Tag Archives: Talking Pictures

GREAT ENSEMBLE FILM CASTS #4 – HELL DRIVERS (1957)

GREAT ENSEMBLE FILM CASTS #4 – HELL DRIVERS (1957)

Directed by: Cy Endfield

Produced by: Benjamin Fisz and Earl St John

Written by: Cy Endfield and John Kruse

Cast: Stanley Baker, Peggy Cummins, Patrick McGoohan, Herbert Lom, Sean Connery, William Hartnell, Alfie Bass, Sid James, David McCallum, Gordon Jackson, Jill Ireland etc.

**** CONTAINS SPOILERS ****



Often on this blog I will write about very well-known actors or films, however, sometimes it’s good to explore more forgotten cinematic gems. Hell Drivers (1957), is one such film from the past that certainly deserves revisiting. Not simply because it is an excellent action drama, but because it contains an incredible cast, with most of the players going on to have major parts in some iconic screen roles. I caught the film again on the cable channel, Talking Pictures, and it’s a really gripping low-budget British thriller.

The plot of Hell Drivers (1957) is quite simple. Tom Yateley (Stanley Baker), a drifter with an unknown past, turns up looking for work at Hawlett’s truck yard. Their group of drivers carry gravel/ballast from a quarry to site. The drama derives from the fact they must meet a certain quota per day, and this involves driving like maniacs to achieve this. Let’s just say that the Health and Safety executive would have a field day now. But that’s one of the strengths of the script. In post-war Britain men and women were desperate for work and money and therefore prepared to do anything to survive. Thus, the film, amidst the helter-skelter driving action, contains a strong social commentary in regard to the exploitation of the workers. There is of course camaraderie among the men, but fierce rivalries also develop. Such competitiveness drives the conflict within the film.

Cy Endfield, a solid American genre filmmaker, directs the ensemble cast brilliantly. What a cast it is too! It’s essentially a “who’s who?” of “before they were famous” actors, all combining to incredible effect. Stanley Baker as Tom carries the lead role. Baker would gain further success in Endfield’s war epic Zulu (1964), and become a renowned lead until his death at the age of 48. The supporting cast though, is something else. Patrick McGoohan, who plays the bruising antagonist, Red, would cement his fame in the incredible 1960’s cult classic, The Prisoner. Furthermore, we have the first Doctor Who in William Hartnell and of course, James Bond himself, Sean Connery. If that wasn’t all, The Man From Uncle star, David McCallum, features in an early role. So does the already established comedic actor Sid James. James would become synonymous with the quintessentially English, Carry On…, film series. Throw in great characters actors Herbert Lom, Gordon Jackson, Alfie Bass and a very young, Jill Ireland, and you have one hell of a cast; all starring in this excellent British film gem.


UNDER-RATED CLASSICS #6 – SEANCE ON A WET AFTERNOON (1964)

UNDER-RATED CLASSICS #6 – SEANCE ON A WET AFTERNOON (1964)

Directed by: Bryan Forbes

Produced by: Richard Attenborough, Bryan Forbes

Written by: Bryan Forbes (based on the novel by Mark McShane)

Cast: Kim Stanley, Richard Attenborough, Nanette Newman, Mark Eden, Judith Donner, Gerald Sim, Patrick Magee

Music by: John Barry

***MAY CONTAIN SPOILERS***



I started this series a while ago and posted a few times on the subject with multiple entries; however, I have now decided to make it a feature, like ‘Classic Movie Scenes’, concentrating on singular films. My rules are simple. An under-rated classic can be a film I love, plus satisfy the following criteria:

  1. Must not have won an Oscar.
  2. Must not have won a BAFTA.
  3. Must not appear in the AFI Top 100 list.
  4. Must not appear in the IMDB Top 250 list.
  5. Must not appear in the BFI 100 Great British films.
  6. Must not appear in the all-time highest grossing movies of list.

The latest film I have chosen did receive some critical acclaim when released, but it has since slid into mild obscurity. I only caught it on the cable channel Talking Pictures by chance. This channel, if you didn’t know, is like a British equivalent of TCM. However, it does have less well-known films and TV shows when compared to the American cable channel. Occasionally though, Talking Pictures will have a total gem and that is the case with Seance on a Wet Afternoon (1964).

Adapted and directed by experienced British writer and director, Bryan Forbes, Seance on a Wet Afternoon (1964), casts Kim Stanley and Richard Attenborough as a married couple called the Savages. Stanley portrays Myra Savage. She is a psychic medium who hosts seances for small groups of people, while her more timid husband, Billy (Richard Attenborough), assists. They seem to have a comfortable life and live in a nice house; however, their history is blighted by the tragedy of losing a child. This leaves Myra’s personality, while dominant over Billy, somewhat neurotic and nervy. Determined to elevate her career as a psychic, she plots the kidnapping of a millionaire businessman’s young daughter. With Billy reluctantly agreeing to carry out the physical part of the crime, Myra intends to then use her psychic “skills” to help the police and family locate the missing girl. This and the ransom money will secure their financial future.



While we are all familiar with hostage plots, Seance on a Wet Afternoon (1964), is more complex than a basic crime thriller. It explores themes relating to psychic ability, grief and mental illness. Rather creepily, Myra often uses the spirit of her dead son, Arthur, as a guide to her decisions. Moreover, it also contains a series of suspenseful scenes relating to the kidnapping of the girl and the handing over the ransom money. While these are staple tropes of the kidnap genre the film does break with convention. Indeed, while revealing the kidnappers from the very start, the narrative also concentrates many scenes on the gradual breakdown of their fraught marriage. The Savages are not your everyday career criminals and their risky plan is testament to that.

Overall, Seance on a Wet Afternoon (1964) is a brilliant film which should be held in much higher regard. It contains one of the greatest acting performances I have witnessed in a while. Kim Stanley as the psychic, Myra Savage, is a haunted individual full, not only of hidden grief, but also a controlling sociopathy. One feels equally appalled by her and sympathetic at the same time. Richard Attenborough gives a quieter and unselfish performance as husband Billy, his character attempting to keep his tragic wife from going over the edge. The Savages may be kidnappers, but the skill in the writing, while not condoning their actions, makes you understand their skewed motives. In the end, Kim Stanley would be deservedly nominated for an Oscar, but lose to Julie Andrews as Mary Poppins. As we are aware, there is no justice in the world, and it doesn’t take a psychic to know which film and performance is the more memorable.