous season as various narrative threads unfolded but then suddenly it was gone.”

SOUTH PARK (2016) – SEASON 20

“. . . yet another fantastically gross, satirical and ballsy animated series from Parker and Stone.”

STEWART LEE’S COMEDY VEHICLE (2016) – SEASON 4

“. . . Lee is a human anti-depressant lifting my spirits while at the same time making me think about the very nature of the subjects he tackles.”

WESTWORLD (2016) – SEASON 1

“Brilliant and exquisite Sci-fi-western-mash-up from Michael Crichton, Jonathan Nolan and Lisa Joy.”

FIFTEEN “MUST WATCH” THINGS ON NETFLIX – PART #1

FIFTEEN “MUST WATCH” THINGS ON NETFLIX – PART #1

Not sure why I did this as it’s not like Netflix needs any marketing assistance from me, but I was bored so I did it anyway!  Of course there are loads of programmes and films that could make this list but here are fifteen things that are essential viewing in my opinion!  Obviously if there’s something that should be on this list then let me know.

** MAY CONTAIN SPOILERS **

AMERICAN HORROR STORY (2011 –  ) SEASONS 1 – 3

The first three seasons of this insanely delightful horror show have had me hooked from the start. Featuring a recurring ensemble cast including: Jessica Lange, Zachary Quinto, Sarah Paulson, Lily Rabe, Evan Peters and many more it mixes: ghosts, witches, serial killers, torture, sexual deviants and voodoo to grisly and hilarious effect. I can recommend it wholly to any fans of period, gothic and murder porn horror as it rips through a splattering of sick deaths, gripping drama and black comedy.

BEASTS OF NO NATION (2015)

This stunning drama leaves you battered and burnt emotionally.  It’s about a civil war in Africa and the child soldiers whom are ripped from their families and made to fight for despotic mad men. Don’t watch if you are easily upset because Cary Fukanaga’s film is a terrifying journey into the heart of darkness. A career-best performance from Idris Elba and phenomenal acting debut from Abraham Attah, as Agu, make this a stunning film. This is heart-cracking drama of the highest quality.

BETTER CALL SAUL (2015) – SEASON 1

I don’t usually like prequels as the drama is generally undercut by knowledge of what has gone before but – pre-Breaking Bad – Jimmy McGill’s story (and Mike’s) was funny, dramatic and actually quite touching. It’s a really compelling plot that takes some unexpected twists throughout and contains some damn fine acting. Bob Odenkirk as our charismatic and occasionally heroic anti-hero is a joy and I look forward to watching Season 2 which has just begun streaming on Netflix now.


BREAKING BAD (2008 – 2013)

This show deserves all the hype and accolades as a contemporary crime thriller, family drama and character study par excellence.  It’s the story of a “good” man and teacher, Walter White, who having sadly been diagnosed with cancer sets about funding a nest egg for his family in the future. This involves, rather incredibly, using his chemistry know-how to make the most powerful methamphetamine in the United States. With his streetwise sidekick Jesse Pinkman (the bitchin’ Aaron Paul) Walter begins a dramatic, murderous and dark journey; becoming a tour de force criminal going by the nom de plume of Heisenberg. Vince Gilligan and his team write and produce a modern classic which has so many great characters that are good, ugly and breaking bad!

DAREDEVIL (2015) – SEASON 1

This brilliant TV show concerns Matt Murdock (Charlie Cox) as blind lawyer by day and “super-hero” by night fighting to clean up Hell’s Kitchen in New York. It’s early in his crime-fighting career and as an origins story it’s very well written; with a gritty noir shot-in-the-shadows style. The action, fighting and most importantly character development of both Murdock and Wilson ‘Kingpin’ Fisk (played deliciously by Vincent D’Onofrio) is exceptional as we receive a slow bleed and blending of their stories until they meet at the end. You get the standard stereotypes often found in superhero films but overall it transcends the generic components to become compelling viewing.

DOCTOR STRANGELOVE (1964)

Stanley Kubrik is the greatest filmmaker of ALL time; and it’s my humble opinion that every single one of his films is a masterpiece. His darkly comical satire about the threat of nuclear war is not only a damning indictment of the stupidity of man and his lust for war; but also an ingenious series of sketches that creates humour from the most darkest of threats. A stellar story and cast, including the unique talents of Peter Sellers (playing three characters), finds paranoid Sterling Hayden’s Brigadier General Jack D. Ripper inducing a nuclear attack on Russia and his superiors blustered attempts to stop World War III.  Funny, unsettling and unflinching in its satirical critique of the military and those in government, this is a comical tour-de-force from a genius director.

DOCTOR WHO (2005 – )

If you love fantastical programmes about intrepid time travellers who battle with vicious alien foes across space and time then do check out the rebooted jewel in the BBC’s crown which recently hit a 50th year anniversary. The Doctor is the original Guardian of the Galaxy who travels into our homes via the TARDIS like a sci-fi James Bond but without the misogyny and faint whiff of STDs. Eight seasons exist on Netflix starring the Christopher Eccleston, David Tennant, Matt Smith and Peter Capaldi incarnations of the Doctor.  My favourite episodes can be found here at this link. Hours of dynamic, silly, scary, sci-fi action and drama are to be found; in the show, not my article, that is!


FRANK (2014)

I used to listen to Frank Sidebottom (AKA Chris Sievey) on the John Peel sessions when I was a teenager and while baffled by this strange entertainer, I always enjoyed the alternative humour of his music. I was also intrigued by the fact this eccentric Northerner was pictured in the NME wearing a papier mache head. I was concerned this could be a weird for weird sake story, however, Lenny Abrahamson, has crafted – from a script by Jon Ronson and Peter Straughan – a tremendously odd yet moving character study. The story focusses on Jon (Domnhall Gleeson) and his encounters with Frank’s experimental rock band as scene after scene of weird and wonderful events occur throughout, leading to a very poignant reveal when Frank’s (majestic Michael Fassbender) mask finally comes off.


IT’S ALWAYS SUNNY IN PHILADELPHIA (2005 – )

This riotous comedy has the most unlikeable, unattractive, insane, narcissistic characters that do all manner of god-awful things to themselves, each other and total strangers. It is frantic, sick, irreverent, disgusting, manic, hyper-real, cartoon-like, politically-incorrect, satirical and incredibly hilarious. Indeed, It’s Always Sunny in Philadelphia is the closest you would get to a live-action version of South Park. Set in the dismal Paddy’s pub in Philadelphia it initially concerned four (in Season 1) then five (when Danny DeVito joined) individuals who are complete fuck-ups and whose main existence generally aims to scheme and out-do the others. This is now one of my favourite comedies EVER!  If you haven’t ever seen this show then you should. Check out my favourite episodes here:


LOST SOUL: RICHARD STANLEY’S ISLAND OF DR MOREAU (2014)

I love films about filmmaking and I also love films about filmmaking which go spectacularly wrong. This documentary charts the journey of director Richard Stanley and his attempts to bring classic novel The Island of Dr Moreau to the silver screen. With a massive budget and filming taking place in Australia it all starts to go wrong for Stanley as tropical storms hit the set and the money men at the studio lose confidence. Add the crazy Marlon Brando, difficult Val Kilmer and hedonistic extras to the mix and you get a box office turkey burning in front of your eyes. Both funny and tragic it reveals the folly of filmmaking yet sadly also seemed to finish Stanley’s promising directorial career.

MAKING A MURDERER (2015)

Making a Murderer is a ten-part documentary which concerns a number of high-profile court cases which took place in Manitowoc County, Wisconsin. The filmmakers Laura Ricciardi and Moira Demos deserve incredible praise for their painstaking work in bringing the cases of Steven Avery and Brendan Dassey to the screen because based on their film an incredible miscarriage of justice may have occurred. It is as thrilling and suspenseful as the behaviour of law enforcement is called into question time and time again and the documentary stands as both an indictment on the United States legal system as well as being a gripping thriller. I won’t say anymore for fear of spoilers but WATCH THIS SHOW for an incredibly designed “TRUE” story. It has to be seen to be believed, and whether the defendants are guilty or not, this saga re-writes the meaning of “beyond a reasonable doubt.”

THE MIGHTY BOOSH (2003 – 2007)

“Come with us now through a journey of time and space!” so uttered Julian Barratt as he welcomed us to the weird and wonderfully surreal world of the Boosh. I still love this ingenious comedy which over a mere twenty episodes introduced us to: Howard Moon, Vince Noir, Naboo, Bollo the Ape, the Ape of Death, Charlie the Bubble Gum monster, Dixon Bainbridge, Old Gregg with the mangina, Tommy Nookah, the Cockney Hitcher, irrepressible Bob Fossil and all manner of other crazy nut-jobs. Julian Barratt and Noel Fielding created and performed one of the most imaginative shows I have ever seen with a rocking soundtrack too. It’s wild, funky, mind-bending, melodious, colourful and just downright ruddy marvellous.

THE OFFICE (2001 – 2003)

I would’ve included the US version of the Office too must that mysteriously disappeared a year or so ago from Netflix.  Still, the UK version remains one of the funniest sitcoms ever and fully launched the careers of creators Ricky Gervais and Stephen Merchant; as well as the acting talents of Martin Freeman, Lucy Davis, Mackenzie Crook and Ralph Ineson. Centred on the mockumentary stylings of a day-to-day Slough office we find deluded fool David Brent (perfect Gervais) and his woeful attempts to motivate and manage his staff. Rich in ridiculous, awkward and embarrassing comedic situations it also contains some wonderful moments of pathos and romance.  The Office remains a genuine comedy classic and twelve episodes and two specials are always worth revisiting.

PEAKY BLINDERS (2013 – )

I missed two seasons of this gritty and violent period drama first time round on BBC but was grateful to catch up with it on Netflix. It’s a terrific post first World War story with a grand lead performance from Cillian Murphy plus awesome supporting cast including Sam Neill, Helen McCrory, Tom Hardy, and Paul Anderson. Murphy portrays the leader of a Birmingham gang who fight and scrap and slice in an attempt to become legitimate bookmakers. Steven Knight, who wrote and directed the superb Locke (2014), carves out a cracking tale involving coppers, whores, gypsies, bookies, the IRA, Communists and ex-soldiers fighting against a backdrop of political revolution and class warfare.

THE WOLF OF WALL STREET (2014)

DiCaprio is amazing in this memoir of disgraced human scum Jordan Belfort – a drug-addicted-sex-addicted-thieving-stockbroker-hedonist. The Wolf of Wall Street follows the same rise-and-fall structure of mafia classic Goodfellas (1990) as DiCaprio’s Belfort sells his soul to power up through the snakes and ladders of Wall Street. This is NOT a heavy analysis of socio-economic morality and values but rather a bullet-paced black comedy filled with cracking scenes and razor-sharp one-liners delivered by a stellar cast. I felt DiCaprio deserved an Oscar but the Belfort character has already had enough success in his lifetime and threw it all away because of greed. Surely awarding an Oscar to such a heinous character would be TOO MUCH wouldn’t it?  But as this film demonstrates TOO MUCH is never enough!

SCREENWASH REVIEWS– FEBRUARY 2016

SCREENWASH – FEBRUARY 2016

“After the Lord Mayor’s show comes the shit-cart”, is a phrase I heard a lot in my childhood and following the golden month of January, where I watched a plethora of incredible films, February has dropped off slightly in terms of quality. Indeed, I have watched some right rubbish but there have been some diamonds in the rough. So, as per last month I’ve reviewed in depth my favourite films, mentioned some other stuff worth watching and derided the rest I didn’t think much of. As usual all films and shows marked out of eleven.

**MAY CONTAIN SPOILERS**

FILMS OF THE MONTH!

BARRY LYNDON (1975) – CINEMA

Due to his incredible filmic CV, this stunning Oscar-winning period film from Stanley Kubrik is often overlooked as a classic. However, it is a terrific romp through the life and times of our anti-hero portrayed by the bland yet watchable movie star Ryan O’Neal. Adapted from Thackeray’s 19th century novel it concerns Redmond Barry and his rather haphazard misadventures as he leaves his Irish village and falls both fair and foul to fate’s twisted plan.

Every single frame of this film is a joy to behold and the cinematography deservedly won an Oscar. Thematically the film is very strong too as Kubrik uses Barry as a cipher to highlight the horrors of war and to also critique the ostentatious behaviour of the upper classes. Structurally and tonally spilt in two the film begins as a set of humorous sketches before giving way to a darker and tragic feel in the second half. The film is a thing of beauty to watch as Kubrik once again raises filmmaking to the echelons of high art. (Mark: 10 out of 11)

DEADPOOL (2016) – CINEMA

DEADPOOL’s a funny, sexy, irreverent, violent, meta-textual Marvel adaptation which differentiates from the standard comic-book movies in many ways while reinforcing the usual hero-saves-damsel-in-distress-Phantom-of-the-Opera-origins-story. A witty script and Ryan Reynolds stand out amidst the carnage and finally we have a Marvel film with a bit of blood and guts. Reminded me slightly of a funnier DARK MAN; a film which remains one of my favourite anti/super-hero films.

I’d say the box office success is deserved while the hype is probably a bit over-the-top as the politically incorrect film does go out of its way to keep you on Wade Wilson’s side and not make him totally unlikeable. Moreover, the script, while traditional in structure and Reynolds delivery are just sparkling as we get gag after gag after gag at the expense of everyone and everything, most notably the Marvel universe itself. Like Netflix’s Daredevil it breathes new life into the saturated superhero market.(Mark: 8.5 out of 11)

FARGO (1996) – NETFLIX

The Coen Brothers take on the kidnapping-police-procedural thriller film is memorable because it turns the genre on its head with a dark, funny and human story both stylish and gut-wrenching in equal measures. I mean, the killers are revealed immediately and Police Chief Marge Gunderson (wonderful Frances McDormand) solves the case quickly too. This allows the Coens to concentrate on off-beat characterisations and twist the narrative in any direction they so desire. It’s bloody, funny and moral with memorable characters that stick in the heart and mind. Seen this film so many times and it improves like a fine wine; a true classic.(Mark: 11 out of 11)

MAKING A MURDERER (2015) – NETFLIX

I watched Netflix’s Making a Murderer and throughout I was hoping it was a brilliantly written courtroom drama series directed in the documentary style. But IT’S actually REAL LIFE EVENTS! It’s a ten-part documentary which concerns a number of high-profile court cases which took place in Manitowoc County, Wisconsin. The filmmakers Laura Ricciardi and Moira Demos deserve incredible praise for their painstaking work in bringing the cases of Steven Avery and Brendan Dassey to the screen because based on their film an incredible miscarriage of justice may have occurred.

It is as thrilling and suspenseful as anything Hitchcock created as the trials and tribulations of these men and their families are thrust before us. The behaviour of law enforcement is called into question time and time again and the documentary stands as both an indictment on the United States legal system as well as being a gripping thriller. I won’t say anymore for fear of spoilers but WATCH THIS SHOW for an incredibly designed “TRUE” story. It has to be seen to be believed, and whether the defendants are guilty or not, this saga re-writes the meaning of “beyond a reasonable doubt!”(Mark: 9.5 out of 11)

PREDESTINATION (2014) – NOW TV

One of my films of 2015 I have now seen it twice and it is like a snake-charmer; I just cannot help but fall for its twisted, hypnotic and serpentine narrative. In my original review a year ago I wrote:

“It may completely fall apart on subsequent viewings but for the running time it offered a lot more than many other star-driven, big-budget movies. . .”

However, I can safely say this brilliant cult time-travel movie based on a classic Heinlein short story called All You Zombies gets better with further viewing and stands up on further inspection. I’m still scratching my head at how it all fits together, but that is part of the pleasure too.(Mark: 9.5 out of 11)

WORTH A WATCH!

BANANAS (1971) – NETFLIX

Early Woody Allen film which pokes fun at his nebbish persona, failure with women, Marxist revolutions and United States foreign policy, all in a brisk eight-four minute machine-gun-sketch style. (Mark: 7.5 out of 11)

BEFORE I GO TO SLEEP (2014) – AMAZON PRIME

Moody amnesiac chamber thriller with Nicole Kidman, Mark Strong and Colin Firth delivering an initially intriguing suspense-filled piece but lacks a killer punch ultimately. (Mark: 6 out of 11)

CHEF (2014) – NETFLIX

This is a proper feel-good film about a shit-hot chef who attempts to reignite a once-hot career gone cold. Jon Favreau writes and directs and casts his mates like Scarlett Johansson, Robert Downey Jnr and others in a fun, tasty, attractive, mouth-watering treat. (Mark: 7.5 out of 11)

DAWG FIGHT (2015) (NETFLIX)

Set in Perrine, Florida, this is a bloody slice-of-life documentary about backyard, bare-knuckle fighting between underclass males looking to get into the UFC big leagues. Featuring some brutal fights it’s a sad indictment of humanity and not for the faint-hearted. (Mark: 6.5 out of 11)

DEFIANCE (2008) – NETFLIX

Excellent wartime drama inspired by the true story of the Belarussian Jewish brothers called the Bieskis, who fought back against the Nazis while saving thousands of lives too. Gripping and suspenseful it’s anchored by the excellent Daniel Craig and well-orchestrated battle scenes. (Mark: 8 out of 11)

LIFE ON MARS – SEASON 1 (2006) – NETFLIX

I missed this cracking time-warped TV show the first time round as Sam Tyler (John Simm) is thrown back to the 1970s and faced with a battle to get back to “reality”. Temporal, cultural and socio-political clashes are abound between Tyler and his new boss Gene Hunt (Philip Glenister) as Sam solves cases in the past while trying to stay alive in the present. Cracking cop show! (Mark: 9 out of 11)

MUNICH (2005) – NETFLIX

I appreciated this superlative Spielberg revenge thriller more the second time round as it really questions the nature of vengeance and the damaging impact on all those involved. The story focusses on Mossad’s hit squad and its mission to wipe out Palestinian “generals” responsible for planning the Munich Olympics massacre in 1972. Eric Bana, Ciaran Hinds and Daniel Craig are impressive in their respective roles and arguably this is Spielberg’s most complex and ambiguous directorial effort. It’s a must-see political thriller with many heart-pounding urban battle scenes. (Mark: 8.5 out of 11)

ROME – SEASON 2 (2007) – NETFLIX

After the bloody denouement of Season 1, Rome provided once again some gripping and devious drama following the aftermath of Julius Caesar’s backstabbing murder. Fantastic cast including Kevin McKidd, Polly Walker and James Purefoy tear up the scenery in a most entertaining history lesson. (Mark: 8.5 out of 11)

TRUMBO (2015) – CINEMA

Bryan Cranston is brilliant as black-listed screenwriter Dalton Trumbo who having served time for being a Communist found himself unable to work in Hollywood during the 50s and 60s. Ingeniously he worked under the radar gaining notoriety and secret acclaim and this film, while dramatically undercooked in places, stands as a fine tribute to a superb writer. (Mark: 7.5 out of 11)

AVOID LIKE THE PLAGUE!

EXIST (2014) – NOW TV

Dreadful “found footage” film about some American morons being tracked and killed by a sasquatch. The monsters are pretty decent when you finally see them but the script and direction are awful. (Mark: 2 out of 11)

THE LAST FLIGHT (2009) – NETFLIX

This jumbled period drama set in between the 1st and 2nd World Wars finds Marion Cotillard’s pilot searching the desert for her lost love.  Insipid and lacking focus, I was bored throughout in a film which pretty much crashes on take-off. (Mark: 2 out of 11)

LAST KNIGHTS (2015) – NOW TV

Clive Owen and Morgan Freeman cannot save this below average medieval jaunt which has some okay violence and dramatic moments but is far too serious and dull. (Mark: 3.5 out of 11)

LONG WAY DOWN (2014) – NETFLIX

So-so soapy suicide comedy-drama that is ultimately undemanding and under-nourished, but saved by an attractive cast including: Aaron Paul, Pierce Brosnan and Toni Collette. (Mark: 4 out of 11)

THE SECRET LIFE OF WALTER MITTY (2014) – AMAZON PRIME

Ben Stiller stars in this insult to the original literary classic which reduces the fantasy elements to a mid-life-crisis-romance story involving the pursuit of a photograph and the meaning of life. It looks wonderful but is hollow and makes noises like a broken drum. (Mark: 4 out of 11)

REGRESSION (2015) – SKY MOVIES

Incredible to think Alejandro Amenabar directed this terrible horror/thriller which criminally wastes the talents of Ethan Hawke and David Thewlis in horribly under-baked occult story. (Mark: 3 out of 11)

WOMAN IN BLACK 2 (2014) – AMAZON PRIME

I thought the original was a nifty little horror film made with imagination, scares and respect for the horror genre. This WWII set film was a complete waste of time with weak story and scares. Avoid! (Mark: 3 out of 11)