Tag Archives: Fred Williamson

Film Festivals, horror

Thanks to Horror Con 2026!

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Thanks to Horror Con 2026!

Earlier this month – appropriately running from 06.06.2026 to 07.06.2026 – myself and my wife attended the Horror Con 2026 event in Sheffield, England. My short film The Suicide Shift (2026) screened alongside many other great indie horror shorts there amidst a plethora of other wonderful happenings and people.

If you are a fan of all things horror from films, television, comic books, music, theatre, literature, posters, cos-play and also a memorabilia collector then this is definitely an event you should visit. As well as meet, greets and talks from horror stars, actors, writers, directors and musicians of now and yesteryear there are a myriad of stalls containing all manner of fantastic merchandise and collector’s items.

For more information check out their website here!

As well as the screening of The Suicide Shift (2026), the event was an opportunity to meet and hear from the legends of horror, cinema and TV more generally. I specifically met Fred Williamson, former American football star, actor from Black Caesar (1973), From Dusk til Dawn (1996), The Inglorious Bastards (1978) and many more blaxploitation and action films. He’s 88 years young and was so full of energy and it was amazing to meet and get his autograph.

Further, I also had the pleasure of meeting and speaking to self-proclaimed genius horror author, TV writer/producer/actor, Garth Marenghi, whose Channel 4 horror-comedy show Garth Marenghi’s Dark Place (2004) was an essential early-millennium watch. I spoke with him about his experience and knowledge working on the weird horror film Possum (2018). Garth remarked that was done by the ‘other guy’, Matthew Holness, and it nearly broke him as the writer and director of that feature film. It was a highly amusing experience, even just chatting for a short time, to a performer so fiercely staying “in character.”

My wife, Melissa, would herself meet and get the autograph of comedy and horror great, Reece Shearsmith on the Sunday. His creative partner, Steve Pemberton (Saturday only), was also in attendance along with such luminaries as Ian Ogilvy, Heather Langenkamp, Caroline Munro (who I met at Romford Horror Festival 2026), Camille Keaton, Nancy Loomis (Kyes), plus the most intriguing appearance from composer and longtime Lucio Fulci collaborator, Fabio Frizzi. Most pleasing of all was Fabio and a fellow guitarist gave a classical guitar performance in the event hall of many of his horror film compositions. Along with the talks from the hilarious, Garth Marenghi, and brilliant, Reece Shearsmith, Frizzi’s musical performance was one of the major highlights of the weekend.

If you love horror I can certainly recommend making the annual pilgrimage to the Magna Centre in the Rotherham area of Sheffield in the future. It has been going for over a decade now and grows ever popular.

Here is a slideshow selection of photos from the event.

Cinema, horror, Shudder

SHUDDER HORROR REVIEW: KING COHEN (2018)

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SHUDDER HORROR REVIEW: KING COHEN (2018)

Directed by Steve Mitchell

Featuring: Larry Cohen, J.J. Abrams, Rick Baker, Eric Bogosian, Richard J. Brewer, Jon Burlingame, Barbara Carrera, Joe Dante, James Dixon, F.X. Feeney, Robert Forster, Megan Gallagher, Mick Garris, Paul Glickman, Frederick King Keller, David Kern, Yaphet Kotto, Paul Kurta, John Landis, Laurene Landon, Traci Lords, Michael Moriarty, Daniel Pearl, Eric Roberts, Martin Scorsese, Nathaniel Thompson, Ryan Turek, Janelle Webb, Fred Williamson etc.

In England, where I grew up in the 1970’s, we used to used have only THREE television channels to choose from. Latterly in the 1980’s that increased to four. Now, we have what seems like millions of streaming and cable channels to choose from. They’re coming out of our ears and minds and from the skies and the darkened underground. Of course, we have the major channels such as Sky, Apple, BBC, ITV, Netflix, Disney + and Amazon, to but name a few, however, there are now specific streaming outlets geared toward whole genres.

One of these is Shudder – https://www.shudder.com/ – and they specialise in screening B-movies, video nasties, slasher, serial killer, monster, essential and non-essential horror films from past and present. Fellow blogger, Bobby Carroll, has recently been reviewing some of Shudder’s catalogue and I too will be doing the same. Check out his site here – it’s very good! So, over the last few weeks I have binged on so many horror films. Some are very good ones, some pretty bad ones and some just absolutely downright ugly releases. I guess one could consider me strange to immerse myself in so many horror films back-to-back; however, I love to be moved by fear and sickened with fright. Having said that the true terror on this Earth is happening out there in the real world. What occurs on the cinema or TV screen within the horror genre is actually an escape for me; albeit a gruesome, deathly and bloody one.

The first film I’d like to review is King Cohen (2018). It is a very lively jaunt through the career of independent filmmaker Larry Cohen. If you didn’t know Larry Cohen, he is one of the most prolific screenwriters ever. Born in 1941 in Washington Heights, New York, he began a stand-up career at the age of seventeen, before moving onto writing teleplays and TV scripts for CBS and NBC. Working within the TV and Hollywood system was creatively stifling for Cohen, so he decided to write, produce and direct his own films as a true independent. Examples of his directorial work include: Bone (1972), Black Caesar (1973), It’s Alive (1974), God Told Me To (1976), The Private Files of J. Edgar Hoover (1977), Q-The Winged Serpent (1982), The Stuff (1985), plus he wrote the screenplays for Best Seller (1987), Maniac Cop (1988), Phone Booth (2002) and Cellular (2004).        

As a tribute to Larry Cohen, who passed away last year, this is a tremendously lively and positive documentary about a true maverick filmmaker. Larry Cohen indeed features heavily in the interviews. He comes across as energetic, intelligent, funny and ballsy. Testimonies from Fred Williamson, Martin Scorsese, Joe Dante, Rick Baker, Eric Roberts and many, many more people who worked with Cohen bear witness to his prolific output and unorthodox ways of shooting films. Because he wanted control over his writing, many of his directorial releases were very low budget and he would often film in a guerrilla style on the streets of New York or even in his own house. He became famous for “stealing” scenes which included, unbeknown to them, the general public and NO film or work permits. I admired both his hubris and determination to tell his cinematic stories, and despite the lack of money his scripts were full of ingenuity, humour and much intelligence. Thus, if you love films about filmmaking and exploitation movies in general, then you should definitely check out King Cohen (2019) and Larry Cohen’s back catalogue of horrors too.

Mark: 8 out of 11