Tag Archives: takashi miike

CULT FILM REVIEW: HOUSE/ハウス – (1977)

CULT FILM REVIEW: HOUSE (1977)

Directed by: Nobuhiko Obayashi

Produced by: Nobuhiko Obayashi, Yorihiko Yamada

Screenplay by: Chiho Katsura

Story by: Chigumi Obayashi

Cast: Kimiko Ikegami, Miki Jinbo, Ai Matubara, Kumiko Oba, Mieko Sato, Eriko Tanaka, Masayo Miyako, Yōko Minamida

Music by: Asei Kobayashi, Mickie Yoshino

***MAY CONTAIN SPOILERS***



This Japanese film from the late 1970s is absolutely nuts, but a riotous genre mash-up of rites-of-passage, horror, musical, martial arts, romance, fantasy, comedy and anti-war genre movie styles. If you are a fan of the work of Takashi Miike’s both energetic and often insane genre films, you can definitely see how, House (1977), may have had a major influence on his and many other Asian filmmaker’s cinematic works.

Initially receiving negative reviews, but big box office in Japan on release, House (1977), opens by introducing a set of seven teenage girls called, Gorgeous, King Fu, Prof, Melody, Fantasy, Mac and Sweet. The names give them their major characteristics too. Kung Fu for example loves martial arts, Fantasy is a daydreamer and Melody loves music etc. You get the idea. As each character is introduced in a basic fashion, the energetic performances of the actors and the quirky screenplay develops their characters beyond the initial stereotypes. Gorgeous is especially well developed as she is suffering the loss of her mother and has rejected her father’s choice of stepmother. Eschewing her kindly father’s protestations, she decides to visit her aged Aunt in the countryside.



When Gorgeous’ friend’s school trip is cancelled due to several bizarre plot turns, and a couple of crazy musical numbers later, the girls join her on the visit to the creepy house. When they finally arrive Gorgeous’ aunt behaves extremely oddly. She rarely gets visitors and only has a white cat for company. When the girls begin to disappear one-by-one and Fantasy’s daydreams begin to turn to nightmares, the true horror of the situation takes shape. The house itself is a malevolent force and has trapped the girls. What appeared to be a lovely summer vacation is now the total opposite.

Now, what I have described actually seems quite normal in terms of the narrative content. It’s a standard horror plot of characters imprisoned by supernatural forces and trying desperately to stay alive. However, director, Nobuhiko Obayashi, who devised the story with his daughter, presents a series of images and sounds David Lynch would have been proud to have devised. These include: a mirror attacking the viewer, a watermelon being pulled out of a well appearing like a human head, a pile of futons falling on and attacking a character, a carnivorous piano with biting keys and all manner of surreal fights and deaths. Allied to this the eccentric and jolly music works against the horror and suspense, so one is both laughing and disturbed simultaneously.

Ultimately, House (1977) is one wacky viewing experience, but it also taps into themes of friendship, romance, grief, as well as drawing on the horror of destruction Japan suffered when the atomic bombs hit Nagasaki and Hiroshima. It is fast paced with an abundance of imaginative ideas, film styles and practical effects throughout. Thus, if you love the work of aforementioned Miike, Lynch and Sam Raimi, you are bound to want to stay in House (1977) for the rapid eighty-eight minutes duration.


SIX OF THE BEST #4 – FILMS TO AVOID WHILE EATING

SIX OF THE BEST #4 – FILMS TO AVOID WHILE EATING

My blog strand of collating six of the best of something or other continues with a breeze through a series of disgusting, vile and horrific movies that it’s best not to watch while eating.

**CONTAINS SPOILERS & DISGUSTING IMAGES**

BRAINDEAD (1992)

Peter Jackson’s monstrous rom-zom-gore-fest is an utter joy from start to finish. A rabid monkey bite sets in motion a series of flesh-eating zombie attacks as carnage ensues with lawnmowers, death, intestines, blood and dog-eating mothers in 1950s New Zealand.

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EVIL DEAD (1981)

Sam Raimi’s debut feature is a low-budget horror treat.  But be warned as Ash Williams (Bruce Campbell) battles his friends and girlfriend — who all become demons — the bloodletting, decapitations and violent deaths are enough to put you off your pudding.

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THE HUMAN CENTIPEDE (2010)

We all like to connect with people socially but this film takes the cake. Watch and learn as an insane German scientist stitches two American tourists and a random Japanese bloke together. Both grim and hilarious at the same time and gives a whole new meaning to the phrase, “Eat shit and die!”

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ICHI THE KILLER (2001)

The site of a man cutting off his own tongue is enough to have you reaching for the remote; as Takashi Miike’s off-the-wall-manga-gangster-mash-up really tests the boundaries of taste. My favourite image is a sliced face slamming and sliding down the wall following one particularly offensive fight scene.

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RATS (2016)

Morgan Spurlock’s brutal documentary takes us on a whistle-stop tour of the globe visiting New York, Reading, Rajasthan, Cambodia and so on. Amidst the rat-catching, baiting and butchering we are also witness to scientific examination of rats. Most disgustingly the eating of rodents in Vietnam is considered a delicacy. Gross!

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TRAINSPOTTING (1996)

While Irvine Welsh’s classic novel was a dark, violent, black-humoured yet grim portrayal of heroin addiction in Edinburgh; Danny Boyle’s adaptation entertainingly presents it as a fast-paced-rock-and-rolling-drug-lifestyle-sketch-show! Nevertheless, with scenes that involve: the dirtiest toilet in Scotland; Tommy’s toxoplasmosis squat death; and Spud’s shit being flung across the breakfast table, make this one to avoid while tucking into a Friday night curry with your partner.