LONDON FILM FESTIVAL REVIEW – BORDER (2018)

Directed by: Ali Abbasi

Produced by: Nina Bisgaard, Peter Gustafsson, Petra Jonsson

Screenplay by: Ali Abbasi, Isabella Eklöf, John Ajvide Lindqvist

Based on: Border by John Ajvide Lindqvist

Starring: Eva Melander, Jorgen Thorsson, Ann Petrén, Sten Ljunggren

Music by: Christoffer Berg, Martin Derkov

Cinematography: Nadim Carlsen

**SPOILER FREE REVIEW**

If you go down to the woods today you’re sure of a big surprise. Indeed, one of Border’s many strengths is the constant way co-writer and director Ali Abbasi invokes the strangeness of John Ajvide Lindqvist’s original short story to constantly shock and move us. Because while linear in structure and reliant on structural beats from the rites of passage, romance, fantasy and crime genres, Border, is one of the most original and interesting films you could see all year.

We open with the lead protagonist, Tina, working for the Swedish Border Agency. She is a seemingly sad and isolated individual with, what she believes is, a chromosome deficiency in her genetics. Her features leave her open to cruel ridicule from members of the public. However, she is excellent at her job. In fact, her hook is the ability to literally smell fear or guilt on the people coming through customs. Subsequently, Tina’s superiors start to use her to investigate more serious crimes.

As this is occurring Tina meets Vore, a man with a similar “condition” to her and this is when her life really begins to spiral into very dark and exciting places. Similar to another film I saw called Beast (2017) the film is, at its heart, about sexual awakening and breaking free of the constrictions of society and family. Eva Melander, beneath the very convincing prosthetics, gives an outstanding performance of a woman finding out an incredible truth about herself and her past.

As a character study this film is very powerful. Tina’s world is turned upside down and she is faced with some horrific choices at the end. Arguably, the crime element of the story doesn’t quite meld with her rites of passage journey. Moreover, some of the fantasy elements from Scandinavian folklore required further research after the fade out. Yet, this remains very brave filmmaking with fascinating themes relating to: ritual and child abuse; nature versus nurture; good versus evil; and how those humanity believes to be outsiders should not be treated as monsters but instead with respect and love.

Mark: 8.5 out of 11