Tag Archives: Phoebe Waller-Bridge

THE CINEMA FIX PRESENTS – TWELVE FAVOURITE TV SHOWS OF 2019!

THE CINEMA FIX PRESENTS – TWELVE FAVOURITE TV SHOWS OF 2019!

Bit late with this one, but following on from my twelve favourite films of 2019, here are the twelve favourite television shows I watched. I must admit I am still way behind on many AMAZON shows and don’t have APPLE TV+ or DISNEY +, so there’s probably loads of good TV stuff I have missed. For comparison I include last year’s favourites here:

FAVOURITE TWELVE TV SHOWS OF 2018

  • Atlanta (2018) – Season 2 – Fox
  • Billions (2018) – Season 4 – Showtime / Sky Atlantic
  • Black Mirror (2017) – Season 4 – Netflix
  • Bodyguard (2018) – BBC
  • The Deuce (2018) – Season 2 – HBO – Sky Atlantic
  • The Handmaid’s Tale (2018) – Season 2 – Hulu / Channel 4
  • Inside No. 9 (2018) – Season 4 – BBC
  • Killing Eve (2018) – Season 1 – BBC
  • Patrick Melrose (2018) – Showtime / Sky Atlantic
  • Vanity Fair (2018) – ITV
  • A Very English Scandal (2018) – BBC

Image result for patrick melrose

FAVOURITE TWELVE TV SHOWS OF 2019

Now, this was TOUGH! Television productions just got better and better! I cannot believe I had to leave the following off the list. Yet, here are the honourable mentions: Afterlife (Season 1), Billions (Season 4), Black Mirror (Season 5), Euphoria (2019), Ghosts (2019), The Handmaid’s Tale (Season 3), Line of Duty (Season 5), The Loudest Voice (2019), My Brilliant Friend (2018), Ozark (Season 2), Stranger Things (Season 3); and the baffling genius of Watchmen (2019). But I decided to limit myself to twelve favourite shows and here they are:


CHERNOBYL (2019) – HBO / SKY ATLANTIC

“… an incredible TV drama. This tragic event teaches us to never take anything for granted. We have built our own gallows.”


DARK (2019) – SEASON 2 – NETFLIX

“… confused in a good way and totally immersed in the Tenebrae. You will be lost — searching for the light — yet you will be astounded too .”


ESCAPE AT DANNEMORA (2018) – SHOWTIME / SKY ATLANTIC

“… These are not likeable characters, but the Showtime production delivers as compelling a character drama as you’re likely to see all year.” 


FLEABAG (2019) – SEASON 2 – BBC

“… Waller-Bridge takes familiar themes and situations and spins comedic and dramatic gold from them. Deserves all the praise and awards going.”


FOSSE / VERDON (2019) – FX / BBC

“… If you’re interested in the life and work of Fosse and Verdon then you will absolutely love this warts and all biopic. Rockwell and Williams are incredible.”


GAME OF THRONES (2019) – SEASON 8 – HBO / SKY ATLANTIC

“… despite the incredibly disappointing final episode, it was all about the journey rather the final destination. Winter has come and winter has gone and it’s one I will never forget!”


IT’S ALWAYS SUNNY IN PHILADELPHIA (2019) – SEASON 13 – FX / NETFLIX

“… The season takes joy in referencing the #MeToo and Time’s Up and Inception. The latter becoming a hilarious meta-textual delight. By the thirteenth episode, I had thoroughly enjoyed the scatter-gun chaos!”


MINDHUNTER (2019) – SEASON 2 – NETFLIX

“… with gripping narratives, great direction, memorable performances and the production team’s accurate eye for period detail in mind, I just did not want the latest season of to end.”


SUCCESSION (2019) – SEASON 2 – HBO / SKY ATLANTIC

“… Ultimately, this is Shakespearean television of the highest quality. Succession (2019), is what we would get if Billy Wilder did TV.”


UNBELIEVABLE (2019) – NETFLIX

“… thoughtful, suspenseful and, at times, heartfelt drama. It highlights the shocking nature of sexual crimes against women and the very different ways police departments handle such situations.”


THE VIRTUES (2019) – CHANNEL 4

“… a more individual focused, personal and painful character study. Stephen Graham is absolutely amazing as the character of Joseph.”


WHEN THEY SEE US (2019) – NETFLIX

“… Beautifully written, acted and directed, this is an incredible work of television. It combines both a fascinating style and a brutal vision of the struggle of these characters experience.” 


ALL 4 TV REVIEW: CRASHING (2016)

ALL 4 TV REVIEW: CRASHING (2016)

Created and written by: Phoebe Waller-Bridge

Producer: Ben Wheeler

Directed by George Kane

Cast: Phoebe Waller-Bridge, Jonathan Bailey, Julie Dray, Louise Ford, Damien Moloney, Amit Shah, Susan Wokoma, Adrian Scarborough etc.

Original Network: Channel 4 Television (UK)

**MAY CONTAIN SPOILERS**

While Netflix, Sky, Fox, Disney and Amazon dominate much of the digital television output across the English-speaking world, Britain has, in the BBC, ITV and Channel 4 a lot to offer in regard to TV entertainment. I watch a lot of the main drama and comedy from the BBC, but I thought perhaps I needed a little catch-up on some Channel 4 shows I may have missed.

Thus, I set up an account at ALL 4https://www.channel4.com/ – and had a little look about. There are hundreds of films, comedies and dramas on their channel produced in the UK, Europe and the globe in general. So, I will be writing some reviews of stuff I’ve been catching up on that I can recommend. I have to state ALL 4 is great value because it is ad-driven and there is NO monthly subscription.

Crashing (2016), is a comedy centred around property guardians. Such people rent disused properties at a discounted rate but have to “protect” the property and leave virtually immediately when the landlord demands. It’s a great set-up for a television format as it allows for a mixture of various characters to connect in comedic, dramatic, romantic and hysterical ways. The setting, a disused hospital, is also great with the abandoned building providing a strong visual theme throughout.

Written by Phoebe Waller-Bridge, prior to her Fleabag and Killing Eve fame, the script pulls focus on six such property guardians. Waller-Bridge is Lulu, a twenty-something party girl drifting into London town looking for childhood friend Anthony. You can obviously see elements of her Fleabag persona in Lulu notably the way she uses alcohol, flirting and chaotic sexuality to hide her true feelings. Other characters are: said friend, Anthony; his girlfriend, neurotic Kate; middle-aged depressive Colin; French artist, Melody; awkward professional, Fred; and grieving, but charismatic estate agent, Sam. Kate, especially, is a progenitor for Fleabag’s hyper-stressed sister, Claire.

Waller-Bridge has created an interesting chorus of variant personalities who laugh and conflict and romance and sex in a very entertaining six episodes. I would say the show is more comedic than dramatic and there are some really funny moments which tend toward the slapstick, bodily functions, comedic misunderstanding or are just simply sex-driven. Who-fancies-who-or-who-is-fucking-who is a believable running theme through the show but there is some pathos there, especially with Colin, Fred and Sam’s characters. Overall, this is an under-rated comedy gem which, while it only ran for just one season, is definitely worth watching for the fast-paced writing and excellent ensemble acting.

Mark: 8 out of 11

FLEABAG – SEASONS 1 & 2 – BBC TV REVIEW

FLEABAG – SEASONS 1 & 2 – BBC TV REVIEW

Created and Written by: Phoebe Waller-Bridge

Directed by: Harry Bradbeer

Producers: Lydia Hampson, Sarah Hammond

Starring: Phoebe Waller-Bridge, Sian Clifford, Olivia Colman, Brett Gelman, Hugh Skinner, Bill Paterson, Jamie Demetriou, Jenny Rainsford, Hugh Dennis etc.

Composer: Isobel Waller-Bridge

Cinematography: Tony Miller, Laurie Rose

**MAY CONTAIN SPOILERS**

This melancholic, painful and chaotic home for middle-class grotesques and excruciatingly awkward comedy situations involving, Phoebe Waller-Bridge’s barely-surviving-human being-the-titular-‘Fleabag’, shouldn’t really work as entertainment. Yet, it does because of: brilliant writing, dark, honest humour, existential depth, almost-cinematic production values; genuine star quality from Waller-Bridge; and a cast on top of their game.

First-world-very-white yet universal human problems are legion in two seasons of twelve breathless episodes. We join our nameless anti-hero scraping through life in the midst of doubling grief, following the recent deaths of her mother and close friend/business partner. No doubt the chattering twenty-something classes are full with “I’m just like Fleabag!” recognition. Nonetheless, there’s something to enjoy for those who love to experience raw, human frailty on screen too.

‘Fleabag’ fights flailing moods, business and family issues in contemporary status-symbol London. Using sex to block out her pain in the first season, ‘Arsehole Guy’ and ‘Bus Rodent’ are two such crutch-like paramours who, along with on-off-ex-boyfriend, Harry, are given the physical and emotional run-around. In the less bawdy second season she falls for an uber-cool Catholic Priest (Andrew Scott). Thus, the lashings of sex from the first season gives way to more interesting abstinence and romantic torture for ‘Fleabag’.

With her best mate dead from a tragic accident ‘Fleabag’s’ sword and shield against life is gone and attempts at bridge-building with her family are fraught with strained agony. Her sister Claire (Sian Clifford), is tighter than a snare drum, existing solely on neurosis and a never-ending workaholic mission drive. The scenes between ‘Fleabag’ and her sister range from touching to hilarious to fractious dread. Meanwhile, their beta-male Father (Bill Paterson), is also grieving and a full-on emotional trainwreck. He finds himself a rabbit-in-the-headlights of Olivia Colman’s ‘Godmother’; a genius at passive aggressivity and unlikely arch-villain, quietly stealing the father away from his daughters.

Many hilarious and painful scenes play out around dinner tables, art exhibitions, parties, funerals, seminars, retreats and weddings. ‘Fleabag’ vainly attempts normality but understandbly fails. In addition to her family she also conflicts with other characters, notably Claire’s horrendous-alcoholic-overgrown-man-child-husband, Martin. I was genuinely shouting bile at the TV screen every time I saw him. Thankfully, Fleabag also features fine supporting roles from more likeable characters portrayed by the ultra-talented Fiona Shaw, Kristin Scott-Thomas and aforementioned Andrew Scott.

From Hancock to Steptoe and Son to Fawlty Towers to Blackadder to The Office to Spaced and to the most recent Gervais show After Life, British comedy has been replete with idiosyncratic and anti-heroic characters we root for. Indeed, it takes special writing and performances to get such shades of grey to work on stage and screen. Overall, Waller-Bridge takes familiar themes and situations and spins comedy and dramatic gold from them. Formally, she smashes the fourth wall with Brechtian direct address, welcoming us into her tumultuous reality, speaking to us and asking us to laugh and cry and love and hate and do what humans do: somehow just get through the day.

Season 1 – Mark: 9 out of 11

Season 2 – Mark: 9.5 out of 11