BODYGUARD (2018) – BBC TV REVIEW
Producer(s): Priscilla Parish, Eric Coulter, BBC
Created and written by: Jed Mercurio
Director(s): Thomas Vincent, John Strickland
Starring: Richard Madden, Keeley Hawes, Gina McKee, Sophie Rundle, Paul Ready, Vincent Franklin, Stuart Bowman, Nina Toussaint-White, Stephanie Hyam
Composer(s): Ruth Barrett, Ruskin Williamson
Cinematography: John Lee
Jed Mercurio has written and show-run some seriously good television over the years. I remember watching the acerbic medical comedy-drama Cardiac Arrest in the 1990s and enjoying greatly the honest, bleak and black humour of the show. So much so it made hospital soap Casualty look like a kids’ birthday party. Being from a medical background Mercurio would later revisit the NHS for the critically acclaimed programme Bodies (2004 – 2006); a show that contained graphic depictions of surgical operations amidst the cut-throat administrative and medical drama. Subsequently he would have, arguably, his biggest hit with the show Line of Duty. Gaining massive viewing figures Line of Duty concerns a crack team of police officers who investigate corruption within the force.
Mercurio created a solid genre premise with each officer under examination being played by a formidable lead actor. These included: Lennie James, Keeley Hawes, Daniel Mays and in Season 4, Thandie Newton. His strengths as a writer are to use realistic settings, scenarios and characters and twist them for every ounce of suspense possible. His work also contains brilliant narrative twists that often go against genre expectation. Indeed, he has no qualms casting a famous actor and killing them off when you least expect.
With his latest show Bodyguard, Mercurio has again looked within the police force as a starting point. His main protagonist David Budd (Richard Madden) is part of the Royalty and Specialist Protection Branch tasked with protecting the ambitious Home Secretary, Julia Montague; portrayed by the always brilliant Keeley Hawes. Over six episodes Budd has dangerous encounters with: his own force, MI5, Counter Terrorism Command, terrorist cells, organised crime and in-fighting Government officials too. Safe to say Montague becomes a target and very soon Budd is fighting not just for her life but his own.
Opening with an incredibly tense scene involving an Islamic suicide bomber on a train, the show raises the pulse with incredible consistency. Another stunning set-piece involving a terrorist attack on a school plus a vicious sniper assault on the Home Secretary in a later episode demonstrates that Mercurio wants us in the heart of the action. In terms of the politics of the series they are incredibly murky and confusing, in a good way. What I mean is we live in a confusing world of fake news, terrorism, racism, suspicion, paranoia, violence and corruption. It’s difficult to know what to believe and who to trust. Mercurio doesn’t offer any easy answers and everyone is a suspect. Even Richard Madden’s Budd is a tortured soul showing skill at his job but a heart and mind riddled with post-traumatic stress. He deals with the separation from his wife by drinking and burying his angst in his dangerous work.
Bodyguard had me hooked from the beginning and really turns the screw dramatically throughout. The ensemble cast are uniformly excellent but Richard Madden and Keeley Hawes are particularly memorable. One could argue the representation of the terrorists’ borders on the stereotypical, but it’s a tough call because Mercurio is effectively reflecting events which have occurred within the U.K. in recent years. Whether such violent situations should be turned into primetime entertainment is a question for a whole different essay, but the writer and creator has shown once again he can take serious issues and produce exhilarating genre television.