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MOVIE REVIEW: WONDER WOMAN (2017)

MOVIE REVIEW: WONDER WOMAN (2017)

DIRECTOR: Patty Jenkins 

WRITERS: Created by: William Moulton Marston,
Screenplay: Allan Heinberg
Story: Allan Heinberg, Jason Fuchs, Zach Snyder

CAST: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen

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**CONTAINS MINIMAL SPOILERS**

The need for super women and men to rise and protect us against the foes of everyday existence has never been more requisite. Governments, politicians, military commanders, corporate greed, religious leaders and humanity’s capacity for evil and destructive behaviour means people are under threat from violence and death on a daily basis. It’s the world we live in and one we have always lived in. Life is a gift which we continue to throw away because of a difference in beliefs, thoughts, race, gender and language. It is insane but I doubt it will ever stop. So, one must except it and be grateful for all the good people and for every day one is alive. But how do you escape from this terror that lurks in the world and the fear that comes with it? Well, we have the fantasies on film and TV screens and in comic books that convince us we can be saved; that the bad people in league with the devil can be put to the sword of justice. This month we have the Amazonian powerhouse that is Wonder Woman!!

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The DC comic-book-cinema-world has taken a critical pasting and much of this can be put at the door of the attention-deficit-director Zach Snyder and of course the studios themselves who have, in my humble opinion, ignored the basics of storytelling and genre in a bombastic attempt to out-do Marvel’s slick and productive Universe. Indeed, there were great films somewhere in the over-stuffed crusts of Man of Steel (2013), Suicide Squad (2016) and the incomprehensible Batman v. Superman (2016); brilliant characters, actors, special effects, action, set-pieces, music in all of them. However, they were ultimately let down by the structure and storytelling. Not so with Wonder Woman, which goes back to basics and takes its time to establish our heroine’s origins and, unlike the other DC films, builds character and empathy prior to launching into a feast of amped-up-to-eleven fight sequences and wondrous leaps of derring-do.

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At the centre of all the action is the athletic Gal Gadot as Diana, Princess of Themyscira, who as a girl, desires to join her Aunt Antiope (scene-stealing Robin Wright) as a great warrior, but is forbidden by her mother Queen Hippolyta (Connie Nielsen.) The first act is full of powerful mythology, imagery and characters and to be honest I could have watched a film about their lives on the beautiful secret island. Yet when their peace is unsettled by the appearance of Chris Pine’s American spy and the German Navy pursuing him we get an almighty beach battle between the modern-day Teutonic troops and the Amazonian warriors. This sets the tone of the mythological past juxtaposing with the modern era (albeit circa 1914-1918) and this theme remains one of the strengths of the film.

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With the introduction of the charismatic and handsome Steve Trevor (Pine), Diana is galvanized to fight for the Allies in World War One, and thus truly begins the heroine’s journey. The pace and turns in the narrative are handled extremely well by director Patty Jenkins. She gives as much importance to the scenes between Diana and Steve, notably the witty exchanges on the boat and during Diana’s first encounter with the big city. This ensures we are committed to their relationship and the romance had echoes of Indiana Jones and Marian Ravenwood’s from Raiders of the Lost Ark (1981). Conversely, everyone’s favourite baddies, the Germans, provide a solid nemesis which to root against as Danny Huston’s General and his more interesting assistant, Doctor Maru (Elena Anaya), develop a heinous gas with which to defeat the Allies.

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I think I liked the film so much mainly because it was simple in structure, well directed, and yet retained much of the magical fantasy and mythology of the comic books. Moreover, it contained some kick-ass slow-motion action sequences and the sight of a warrior Princess using a mighty sword and golden rope while taking out Germans and huge tanks was nothing less than breath-taking. The cast, especially Gadot and Pine commit wonderfully to their characters and the story. Minor criticisms are the slightly over-long running time and the cardboard cut-out nature of the secondary German characters. Nonetheless, as superhero films go Wonder Woman is right up there with some of Marvel’s best movies.

Essentially a traditional origins story, Wonder Woman may follow the well-worn formula of establishing our heroine, her strengths and her commitment to peace through powerful means, but it does it with verve, heart and compassion. I cared about these characters and while it may be a simple notion that love can conquer all, it is a universal emotion that I can definitely get behind. Because there is a lot of hatred on Earth and it needs all the heroes and heroines it can find; even if they are merely fantasy.

(Mark: 9 out of 11)

SCREENWASH REVIEWS – SEPTEMBER 2016 – PART TWO – FILM

SCREENWASH – SEPTEMBER 2016 – PART TWO – FILM REVIEWS

Following my Part-One-TV-reviews for September – here’s Part Two with the movie reviews. I had a week off work so I managed to watch loads. Here’s a run through with the usual marks out of eleven. Enjoy.

FILMS OF THE MONTH

A SINGLE MAN (2009) – NETFLIX

Tom Ford’s brilliant character drama starring the exceptional Colin Firth in the lead is an amazingly assured directorial debut. Firth portrays, George Falconer, grieving Professor in 1960s America and we follow him over one day as he meets various characters and muses over past events. It is a beautiful study of grief; exquisitely acted by the ensemble cast and incredibly moving too.  (9 out of 11)

FOLLOWING (1998) – NETFLIX

Christopher Nolan’s debut no-budget feature shot at weekends with friends on 16mm black-and-white is a brilliant noir story. Making progressive use of natural light and locations it’s a stylish affair with a twisty plot concerning a loner who pursues a thief only to have the tables turned on him unexpectedly. (8 out of 11)

JUNO (2007) – SKY CINEMA

Ellen Page’s sparky teenage outsider gets pregnant by mistake and faces a critical life dilemma. Diablo Cody’s witty script is the star with all manner of cracking one-liners peppered throughout. Page, Michael Cera, JK Simmons, Allison Janney and Jason Bateman are hilarious too in a very funny offbeat comedy. (8.5 out of 11)

THE MAGNIFICENT SEVEN (2016) – CINEMA

A group of heroes’ band together to protect a community against evil foes: how many times can they tell THAT story? Well, you’ve got: The Seven Samurai (1954), The Magnificent Seven (1960), Battle Beyond The Stars (1980), A Bugs Life (1998), Avengers Assemble (2012) and now The Magnificent Seven again.  The latter movie from Antoine Fuqua stars: Denzel Washington, Ethan Hawke, Vincent D’Onofrio plus another fun turn from Chris Pratt. Having established the cowboys and villains it sets about delivering a cracking piece of entertainment. The last hour stands out as a scintillating series of set-pieces, shootouts and explosions and I just had loads of fun with it despite the generic narrative.(9 out of 11)

SPY (2015) – SKY CINEMA

Funny person Melissa McCarthy was hilarious in Bridesmaids (2011) and subsequently has been in some hit-and-miss comedies including: Tammy (2014) and Identity Thief (2013). However, in Spy she perfectly captures her downtrodden-underdog-meets-loud-sweary-women-persona in a slick, knowing and very funny espionage parody. The whole cast including: gut-cracking Jason Statham, Peter Serafanowicz, Jude Law and McCarthy herself excel in a joke-a-second-action-fest which had me in stitches. (8 out of 11)

STEVE JOBS (2015) – SKY CINEMA

Writer Aaron Sorkin is obviously a genius because once again he takes a potentially dry subject matter – as he did with The Social Network (2010) – and creates a fascinating character study of a complex man. Jobs is an irascible marketing “god” surrounded by mere mortals struggling to meet his product launch demands. With Michael Fassbender brilliant as the Apple head honcho, Sorkin proves it is THE character and not the tech which sells drama. As usual Danny Boyle directs with aplomb too in a brilliantly structured and written story. (9 out of 11)

UNDER THE SHADOW (2016) – CINEMA

Set in Tehran during 1980s at the height of Iran-Iraq conflict, a mother and young daughter are haunted by a Djinn spirit as war spirals violently outside. Overall it is an excellent Iranian low-budget horror film – while similar in theme and story to Dark Water (2002) and The Babadook (2014) – that delivers some fine supernatural scares and socio-political subtext within the suspenseful action. (8 out of 11)

BEST OF THE REST

11 MINUTES (2015) – NETFLIX

Intriguing ensemble drama which begins slowly and full of mystery as various character lives come to entwine in a very watchable Polish thriller with a twist.  (7 out of 11)

ABC’s OF DEATH (2012) – NETFLIX

This is a gruesome, horrific, nasty, heartless and sickening anthology of horror stories. Many of the twenty-six short films are excellent but others are so poor they are virtually unwatchable. Lots of gore, humour and sicko stuff for horror fans to get their jaws into though! (Mark: 6 out of 11)

BAD NEIGHBOURS 2 (2016) – BA INFLIGHT

Sequel to the hilarious sleeper hit comedy starring Seth Rogen, Zac Efron and Rose Byrne. This time the married thirtysomethings battle a sorority house instead in a hit-and-miss film that recycles its’ best gags from the first film. (6 out of 11)

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BATMAN v SUPERMAN: DAWN OF JUSTICE (2016) – BA INFLIGHT

The visuals and action are brilliant as Batman, Superman, Wonder Woman and Lex Luthor face-off in a chaotic superhero trifle. Zach Snyder’s vision is impressive but his storytelling is way off as dream sequences, narrative strands and subplots all collide in an unsatisfactory whole. Looks good – shame about the lack of a coherent story! (6 out of 11)

FRENCH CONNECTION II (1975) – SKY CINEMA

A decent Marseilles-set sequel to the stunning French Connection (1971) as “fish-out-of-water” cop Popeye Doyle hunts down heroin trafficker Fernando Rey. This is gritty, grainy and dark as Gene Hackman tears up the screen with a brutish and brilliant performance. (7 out of 11 for the film/10 out of 11 – for Gene!)

I SAW THE LIGHT (2015) – BA INFLIGHT

So-so biopic of the legendary country singer Hank Williams features a fine performance from Tom Hiddleston and some classic country music; but in terms of structure and scope is an above-average TV movie at best. (Mark: 6 out of 11)

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PARADOX (2016) – NETFLIX

Not-too-bad-time-travel-thriller inspired by And Then There Were None with a TV-movie cast but plenty of twists to keep the interest. (6 out of 11)

PRIMER (2004) – NETFLIX

Shane Carruth’s mind-swirling no-budget time-travel tale has two friends who invent a time machine and then. . . I’m not sure what happened after that as the narrative was too confusing for me. Either a work of genius or pretentious mess; one has to admire his intellectual vision even if it lacks real drama or emotion. (7 out of 11)

TIME-LAPSE (2014)

A fun, tricksy and paradoxical time-travel film which centres around the intriguing premise of a camera which can take a photo of events 24 hours into the future. The Shallow Grave (1994) plot finds around three friends who try to exploit the camera to their own gain only for it to bite them on the arse!  (7.5 out of 11)

TRAINWRECK (2015) – SKY CINEMA

Amy Schumer’s starring debut directed by Judd Apatow is funny in places with a fizzy lead performance from the comedian. She portrays a thirtysomething who sleeps around and gets drunk while avoiding commitment; until her free spirit, is recuperated by Bill Hader’s likeable surgeon.  Decent cameos and some great one-liners make it watchable but ultimately it’s a conventional rom-com which runs out of steam before the cringe-inducing ending. (7 out of 11)

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TRIPLE 9 (2015) – BA INFLIGHT

John Hillcoat’s contemporary cop thriller has a cracking ensemble cast, testosterone dripping from the screen and powerful action throughout. Covering similar ground to Ben Affleck’s The Town (2010) – but without the romance – it pits dirty cops against kind-of-good-cops and throws Kate Winslet’s bouffant-haired-gangster into the mix. Casey Affleck, Anthony Mackie, Chiwetel Ejiofor, Woody Harrelson and Winslet make this genre movie very watchable and worth a butchers. (7.5 out of 11)